Namkha

For the village in Laos, see Namkha, Laos.

Namkha (Tibetan: ནམ་མཁ nam mkha^[1] "sky", "space", "aether"," heaven"), also known as De; (Tibetan mdos (མདོས) ^[2]) is a form of yarn or thread cross composed traditionally of wool or silk and is metonymic of the Endless knot of the Ashtamangala. In certain rites, the Namkha becomes a pure land abode or temenos (Sanskrit: vihara) of a thoughtform. In other rites it becomes a snare for demons as it was used by Padmasambhava after his Vajrakilaya Dance during he consecration of Samye. (Pearlman, 2002: p. 18)^[3] It is a form of intentional process art. Weavings of a similar nature are called "God's eye" in English folk art.

In the Bön and Vajrayana Buddhist traditions, a namkha is constructed as the temporary dwelling, or temenos, for a deity during ritual practice. The structure of the namkha is traditionally made with colored thread symbolic of the elements (blue, green, red, white, and yellow; space, air, fire, water, and earth respectively ), the sequence, and the shape of the namkha differing for each deity or yidam. The namkha is placed on the practitioner's altar or shrine and an image of the deity may be placed beneath. The namkha is often accompanied in rites and ritual workings with the tantric and shamanic tool, the phurba. Pearlman (2002: p. 18) states how Padmasambhava consecrated the land for the building of Samye Monastery by the enactment of the rite of the Vajrakilaya dance which employed namkha to capture malevolent spirits and thoughtforms.

Namkha may also be made by practitioners for purposes comparable to the Native American dreamcatcher.

Ngak’chang Rinpoche comments: "These threads symbolise the ‘thread’ that is the literal meaning of the word ‘tantra’ and describe the manner in which each point in time and space is the warp and weft of the loom of experiential / existential emptiness."^[4]

See also

• God's eye
• Khorlo
• Prayer flag
• Weaving (mythology)

Notes

1. ^ Staff. "nam mkha'". DharmaDictionary.net RangjungYesheWiki. http://rywiki.tsadra.org/index.php/nam_mkha%27. Retrieved 2010-02-04. 
2. ^ Staff. "mdos". DharmaDictionary.net RangjungYesheWiki. http://rywiki.tsadra.org/index.php/mdos. Retrieved 2010-02-04. 
3. ^ Source: [1] (accessed: )
4. ^ Staff (2005). "Aro encyclopaedia: Namkha Burning: Apprentice Retreat, 2005". Aro. http://aroencyclopaedia.org/shared/text/n/namkha_cr_01_nrp_03_burning_eng.php. Retrieved 2010-02-04. 

References

• Beer, Robert (1999). The Encyclopedia of Tibetan Symbols and Motifs (Hardcover). Shambhala Publications. ISBN 157062416X
• Beyer, Stephen (1978). The Cult of Tara: Magic and Ritual in Tibet, University of California Press.
• Gold, Peter (1994). Navajo & Tibetan sacred wisdom: the circle of the spirit. Rochester, Vermont: Inner Traditions International. ISBN 0-89281-411-X. 
• Müller-Ebeling, Claudia and Christian Rätsch and Surendra Bahadur Shahi (2002). Shamanism and Tantra in the Himalayas. Transl. by Annabel Lee. Rochester, Vt.: Inner Traditions International.
• Nebesky-Wojkowitz, Rene de. Oracles and Demons of Tibet, pgs 369-397. ISBN 8173030391
• Nebesky-Wojkowitz, Rene de (1976). Tibetan Religious Dances. The Hague: Mouton.
• Pearlman, Ellen (2002). Tibetan Sacred Dance: a journey into the religious and folk traditions. Rochester, Vermont, USA: Inner Traditions. ISBN 0-89281-918-0
• Tsogyel, Yeshe. The Life and Liberation of Padmasambhava, 2 vols., trans. Kenneth Douglas and Gwendolyn Bays (Berkeley: Dharma Publishing, 1978)
• Tucci, Giuseppe (1980). The Religions of Tibet, translated by Geoffrey Samuel. London: Routledge & Kegan Paul.