District 9

District 9
District 9
On dirty dusty ground a black and white target practice poster of a bipedal insect-like creature stands, riddled with bullet holes. Barbed wire runs behind the poster and a large circular spaceship hovers in the background.
American theatrical release poster
Directed by Neill Blomkamp
Produced by
Written by
  • Neill Blomkamp
  • Terri Tatchell
Music by Clinton Shorter
Cinematography Trent Opaloch
Editing by Julian Clarke
  • WingNut Films
  • QED International
  • Key Creatives
  • Wintergreen Productions
Distributed by TriStar Pictures
Release date(s) August 13, 2009 (2009-08-13)
August 14, 2009 (2009-08-14) (United States)
Running time 112 minutes
  • United States
  • New Zealand
  • Canada
  • South Africa
Budget $30 million[1]
Box office $210,816,205[2]

District 9 is a 2009 South African science fiction thriller film directed by Neill Blomkamp. It was written by Blomkamp and Terri Tatchell, and produced by Peter Jackson and Carolynne Cunningham. The film stars Sharlto Copley, Jason Cope, and David James. The film won the 2010 Saturn Award for Best International Film presented by the Academy of Science Fiction, Fantasy & Horror Films,[3] and was nominated for four Academy Awards in 2010, including Best Picture, Best Adapted Screenplay, Best Visual Effects, and Best Editing.[4]

The story, adapted from Alive in Joburg, a 2005 short film directed by Blomkamp and produced by Sharlto Copley and Simon Hansen, pivots on the themes of xenophobia and social segregation. The title and premise of District 9 were inspired by events that took place in District Six, Cape Town during the apartheid era. The film was produced for $30 million and shot on location in Chiawelo, Soweto, presenting fictional interviews, news footage, and video from surveillance cameras in a part-mock documentary style format. A viral marketing campaign began in 2008, at the San Diego Comic-Con, while the theatrical trailer appeared in July 2009. Released by TriStar Pictures, the film opened to critical acclaim on August 14, 2009, in North America and earned $37 million in its opening weekend. Many saw the film as a sleeper hit for its relatively unknown cast and modest-budget production, while achieving success and popularity during its theatrical run.



In March 1982, a large alien spacecraft comes to Earth and hovers motionless above Johannesburg in South Africa. After three months of no contact and no signs of activity, a team enters the ship, discovering a large group of sick and malnourished extraterrestrials, who are then given food, shelter, and health-care on Earth. The aliens, derogatorily referred to by some locals as "prawns", are confined to District 9, a government camp inside Johannesburg. Following their settlement, periodic unrest occurs between aliens and locals.

In the first decade of the 21st century, the South African government hires Multinational United (MNU), a private military company under the direction of its CEO, Dirk Michaels (William Allen Young), to relocate the aliens to the new District 10. In August 2010, Wikus van de Merwe (Sharlto Copley), an Afrikaner bureaucrat, is appointed by Piet Smit (Dirk Minnaar), an MNU executive and his father-in-law, to lead the relocation with the serving of illegal eviction notices.

Meanwhile, three aliens (Christopher Johnson (Jason Cope), his son, and a friend), search for alien technology from which they distill a mysterious fluid, storing it in a small canister. Later, while raiding the shack of Christopher's friend, Wikus discovers and seizes the container, which sprays an unidentified substance onto his face. Christopher's friend is subsequently killed by Koobus Venter (David James), a xenophobic soldier leading the operation.

The mysterious fluid makes Wikus ill and begins to turn his DNA and body into those of a "prawn". MNU finds out and they force Wikus to test various alien weapons which only function when used by an alien; he succeeds at using them. The MNU scientists then decide to vivisect Wikus' organs because they are deemed to be worth billions for biotech research, but he overpowers his captors and escapes. Smit lies to the press, saying that Wikus is infected with an alien STD and is highly contagious. He also sends Venter and his men to capture him.

Wikus finds refuge in District 9 and seeks help from Christopher, who reveals that the canister would allow him to reactivate the dormant mothership and reverse Wikus' mutation. He then reveals the lost command-module hidden under his shack, and agrees to help Wikus if he retrieves the canister from MNU. Wikus agrees and steals weapons from Nigerian arms-dealer Obesandjo and his gang.

Wikus and Christopher break into the MNU offices and successfully retrieve the canister; they flee back to District 9, with MNU forces in pursuit. Outraged by illegal experiments he saw at the MNU headquarters, Christopher tells Wikus that he will need to seek help for the other aliens before curing him. Unfortunately, the trip to the alien planet and back will take three years. Enraged, Wikus attacks Christopher, then hijacks the command module. Soon after takeoff, the craft is shot down and crashes. Venter and his men arrest Wikus and Christopher, but Obesandjo's gang ambushes the MNU convoy, kills the guards, and after an intense firefight, Wikus is taken to Obesandjo, who believes that by eating Wikus' mutated alien hand he will gain the ability to use alien weaponry. Obesandjo's base is then surrounded and besieged by MNU and a firefight ensues.

In the downed command module, Christopher's son activates the mothership and an alien mechanized battle suit which, upon detecting a threat to Wikus, kills Obesandjo and his men before they can butcher Wikus. Wikus takes control of the battle suit and rescues Christopher, shielding Christopher as they run to the command module and killing many MNU men firing upon them. Wikus then aids Christopher's escape by staying behind and holding off the MNU troops in his ailing mechanized battle suit. Wikus kills all the troops except Venter, who cripples his suit and forces it to eject him. He is cornered by Venter, who tells him he plans to execute him to prevent further repercussions. However, a group of aliens surround Venter and tear him to pieces before eating what remains. Christopher promises to return in three years and leaves in the mothership with his son as Johannesburg's residents celebrate its departure.

A series of interviews and news broadcasts are shown, with people theorizing about Wikus' whereabouts. MNU's illegal experiments on the aliens are uncovered and exposed by Fundiswa Mhlanga, Wikus' former trainee, who is incarcerated and awaiting trial on a false charge of corporate espionage. District 9 is completely demolished, with all the aliens having been moved to the new larger District 10 240 km (150 mi) outside the city. Wikus' wife, Tania (Vanessa Haywood), reveals the finding of a metal flower on her doorstep, which gives her hope that her husband is still alive. Interviews are given implying whether or not Christopher's return will either mean reconciling Earth and the Prawns, or war declaration against humans. The film ends with a shot of a fully transformed Wikus crafting a similar flower in a scrapyard.[5]


Copley promoting the film at the San Diego Comic-Con in July 2009
  • Sharlto Copley as Wikus van de Merwe, an ostensibly mild-mannered manager at the MNU Department of Alien Affairs, whose blasé, even callous attitude to the aliens changes as he comes to see things from their point of view. This was the first time acting professionally in a feature film for Copley, a friend of director Blomkamp.[6]
  • Jason Cope as Christopher Johnson, an alien. Cope also performed the role of Grey Bradnam, the UKNR Chief Correspondent and all the speaking aliens.[7]
  • David James as Colonel Koobus Venter, a PMC mercenary-soldier sent to capture Wikus. He is shown as sadistic and violent, taking great pleasure in killing the aliens and treating with violence anyone who opposes him.
  • Eugene Khumbanyiwa as Obesandjo, a paralyzed psychopathic Nigerian warlord who believes that eating alien bodyparts will give him the ability to operate their weapons.
  • Louis Minnaar as Piet Smit, a director at MNU, and Wikus' father-in-law. He is the one who creates the cover-up that turns Wikus into a fugitive, and tries to turn his daughter against Wikus by saying he had committed adultery by having sexual intercourse with the aliens.
  • Mandla Gaduka as Fundiswa Mhlanga, Wikus' assistant and trainee during the eviction. At the end of the film he is shown to be prosecuted for uncovering MNU's illegal activities.
  • Vanessa Haywood as Tania Smit van de Merwe, Wikus' wife.
  • Robert Hobbs as Ross Pienaar.
  • Kenneth Nkosi as Thomas, an MNU security guard.
  • Nathalie Boltt as Sarah Livingstone, a sociologist at Kempton Park University.
  • Sylvaine Strike as Katrina McKenzie, a doctor from the Department of Social Assistance.
  • John Sumner as Les Feldman, a MIL engineer.
  • Nick Blake as Francois Moraneu, a member of the CIV Engineer Team.
  • Jed Brophy as James Hope, the ACU chief of police.
  • Vittorio Leonardi as Michael Bloemstein, from the MNU Dept. of Alien Civil Affairs.
  • Johan van Schoor as Nicolaas van de Merwe, Wikus' father.
  • Marian Hooman as Sandra van de Merwe, Wikus' mother.
  • Stella Steenkamp as Phyllis Sinderson, a co-worker of Wikus'.
  • Tim Gordon as Clive Henderson, an entomologist at WLG University.
  • Jonathan Taylor as the Doctor.
  • Nick Boraine as Lieutenant Weldon, Colonel Venter's right-hand man.



Producer Peter Jackson planned to produce a film adaptation based on the Halo video game franchise with first-time director Neill Blomkamp. Due to a lack of financing, the Halo adaptation was placed on hold. Jackson and Blomkamp discussed pursuing alternative projects and eventually chose to produce and direct, respectively, District 9. Blomkamp had previously directed commercials and short films, but District 9 was his first feature film. The director co-wrote the script with Terri Tatchell and chose to film in South Africa, where he was born.[8] In District 9, Tatchell and Blomkamp returned to the world explored in his short film "Alive in Joburg", choosing characters, moments and concepts that they found interesting, and fleshing out these elements for the feature film.[9]

Blomkamp, having grown up in Johannesburg and being a huge fan of science fiction, wanted to blend together these two elements and present them to the audience as a familiar but alien experience. He tested this premise in his short film "Alive in Joburg" and used elements of this film as the groundwork for the feature-lentgth adaptation that became "District 9." Some of the elements he transferred from his short film the documentary style filmaking, staged interviews, alien desgins, alien technology/mecha suits, and the parallels to racial conflict and segregation in South Africa. Influences that shaped Blomkamp's vision for the film included "V," David Cronenberg's remake of "The Fly," "Robocop," and the movie "Alien Nation."

District 9 and Alive in Joburg both are films that were directed by Neill Blomkamp. The feature film, District 9, was adapted from the short film, Alive in Joburg. The relationship between these two films is very alike in that both are about aliens populating a certain area in South Africa and the growing tension between the humans and the extra-terrestrial life forms. The aliens featured in these films are much the same in that they are quite humanoid except that they have tentacles in place of the human mouth. Production-wise, they are also similar in that they used the same documentary-style imagery. Both integrate interviews in their films to capture what the humans think of the alien population. The major difference between these two films is that while Alive in Joburg portrays the aliens living with the humans, District 9 has their aliens segregated and confined to a refugee camp.

QED International fully financed the production of the independent film, underwriting the negative cost prior to American Film Market (AFM) 2007. At AFM 2007, QED entered into a distribution deal with Sony Pictures under TriStar Pictures for North America and other English-language territories, Korea, Italy, Russia and Portugal.[10]


The film was shot on location in Chiawelo, Soweto during a time of violent unrest in Alexandra, Gauteng and other South African townships involving clashes between native South Africans and Africans born in other countries.[11] The location that portrays District 9 in itself was in fact a real impoverished neighborhood from which people were being forcibly relocated to government-subsidised housing.[7]

Filming for District 9 took place during the winter in Johannesburg, South Africa. According to director Neill Blomkamp, during the winter season, Johannesburg “actually looks like Chernobyl”, a “nuclear apocalyptic wasteland”. Blomkamp wanted to capture the deserted, bleak atmosphere and environment so he and the crew had to film during the months of June through July. The film took a total of 60 days of shooting. Filming in December was another issue in that there was much more rain. Due to the rain, there was a lot of greenery to work with, which was not what Blomkamp desired. In fact, Blomkamp had to cut some of the vegetation in the scenery to portray the setting as desolate and dark.

Blomkamp said no one film influenced District 9, but cited the 1980s "hardcore sci-fi/action" films such as Alien, Aliens, The Terminator, Terminator 2: Judgment Day, Predator and RoboCop as subconscious influences. The director said, "I don't know whether the film has that feeling or not for the audience, but I wanted it to have that harsh 1980s kind of vibe — I didn't want it to feel glossy and slick."[9]

Because of the amount of hand-held shooting required for the film, the producers and crew decided to shoot using the digital Red One camera. Cinematographer Trent Opaloch used nine digital Red Ones owned by Peter Jackson for primary filming.[12] "District 9 was shot on RED One cameras using build 15, Cooke S4 primes and Angenieux zooms. The documentary style and CCTV cam footage was shot on the Sony EX1/EX3 XDCAM-HD."[13] "The District 9 post production team were warned that the most RED footage they could handle a day was about an hour and a half. When that got to five hours a day reinforcements were called and 120 Terabytes of data was filled."[14]

Visual effects

Even as a young child living in South Africa, Blomkamp was captivated by artwork and visual effects. “I knew I wanted to be in movies…So I thought I wanted to be in special effects, like model-making and prosthetic effects." The combination of knowing he would find a career in the visual effects area and the advancement of technology allowing better computer graphics capabilities lead him to work at a Canadian post-production company as a visual effects artist. The aliens in District 9 were designed by Weta Workshop, and the design was executed by Image Engine. Blomkamp wanted the aliens to maintain both humanistic and barbaric features in the design of the creatures. According to Terri Tatchell, the director’s writing partner, “They are not appealing, they are not cute, and they don’t tug at our heartstrings. He went for a scary, hard, warrior-looking alien, which is much more of a challenge.” The look of the alien, with its exoskeleton-crustacean hybrid and crab-like shells, was meant to initially evoke a sense of disgust from viewers but as the story progresses, the audience was meant to sympathize with these creatures who had such human-like emotions and characteristics. Blomkamp established criteria for the design of the aliens. He wanted the species to be insect-like but also bipedal. The director wanted the audience to relate to the aliens and said of the restriction on the creature design, "Unfortunately, they had to be human-esque because our psychology doesn't allow us to really empathize with something unless it has a face and an anthropomorphic shape. Like if you see something that's four-legged, you think it's a dog; that's just how we're wired... If you make a film about an alien force, which is the oppressor or aggressor, and you don't want to empathize with them, you can go to town. So creatively that's what I wanted to do but story-wise, I just couldn't."[15] Blomkamp originally sought to have Weta Digital design the creatures, but the company was busy with effects for Avatar. The director then decided to choose a Vancouver-based effects company because he anticipated to make films there in the future and because British Columbia offered a tax credit. Blomkamp met with Image Engine and considered them "a bit of a gamble" since the company had not pursued a project as large as a feature film.[9] Aside from the aliens appearing on the operating table in the medical lab, all of them were created using CGI visual effects.[16]

Weta Digital designed the mothership and the drop ship, while the exo-suit and the little pets were designed by The Embassy Visual Effects. Zoic Studios performed overflow 2D work.[9] On-set live special effects were created by MXFX.[17]


Like Alive in Joburg, the short film on which the feature film is based, the setting of District 9 is inspired by historical events that took place in South Africa during the apartheid era, with the film's title particularly alluding to District Six. District Six, an inner-city residential area in Cape Town, was declared a "whites only" area by the government in 1966, with 60,000 people forcibly removed and relocated to Cape Flats, 25 km (15 mi) away.[18] The film also refers to contemporary evictions and forced removals to new suburban ghettos in post-apartheid South Africa as well as the resistance of its residents.[19][20] This includes the high profile attempted forced removal of the Joe Slovo informal settlement in Cape Town to temporary relocation areas in Delft, plus the attempted evictions of Abahlali baseMjondolo and evictions in the shack settlement, Chiawelo, where the film was actually shot.[7] Blikkiesdorp, a temporary relocation area in Cape Town, has also been compared with the District 9 camp earning a front page spread in the Daily Voice.[21][22]

The film makes a statement about inhumanity in the irony of Wikus becoming more humane as he becomes less human.[23] Throughout the movie, he becomes more aware of the aliens' plight, eventually helping them escape the planet, even turning on his own species to do so. Chris Mikesell from the Hawaii newspaper, Ka Leo, notes that inhumanity is a deep-rooted theme throughout. He writes: "Substitute 'black,' 'Asian,' 'Mexican,' 'illegal,' 'Jew,' or any number of different labels for the word 'prawn' in this film and you will hear the hidden truth behind the dialogue". Alien eggs are destroyed before hatching and described as popcorn. He feels that District 9 shows the corruption humans are capable of. M.N.U., the corporation in charge of protecting the aliens, are actually taking away captured aliens and using them as experiments in order to be able to use their weapons.[24]

Themes of racism and xenophobia are put forward by the movie in the form of speciesism applied to the aliens. The use of the word "prawn" to describe the aliens is a reference to the Parktown prawn, a king cricket species considered a pest in South Africa.[25] Copley has said that the theme is not intended to be the main focus of the work, but rather that it can work at a subconscious level even if it is not noticed.[26]

Duane Dudek from the Journal Sentinel wrote that "The result is an action film about xenophobia, in which all races of humans are united in their dislike and mistrust of an insect-like species".[27]

An underlying theme in District 9 is state reliance on multinational corporations as a government funded enforcement arm. As MNU represents the type of corporation which partners with governments, the negative portrayal of MNU in the film can be seen as a statement about the dangers of governments, particularly in their outsourcing of militaries and bureaucracies to private contractors.[28][29]


The music for District 9 was scored by Canadian composer Clinton Shorter, who spent three weeks preparing for the film. Director Neill Blomkamp wanted a "raw and dark" score, but one that maintained its South African roots. This was a challenge for Shorter, who found much of the South African music he worked with to be optimistic and joyful. Unable to get the African drums to sound dark and heavy, Shorter used a combination of taiko drums and synthesized instruments for the desired effects, with the core African elements of the score conveyed in the vocals and smaller percussion.[30] Both the score and soundtrack feature music and vocals from Kwaito artists.


Sony Pictures launched a "Humans Only" marketing campaign to promote District 9. Sony's marketing team designed its promotional material to emulate the segregational billboards that appear throughout the film.[15] Billboards, banners, posters, and stickers were thus designed with the theme in mind, and the material was spread across public places such as bus stops in various cities, including "humans only" signs in certain locations and providing toll-free numbers to report "non-human" activity.[31][32] Promotional material was also presented at the 2008 San Diego Comic-Con, advertising the website D-9.com,[33] which had an application presented by the fictional Multi-National United (MNU). The website had a local alert system for Johannesburg (the film's setting), news feeds, behavior recommendations, and rules and regulations. Other viral websites for the film were also launched, including an MNU website with a countdown timer for the film's release,[34] an anti-MNU blog run by fictional alien character Christopher Johnson,[35] and an MNU-sponsored educational website.[36][37] An online game for District 9 has also been made where players can choose to be a human or an alien. Humans are MNU agents on patrol trying to arrest or kill aliens. Aliens try to avoid capture from MNU agents whilst searching for alien canisters.[38]


Box office

As of November 4, 2009 (2009 -11-04), District 9 had grossed an estimated $210,816,205, of which $115,646,235 was from Canada and the United States [39] making it a huge box office success, with a revenue 7 times its original production budget of only $30 million.

It opened in 3,048 theaters in Canada and the United States on August 14, 2009, and the film ranked first at the weekend box office with an opening gross of $37,354,308. Among comparable science fiction films in the past, its opening attendance was slightly less than the 2008 film Cloverfield and the 1997 film Starship Troopers. The audience demographic for District 9 was 64 percent male and 57 percent people 25 years or older.[31] The film stood out as a summer film that generated strong business despite little-known casting.[40] Its opening success was attributed to the studio's unusual marketing campaign. In the film's second weekend, it dropped 49% in revenue while competing against the opening film Inglourious Basterds for the male audience, as Sony Pictures attributed the "good hold" to District 9's strong playability.[41]

The film enjoyed similar success in the UK with an opening gross of £2,288,378 showing at 447 cinemas.[42]


The film was met with very positive reviews and nearly universal acclaim, with Rotten Tomatoes reporting that 91% of critics gave the film a positive review, based on a sample of 244, with an average score of 7.8 out of 10. The website wrote of the consensus, "Technically brilliant and emotionally wrenching, District 9 has action, imagination, and all the elements of a thoroughly entertaining science-fiction classic."[43] At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the film has received a score of 81 based on 36 reviews, indicating "Universal Acclaim".[44] On Spill.com it received their highest rating of 'Better Than Sex!'. IGN listed District 9 as 24 on a list of the 25 Great Sci-Fi films ever.[45]

Sara Vilkomerson of The New York Observer wrote, "District 9 is the most exciting science fiction movie to come along in ages; definitely the most thrilling film of the summer; and quite possibly the best film I've seen all year."[46] Christy Lemire from the Associated Press was impressed by the plot and thematic content, claiming that "District 9 has the aesthetic trappings of science fiction but it's really more of a character drama, an examination of how a man responds when he's forced to confront his identity during extraordinary circumstances."[47] Entertainment Weekly's Lisa Schwarzbaum described it as "... madly original, cheekily political, [and] altogether exciting ..."[48]

Roger Ebert praised the film for "giving us aliens to remind us not everyone who comes in a spaceship need be angelic, octopod or stainless steel," but complains that "... the third act is disappointing, involving standard shoot-out action. No attempt is made to resolve the situation, and if that's a happy ending, I've seen happier. Despite its creativity, the film remains space opera and avoids the higher realms of science-fiction."[49] New York Press critic Armond White lambasted the film for its outlandish premise and perceived racial insensitivity toward its apartheid allegories. He asserts that "Blomkamp and Jackson want it every which way: The actuality-video threat of The Blair Witch Project, unstoppable violence like ID4 plus Spielberg's otherworldly benevolence: factitiousness, killing and cosmic agape. This is how cinema gets turned into trash."[50] The review was initially defended by Roger Ebert, but soon after Ebert referred to White as a troll[51] though White countered that Ebert was in fact the troll, claiming Ebert was pressured by his employers to retract his support. Josh Tyler of Cinema Blend says the film is unique in interpretation and execution, but considers it to be a knockoff of the 1988 film Alien Nation.[52]


"The idea that it's not only Nigerians, but all Africans who behave in that way, will be spread across the world. I find that to be a painful thought. The manner in which the Nigerians are depicted cannot be justified."
—Hakeem Kae-Kazim[53]

Many Nigerians, both in the country and abroad, were deeply offended by the film. Nigeria's Information Minister Dora Akunyili asked movie theatres around the country to either ban the film or edit out specific references to the country, because of the film's negative depiction of the Nigerian characters as criminals and cannibals. Letters of complaint were sent to the producer and distributor of the film demanding an apology. She also said the gang leader Obesandjo is almost identical in spelling and pronunciation to the surname of former president Olusegun Obasanjo.[54] The film was later banned in Nigeria; the Nigerian Film and Video Censors Board was asked to prevent cinemas from showing the film and also to confiscate it.[55]

Many Nigerians also accused District 9 of being xenophobic. Online petitions and Facebook groups called "District 9 Hates Nigerians" were started. Hakeem Kae-Kazim, a British born Nigerian actor also criticized the portrayal of Nigerians in the film, telling the Beeld newspaper Africa is a beautiful place and the problems it does have can not be shown by such a small group of people.[53]


District 9 was named one of the top 10 independent films of 2009 by the National Board of Review of Motion Pictures. The film received four Academy Awards nominations, seven British Academy Film Awards nominations, five Broadcast Film Critics Association nominations, and one Golden Globe nomination. It is the fourth film ever nominated for Best Picture at the Academy Awards for TriStar Pictures behind As Good as It Gets, Jerry Maguire and Bugsy. It won the 2009 Bradbury Award from the Science Fiction and Fantasy Writers of America.[56]

Home media

The Blu-ray Disc and Region 1 Code widescreen edition of District 9 as well as the 2-disc special edition version on DVD was released on December 22, 2009.[57] The DVD and Blu-ray Disc includes the documentary "The Alien Agenda: A Filmmaker's Log" and the special features "Metamorphosis: The Transformation of Wikus", "Innovation: Acting and Improvisation", "Conception and Design: Creating the World of District 9", and "Alien Generation: Visual Effects".[58] The demo for the video game God of War III featured in the 2009 Electronic Entertainment Expo is also included with the Blu-ray release of District 9 playable on the Sony PlayStation 3.[59][60]


WETA released (in July 2010) Christopher Johnson and Son as sculptures.[61]


On August 1, 2009, two weeks before District 9 was released to cinemas, Neill Blomkamp hinted that he intended to make a sequel if the film was successful enough. During an interview on the "Rude Awakening" 94.7 Highveld Stereo breakfast radio show, he alluded to it, saying "There probably will be." Nevertheless, he revealed that his next project is unrelated to the District 9 universe.[62] In an interview with Rotten Tomatoes, Blomkamp stated that he was "totally" hoping for a follow-up: "I haven't thought of a story yet but if people want to see another one, I'd love to do it."[63] Blomkamp has posed the possibility of the next movie in the series being a prequel.[64] In an interview with Empire magazine posted on April 28, 2010, Sharlto Copley suggested that a follow-up, while very likely, would be about two years away, given his and Neill Blomkamp's current commitments.[65]


  1. ^ "Jackson's new sci-fi film a return to his origins". The New Zealand Herald. http://www.nzherald.co.nz/films/news/article.cfm?c_id=200&objectid=10585084. Retrieved 2009-07-19. 
  2. ^ Box Office Mojo - District 9
  3. ^ Awards for District 9 at the Internet Movie Database
  4. ^ "The 82nd Annual Oscar Nominations". The New York Times. 2010-02-02. http://carpetbagger.blogs.nytimes.com/2010/02/02/oscar-nominations/. Retrieved 2010-05-01. 
  5. ^ District 9 DVD audio narration (Audio Setup -> English Audio Descriptive Service)
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  7. ^ a b c "5 Things You Didn't Know About District 9". IO9. 08-19-09. http://io9.com/5341120/5-things-you-didnt-know-about-district-9. Retrieved 2009-08-22. 
  8. ^ Fleming, Michael (November 1, 2007). "Peter Jackson gears up for 'District'". Variety. http://www.variety.com/article/VR1117975244.html?categoryid=1236&cs=1. Retrieved August 30, 2009. 
  9. ^ a b c d Desowitz, Bill (August 14, 2009). "Neill Blomkamp Talks District 9". VFXWorld (AWN, Inc.). http://www.vfxworld.com/?atype=articles&id=4032. Retrieved August 31, 2009. 
  10. ^ Frater, Patrick (November 4, 2007). "Sony to release Jackson's 'District'". Variety. http://www.variety.com/article/VR1117975365.html. Retrieved August 30, 2009. 
  11. ^ Itzkoff, Dave (2009-08-05). "A Young Director Brings a Spaceship and a Metaphor in for a Landing". The New York Times. http://www.nytimes.com/2009/08/06/movies/06district.html. Retrieved 31 August 2009. 
  12. ^ Caranicas, Peter (2009-08-14). "'District' lenser braces for invasion". International (Variety). http://www.variety.com/article/VR1118007288.html. Retrieved 7 September 2009. 
  13. ^ ‘District 9′ Shot On RED
  14. ^ Attack Of The Terabytes
  15. ^ a b Oldham, Stuart (August 14, 2009). "Interview: Neill Blomkamp". Variety. http://www.variety.com/article/VR1118007279.html?categoryid=13&cs=1&nid=2564. Retrieved August 31, 2009. 
  16. ^ IMDB Trivia, IMDb,
  17. ^ MXFX Physical Special Effects
  18. ^ Corliss, Richard (2009-08-13). "'District 9' Review: The Summer's Coolest Fantasy Film". Time. http://www.time.com/time/arts/article/0,8599,1916009,00.html. Retrieved 2009-08-25. 
  19. ^ "The real 'District 9' – South Africa's shack dwellers". Guardian Weekly. August 28, 2009. http://www.guardianweekly.co.uk/?page=editorial&id=1237&catID=9. 
  20. ^ de Waal, Shaun (August 28, 2009). "Loving the Aliens". Film. Mail & Guardian. http://www.mg.co.za/article/2009-08-28-loving-the-aliens. 
  21. ^ Blikkiesdoprp housingdisaster has become Cape Flats' own...District 9 in the Daily Voice, South Africa, 3 October 2009
  22. ^ "UN affiliated NGO asks the City to reconsider Symphony Way’s eviction to Blikkiesdorp which will be decided in Court on Wednesday". Anti-Eviction Campaign. October 5, 2009. http://antieviction.org.za/2009/10/05/un-affiliated-ngo-asks-the-city-to-reconsider-symphony-ways-eviction-to-blikkiesdorp-which-will-be-decided-in-court-on-wednesday/. 
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  29. ^ "District 9, Ugly Marvel". SACSIS. http://www.sacsis.org.za/site/article/343.1. 
  30. ^ Hoover, Tom (2009). "Interviews: Clinton Shorter – The Music of District 9". Score Notes. http://scorenotes.com/interviews.html. Retrieved 8 September 2009. 
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