- Broken (EP)
Broken EP by Nine Inch Nails Released September 22, 1992 Recorded March–August 1992 in various locations Genre Industrial metal Length 33:09 Label Nothing/TVT Producer Trent Reznor, Flood Nine Inch Nails chronology Pretty Hate Machine
Singles from Broken
Broken is an extended play release by American industrial rock act Nine Inch Nails, released on September 22, 1992. Produced by Nine Inch Nails frontman Trent Reznor and Flood, the EP is considerably heavier and takes influence from industrial metal and noise rock, rather than the primitive electronica style in Pretty Hate Machine, which was oriented towards synthpop.
Promotion of the EP was troubled. The music videos that accompanied 5 of the 8 total tracks were widely cluttered from television airplay due to their disturbing content. Nevertheless, "Wish" won the 1993 Grammy Award for Best Metal Performance and "Happiness in Slavery" in 1995. As part of the act's elevation to mainstream success, Broken debuted to generally positive reactions, and peaked at number 7 on the Billboard 200 chart. A companion remix EP, Fixed, was released in late 1992.
After the commercial and critical success of Pretty Hate Machine (1989), TVT Records, the first record label to sign the band, pressured Trent Reznor to record a similar album that had potential successful singles. Steve Gottlieb, the CEO of TVT Records, was insistent that he would not release anything other than an album much like Pretty Hate Machine. Reznor demanded his label terminate his contract, due to their hindering control over his creativity of the Nine Inch Nails project, but they ignored his plea.
He then objected to the label's attempted interference with his intellectual property. This much-publicized feud with TVT led Reznor to use a variety of monikers for the production of his next studio release. Reznor later said that he hated TVT, somewhat due to their classification of Nine Inch Nails as a synthpop band, and reached a deal with the record label that he'd sign to Interscope Records:
We made it very clear we were not doing another record for TVT. But they made it pretty clear they weren't ready to sell. So I felt like, well, I've finally got this thing going but it's dead. Flood and I had to record Broken under a different band name, because if TVT found out we were recording, they could confiscate all our shit and release it. Jimmy Iovine got involved with Interscope, and we kind of got slave-traded. It wasn't my doing. I didn't know anything about Interscope. And I was real pissed off at him at first because it was going from one bad situation to potentially another one. But Interscope went into it like they really wanted to know what I wanted. It was good, after I put my raving lunatic act on.
Reznor secretly made the then untitled recording under various pseudonyms to avoid record company interference. English record producer Flood, who produced "Head Like a Hole" and "Terrible Lie", the first two tracks on Pretty Hate Machine (1989), returned to work in 1992 on the EP for "Wish," "Last," and "Gave Up."
Reznor preferred to use a Zoom pedal for his Jackson guitar at nearly all times. He would convert these recordings into audio files via a Digidesign program on a Macintosh computer. As Reznor explains in retrospect: "Broken [...] had a lot of the super-thick chunk sound, and almost every guitar sound on that record was [tapes consisting of] me playing through an old Zoom pedal and then going direct into Digidesign's TurboSynth [software in a Macintosh computer]. Then I used a couple of key ingredients to make it [be heard as being] unlike any 'real' sound."
Reznor's dog, Maise, was invited to the production of the EP. Her barking was recorded, along with Sean Beavan's line, "Ow!...fucker!", after Maise bit him. After being owned by Reznor for over three years, she died after jumping onto a railing of a three-story balcony to leg injuries and a cancellation of a concert, during the Self Destruct Tour.
Development on the record was done at seven studios, Hell at New Orleans, Louisiana, Royal Recorders at Lake Geneva, South Beach Studios at Miami, Florida; Village Recorder and A&M Studios at Los Angeles, California, and Le Pig at Beverly Hills, California. The last two studios were later used during the production process for The Downward Spiral (1994). Tom Baker mastered the EP at Futuredisc. Following this step, Reznor presented the recording to Interscope Records on September 1992, and signed to the record label, making Broken Nine Inch Nails' major label debut.
Music and lyrics
Heavier than Pretty Hate Machine, Broken obviously takes influences from heavy metal groups such as thrash metal champions Metallica, groove metal fathers Pantera, and industrial metal bands such as Ministry and Godflesh. There are louder mixes and more distortion on every instrument, including a classic Mellotron MKIV that was originally owned by The Beatles' deceased frontman John Lennon, heard most particularly on "Gave Up". Reznor said he wanted the album to be "an ultra-fast chunk of death" for the listener, something that would "make your ears a little scratchy". In the liner notes, Reznor credited the 1991 Nine Inch Nails touring band as an influence on the EP's sound.
The lyrics are a critique on society, the majority of its themes involve angst, control and dependency struggles. For example, the lyrics for "Happiness in Slavery" involve a nameless criminal, referred to in the song as "slave," who vandalizes crime policies at the risk of submission, and destroys security equipment. The second single from the EP, "Wish", includes the expletive fuck thrice, used on the lines "Now there's nothing more fucked up I could do," "I'm the one without this soul/I'm the one with this big fucking hole" and "Gotta listen to your big time hard line bad luck fist fuck."
Clocking at roughly 1 minute, "Pinion" is the shortest Nine Inch Nails song, in contrast to the longest song from the act, Further Down the Spiral (1995) track "Self Destruction, Final". Another achievement is found in Broken: At 288 beats per minute, "Gave Up" is the fastest Nine Inch Nails song ("Wish"'s tempo is 270 BPM), a record the opposite of the act's slowest song, the title track to The Downward Spiral, set in the 50 BPM range. "Pinion" features a series of short, ascending, distorted guitar power chords and a collage of atmospheric loops, including a reversed sample of David Bowie's "It's No Game" (which is not credited in the artwork for Broken). A portion of this is used as one of the guitar riffs in "Wish", one of the two commercially released singles from the album. "Help Me I Am in Hell," another instrumental, ends with another uncredited sample, this time from The Empire Strikes Back (1980).
There are two bonus songs, which follow 91 silent, one-second tracks (numbered 7 through 97) on most CD copies, but were included as a separate 3" CD or 7" record with early pressings. "Physical" is a cover of the Adam and the Ants song "Physical (You're So)", originally released on the Kings of the Wild Frontier LP." In 1995, Nine Inch Nails performed "Physical" live with Adam Ant for two nights in a row. After Reznor introduced Ant and Marco Pirroni on the second night, Ant proclaimed to the audience, "It's nice to be on stage with the best fucking band in the world." "Suck" was written by Pigface, whose ever-changing lineup once included Reznor. The slower, sparser, radically different original version appeared a year earlier on Pigface's Gub album. In live performances, Pigface usually plays a version similar to Nine Inch Nails' cover, as evident by the super-group's various live recordings like "Welcome to Mexico, Asshole" and "Glitch". However, their interpretation emphasizes the bass, de-emphasizes keyboards and computer effects, and lacks Reznor's "I am so dirty on the inside" break down. Reznor's version also does include Pigface's shout of "Suck! Suck! Suck!" after "How does it feel?", except it is faintly whispered on the cover version.
The packaging for Broken is a parody of the official Nine Inch Nails logo, created by Gary Talpas. Uppercase letters N and backwards N are mocked by lowercase letters, while letter I remains in uppercase. This aspect is featured twice: Its orange (colour) front cover (the lowercase backwards letter "n" exposed againist a orange background consisting of a fire) is satirized by two other versions, while misinterpretations of its lyrics in the artwork are accompanied with black backgrounds accompanying the N, whilst the reversed N lowercase letters on the disc art uses capital letter I. The simple back cover has no color, printed exclusively to the black and white format. The names of both the group and EP are in black font, while the notes in yellow and highlights in red. The two "hidden" songs are not listed with tracks 1 through 6 on the EP packaging. They are referred to as "7" and "8" in smaller text beneath the copyright information.
All copies include the logo of Nothing Records, a first for the works of Reznor, making the EP itself Nothing's first album. The vanity record label was founded by Reznor along with John Malm, Jr., who was his manager at the time, when he had involvement in a feud with TVT Records. It had a short lifespan (Nothing Records existed for nearly 15 years); the label was created in 1992, as Reznor signed to Interscope before TVT entered into a joint venture with that major record label, where he mailed parts culled from his publishing rights to TVT Music, in exchange for the freedom of having his own imprint. A lawsuit from Malm allegedly forced Reznor to file a responding couḜnter-suit charging Malm with fraud and breach of fiduciary duties, that Reznor won with a US$2,950,000 award given to him in 2005 ($5 million in 2011 dollars), causing Nothing to cease to exist largely in 2004, then declared extinct following the February 2007 inclusion of the Beside You in Time home video, a Live: With Teeth 2006 concert tour documentary, in markets.
The influence of Reznor's conflict with his former label, TVT, is evident in multiple aspects of the EP. After a long list of credits, the packaging reads, "no thanks: you know who you fucking are" followed by "the slave thinks he is released from bondage only to find a stronger set of chains." These comments are likely directed towards TVT Records' Steve Gottlieb, who refused to let Reznor out of his contract, sparking legal battles between the two parties. The "no thanks" part may be a response to the liner notes of Ministry's Psalm 69: The Way to Succeed and the Way to Suck Eggs album, which featured a cryptic "no thanks, you know who you are." Aurally, at the beginning of "Physical," Reznor whispers, "eat your heart out, Steve." Visually, in a music video for "Gave Up," the monitor of a Macintosh computer running Pro Tools reads "fuck you steve".
Despite the addition of "no thanks: you know who you fucking are," there is a "Thank You" section. People listed in that portion include Jimmy Iovine, Ros Earles, Island Records, Eric Greenspan, Rick Rubin, Joe Mcewen, Seymour Stein, Susie Tallman, Mark O'Shea, Ian Copeland, Kevin Westenberg and Sheroa Rees-Davies.
Broken was originally packaged in a trifold-out digipak, containing the six tracks on a regular compact disc and an additional three-inch mini CD with the two remaining songs, covers of Adam Ant's "Physical" and Pigface's "Suck". Due to the high cost of producing a two-disc EP, only 250,000 copies were released with the mini CD, subsequently Broken was re-released as one CD on October 1992, having the bonus songs heard on tracks 98 and 99 respectively, without any visual notice except for the credits, and tracks 7-97 each containing a second of silence. The cassette release featured tracks 1-6 on side one, with "Physical" and "Suck" appearing at the tail end of side two, after approximately 15 minutes of silence.
The United Kingdom vinyl release was pressed onto a one sided 12" which featured the six main tracks. The two bonus cuts were issued on a 7" single given away inside the EP in a white die-cut sleeve (this is a unusual method for packaging an album on the vinyl format).
The writing credit for "Suck" caused a minor controversy. Whereas the Pigface albums list all contributors to each of the songs, in this case "Atkins/Rieflin/Barker/Reznor" as listed on Gub, the credit on Broken states "written by t. reznor/pigface". On the later Pigface release Truth Will Out, the writing credit for the song is "whatever trent says – really – no shit".
Release and reception
Professional ratings Review scores Source Rating Allmusic  The Baltimore Sun (favorable) Robert Christgau  CMJ (favorable) Entertainment Weekly (B) Los Angeles Times  NME  Q  Rolling Stone  Washington Post (favorable)
The EP sold well upon release, and eventually went platinum despite a complete absence of touring in support of Broken. The lead single "Happiness in Slavery" received moderate airplay, but its music video, which depicted Bob Flanagan being pleasured, tortured, and killed on a device led to MTV banning the video outright. This stunted the single's growth, but the single "Wish" was much more successful with an aggressive live performance on the music video, then later winning a Grammy for Best Metal Performance. Reznor commented about winning the Grammy that on his gravestone, he wanted it to read "Said Fist Fuck, Won a Grammy."
The companion EP Fixed included six remixes of material from Broken and was released three months later, in December 1992.
Not long after the EP's release, a short horror musical film also named Broken was created during and after the production of the EP. It was rumored to be a snuff film with all of its songs with the exception of "Last," "Physical," and "Suck" playing to a scene. This movie was directed by Peter Christopherson of Throbbing Gristle fame. A music video for "Gave Up" would prove to be part of the film, as well as the videos for "Happiness in Slavery" and "Wish". Portions of Broken would, however, be released as part of the "Closure" VHS, which was released after The Downward Spiral. Due to the graphic substance of "Gave Up", an alternative version of the music video consisting of the song being performed at Le Pig studios by Reznor, a young Marilyn Manson and Richard Patrick was released to MTV. Much of the cast, aside from Bob Flanagan in "Happiness in Slavery", and the band itself in "Wish", is unknown. The film is generally credited to be directed by Peter Christopherson, although the music videos themselves were directed by various other people: "Pinion" and "Help Me I Am in Hell" is credited to Eric Goode and Serge Becker, while "Happiness in Slavery" is credited to Jon Reiss.
A music video for "Happiness in Slavery" was universally banned, though a few attempts to air it were successful. A episode of Raw Time aired "Happiness in Slavery" at 3:00 AM to unanimously positive response from viewers. Another program, Music Link, broadcasted the video at midnight.
Broken has not been given an official commercial release (according to Reznor, because they wanted to avoid the film overshadowing the prominence of the music), thus adding to its mythological status in alternative culture. The original hand-dubbed tapes were distributed by Reznor to various friends with dropouts at certain points so he could know who distributed any copies that might surface. Reznor, commenting in the "Access" section of the NIN website, implied that Gibby Haynes was responsible for the most prominent leak. This copy was traded on VHS tapes for years (resulting in many poor-quality, high-generation copies), and was later encoded in MPEG and AVI formats and distributed extensively through peer-to-peer networks and Nine Inch Nails fan websites. These are generally not of the highest quality, as they are not first-generation copies.
All songs written and composed by Trent Reznor, unless noted otherwise.
No. Title Length 1. "Pinion" 1:02 2. "Wish" 3:46 3. "Last" 4:44 4. "Help Me I Am in Hell" 1:56 5. "Happiness in Slavery" 5:21 6. "Gave Up" 4:08 98. "Physical (You're So)" (Adam Ant cover) 5:29 99. "Suck" (Pigface cover, written by Martin Atkins, Paul Barker, Trent Reznor, Bill Rieflin) 5:07
- Trent Reznor – writing, performance, production
- Flood – production
- Martin Atkins – drums on "Wish"
- Chris Vrenna – drums on "Gave Up"
- Tom Baker – mastering
Charts and awards
Year Chart Peak
1992 UK Albums Chart 18 The Billboard 200 7 1993 New Zealand Albums Chart 46
Year Song US
1992 "Happiness in Slavery" 13 1993 "Wish" 25
Canada Platinum United States Platinum
Year Nominated work Award Result 1993 "Wish" Best Metal Performance Won 1996 "Happiness in Slavery" Won
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- ^ Three seconds per track on the UK release, four seconds per track on the Germany release (Track 96 runs 7 seconds).
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- Broken at Discogs
- Album Review at The Daily Collegian (Penn State)
- Album Review at Entertainmentopia
- Halo 5 at NINCollector.com
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