Nine Mile Canyon

Nine Mile Canyon

Coordinates: 39°46′35″N 110°30′0″W / 39.77639°N 110.5°W / 39.77639; -110.5

The Daddy Canyon area of Nine Mile Canyon

Nine Mile Canyon is a canyon, approximately 40 miles (60 km) long, located in the counties of Carbon and Duchesne in eastern Utah, in the Western United States. Promoted as "the world’s longest art gallery," the canyon is known for its extensive rock art, most of it created by the Fremont culture and the Ute people. The rock art, shelters, and granaries left behind by the Fremont make Nine Mile Canyon a destination for archaeologists and tourists alike.

The canyon became a main transport corridor in the region during the 1880s. Settlers established a number of ranches in Nine Mile, and even a short-lived town named Harper. No longer heavily traveled, the rugged canyon road was used mostly for recreation and tourism through the end of the 20th century. The discovery of rich deposits of natural gas deep beneath the Tavaputs Plateau has brought an influx of industrial truck traffic since 2002. The large amounts of fugitive dust produced by the trucks' passage may be damaging the rock art. Public debate is ongoing about how best to balance energy development in the canyon against the preservation of its cultural resources.

Contents

Geography

Map of Nine Mile, from National Scenic Byways Program

Nine Mile Canyon runs roughly southwest to northeast, with numerous winding turns, just to the north of the Book Cliffs, and south and east of Ashley National Forest. The full 78-mile (126 km) canyon route, formerly SR-53 through Gate Canyon, connects the towns of Wellington and Myton. Nine Mile Creek, the stream that formed the canyon, is by no means a major body of water. Its importance lies in the fact that it is one of the few water sources in the region that are reliable year-round, and it has been so since prehistoric times. Nine Mile Creek is actually a minor tributary of the Green River, emptying into Desolation Canyon on the east. A number of tributary canyons branch off Nine Mile itself, including Argyle Canyon, Cottonwood Canyon, Minnie Maud, and Dry Canyon. Significant rock art sites are frequently located near the junctions where they meet the main canyon.

Archaeology

The famous Cottonwood Panel, also called The Great Hunt

It has been conservatively estimated that there are at least 1,000 rock art sites in the canyon, containing a total of more than 10,000 individual images.[1]:141 The true figures may be ten times as high,[2] but there is no question that rock art is more concentrated here than anywhere else in North America. The majority is in the form of pecked petroglyphs, and there are many painted pictographs as well. Researchers have also identified hundreds of pit-houses, rock shelters, and granaries, although only a limited amount of actual excavation has been carried out to date. Many of these structures are located high above the canyon floor on cliff ledges, pinnacles, and mesas. They were built by the Fremont, whose presence in Nine Mile has been dated at AD 950–1250. Indeed, Nine Mile Canyon was one of the locations most heavily occupied by the Fremont.[3] In contrast to the purely hunter-gatherer cultures that surrounded them, the Fremont practiced agriculture, growing corn and squash along the canyon bottom. Compared to other Fremont areas, relatively little pottery is found in Nine Mile, suggesting that beans, which must be boiled for hours to become edible, were not an important part of the local diet.[1]:45 The Fremont left irrigation ditches and earthen lodges on the canyon floor that could be seen as late as the 1930s, but are no longer visible after generations of modern cultivation.[1]:21

The prints under this bison's hooves indicate Ute origin.

By the 16th century the ancestral Utes were in the canyon. They added to the rock art already on the walls, but in styles of their own. For example, many scenes depict Ute hunters on horseback, which date to the 1800s. Despite the impressive quantity of Ute artifacts found in Nine Mile, there is no archaeological evidence of any Ute camps or residences.[1]:55–57

Archaeological sites

In 2009, 63 archaeological sites in the canyon were listed on the U.S. National Register of Historic Places. Most are named in the National Register listing only by their archaeological site codes. The sites in Carbon County are: 42Cb31, 42Cb33, 42Cb36, 42Cb46, 42Cb48, 42Cb50, 42Cb51, 42Cb52, 42Cb145, 42Cb242, 42Cb690, 42Cb697, 42Cb729, 42Cb730, 42Cb731, 42Cb736, 42Cb743, 42Cb744, 42Cb745, 42Cb746, 42Cb804, 42Cb809, 42Cb811, 42Cb851, 42Cb893, 42Cb969, 42Cb974, 42Cb1252, 42Cb1758, 42Cb2024, 42Cb2043, 42Cb2218, 42Dc706, Cottonwood Village, Drop-Dead Ruin, and First Canyon Site. Those in Duchesne County are: 42Dc306, 42Dc638, 42Dc682, 42Dc683, 42Dc684, 42Dc685, 42Dc686, 42Dc687, 42Dc688, 42Dc696, 42Dc700, 42Dc702, 42Dc703, 42Dc704, 42Dc705, 42Dc708, 42Dc709, 42Dc710, 42Dc712, Centennial House, Fool's Pinnacle, Karen's Cist, Maxies Pad, Nordell's Fort, Redman Village, Sunstone Village, and Taylor's City. The locations and details of these sites are not disclosed by the National Register.[4] The 63 sites include 40 Fremont constructions, 19 rock art sites, and 4 sets of historical-era dwellings.[5]

History

Rock art from Archaic to modern

There is some evidence that American fur trappers may have entered the canyon in the early 19th century, but the first unequivocal sign of a white presence is an inscription on the canyon wall reading "S. Groesbeck August 19, 1867".[1]:62 John Wesley Powell's second Colorado River expedition camped at the mouth of the canyon in 1871, and the earliest appearance of the name Nine Mile Canyon is in records of the expedition.[1]:15

Nine Mile Road was constructed through the canyon in 1886 by the Buffalo Soldiers of the 9th Cavalry Regiment, linking Fort Duchesne to the railroad through the city of Price. Use of the road surged in 1889 after the discovery of Gilsonite in the Uinta Basin. This was the main transportation route in eastern Utah until well into the 20th century. Most of the stagecoach, mail, freight, and telegraph traffic into the Uinta Basin passed through Nine Mile until after the arrival of the Uintah Railway around 1905.

The freight trade led to the settlement of the canyon itself. One of the main stagecoach stops developed into a town of sorts. Called Harper, it included a hotel, store, school, and an unofficial post office. It lacked a formal town site, simply taking in a long stretch of scattered ranches and buildings. The community grew gradually from the 1880s until it was officially established as the town of Harper in 1905. The Harper precinct as a whole had a population of 130 at its peak in 1910,[6]:81–82 but in the early 1920s Harper became a ghost town.[7]

Current issues

The conflict between private property and rock art

Rock art and other ancient artifacts are now protected by law, and although enforcement is difficult, outright looting and malicious vandalism are largely a thing of the past. Nine Mile Canyon's rock art is still at risk, however. Carved and painted mainly on weathered sandstone panels, the images are susceptible to erosion, which is accelerated by touching[1]:87 and by airborne dust. The dust is a special concern as heavy industrial traffic in the canyon increases.

Nine Mile Road, once such an important route, is almost completely unpaved. In fact, it is considered the poorest of the four old military roads in Duchesne County.[6]:71 Difficult to travel as it is, the U.S. Bureau of Land Management (BLM) designated it as a Scenic Backcountry Byway in 1990.[8] But the road itself no longer limits travel in the canyon as it once did. The rapid proliferation of off-road vehicles has brought new access to the canyon's attractions—and new threats to their survival.[2]

Natural gas development

Bill Barrett Corporation's natural gas compressor station, at the Dry Canyon junction

Nine Mile's unique archaeological resources have led to intense debate over land use. As in many rural areas of the Western United States, land in the canyon is a patchwork of public and private property. Archaeological sites are found on both. Commercially important deposits of minerals and other geological resources have also been discovered, further complicating the issues. Since 2002, the Bill Barrett Corporation, in cooperation with the BLM and private landowners, has been pursuing a natural gas exploration project on the West Tavaputs Plateau in and around the canyon. The company estimates the available natural gas reserves at approximately 1 trillion cubic feet (2.8×1010 m³).[8] Bill Barrett Corporation has spent some $2 million on improving area roads, and the complete project, if approved as planned, could create as many as 1000 jobs.[9] Government involvement in the project has been controversial, drawing complaints from conservation groups that not enough is being done to protect natural and cultural resources.[10]

Road dust drifts up the canyon.
Dust-covered petroglyphs

The unprecedented levels of industrial truck traffic on Nine Mile's main road are producing troublesome clouds of dust. The poorly maintained dirt road was not built to handle so much traffic, and it is torn up within a few passes by heavy trucks.[8] The dust reduces visibility on the road, but it also settles on the rock art, obscuring it from view. Carbon County, which supervises the use of the road, has approved the application of magnesium chloride on the road as a dust abatement measure. The compound pulls moisture from the air to dampen dust, but it may be doing more harm than good.[11] Once the dust dries, the magnesium chloride drifts with it onto the rock walls and sticks there. It can crack the rock when it freezes in cold weather.[8] According to a 2007 study commissioned by the BLM and paid for by Bill Barrett Corporation,[9] the magnesium chloride will corrode the rock panels over time, further accelerating the rock art's loss. Trying to clean the dust off the rock may damage it even more.[11]

In 2004, due to concerns about energy development and increasing recreational and tourist traffic, Nine Mile Canyon was named on the National Trust for Historic Preservation's list of America's Most Endangered Places.[12] In 2009, 63 sites in the canyon were added to the National Register of Historic Places,[4] and the BLM has announced plans to nominate some 800 more in years to come.[5]

See also

References

  1. ^ a b c d e f g Spangler, Jerry D.; Spangler, Donna K. (November 2003). Horned Snakes and Axle Grease: A Roadside Guide to the Archaeology, History and Rock Art of Nine Mile Canyon. Salt Lake City, Utah: Uinta Publishing. ISBN 0-9746090-0-5. 
  2. ^ a b Kloor, Keith (September–October 2007). "Dirtraker". Archaeology (Archaeological Institute of America) 60 (5): pp.40–45. ISSN 0003-8113.  (Abstract)
  3. ^ Watt, Ronald G. (January 1997). A History of Carbon County. Utah Centennial County History Series. Salt Lake City: Utah State Historical Society. pp. 14–16. ISBN 0-913738-15-8. 
  4. ^ a b "Announcements and actions on properties for the National Register of Historic Places". Weekly Listings. National Park Service. December 11, 2009. http://www.nps.gov/history/nr/listings/20091211.htm. Retrieved December 11, 2009. 
  5. ^ a b Mike Stark (for Associated Press) (November 12, 2009). "Utah rock art canyon up for historic designation". The Seattle Times. http://seattletimes.nwsource.com/html/businesstechnology/2010257790_apuscanyondesignationutah.html. Retrieved February 23, 2010. 
  6. ^ a b Barton, John D. (January 1998). A History of Duchesne County. Utah Centennial County History Series. Salt Lake City: Utah State Historical Society. ISBN 0-913738-41-7. 
  7. ^ Carr, Stephen L. (1986) [originally published June 1972]. The Historical Guide to Utah Ghost Towns (3rd ed.). Salt Lake City, Utah: Western Epics. p. 168. ISBN 0-914740-30-X. 
  8. ^ a b c d Henetz, Patty (February 16, 2008). "Nine Mile Canyon at risk". The Salt Lake Tribune. 
  9. ^ a b Thalman, James (June 2, 2008). "Canyon oversight questioned". Deseret News: p. B01. http://deseretnews.com/article/content/mobile/1,5620,700231011,00.html?printView=true. Retrieved August 2, 2008. 
  10. ^ Barringer, Felicity (June 13, 2004). "When the Bush Energy Policy Confronts Ancient Art". The New York Times. http://query.nytimes.com/gst/fullpage.html?res=9F06E4D91330F930A25755C0A9629C8B63&sec=&spon=&pagewanted=all. Retrieved November 23, 2007. 
  11. ^ a b Kloor, Keith (January 25, 2008). "Dust Storm Rising Over Threat to Famed Rock Art in Utah" (PDF). Science (American Association for the Advancement of Science) 319 (5862): 394. doi:10.1126/science.319.5862.394. ISSN 0036-8075. PMID 18218867. http://ninemilecanyoncoalition.org/ninemilestudy.pdf. Retrieved July 25, 2008. 
  12. ^ "Nine Mile Canyon". America's 11 Most Endangered Historic Places. National Trust for Historic Preservation. 2004. http://www.preservationnation.org/travel-and-sites/sites/mountains-plains-region/nine-mile-canyon.html. Retrieved May 8, 2009. 

Further reading

  • McCourt, Tom (2003). The Split Sky: A Journey of Discovery in Utah's Nine Mile Canyon. Southpaw Publications. ISBN 978-0974156811.  A memoir of a young man's experiences on a Nine Mile Canyon ranch in the 1960s.

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