- Villain
-
"Bad guy" redirects here. For the 2002 South Korean film, see Bad Guy (film).For other uses, see Villain (disambiguation).
A villain (also known in film and literature as the "bad guy", "black hat", or "heavy") is an "evil" character in a story, whether a historical narrative or, especially, a work of fiction. The villain usually is the antagonist, the character who tends to have a negative effect on other characters. A female villain is sometimes called a villainess (often to differentiate her from a male villain). Random House Unabridged Dictionary defines villain as "a cruelly malicious person who is involved in or devoted to wickedness or crime; scoundrel; or a character in a play, novel, or the like, who constitutes an important evil agency in the plot".[1]
Contents
Etymology
Villain comes from the Anglo-French and Old French vilein, which itself descends from the Late Latin word villanus, meaning "farmhand",[2] in the sense of someone who is bound to the soil of a villa, which is to say, worked on the equivalent of a plantation in Late Antiquity, in Italy or Gaul.[3] It referred to a person of less than knightly status and so came to mean a person who was not chivalrous. As a result of many unchivalrous acts, such as treachery or rape, being considered villainous in the modern sense of the word, it became used as a term of abuse and eventually took on its modern meaning.[4]
Folk and fairy tales
Vladimir Propp, in his analysis of the Russian fairy tales, concluded that a fairy tale had only eight dramatis personae, of which one was the villain,[5] and his analysis has been widely applied to non-Russian tales. The actions that fell into a villain's sphere were:
- a story-initiating villainy, where the villain caused harm to the hero or his family
- a conflict between the hero and the villain, either a fight or other competition
- pursuing the hero after he has succeeded in winning the fight or obtaining something from the villain
None of these acts necessarily occurs in a fairy tale, but when any of them do, the character that performs the act is the villain. The villain therefore could appear twice: once in the opening of the story, and a second time as the person sought out by the hero.[6]
When a character performed only these acts, the character was a pure villain. Various villains also perform other functions in a fairy tale; a witch who fought the hero and ran away, and who lets the hero follow her, is also performing the task of "guidance" and thus acting as a helper.[7]
The functions could also be spread out among several characters. If a dragon acted as the villain, but was killed by the hero, another character (such as the dragon's sisters) might take on the role of the villain and pursue the hero.[7]
Two other characters could appear in roles that are villainous in the more general sense. One is the false hero: this character is always villainous, presenting a false claim to be the hero that must be rebutted for the happy ending.[8] Among these characters are Cinderella's stepsisters, chopping off parts of their feet to fit on the shoe.[9] Another character, the dispatcher, sends a hero on his quest. This might be an innocent request, to fulfil a legitimate need, but the dispatcher might also, villainously, lie to send a character on a quest in hopes of being rid of him.[10]
Villainous foil
In fiction, villains commonly function in the dual role of adversary and foil to the story's heroes. In their role as adversary, the villain serves as an obstacle the hero must struggle to overcome. In their role as foil, the villain exemplifies characteristics that are diametrically opposed to those of the hero, creating a contrast distinguishing heroic traits from villainous ones.[citation needed] Others[who?] point out that many acts of villains have a hint of wish-fulfillment,[11] which makes some people identify with them as characters more strongly than with the heroes. Because of this, a convincing villain must be given a characterization that makes his or her or its (see HAL 9000) motive for doing wrong convincing, as well as being a worthy adversary to the hero. As put by film critic Roger Ebert:
"Each film is only as good as its villain. Since the heroes and the gimmicks tend to repeat from film to film, only a great villain can transform a good try into a triumph."[12]
Portraying and employing villains in fiction
Tod Slaughter always portrayed villainous characters on both stage and screen in a melodramatic manner, with mustache-twirling, eye-rolling, leering, cackling, and hand-rubbing (however, this often failed to translate well from stage to screen).[13][14] Brad Warner states that "only cartoon villains cackle with glee while rubbing their hands together and dream of ruling the world in the name of all that is wicked and bad".[15] Ben Bova recommends to authors that their works not contain villains. He states, in his Tips for writers:
"In the real world there are no villains. No one actually sets out to do evil. Fiction mirrors life. Or, more accurately, fiction serves as a lens to focus what we know of life and bring its realities into sharper, clearer understanding for us. There are no villains cackling and rubbing their hands in glee as they contemplate their evil deeds. There are only people with problems, struggling to solve them."[16]
David Lubar adds:
"This is a brilliant observation that has served me well in all my writing. (The bad guy isn't doing bad stuff so he can rub his hands together and snarl.) He may be driven by greed, neuroses, or the conviction that his cause is just, but he's driven by something not unlike the things that drive a hero."[17]
See also
- Evil Genius (video game)
- Filmfare Award for Best Performance in a Negative Role. Since 1991, Bollywood recognizes the best actors portraying a villain.
- Mad scientist
- Supervillain
- Heel (professional wrestling)
- List of soap opera villains
References
- ^ Random House Unabridged Dictionary Web Result. Retrieved from http://dictionary.reference.com/browse/villain.
- ^ Robert K. Barnhart, ed (1988). Chambers Dictionary of Etymology. New York: Chambers Harrap Publishers. pp. 1204. ISBN 0-550-14230-4.
- ^ David B. Guralnik, ed (1984). Webster's New World Dictionary. New York: Simon and Schuster.
- ^ C. S. Lewis (1960). Studies in Words. Cambridge University Press.
- ^ Vladimir Propp, Morphology of the Folk Tale, p 79 ISBN 0-292-78376-0
- ^ Vladimir Propp, Morphology of the Folk Tale, p 84 ISBN 0-292-78376-0
- ^ a b Vladimir Propp, Morphology of the Folk Tale, p 81 ISBN 0-292-78376-0
- ^ Vladimir Propp, Morphology of the Folktale, p60, ISBN 0-292-78376-0
- ^ Maria Tatar, The Annotated Brothers Grimm, p 136 ISBN 0-393-05848-4
- ^ Vladimir Propp, Morphology of the Folktale, p77, ISBN 0-292-78376-0
- ^ Das, Sisir Kumar (1995). A History of Indian Literature: 1911-1956, p 416. Retrieved from http://books.google.com/books?id=sqBjpV9OzcsC&pg=PA416&lpg=PA416&dq=archetype+villains,+%22wish+fulfillment%22&source=web&ots=D88bD2p9Ih&sig=QinMvLWyin7usw-bDdfmTSTulcE&hl=en&sa=X&oi=book_result&resnum=4&ct=result.
- ^ Review of Star Trek II: The Wrath of Khan by Roger Ebert.
- ^ Bryan Senn (1996). Golden Horrors: An Illustrated Critical Filmography of Terror Cinema, 1931–1939. McFarland. pp. 481. ISBN 0786401753.
- ^ Jeffrey Richards (2001). The Unknown 1930s. I.B.Tauris. pp. 150. ISBN 186064628X.
- ^ Brad Warner (2007). Sit Down and Shut Up. New World Library. pp. 119. ISBN 1577315596.
- ^ Ben Bova (2008-01-28). "Tips for writers". benbova.com. pp. 2. http://benbova.com/tips2.html. Retrieved 2008-12-05.
- ^ "Villains Don’t Always Wear Black". Revision Notes. Darcy Pattison. 2008-01-28. http://darcypattison.com/characters/villains-dont-always-wear-black/.
External links
Stock characters and character archetypes Heroes Antiheroes - Byronic hero
- Bad boy
- Gentleman thief
- Lovable rogue
- Reluctant hero
Villains Miscellaneous - Absent-minded professor
- Archimime
- Archmage
- Artist-scientist
- Bible thumper
- Bimbo
- Black knight
- Blonde stereotype
- Cannon fodder
- Caveman
- Damsel in distress
- Dark Lady
- Donor
- Elderly martial arts master
- Fairy godmother
- Farmer's daughter
- Girl next door
- Grande dame
- Grotesque
- Gunfighter
- Hag
- Handmaiden
- Hawksian woman
- Hooker with a heart of gold
- Hotshot
- Ingenue
- Jewish lawyer
- Jewish mother
- Jewish-American princess
- Jock
- Jungle Girl
- Killbot
- Knight-errant
- Legacy Hero
- Loathly lady
- Lovers
- Magical girlfriend
- Magical Negro
- Mammy archetype
- Manic Pixie Dream Girl
- Mary Sue
- Miles Gloriosus
- Miser
- Mistress
- Nerd
- Nice guy
- Nice Jewish boy
- Noble savage
- Petrushka
- Princess and dragon
- Princesse lointaine
- Rake
- Redshirt
- Romantic interest
- Stage Irish
- Superfluous man
- Town drunk
- Tsundere
- Unseen character
- Yokel
- Youxia
- Literature portal
- Stereotypes
Narrative Character Plot Climax · Conflict · Dénouement · Dialogue · Dramatic structure · Exposition · Falling action · Plot device · Subplot · Trope-ClichéSetting Theme Style Diction · Figure of speech · Imagery · Literary technique · Narrative mode · Stylistic device · Suspension of disbelief · Symbolism · ToneForm Fable-Parable · Fabliaux · Fairy tale · Flash story · Folktale-Legend · Hypertext · Novel · Novella · Play · Poem · Screenplay · Short story · List of narrative formsGenre Adventure · Comic · Crime · Docufiction · Epistolary · Erotic · Faction · Fantasy · Historical · Horror · Magic realism · Mystery · Paranoid · Philosophical · Political · Romance · Saga · Satire · Science · Speculative · Superhero · Thriller · UrbanNarrator Alternating person · First-person · Second-person · Third-person · Third-person limited · Third-person objective · Third-person omniscient · Third-person subjective · Stream of consciousness · UnreliableTense Medium Related Categories:- Antagonists by role
Wikimedia Foundation. 2010.