Chinese culture

Chinese culture
A Chinese opera (Beijing opera) performance in Beijing.

Chinese culture is one of the world's oldest and most complex.[1][2] The area in which the culture is dominant covers a large geographical region in eastern Asia with customs and traditions varying greatly between towns, cities and provinces. Important components of Chinese culture includes literature, music, visual arts, martial arts, cuisine, etc.

Contents

People in the culture

People in imperial China during silk production - Qing dynasty

Identity

Today there are 56 distinct recognized ethnic groups in China.[3] In terms of numbers however, the pre-eminent ethnic group is the Han Chinese. Throughout history, many groups have been assimilated into neighboring ethnicities or disappeared without a trace. At the same time, many within the Han identity have maintained distinct linguistic and regional cultural traditions. The term Zhonghua Minzu has been used to describe the notion of Chinese nationalism in general. Much of the traditional identity within the community has to do with distinguishing the family name.

Regional

Traditional Chinese Culture covers large geographical territories, where each region is usually divided into distinct sub-cultures. Each region is often represented by three ancestral items. For example Guangdong is represented by chenpi, aged ginger and hay.[4][5] Others include ancient cities like Lin'an (Hangzhou), which include tea leaf, bamboo shoot trunk and hickory nut.[6] Such distinctions give rise to the old Chinese proverb: "十里不同風,百里不同俗/十里不同风,百里不同俗" (Shí lǐ bùtóng fēng, bǎi lǐ bùtóng sú), literally "the wind varies within ten li, customs vary within a hundred li."""

Society

Gold detailing on a throne used by the Qianlong Emperor. The Chinese dragon was a symbol reserved for the Emperor of China or high level imperial families during the Qing Dynasty

Structure

Since the Three Sovereigns and Five Emperors period, some form of Chinese monarch has been the main ruler above all. Different periods of history have different names for the various positions within society. Conceptually each imperial or feudal period is similar, with the government and military officials ranking high in the hierarchy, and the rest of the population under regular Chinese law.[7] From the late Zhou Dynasty (1046–256 BCE) onwards, traditional Chinese society was organized into a hierarchic system of socio-economic classes known as the four occupations.

However, this system did not cover all social groups while the distinctions between all groups became blurred ever since the commercialization of Chinese culture in the Song Dynasty (960–1279 CE). Ancient Chinese education also has a long history; ever since the Sui Dynasty (581–618 CE) educated candidates prepared for the Imperial examinations which drafted exam graduates into government as scholar-bureaucrats.

This led to the creation of a meritocracy, although success was available only to males who could afford test preparation. Imperial examinations required applicants to write essays and demonstrate mastery of the Confucian classics. Those who passed the highest level of the exam became elite scholar-officials known as jinshi, a highly esteemed socio-economic position. Trades and crafts were usually taught by a shifu. The female historian Ban Zhao wrote the Lessons for Women in the Han Dynasty and outlined the four virtues women must abide to, while scholars such as Zhu Xi and Cheng Yi would expand upon this. Chinese marriage and Taoist sexual practices are some of the customs and rituals found in society.

Values

Most social values are derived from Confucianism and Taoism. The subject of which school was the most influential is always debated as many concepts such as Neo-Confucianism, Buddhism and many others have come about. Reincarnation and other rebirth concept is a reminder of the connection between real-life and the after-life. In Chinese business culture, the concept of guanxi, indicating the primacy of relations over rules, has been well documented.[8]

Confucianism was the official philosophy throughout most of Imperial China's history, and mastery of Confucian texts was the primary criterion for entry into the imperial bureaucracy. A number of more authoritarian strains of thought have also been influential, such as Legalism.

There was often conflict between the philosophies, e.g. the Song Dynasty Neo-Confucians believed Legalism departed from the original spirit of Confucianism. Examinations and a culture of merit remain greatly valued in China today. In recent years, a number of New Confucians (not to be confused with Neo-Confucianism) have advocated that democratic ideals and human rights are quite compatible with traditional Confucian "Asian values".[9]

With the rise of European economic and military power beginning in the mid-19th century, non-Chinese systems of social and political organization gained adherents in China. Some of these would-be reformers totally rejected China's cultural legacy, while others sought to combine the strengths of Chinese and European cultures. In essence, the history of 20th-century China is one of experimentation with new systems of social, political, and economic organization that would allow for the reintegration of the nation in the wake of dynastic collapse.

Language

Chinese calligraphy written by Song Dynasty (1051-1108 CE) poet Mi Fu

The ancient written standard was Classical Chinese. It was used for thousands of years, but was mostly reserved for scholars and intellectuals which forms the "top" class of the society called "shi da fu (士大夫)". Calligraphy later became commercialized, and works by famous artists became prized possessions. Chinese literature has a long past; the earliest classic work in Chinese, the I Ching or "Book of Changes" dates to around 1000 BC. A flourishing of philosophy during the Warring States Period produced such noteworthy works as Confucius's Analects and Laozi's Tao Te Ching. (See also: the Chinese classics.) Dynastic histories were often written, beginning with Sima Qian's seminal Records of the Grand Historian, which was written from 109 BC to 91 BC.

The Tang Dynasty witnessed a poetic flowering, while the Four Great Classical Novels of Chinese literature were written during the Ming and Qing Dynasties. Printmaking in the form of movable type was developed during the Song Dynasty. Academies of scholars sponsored by the empire were formed to comment on the classics in both printed and handwritten form. Royalty frequently participated in these discussions as well. Chinese philosophers, writers and poets were highly respected and played key roles in preserving and promoting the culture of the empire. Some classical scholars, however, were noted for their daring depictions of the lives of the common people, often to the displeasure of authorities.

By the 20th century, millions of citizens , especially those outside of the "shi da fu" social class were still illiterate.[7] Only after the May 4th Movement did the push for written vernacular Chinese begin. This allowed common citizens to read since it was modeled after the linguistics and phonology of the standard spoken language. Nowadays there are many different dialects among different regions. These dialects are just like "local codes". People could not understand each other if they are not from related areas.

Mythology and spirituality

A Luohan, one of the spiritual figures of Chinese Buddhism.
Chinese calligraphy, a combination of Chinese art.

Chinese religion was originally oriented to worshipping the supreme god Shang Di during the Xia and Shang dynasties, with the king and diviners acting as priests and using oracle bones. The Zhou dynasty oriented it to worshipping the broader concept of heaven. A large part of Chinese culture is based on the notion that a spiritual world exists. Countless methods of divination have helped answer questions, even serving as an alternate to medicine. Folklores have helped fill the gap for things that cannot be explained. There is often a blurred line between myth, religion and unexplained phenomenon.

While many deities are part of the tradition, some of the most recognized holy figures include Guan Yin, Jade Emperor and Buddha. Many of the stories have since evolved into traditional Chinese holidays. Other concepts have extended to outside of mythology into spiritual symbols such as Door god and the Imperial guardian lions. Along with the belief of the holy, there is also the evil. Practices such as Taoist exorcism fighting mogwai and jiang shi with peachwood swords are just some of the concepts passed down from generations. A few Chinese fortune telling rituals are still in use today after thousands of years of refinement.

Literature

Chinese literature began with record keeping and divination on Oracle Bones. The extensive collection of books that have been preserved since the Zhou Dynasty demonstrate just how advanced the intellectuals were at one time. Indeed, the era of the Zhou Dynasty is often looked to as the touchstone of Chinese cultural development. The Five Cardinal Points are the foundation for almost all major studies. Concepts covered within the Chinese classic texts present a wide range of subjects including poetry, astrology, astronomy, calendar, constellations and many others. Some of the most important early texts include I Ching and Shujing within the Four Books and Five Classics. Many Chinese concepts such as Yin and Yang, Qi, Four Pillars of Destiny in relation to heaven and earth were all theorized in the dynastic periods.

The Song Dynasty was also a period of great scientific literature, and saw the creation of works such as Su Song's Xin Yixiang Fayao and Shen Kuo's Dream Pool Essays. There were also enormous works of historiography and large encyclopedias, such as Sima Guang's Zizhi Tongjian of 1084 AD or the Four Great Books of Song fully compiled and edited by the 11th century. Notable confucianists, taoists and scholars of all classes have made significant contributions to and from documenting history to authoring saintly concepts that seem hundred of years ahead of time. Many novels such as Four Great Classical Novels spawned countless fictional stories. By the end of the Qing Dynasty, Chinese culture would embark on a new era with written vernacular Chinese for the common citizens. Hu Shih and Lu Xun would be pioneers in modern literature.

Music

A performer of Chinese opera

The music of China dates back to the dawn of Chinese civilization with documents and artifacts providing evidence of a well-developed musical culture as early as the Zhou Dynasty (1122 BCE - 256 BCE). Some of the oldest written music dates back to Confucius's time. The first major well-documented flowering of Chinese music was for the qin during the Tang Dynasty, although the instrument is known to have played a major part before the Han Dynasty.

There are many musical instruments that are integral to Chinese culture, such as the zheng (zither with movable bridges), qin (bridgeless zither), sheng and xiao (vertical flute), the erhu (alto fiddle or bowed lute), pipa (pear-shaped plucked lute), and many others.

Arts

A Tang Dynasty tri-color Chinese glazed horse circa 700 CE

Different forms of art have swayed under the influence of great philosophers, teachers, religious figures and even political figures. Chinese art encompasses all facets of fine art, folk art and performance art. Porcelain pottery was one of the first forms of art in the Palaeolithic period. Early Chinese music and poetry was influenced by the Book of Songs, and the Chinese poet and statesman Qu Yuan.

Chinese painting became a highly appreciated art in court circles encompassing a wide variety of Shan shui with specialized styles such as Ming Dynasty painting. Early Chinese music was based on percussion instruments, which later gave away to stringed and reed instruments. By the Han dynasty papercutting became a new art form after the invention of paper. Chinese opera would also be introduced and branched regionally in additional to other performance formats such as variety arts.

Martial arts

Demonstrating Kung Fu at Daxiangguo Monastery, Kaifeng, Henan.

China is one of the main birth places of Eastern martial arts. Chinese martial arts are collectively given the name Kung Fu ((gong) "achievement" or "merit", and (fu) "man", thus "human achievement") or (previously and in some modern contexts) Wushu ("martial arts" or "military arts"). China also includes the home to the well-respected Shaolin Monastery and Wudang Mountains. The first generation of art started more for the purpose of survival and warfare than art. Over time, some art forms have branched off, while others have retained a distinct Chinese flavor. Regardless, China has produced some of the most renowned martial artists including Wong Fei Hung and many others. The arts have also co-existed with a variety of weapons including the more standard 18 arms. Legendary and controversial moves like Dim Mak are also praised and talked about within the culture.

Fashion

Men and women in xuanduan formal wear at a Confucian ceremony in China
A north corner of Forbidden City, featuring classic construction style

Different social classes in different eras boast different fashion trends, the colour yellow is usually reserved for the emperor. China's fashion history covers hundreds of years with some of the most colourful and diverse arrangements. During the Qing Dynasty, China's last imperial dynasty dramatic shift of clothing occurred, the clothing of the era before the Qing Dynasty is referred to as Hanfu or traditional Han Chinese clothing. Many symbols such as phoenix have been used for decorative as well as economic purposes.

Architecture

Chinese architecture, examples for which can be found from over 2,000 years ago, has long been a hallmark of the culture. There are certain features common to Chinese architecture, regardless of specific region or use. The most important is its emphasis on width, as the wide halls of the Forbidden City serve as an example. In contrast, Western architecture emphasize on height, though there are exceptions such as pagodas.

Another important feature is symmetry, which connotes a sense of grandeur as it applies to everything from palaces to farmhouses. One notable exception is in the design of gardens, which tends to be as asymmetrical as possible. Like Chinese scroll paintings, the principle underlying the garden's composition is to create enduring flow, to let the patron wander and enjoy the garden without prescription, as in nature herself. Feng shui has played an important part in structural development.

Cuisine

The overwhelmingly large variety of Chinese cuisine comes mainly from the practice of dynastic period, when emperors would host banquets with 100 dishes per meal.[10] A countless number of imperial kitchen staff and concubines were involved in the food preparation process. Over time, many dishes became part of the everyday-citizen culture. Some of the highest quality restaurants with recipes close to the dynastic periods include Fangshan restaurant in Beihai Park Beijing and the Oriole Pavilion.[10] Arguably all branches of Hong Kong eastern style or even American Chinese food are in some ways rooted from the original dynastic cuisines.

Leisure

A number of games and pastimes are popular within Chinese culture. The most common game is Mah Jong. The same pieces are used for other styled games such as Shanghai Solitaire. Others include Pai Gow, Pai gow poker and other bone domino games. Weiqi and Xiangqi are also popular. Ethnic games like Chinese yo-yo are also part of the culture.

Gallery

See also

References

  1. ^ "Chinese Dynasty Guide - The Art of Asia - History & Maps". Minneapolis Institute of Art. http://www.artsmia.org/art-of-asia/history/chinese-dynasty-guide.cfm. Retrieved 10 October 2008. 
  2. ^ "Guggenheim Museum - China: 5,000 years". Solomon R. Guggenheim Foundation & Solomon R. Guggenheim Museum. 6 February 1998 to 1998-06-03. http://pastexhibitions.guggenheim.org/china/index.html. Retrieved 10 October 2008. 
  3. ^ Chinatraveldepot.com. "Chinatraveldepot.com." Fifty-six Ethnic Groups in China 1 June 2009.
  4. ^ Huaxia.com. "Huaxia.com." 廣東三寶之一 禾稈草. Retrieved on 20 June 2009.
  5. ^ RTHK. "RTHK.org." 1/4/2008 three treasures. Retrieved on 20 June 2009.
  6. ^ Xinhuanet.com. "Xinhuanet.com." 說三與三寶. Retrieved on 20 June 2009.
  7. ^ a b Mente, Boye De. [2000] (2000). The Chinese Have a Word for it: The Complete Guide to Chinese thought and Culture. McGraw-Hill Professional. ISBN 0-658-01078-6
  8. ^ Alon, Ilan, ed. (2003), Chinese Culture, Organizational Behavior, and International Business Management, Westport, Connecticut: Praeger Publishers.
  9. ^ Bary, Theodore de. "Constructive Engagement with Asian Values". Archived from the original on 2005-03-11. http://web.archive.org/web/20050311041507/http://www.columbia.edu/cu/ccba/cear/issues/fall97/graphics/special/debary/debary.htm. . Columbia University.
  10. ^ a b Kong, Foong, Ling. [2002]. The Food of Asia. Tuttle Publishing. ISBN 0-7946-0146-4

External links


Wikimedia Foundation. 2010.

Игры ⚽ Нужно сделать НИР?

Look at other dictionaries:

  • Chinese Culture University — 中國文化大學 Campus Buildings, Chinese Culture University Established 1962 Type …   Wikipedia

  • Chinese Culture and Movie Center — Location Taipei, Taiwan Coordinates …   Wikipedia

  • Chinese Culture Holiday Hotel — (Пекин,Китай) Категория отеля: 3 звездочный отель Адрес: No. 1 Dafosi …   Каталог отелей

  • Chinese Culture Holiday Hotel - Nanluoguxiang — (Пекин,Китай) Категория отеля: 3 звездочный отель Адрес …   Каталог отелей

  • Chinese Culture Center — The Chinese Culture Center (Chinese: 舊金山中華文化中心) of San Francisco, California, USA, is a major community based, non profit organization established in 1965 to foster the understanding and appreciation of Chinese and Chinese American art, history,… …   Wikipedia

  • Centre of Chinese Culture and Arts — (CCCA, Chinese: 匈中文化艺术中心, pinyin: Xiong Zhong Wen Hua Yi Shu Zhong Xin) is a non profit making organization established by Hungarians, a community of people who share a great interest in getting to know Chinese culture and traditions, through… …   Wikipedia

  • Ghosts in Chinese culture — An image of Zhong Kui, the vanquisher of ghosts and evil beings, painted sometime before 1304 A.D. by Gong Kai. There are many references to ghosts in Chinese culture. Even Confucius said, Respect ghosts and gods, but keep away from them. [1] The …   Wikipedia

  • Color in Chinese culture — refers to the various colors that are considered auspicious (吉利) or inauspicious (不利). The Chinese character for color is 顏色 (yánsè). In ancient China, the character more accurately meant color in the face. During the Tang Dynasty, yánsè began to …   Wikipedia

  • Numbers in Chinese culture — In Chinese culture, certain numbers are believed by some to be auspicious (吉利) or inauspicious (不利) based on the Chinese word that the number name sounds similar to. However some Chinese people regard these beliefs to be superstitions. Lucky… …   Wikipedia

  • Mogwai (Chinese culture) — For other uses, see Mogwai (disambiguation). The word mogwai is the transliteration of the Cantonese word 魔怪 (Jyutping: mo1 gwaai3) (Mandarin Chinese: 魔鬼; pinyin: móguǐ) meaning monster , evil spirit , devil or demon . Mogwai/Mogui in Chinese… …   Wikipedia

Share the article and excerpts

Direct link
Do a right-click on the link above
and select “Copy Link”