Pitchfork Media

Pitchfork Media
Pitchfork Media
Pitchfork Media Logo
URL pitchfork.com
Type of site Music webzine
Registration No
Owner Ryan Schreiber
Created by Ryan Schreiber
Launched 1995
Current status Active

Pitchfork Media, usually known simply as Pitchfork or P4k, is a Chicago-based daily Internet publication established in 1995 that is devoted to music criticism and commentary, music news, and artist interviews. Its focus is on underground and independent music,[1] especially indie rock. However, the range of musical genres covered extends to electronic, pop, hip hop, dance, folk, jazz, metal, and experimental music.



A previous Pitchfork logo

Pitchfork was created in Minneapolis, Minnesota in 1995 by Ryan Schreiber,[2] then just out of high school. Influenced by local fanzines and college radio station KUOM, Schreiber, who had no previous writing experience, aimed to provide the Internet with a regularly updated resource for independent music. At first bearing the name Turntable, the site was originally updated monthly with interviews and reviews. In May 1996, the site moved to the domain PitchforkMedia.com, began publishing daily, and was renamed "Pitchfork", a reference to Tony Montana's tattoo in the 1983 film Scarface.[3]

In early 1999, Schreiber uprooted Pitchfork from its Minneapolis base and relocated to Chicago, Illinois. By then, the site had expanded to four full-length album reviews daily, as well as sporadic interviews, features, and columns. It had also begun garnering a following for both its extensive coverage of underground music and its writing style, which was often unhindered by the conventions of print journalism. In October of that year, the site added a daily music news section. Early 2009 saw a complete renovation of the website's layout and a move to a new domain, Pitchfork.com.

In 2008, the book The Pitchfork 500: Our Guide to the Greatest Songs from Punk to the Present–edited and compiled by the Pitchfork staff and freelance writers–was released.


The Washington Post cited Pitchfork in having played a part in "breaking" artists such as Arcade Fire, Broken Social Scene, Clap Your Hands Say Yeah, and Modest Mouse.[4]

Conversely, Pitchfork has also been seen as being a negative influence on some indie artists. As suggested in a Washington Post article in April 2006, Pitchfork's reviews can have a significant influence on an album's popularity, especially if it had previously only been available to a limited audience or had been released on an independent record label. A dismissive 0.0 review of former Dismemberment Plan vocalist Travis Morrison's debut solo album Travistan led to a large sales drop and a virtual college radio blacklist. On the other hand, as one Washington Post reporter wrote, "an endorsement from Pitchfork – which dispenses its approval one-tenth of a point at a time, up to a maximum of 10 points – is very valuable, indeed."[3]


  • Arcade Fire is among the bands most commonly cited to have benefited from a Pitchfork review. In a 2005 Chicago Tribune article, a Merge Records employee stated, "After the Pitchfork review, Funeral went out of print for about a week because we got so many orders for the record."[5]
  • Clap Your Hands Say Yeah member Lee Sargent has discussed the impact of Pitchfork's influence on their album, saying, "The thing about a publication like Pitchfork is that they can decide when that happens. You know what I mean? They can say, 'We're going to speed up the process and this is going to happen...now!' And it was a kick in the pants for us, because we lost control of everything."[6]
  • Wired magazine has attributed the success of indie rock band Broken Social Scene to editor-in-chief Ryan Schreiber's hype-generating review of the band. Frontman Kevin Drew said that, following the review, "Everyone was coming up to us, saying, 'We heard about you from Pitchfork.' It basically opened the door for us. It gave us an audience", and that the band "suddenly found [themselves] selling out venues."[7]


One common complaint is that the site's journalism suffers from a narrow view of independent music, favoring lo-fi and often obscure indie rock and giving only cursory treatment to other genres.[8] Some critics have accused the site of rating albums from particular music scenes or artists more favorably in order to bolster its influence when the music becomes popular.[9]

The majority of criticism, however, is aimed at the site's album reviewing style, with the site being accused of often placing the emphasis on the reviewer's own writing and personal biases over the actual music being reviewed. Pitchfork is also known to give "0.0" ratings, deeming the work utterly worthless. One critic wrote that Pitchfork's "0.0" rating of a particular album amounts to no more than a "cheap publicity stunt" for a website that "thrives on controversy."[10]


  • When Pitchfork asked comedian David Cross to compile a list of his favorite albums, he instead provided them with a list of "Albums to Listen to While Reading Overwrought Pitchfork Reviews". In it, he satirically piled over-the-top praise on fictional indie rock records, mocking Pitchfork Media's reviewing style.[11]
  • In 2005, Aziz Ansari and Rob Heubel hosted an episode of the NYC TV indie music show New York Noise while pretending to be Pitchfork's editors in chief
  • In 2004, comedy website Something Awful created a parody of Pitchfork's front page. Entitled "RichDork Media", the page makes reference to nonexistent, obscure-sounding indie-rock bands in its reviews, news headlines and advertisements. The rating system measures music on its proximity to the band Radiohead.[12] A similar, more light-hearted parody was created by Sub Pop.[13]
  • On September 10, 2007, the satirical newspaper The Onion published a story in which Pitchfork Media founder and editor Ryan Schreiber reviews music as a whole, giving it a 6.8 out of 10.[14]
  • In Jeffrey Lewis' suicide-themed song entitled "So What?", after describing a failed jump from a bridge, he jokingly sings, "A large garbage barge comes and drops twenty tons of toxic waste on my face/And as I sink from the sun to whatever’s to come/My last sight is the bums who all change their signs into twos, threes, and ones/And after this discourse there’s a 3.6, of course it must be Pitchfork."[15]
  • On August 12, 2009, the pop culture website PopSense satirically reviewed an entire day's worth of Pitchfork content in the style of a Pitchfork review.[16][17][18]
  • In September 2009, Steamroller Media launched a website, seemingly devoted to satirizing Pitchfork. It also seems to be on hiatus since March 2010.[19]

Leaked music

In August 2006, a directory on Pitchfork's servers containing over 300 albums was compromised. A person managed to discover and download the collection, which included The Decemberists' The Crane Wife and TV on the Radio's Return to Cookie Mountain, both of which had previously leaked to peer-to-peer networks. Allegedly, one of the albums on the server, Joanna Newsom's Ys, had not been available previously on file-sharing networks.[20]

Deleted and changed reviews

Pitchfork has been criticized for deleting older reviews from their archive in an effort to keep up with the changing trends in indie music. One such example is the 9.5/10 review written for Save Ferris' album It Means Everything.[21]

Negative reviews of two By Divine Right albums were also removed from Pitchfork after members Brendan Canning and Leslie Feist became successful with the band Broken Social Scene and their own solo work. Steven Byrd's deleted review of By Divine Right's Bless This Mess, on which Canning and Feist play bass and guitar, went so far as to compare the band to "retard(s) with a guitar" who "wouldn't know Rock and Roll if she broke into their house and beat up their children," rating the album 1.8 out of ten.[22] After Belle & Sebastian's "comeback" in the mid-to-late 2000s, Pitchfork removed their 0.8-rated review of The Boy With the Arab Strap from the site.[23][24] The reviewer lambasted the band for writing songs that were "so sticky they should be hanging from Ben Stiller's ear, and I don't mean that in a good way."[25] The site has also removed its earlier reviews of three albums which it later rated 10.0/10: Boards of Canada's Music Has the Right to Children,[26] DJ Shadow's Endtroducing,[27] and Neutral Milk Hotel's In the Aeroplane Over the Sea.[28] Pitchfork originally gave the Flaming Lips concept album Zaireeka a scathing 0.0/10 in a review that also derided all Flaming Lips fans.[29] The review has since been deleted, and Pitchfork now praises the album.[30] Despite an initial 5.4/10 rating,[31] indicating a middling if not mediocre outing, Bright Eyes' 2000 release Fevers and Mirrors was later celebrated as one of the best of the decade in a list released after the band had reached new heights of critical and creative success.[32]


Pitchfork has been criticized directly by artists for misrepresentation, most famously in 2007 by the artist M.I.A. for what she later described as "perpetuating the male-led ingenue myth" with regard to her work.[33][34] Some have argued this is not isolated to Pitchfork in the music press, while this incident was later cited and similarly condemned by the artist Björk.[35]

Music festivals

Intonation Music Festival

In 2005, Pitchfork curated the Intonation Music Festival, attracting approximately 15,000 attendees to Chicago's Union Park for a two-day bill featuring performances by 25 acts, including Broken Social Scene, The Decemberists, The Go! Team, and a rare appearance by Les Savy Fav.

Pitchfork Music Festival

On July 29 and 30, 2006, the publication premiered its own Pitchfork Music Festival in Union Park, Chicago. The event attracted over 18,000 attendees per day. More than 40 bands performed at the inaugural festival, including Spoon and Yo La Tengo, as well as a rare headlining set by reunited Tropicália band Os Mutantes.[36]

The festival has been held every year since, and has featured artists such as Animal Collective, Fleet Foxes, Bon Iver, The National, The Hold Steady, !!!, Spoon, Ghostface Killah, Dinosaur Jr., Cat Power, Spiritualized, Mastodon, Yoko Ono, Stephen Malkmus, Vampire Weekend, De La Soul, Yo La Tengo, The New Pornographers, Of Montreal, Band of Horses, M. Ward, Iron and Wine, The Mountain Goats, Clipse, Girl Talk, Grizzly Bear, No Age, Ted Leo, Les Savy Fav, Devendra Banhart, Liars, and Deerhunter.

The 2009 festival, which took place in July, featured Built to Spill, The Jesus Lizard, Yo La Tengo, and Tortoise performing setlists voted on by attendees, as well as performances by The Flaming Lips, The National, Grizzly Bear, M83, The Walkmen, Yeasayer, Blitzen Trapper, The Black Lips, The Pains of Being Pure at Heart, Matt and Kim, and Pharoahe Monch.

All Tomorrow's Parties

In 2007, the Pitchfork Music Festival was expanded to three days (Friday, July 13 – Sunday, July 15), with the first day being a collaboration between Pitchfork and the UK-based production company All Tomorrow's Parties as part of the latter's "Don't Look Back" concert series, in which artists performed the content of albums in their entirety. Performers that evening included Sonic Youth playing Daydream Nation, Slint playing Spiderland, and GZA/Genius playing Liquid Swords. The collaboration continued in 2008, with Public Enemy, Sebadoh, and Mission of Burma.

Pitchfork also collaborated with All Tomorrow's Parties to co-curate the ATP vs Pitchfork festival in Camber Sands, UK.

Rating system

Pitchfork's music reviews use two different rating systems:

  • Album reviews are given a rating out of 10.0, specific to one decimal point.[37] In addition, certain notable albums are rewarded with a label of "Best New Music" or "Best New Reissue".
  • Individual track reviews were formerly ranked from 1 to 5 stars, but on January 15, 2007, the site introduced a new system called "Forkcast". In it, instead of assigning tracks a particular rating, reviewers labeled them: "New Music"; "Old Music"; "Video"; "Advanced Music"; "Rising"; "WTF"; their most favorably regarded songs, "On Repeat"; and for the least favored songs, "Delete". On March 12, 2009, Pitchfork switched back to an older system, rating songs in a range between 1 and 10 points.[citation needed] Since that time, Pitchfork has stopped using a numbered rating system for individual songs and has introduced a feature known as "Best New Tracks" which consists of a selection of notable recent songs.

Albums rated 10.0

Initial release:

Re-release and compilations:

Albums Rated 0.0


On April 7, 2008, Pitchfork Media launched Pitchfork.tv, a website displaying videos and original content related to independent music acts. On March 12, 2009, Pitchfork.tv was incorporated into Pitchfork's new domain, Pitchfork.com.

Pitchfork Album and Song of the Year winners

Pitchfork Album of the Year

Year Artist Album Source
2000 Radiohead Kid A [8]
2001 The Microphones The Glow Pt. 2 [9]
2002 Interpol Turn on the Bright Lights [10]
2003 The Rapture Echoes [11]
2004 Arcade Fire Funeral [12]
2005 Sufjan Stevens Illinois [13]
2006 The Knife Silent Shout [14]
2007 Panda Bear Person Pitch [15]
2008 Fleet Foxes Sun Giant/Fleet Foxes [16]
2009 Animal Collective Merriweather Post Pavilion [17]
2010 Kanye West My Beautiful Dark Twisted Fantasy [18]

Pitchfork Song of the Year

Year Artist Song Source
2003 Outkast "Hey Ya!" [19]
2004 Annie "Heartbeat" [20]
2005 Antony & The Johnsons "Hope There's Someone" [21]
2006 Justin Timberlake featuring T.I. "My Love" [22]
2007 LCD Soundsystem "All My Friends" [23]
2008 Hercules and Love Affair "Blind" [24]
2009 Animal Collective "My Girls" [25]
2010 Ariel Pink's Haunted Graffiti "Round and Round" [26]

Decade Lists Songs and Albums of the Year

These Song and Album of the Year positions are taken from Pitchfork's decade lists.

Decade List Albums of the Year

Bold indicates that album got a 'perfect' rating (10.0).

Year Artist Album Country of Origin Pitchfork Rating
1970 The Stooges Fun House  United States 9.4
1971 Sly and the Family Stone There's a Riot Goin' On  United States NA
1972 The Rolling Stones Exile on Main St.  England 10.0
1973 Stevie Wonder Innervisions  United States NA
1974 Brian Eno Here Come the Warm Jets  England 9.2
1975 Bob Dylan Blood on the tracks  United States NA
1976 Ramones Ramones  United States NA
1977 David Bowie Low  England NA
1978 Wire Chairs Missing  England 10.0
1979 The Clash London Calling  England 10.0
1980 Talking Heads Remain in Light  United States NA
1981 This Heat Deceit  England 9.0
1982 Michael Jackson Thriller  United States 7.2
1983 R.E.M. Murmur  United States 10.0
1984 Prince & The Revolution Purple Rain  United States NA
1985 Tom Waits Rain Dogs  United States NA
1986 The Smiths The Queen Is Dead  England NA
1987 Sonic Youth Daydream Nation  United States 10.0
1988 Pixies Surfer Rosa  United States NA
1989 Beastie Boys Paul's Boutique  United States 10.0
1990 Public Enemy Fear of a Black Planet  United States NA
1991 My Bloody Valentine Loveless  Ireland NA
1992 Pavement Slanted and Enchanted  United States 10.0
1993 Nirvana In Utero  United States NA
1994 Pavement Crooked Rain, Crooked Rain  United States 10.0
1995 Radiohead The Bends  England 10.0
1996 DJ Shadow Endtroducing.....  United States 10.0
1997 Radiohead OK Computer  England 10.0
1998 Neutral Milk Hotel In the Aeroplane over the Sea  United States 10.0
1999 The Flaming Lips The Soft Bulletin  United States 10.0
2000 Radiohead Kid A  England 10.0
2001 Daft Punk Discovery  France 6.4
2002 Wilco Yankee Hotel Foxtrot  United States 10.0
2003 Yeah Yeah Yeahs Fever to Tell  United States 7.4
2004 Arcade Fire Funeral  Canada 9.7
2005 Sufjan Stevens Illinois  United States 9.2
2006 The Knife Silent Shout  Sweden 8.6
2007 Panda Bear Person Pitch  United States 9.4
2008 Fleet Foxes Sun Giant EP/Fleet Foxes  United States 8.7/9.0
2009 Animal Collective Merriweather Post Pavilion  United States 9.6

Decade List Songs of the Year

Year Artist Song Country of Origin Source
1960 Ray Charles Georgia On My Mind  United States [27]
1961 Etta James At Last  United States [28]
1962 Roy Orbison Crying  United States [29]
1963 The Ronettes Be My Baby  United States [30]
1964 Sam Cooke A Change Is Gonna Come  United States [31]
1965 Bob Dylan Like A Rolling Stone  United States [32]
1966 The Beach Boys God Only Knows  United States [33]
1967 The Beatles A Day In The Life  England [34]
1968 Johnny Cash Folsom Prison Blues (Live at Folsom Prison)  United States [35]
1969 The Jackson 5 I Want You Back  United States [36]
1990 Depeche Mode Enjoy The Silence  England [37]
1991 My Bloody Valentine Only Shallow  Ireland [38]
1992 Dr. Dre [ft. Snoop Doggy Dogg] Nuthin' but a 'G' Thang  United States [39]
1993 Wu-Tang Clan Protect Ya Neck  United States [40]
1994 Pavement Gold Soundz  United States [41]
1995 Pulp Common People  England [42]
1996 Belle & Sebastian The State I Am In  Scotland [43]
1997 Radiohead Paranoid Android  England [44]
1998 Neutral Milk Hotel Holland, 1945  United States [45]
1999 Aphex Twin Windowlicker  England [46]
2000 OutKast B.O.B  United States [47]
2001 Missy Elliott Get Ur Freak On  United States [48]
2002 LCD Soundsystem Losing My Edge  United States [49]
2003 Beyoncé featuring Jay-Z Crazy in Love  United States [50]
2004 Arcade Fire Neighborhood #1 (Tunnels)  Canada [51]
2005 Gnarls Barkley Crazy  United States [52]
2006 Justin Timberlake My Love  United States [53]
2007 LCD Soundsystem All My Friends  United States [54]
2008 Hercules and Love Affair Blind  England [55]
2009 Animal Collective My Girls  United States [56]

Pitchfork Albums of the Decade

Bold indicates that the album got a 'perfect' score (10.0).

# Artist Album Country of Origin Rating
1970's David Bowie Low  England NA
1980's Sonic Youth Daydream Nation  United States 10.0
1990's Radiohead OK Computer  England 10.0
2000's Radiohead Kid A  England 10.0

Pitchfork Songs of the Decade

# Artist Song Country of Origin
1960's The Beach Boys God Only Knows  United States
1990's Pavement Gold Soundz  United States
2000's OutKast B.O.B.  United States

See also


  1. ^ Burns, Anna. "Pitchfork Media". ABC.net. http://www.abc.net.au/triplej/review/print/s1225869.htm. Retrieved 2006-10-29. 
  2. ^ "The 2009 Time 100 Finalists". Time. March 19, 2009. http://www.time.com/time/specials/packages/article/0,28804,1883644_1883653_1885468,00.html. Retrieved May 22, 2010. 
  3. ^ a b du Lac, Josh Freedom (April 30, 2006). "Giving Indie Acts A Plug, or Pulling It". The Washington Post. http://www.washingtonpost.com/wp-dyn/content/article/2006/04/28/AR2006042800457.html. Retrieved 2006-10-29. 
  4. ^ du Lac, Josh Freedo (April 30, 2006). "Giving Indie Acts A Plug, or Pulling It". The Washington Post. http://www.washingtonpost.com/wp-dyn/content/article/2006/04/28/AR2006042800457.html. Retrieved 2008-05-06. 
  5. ^ Kot, Greg (May 8, 2005). "Pitchfork e-zine tells indie fans what's hot and not". The Honolulu Advertiser. http://the.honoluluadvertiser.com/article/2005/May/08/il/il22p.html. Retrieved 2006-10-29. 
  6. ^ CR (June 2005). "Clap Your Hands Say Yeah Interview". Tiny Mix Tapes. http://www.tinymixtapes.com/Clap-Your-Hands-Say-Yeah,2746. Retrieved 2008-02-02. 
  7. ^ Itzkoff, Dave (September 2006). "The Pitchfork Effect". Wired. http://www.wired.com/wired/archive/14.09/pitchfork.html. 
  8. ^ Thomas, Lindsey (June 14, 2006). "The Pitchfork Effect". City Pages. http://www.citypages.com/2006-06-14/news/the-pitchfork-effect/. Retrieved 2006-10-30. 
  9. ^ Shaer, Matthew (2006-11-28). "Slate. "The Indie Music Site Everyone Loves to Hate"". Slate.com. http://www.slate.com/id/2154469. Retrieved 2011-01-30. 
  10. ^ "Dusted Features [ All Y'All Haters ]". Dustedmagazine.com. http://www.dustedmagazine.com/features/651. Retrieved 2011-01-30. 
  11. ^ Cross, David (May 5, 2005). "Albums to Listen to While Reading Overwrought Pitchfork Reviews". Pitchfork Media. http://pitchfork.com/features/guest-lists/6044-david-cross-albums-to-listen-to-while-reading-overwrought-pitchfork-reviews/. Retrieved 2011-09-04. 
  12. ^ "RichDork Media and Music Reviews and General Pretentiousness". Something Awful. 2004. Archived from the original on 2008-06-27. http://web.archive.org/web/20080627004409/http://www.somethingawful.com/fakesa/richdork/. Retrieved 2007-04-28. 
  13. ^ "Popdork Feature: The Dean's List". Sub Pop. 2004. Archived from the original on 2004-08-06. http://replay.waybackmachine.org/20040806183542/http://www.subpop.com/features/pdork/. Retrieved 2011-04-01. 
  14. ^ "Pitchfork Gives Music 6.8". The Onion. September 5, 2007. http://www.theonion.com/content/news/pitchfork_gives_music_6_8. Retrieved 2007-09-10. 
  15. ^ http://www.youtube.com/watch?v=f782bFHILPc
  16. ^ "A Pitchfork Review of a Day In Pitchfork", PopSense, August 12, 2009. Retrieved June 18, 2010.
  17. ^ "Honest Opinions or Hidden Agendas?", Topics in Digital Media, October 9, 2009. Retrieved June 18, 2010.
  18. ^ "Here's a Review OF Pitchfork's So Many Dynamos The Loud Wars Review", Riverfront Times, August 12, 2009. Retrieved June 18, 2010.
  19. ^ "Steamroller Media", Steamroller Media, September 1, 2009. Retrieved January 8, 2011.
  20. ^ Camille Dodero (2006-09-13). "The Joanna Newsom leak - Music". The Phoenix. http://www.thephoenix.com/article_ektid22637.aspx. Retrieved 2011-01-30. 
  21. ^ "Critical Differences: Pitchfork’s Lost Archives - Save Ferris Edition". Jonnyleather.com. 2010-04-27. http://jonnyleather.com/blog1/2010/04/critical-differences-pitchforks-lost-archives-save-ferris-edition/. Retrieved 2011-01-30. 
  22. ^ Steven Byrd, review (via Internet Archive)
  23. ^ Jason Josephes,[1] (via Internet Archive)
  24. ^ Belle & Sebastian Discography [2] (via Pitchfork Media)
  25. ^ Jason Josephes, [3] (via Internet Archive)
  26. ^ Ryan Schreiber, review (via Internet Archive)
  27. ^ M. Christian McDermott, review (via Internet Archive)
  28. ^ M. Christian McDermott, review (via Internet Archive)
  29. ^ Jason Josephes, [4] (via Internet Archive)
  30. ^ [5]
  31. ^ [6]
  32. ^ [7]
  33. ^ "Album Reviews: M.I.A.: Kala". Pitchfork. 2007-08-21. http://pitchfork.com/reviews/albums/10564-kala/. Retrieved 2011-01-30. 
  34. ^ Thomson, Paul (2007). "M.I.A. Confronts the Haters". Pitchforkmedia. http://www.pitchforkmedia.com/article/news/44529-mia-confronts-the-haters. Retrieved 2007-12-10. 
  35. ^ Nicholson, Rebecca (August 27, 2008). "Why Björk is right to stand up for female producers". The Guardian (London). http://www.guardian.co.uk/music/musicblog/2008/aug/27/whybjorkisrighttostickup. 
  36. ^ "Pitchfork Music Festival 2006". Pitchfork Media. August 2, 2006. http://pitchforkmedia.com/article/feature/37687/Pitchfork_Music_Festival_2006. Retrieved 2006-10-30. 
  37. ^ "Grampall Jookabox news: Pitchfork pricing strategy", 10 December 2008
  38. ^ "Album Reviews: ...And You Will Know Us by the Trail of Dead: Source Tags and Codes". Pitchfork. 2002-02-28. http://pitchfork.com/reviews/albums/178-source-tags-and-codes/. Retrieved 2011-01-30. 
  39. ^ "12 Rods: Gay?: Pitchfork Review". 2002-10-21. Archived from the original on 2002-10-21. http://web.archive.org/web/20021021014115/http://www.pitchforkmedia.com/record-reviews/t/twelve-rods/gay.shtml. Retrieved 2011-01-30. 
  40. ^ "Bonnie "Prince" Billy: I See a Darkness: Pitchfork Review". 2000-12-01. Archived from the original on 2000-12-01. http://web.archive.org/web/20001201214800/http://www.pitchforkmedia.com/record-reviews/b/billy_bonnieprince/i-see-a-darkness.shtml. Retrieved 2011-01-30. 
  41. ^ "Bob Dylan: The Bootleg Series, Vol. 4: Live 1966: The Royal Albert Hall Concert: Pitchfork Review". Archived from the original on 2002-10-21. http://web.archive.org/web/20021021010413/http://www.pitchforkmedia.com/record-reviews/d/dylan_bob/bootleg-series-volume-4.shtml. Retrieved 2011-01-30. 
  42. ^ "Flaming Lips: The Soft Bulletin: Pitchfork Review". 2002-10-02. Archived from the original on 2002-10-02. http://web.archive.org/web/20021002004827/http://www.pitchforkmedia.com/record-reviews/f/flaming-lips/soft-bulletin.shtml. Retrieved 2011-01-30. 
  43. ^ "Album Reviews: Robert Pollard: Relaxation of the Asshole". Pitchfork. 2005-04-20. http://pitchfork.com/reviews/albums/6383-relaxation-of-the-asshole/. Retrieved 2011-01-30. 
  44. ^ "Album Reviews: Radiohead: Kid A". Pitchfork. 2000-10-02. http://pitchfork.com/reviews/albums/6656-kid-a/. Retrieved 2011-01-30. 
  45. ^ http://web.archive.org/web/20010303103405/www.pitchforkmedia.com/record-reviews/r/radiohead/ok-computer.shtml
  46. ^ "Amon Tobin: Bricolage: Pitchfork Review". Archived from the original on 2003-02-24. http://web.archive.org/web/20030224105115/http://www.pitchforkmedia.com/record-reviews/t/tobin_amon/bricolage.shtml. Retrieved 2011-01-30. 
  47. ^ "Walt Mink: El Producto: Pitchfork Review". Archived from the original on 2003-02-24. http://web.archive.org/web/20030224104138/http://www.pitchforkmedia.com/record-reviews/w/walt-mink/el-producto.shtml. Retrieved 2011-01-30. 
  48. ^ "Album Reviews: Kanye West: My Beautiful Dark Twisted Fantasy". Pitchfork. 2010-11-22. http://pitchfork.com/reviews/albums/14880-my-beautiful-dark-twisted-fantasy/. Retrieved 2011-01-30. 
  49. ^ "Album Reviews: Wilco: Yankee Hotel Foxtrot". Pitchfork. 2002-04-21. http://pitchfork.com/reviews/albums/8676-yankee-hotel-foxtrot/. Retrieved 2011-01-30. 
  50. ^ "Album Reviews: Pavement: Crooked Rain, Crooked Rain: LA's Desert Origins". Pitchfork. 2004-10-25. http://pitchfork.com/reviews/albums/6200-crooked-rain-crooked-rain-las-desert-origins/. Retrieved 2011-01-30. 
  51. ^ "Album Reviews: Pavement: Quarantine the Past". Pitchfork. 2010-03-08. http://pitchfork.com/reviews/albums/14002-quarantine-the-past/. Retrieved 2011-01-30. 
  52. ^ "Album Reviews: Pavement: Slanted & Enchanted: Luxe & Reduxe". Pitchfork. 2002-11-01. http://pitchfork.com/reviews/albums/8969-slanted-enchanted-luxe-reduxe/. Retrieved 2011-01-30. 
  53. ^ http://pitchfork.com/features/articles/8017-time-capsule/6/

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  • Pitchfork Media — www.pitchfork.com Kommerziell Ja Beschreibung …   Deutsch Wikipedia

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  • Pitchfork — Media Pitchfork Media, ou communément Pitchfork est un magazine musical de langue anglaise, basé à Chicago, Illinois, États Unis. Il est publié quotidiennement sur internet depuis 1996 et se spécialise dans la critique de musique indépendante,… …   Wikipédia en Français

  • Pitchfork — URL: pitchfork.com Тип сайта: Музыкальный электронный ж …   Википедия

  • Pitchfork Music Festival — The Pitchfork Music Festival is an annual summer music festival organized by Pitchfork Media held in Union Park, Chicago.History2006The fest drew more than 35,000 visitors July 29 and 30, 2006. The two main stages featured a variety of popular… …   Wikipedia

  • Pitchfork (disambiguation) — A pitchfork is a long handled tool with sharp, widely spaced prongs for lifting and pitching (throwing) loose material such as hay or dung.Pitchfork can also refer to:*Pitchfork Media, an internet publication covering music *Pitchfork (band), an… …   Wikipedia

  • Pitchfork — Der Begriff Pitchfork bezeichnet: ein Hilfsmittel beim Golf, siehe Pitchgabel umgangssprachlich die deutsche Musikgruppe Project Pitchfork umgangssprachlich die Musikwebseite Pitchfork Media Diese Seite ist …   Deutsch Wikipedia

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