Damita Jo (album)

Damita Jo (album)
Damita Jo
Studio album by Janet Jackson
Released March 22, 2004 (2004-03-22)
Recorded May 2003[1] – February 2004;[2]
Brandon's Way Recording, DARP Studios, Flyte Tyme Studios, Larrabee Studios East, Murlyn Studios, Platinum Sound Studios, The Record Plant, Sony Music Studios, The Village
Genre R&B,[3] pop[4]
Length 65:02
Label Virgin
Producer Janet Jackson, Dallas Austin, Babyface, BAG & Arnthor, Jimmy Jam and Terry Lewis, Scott Storch, Télépopmusik, Kanye West
Janet Jackson chronology
All for You
(2001)
Damita Jo
(2004)
20 Y.O.
(2006)
Singles from Damita Jo
  1. "Just a Little While"
    Released: February 2, 2004
  2. "I Want You"
    Released: February 19, 2004[5]
  3. "All Nite (Don't Stop)"
    Released: April 27, 2004[5]
  4. "R&B Junkie"
    Released: December 30, 2004

Damita Jo is the eighth studio album by American recording artist Janet Jackson, released in the United States on March 30, 2004 by Virgin Records. The album takes its title from Jackson's middle name. This is Jackson's second album to bear a Parental Advisory sticker; the first being All for You (2001).

Contents

Background

Damita Jo saw that her music changed from her previous seven albums including doing new material, doing new styles and types of music, and exploring her sexuality explicitly and openly. Released during the hectic period in which Jackson had generated heat for her Super Bowl XXXVIII fallout the previous month, Damita Jo was considered a major sales disappointment compared to Jackson's previous efforts, although it debuted at number two on the Billboard 200 selling 381,000 copies in its first week,[6] and was certified platinum in late May 2004. The album received mixed reviews upon release, with critics pointing out either the controversy over the Super Bowl or the highly sexual nature of some of the songs, which were composed well before the incident.

The clean version of the album is heavily censored, removing all explicit language, sexual content (including certain moaning), and even omitting two whole songs for their sexual content ("Warmth" and "Moist"). Censoring is most notable in the songs "Sexhibition" (which was retitled "Exhibition"), "All Nite (Don't Stop)" (several lines have been completely removed), and "Like You Don't Love Me", in which most of the chorus is removed.

Despite the fact that the singles released were virtually ignored by pop radio, as none of its singles reached the top forty of the Billboard Hot 100—an odd absence considering Jackson's pop-friendly appeal—and aimed heavily at urban radio, Jackson found success mostly on the Billboard Hot R&B/Hip-Hop Songs and Hot Dance Club Play charts, reaching number eighteen on the R&B chart with the Motown/Supremes-inspired, Kanye West-produced ballad "I Want You" while the Prince-influenced "Just a Little While" and the funk danceable number "All Nite (Don't Stop)" topped the dance chart. The former has since been certified platinum by the RIAA. "R&B Junkie", the final single, only managed to reach number one on the Bubbling Under R&B/Hip-Hop Singles (roughly corresponding to number one hundred and one on the Hot R&B/Hip-Hop Songs) because the song was released as a promo-only single after its physical release was canceled.

The album earned Jackson two nominations at the 2005 Grammy Awards, Best Contemporary R&B Album and Best Female R&B Vocal Performance for "I Want You".

Singles

  • "Just a Little While": The song was released as the lead single off Damita Jo on February 2, 2004. "Just a Little While" peaked on number 45 on the Billboard Hot 100, making it Jackson's first solo single to not reach the top 40 since her 1986 breakout album Control. It was the lowest peaking lead single of Jackson.
  • "I Want You": On April 5, 2004 the song "I Want You" was released as the second single off the album. Due to the Super Bowl incident, MTV refused to air music videos of Jackson including "I Want You", so it could only be seen on MTV Hits and MTV Jams, although it aired regularly on VH1 and on BET. The song peaked at number 57 on the Billboard Hot 100, peaking 12 positions lower than the lead single.
  • "All Nite (Don't Stop)": The song was released as the third single of the album on May 29, 2004. "All Nite (Don't Stop)" was accompanied by a music video to promote the single, although the music video confronted the same situation as "I Want You", MTV refused to air it. It still aired on VH1, BET, MTV Hits and MTV Jams. That made the song peak at number 119 on the Billboard Hot 100. Despite the single's rather poor sales, "All Nite (Don't Stop)" managed to top the Hot Dance Club Play chart, securing yet another chart-topping dance hit for Jackson. In mid-March 2008, following the success of "Feedback", the song re-entered the Hot 100 Singles Sales on position 40, giving it a new peak.
  • "R&B Junkie": The song was released as the fourth and final single off the album on December 30, 2004. It contains a sample of Evelyn "Champagne" King's 1981 hit, "I'm in Love". The song had poor success, it failed to chart on any main Billboard chart, although it peaked at number 1 on the Bubbling Under R&B/Hip-Hop Singles chart. The song had no music video produced.

Reception

Critical

Professional ratings
Review scores
Source Rating
Allmusic 2/5 stars[3]
BBC Music (mixed)[7]
Blender 4/5 stars[8]
Entertainment Weekly (C+)[4]
The Guardian 4/5 stars[9]
The New York Times (positive)[10]
Rolling Stone 3/5 stars[11]
Slant Magazine 3/5 stars[12]
The Village Voice (mixed)[13]
Yahoo! Music UK 4/10 stars[14]

Upon its release, Damita Jo received mostly mixed reviews from most music critics.[15] At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 53, based on 13 reviews, which indicates "Mixed or average reviews".[15]

Giving it four out of five stars, Blender critic Ann Powers stated that Damita Jo is "Artfully structured, unapologetically explicit, Damita Jo is erotica at its friendliest and most well-balanced. This hour-plus of Tantric flow even erases the memory of Jackson’s clunky Super Bowl breast-baring. [...] Moving through various moods, Damita Jo’s songs touch on decades of pop-music romance, from the Motown sound that is the Jackson family’s foundation to hip-hop’s latest throwback beats. Her lyrics, though hardly avoiding familiar sex talk, meld common exhibitionism with convincing intimacies. Making it clear that she actually enjoys both having sex and singing about it, Jackson brings bliss back to a subject that too many dirty-mouthed hotties have made tedious through overexposure."[8] Head rock and pop critic Alexis Petridis with The Guardian rated Damita Jo four out of five stars saying "Damita Jo's opening salvo is an object lesson in keeping things concise. Four tracks, each barely three minutes long, go hurtling past in a head-spinning blur of snapping rhythms, buzzing synthesised noise and oddly disconnected samples: cut-up vocals and glockenspiel on Strawberry Bounce, rattling tablas on Sexhibition. Elsewhere, there are impossibly lithe basslines - notably on All Nite (Don't Stop) and I Want You, an intriguing electronic reconstruction of an early 1970s soul ballad. For the most part, the songs are not only inventive, but brilliantly constructed. The hooks nag, the choruses are explosive. R&B is primarily a singles genre - even the peerless Aaliyah's albums were a bit of a slog - but Damita Jo's strike rate is remarkably high. It's triumphant stuff."[9] He also called the first single, Just a Little While, "a brilliant, skeletal take on mid-1980s drivetime rock"[9] Music critic Kelefa Sanneh with The New York Times commented saying "The album is even sleeker and sexier than its predecessor, All for You, and in saner times, that would be enough to ensure its success. But this is a profoundly insane time for Ms. Jackson [...] Ms. Jackson does just the opposite.[10]

Giving it three out of five stars, Sal Cinquemani of Slant Magazine criticized Damita Jo saying it featured "a slew of the gooey, structureless sex ballads that have become Janet's staple, including "Warmth," three-and-a-half minutes dedicated to describing how Ms. Jackson-if-you're-nasty gives a blowjob"[12] but also called the songs "Like You Don't Love Me" and "Moist" "two of the album's best."[12] Robert Christgau of The Village Voice called the album "less impressive than janet. [...] Damita Jo starts off bold - But as the album proceeds it gets realer, mostly whispered softcore by the second half even when it's love songs per se. Call me immature, but I figure there's never enough good sex in the world. In a culture inundated with dirty pornos, Damita Jo is good sex."[13] David Browne of Entertainment Weekly rated it a 'C+' saying "This time, Jackson's stab at a sexy album also lacks a certain va-va-vroom. The tracks, many produced by her longtime collaborators Jimmy Jam and Terry Lewis, have the sumptuous, homogenized creaminess we've come to expect from her [...] Thematically, Damita Jo is essentially the same record she's been making since 1993's janet.',' her first overtly carnal work.[4] Angus Batey of Yahoo! Music UK gave it four out of ten stars, and criticized it saying "Almost every track of "Damita Jo" is a paean to some kind of rumpy pumpy. Numerous explanatory spoken word asides seek to reassure us that Janet, as she approaches 40, is seeking love rather than revelling in lust."[14] On the other hand, she called "R&B Junkie" "a delicious throwback, like a glorious 'Rhythm Nation'", "I Want You" "a peculiar post-modern waltz with a '40s supper club vibe, being the ear-catcher", and "All Nite (Don't Stop)" "another precision-tooled winner, with Jackson using an almost ethereal higher-pitched vocal delivery."[14]

Neil Strauss of Rolling Stone gave it two out of five stars, saying "Like the Super Bowl stunt, Damita Jo (titled after Jackson's middle name) smacks of trying too hard. [...] the truth is that Jackson is just trying to humanize herself, as she did so well on her breakthrough 1986 album, Control. But here she succeeds only in sounding even more out of touch, exposing her so-called real self -- her Damita Jo side -- by talking about how she used to enjoy listening to music while doing her homework and likes to read a good book on the beach."[11] Stephen Thomas Erlewine of Allmusic rated it two out of five stars and stated that Damita Jo, is "yet another album that finds Janet exploring her sexuality, a voyage she's been on for about 11 years. [...] Once, Ms. Jackson's sexual obsession was indeed sexy and erotic, but by this point, it's not just tired, it's embarrassing."[3] Ian Wade of BBC Music had mixed feelings about Damita Jo, saying that "While there's nothing outwardly bad about Damita Jo, at 22 tracks over 65 minutes, your attention does start to wander and you almost forget it's playing. But after a third or fourth listen, the slick grooves of "Spending Time With You" and "Island Life" gain more identity. [...] Damita Jo heralds no real major leap forward, but it's no pig's ear either. A bit of editing and a couple of killer dance tracks would've made it even better. And although millions will remember what Janet Jackson did in 2004, it won't be for this album."[7]

Commercial

Damita Jo debuted at number two on the Billboard 200 with first-week sales of 381,000 copies (behind Usher's Confessions),[6] and has since sold 1,002,000 copies in the US,[16] receiving a platinum certification from the Recording Industry Association of America (RIAA) within two months of release, on May 27, 2004.[17] Elsewhere the album debuted at number seven in Canada (selling 9,100 copies) and at number ten in Japan (selling 27,510 copies);[18][19] it was ultimately certified platinum by the Canadian Recording Industry Association (CRIA) and gold by the Recording Industry Association of Japan (RIAJ) for sales of 100,000 copies in each country.[20][21] The album also reached number thirty-two on the UK Albums Chart,[22] and was certified silver by the British Phonographic Industry (BPI) on April 2, 2004, denoting shipments in excess of 60,000 copies.[23] Damita Jo has sold over two million copies worldwide.

Accolades

Organization Country Accolade Year Source
Blender Magazine United States 50 Greatest CDs of 2004 (rank #50) 2004 [24]
Grammy Awards United States Best Female R&B Vocal Performance, (Nominated) Grammy Award for Best Contemporary R&B Album, (Nominated) 2005 [25]
MTV Video Music Awards Japan 2004 Japan Inspiration Award 2004 [26]
Radio Music Awards United States Legend Award 2004 [26]
Soul Train Music Awards United States 2004 Quincy Jones Award for Outstanding Career Achievements Lifetime Achievement Award 2004 [26]
Source Awards United States R&B artist of the year (Nominated) 2004 [27]

Track listing

No. Title Writer(s) Producer(s) Length
1. "Looking for Love"   Jackson, David Ritz, Fabrice Dumont, Christophe Hetier, Stephan Haeri Jimmy Jam and Terry Lewis, Jackson, Télépopmusik 1:29
2. "Damita Jo"   Jackson, Harris, Lewis, Bobby Ross Avila, Issiah J. Avila Harris, Lewis, Jackson, B. R. Avila*, Iz* 2:46
3. "Sexhibition"   Dallas Austin, Gregory "Ruckus" Andrews Austin 2:29
4. "Strawberry Bounce"   Jackson, Kanye West, Harris, Lewis, Tony "Prof T" Tolbert, Shawn Carter, Irving Lorenzo, Jeffrey Atkins, Rob Mays Harris, Lewis, Jackson, West 3:11
5. "My Baby" (featuring Kanye West) West, Sean Garrett, Jackson, Joni-Ayanna Portee West, Harris, Lewis, Jackson 4:17
6. "The Islands"   Jackson, Harris, Lewis Harris, Lewis, Jackson 0:39
7. "Spending Time with You"   Jackson, Harris, Lewis, B. R. Avila, I. J. Avila Harris, Lewis, Jackson, B. R. Avila*, Iz* 4:14
8. "Magic Hour"   Jackson, Harris, Lewis Harris, Lewis, Jackson 0:23
9. "Island Life"   Jackson, Scott Storch, Cathy Dennis Storch, Harris, Lewis, Jackson 3:53
10. "All Nite (Don't Stop)"   Jackson, Harris, Lewis, Tolbert, Anders Bagge, Arnthor Birgisson, Herbie Hancock, Paul Jackson, Melvin Ragin BAG & Arnthor, Jackson 3:26
11. "R&B Junkie"   Jackson, Harris, Lewis, Tolbert, Michael Jones, Nicholas Trevisick Harris, Lewis, Jackson 3:11
12. "I Want You"   Harold Lilly, West, John Stephens, Burt Bacharach, Hal David Harris, Lewis, Jackson, West 3:57
13. "Like You Don't Love Me"   Jackson, Harris, Lewis, B. R. Avila, I. J. Avila Harris, Lewis, Jackson, B. R. Avila*, Iz* 3:31
14. "Thinkin' Bout My Ex"   Tanya White, Babyface, Andy Cramer Babyface 4:36
15. "Warmth"   Jackson, Harris, Lewis, Dana Stinson, Tolbert Rockwilder, Harris, Lewis, Jackson 3:44
16. "Moist"   Jackson, Harris, Lewis, B. R. Avila, I. J. Avila, Tolbert Harris, Lewis, Jackson, B. R. Avila*, Iz* 4:54
17. "It All Comes Down to Love"   Jackson, Harris, Lewis Harris, Lewis, Jackson 0:39
18. "Truly"   Jackson, Harris, Lewis Harris, Lewis, Jackson 3:59
19. "The One"   Jackson, Ritz, Harris, Lewis Harris, Lewis, Jackson 1:02
20. "SloLove"   Jackson, Shelly Poole, Tommy Danvers, Bagge, Birgisson BAG & Arnthor, Jackson 3:44
21. "Country"   Jackson, Harris, Lewis Harris, Lewis, Jackson 0:31
22. "Just a Little While"   Jackson, Austin Austin 4:11

(*) denotes co-producer

Sample credits

Personnel

  • Janet Jackson – vocals, backing vocals, producer
  • Dallas Austin – beats, keyboards, Line 6 guitar, producer
  • Bobby Ross Avila – bass, drums, co-producer, guitar, keyboards, Moog lead, nylon guitar, producer, Rhodes electric piano
  • Babyface – instrumentation, producer
  • BAG & Arnthor – arrangers, engineers, producers, programming
  • Miri Ben-Ari – violin, violin arranger, violin producer
  • Paul Boutin – engineer
  • Billy Brown – backing vocals
  • Henrik Brunberg – assistant engineer
  • Jason Carson – engineer
  • Fran Cooper – make-up
  • Ian Cross – engineer
  • Roger Davies – management
  • Kevin "KD" Davis – mixing
  • Freckles – backing vocals
  • Brian "Big Bass" Gardner – mastering
  • Jon Gass – mixing
  • Serban Ghenea – mix assistant
  • Johnny Gill – guitar
  • Lee Groves – programming
  • Cesar Guevara – assistant engineer
  • Stephan Haeri – mixing
  • Rob Haggett – assistant programming
  • Doug Harms – assistant engineer
  • Terri Harris – personal assistant
  • Jeri Heiden – art direction, design
  • Steve Hodge – engineer, mixing, mix engineer
  • Keenan "Kee Note" Holloway – bass
  • Kameron Houff – engineer
  • Kevin Hunter – guitar
  • Jun Ishizeki – engineer
  • Iz – bass, co-producer, drums, electric guitar, guitar, horn stabs, Moog synthesizer, percussion, scratches
  • Jimmy Jam – drum programming, drums, keyboards, percussion, producer
  • Glenn Jeffery – guitar
  • Henrik Jonback – guitar
  • Goran Kajfes – horn
  • Brent Kolatalo – assistant engineer
  • Ken Lewis – instrumentation
  • Terry Lewis – producer
  • Wayne Scot Lukas – wardrobe
  • Matt Marrin – mix engineer
  • Manny Marroquin – mixing
  • Andrew MacPherson – photography
  • Glen Nakasako – art direction, design
  • Big Jon Platt – A&R
  • Ervin Pope – keyboards
  • Joni-Ayanna Portee – backing vocals
  • Magnum Coltrane Price – bass
  • Tony Reyes – backing vocals, bass, Line 6 guitar
  • Tim Roberts – mixing assistant
  • Lindsay Scott – management
  • Rick Sheppard – engineer, MIDI, sound design
  • Xavier Smith – assistant engineer
  • Mark "Spike" Stent – mixing
  • Scott Storch – producer
  • Télépopmusik – producers
  • Tony "Prof T" Tolbert – backing vocals
  • David Treahearn – mixing assistant
  • Rabeka Tuinei – mixing assistant
  • Max Vadukul – photography
  • Kanye West – vocals, producer
  • Colin Wolfe – bass
  • Ghian Wright – assistant engineer, mixing assistant
  • Bradley Yost – assistant engineer
  • Janet Zeitoun – hair stylist, stylist

Charts

Weekly charts

Chart (2004) Peak
position
Australian Albums Chart[30] 18
Austrian Albums Chart[31] 49
Belgian Albums Chart (Flanders)[32] 33
Belgian Albums Chart (Wallonia)[33] 40
Canadian Albums Chart[34] 7
Danish Albums Chart[35] 34
Dutch Albums Chart[36] 23
French Albums Chart[37] 35
German Albums Chart[38] 21
Irish Albums Chart[39] 72
Italian Albums Chart[40] 37
Japanese Albums Chart[41] 10
New Zealand Albums Chart[42] 50
Spanish Albums Chart[43] 49
Swedish Albums Chart[44] 43
Swiss Albums Chart[45] 34
UK Albums Chart[22] 32
US Billboard 200[34] 2
US Top R&B/Hip-Hop Albums[34] 2

Certifications

Country Certification
Canada Platinum[20]
Japan Gold[21]
United Kingdom Silver[23]
United States Platinum[17]

Year-end charts

Chart (2004) Position
US Billboard 200[46] 73
US Top R&B/Hip-Hop Albums[47] 20

Release history

Country Date Label
Japan March 22, 2004 EMI
Australia March 26, 2004
Germany
United Kingdom March 29, 2004 Virgin Records
United States March 30, 2004
Canada

References

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  44. ^ "Janet Jackson – Damita Jo". Swedish Recording Industry Association. Hung Medien. http://swedishcharts.com/showitem.asp?interpret=Janet+Jackson&titel=Damita+Jo&cat=a. Retrieved 2010-09-03. 
  45. ^ "Janet Jackson – Damita Jo". Media Control. Hung Medien. http://swisscharts.com/showitem.asp?interpret=Janet+Jackson&titel=Damita+Jo&cat=a. Retrieved 2010-09-03. 
  46. ^ "2004 Year End Charts – Top Billboard 200 Albums". Billboard. Prometheus Global Media. 2004-12-25. http://www.billboard.biz/bbbiz/charts/yearendcharts/2004/tlptitl.jsp. Retrieved 2010-09-22. 
  47. ^ "2004 Year End Charts – Top R&B/Hip-Hop Albums". Billboard. Prometheus Global Media. 2004-12-25. http://www.billboard.biz/bbbiz/charts/yearendcharts/2004/blptitl.jsp. Retrieved 2010-09-22. 

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