Nash Metropolitan

Metropolitan

1957 Metropolitan
Manufacturer	BMC for Nash and AMC
Also called	Hudson Metropolitan Metropolitan by American Motors In non-U.S. & Canada markets: Austin Metropolitan
Production	1953–1961
Assembly	Longbridge, Birmingham, West Midlands, England
Class	Economy car Subcompact car
Body style	2-door hardtop 2-door convertible
Layout	FR layout
Engine	Austin A40, 1,200 cc (1.2 L) I4 1,500 cc (1.5 L) B-Series
Transmission	3-speed manual
Wheelbase	85 in (2,200 mm)
Length	149.5 in (3,800 mm)
Width	61.5 in (1,560 mm)
Height	54.5 in (1,380 mm)
Curb weight	From 1,785 lb (810 kg)
Designer	William J. Flajole

The Nash Metropolitan is a car that was sold, initially only in the United States and Canada,^[1] from 1954–1962.

It conforms to two classes of vehicle: economy car^[2] and subcompact car.^{[3][4][5][6][7]} In today’s terminology the Metropolitan is a “subcompact”, but this category had not yet come into use when the car was made.^[8] At that time, it was variously categorized, for example as a "small automobile" as well as an "economy car".

The Metropolitan was also sold as a Hudson when Nash and Hudson merged in 1954 to form the American Motors Corporation (AMC), and later as a standalone marque during the Rambler years, as well as in the United Kingdom and other markets.

Design

While most U.S. automobile makers were following a "bigger-is-better" philosophy, Nash Motor Company executives were examining the market to offer American buyers an economical transportation alternative. The Metropolitan was designed in the U.S. and it was patterned from a concept car, the NXI (Nash Experimental International), that was built by Detroit-based independent designer William J. Flajole for Nash-Kelvinator.^[9] It was designed as a "commuter/shopping car" with resemblance to the big Nash, but the scale was tiny as the Met's wheelbase was shorter than a VW Beetle's^[10]

The NXI design study incorporated many innovative features, and attempted to make use of interchangeable front and rear components (the symmetrical door skins were the only interchangeable items that made it into production). Although more complex, the new vehicle also incorporated Nash's advanced single-unit (monocoque) construction. It was displayed at a number of "surviews" (survey/previews), commencing on the 4th January 1950 at the Waldorf-Astoria Hotel, New York, to gauge the reaction of the American motoring public to a car of this size. The result of these surviews convinced Nash that there was indeed a market for such a car, if it could be built at a competitive price.

A series of prototypes followed that incorporated many of the improvements from the "surviews" that included roll-up glass side windows, a more powerful engine, and a column-mounted transmission shifter with bench seat (rather than bucket-type seats with floor shift fitted in the concept car). The model was named NKI (for Nash-Kelvinator International), and it featured revised styling incorporating a hood blister and rear wheel cutouts.^[9]

Nash was positioning this new product for the emerging postwar market for "personal use" autos.^[11] These specific use vehicles were as a second-car for women, or an economical commuter car.^[11] The Metropolitan was also aimed at returning Nash to overseas markets. However, Mason and Nash management calculated that it would not be viable to build such a car from scratch in the U.S. because the tooling costs would have been prohibitive. The only cost-effective option was to build overseas using existing mechanical components, leaving only the tooling cost for body panels and other unique components.

With this in mind, Nash Motors negotiated with several European companies. On October 5, 1952, they announced that they had selected the Austin Motor Company (by then part of BMC) and Fisher & Ludlow (which also became part of BMC in September 1953), both English companies based around Birmingham, England. Fisher & Ludlow would produce the bodywork, while the mechanicals would be provided, as well as final assembly undertaken, by the Austin Motor Company. This was the first time an American-designed car, that was to be exclusively marketed in North America, had been entirely built in Europe. It became a captive import – a foreign-built vehicle sold and serviced by Nash (and later by American Motors) through its dealer distribution system. It is believed that the first pre-production prototype was completed by Austin on December 2, 1952. In all, five pre-production prototypes were built by Austin Motors and tested prior to the start of production. The total tooling cost amounted to US$1,018,475.94, (Austin — US$197,849.14, Fisher & Ludlow — US$820,626.80) which was a fraction of the tooling cost for a totally U.S.-built vehicle.

The styling for all Nash vehicles at that time was an amalgam of designs from Pininfarina of Italy and the in-house Nash design team. The different models from Ambassador down to the Metropolitan utilised very similar design features (fully enclosed front wheels, notched "pillow" style door pressing, bar style grille etc.). Whilst Nash used the fact that styling was by Pininfarina in their advertising for their larger models, Pininfarina refused tho allow his name to be associated with the Metropolitan as he felt it would damage his reputation with other Italian car companies to be linked to such a small car.

The new Metropolitan was made in two body designs: convertible and hardtop. All came with several standard features that were optional on most cars of the era. Among these factory-installed benefits for customers were a map light, electric windshield wipers, cigar lighter, and even a "continental-type" rear-mounted spare tire with cover. To give a "luxury" image to the interior, "Bedford cord" upholstery trimmed with leather was used (similar to larger Nash vehicles). An AM radio, "Weather Eye" heater, and whitewall tires were offered as optional extras for the U.S. market (It is unlikely that a Metropolitan could have been purchased without a heater and radio, as all vehicles left the factory with both items fitted).

The Metropolitan was the first American car that was marketed specifically to women.^[12] The Dodge La Femme was introduced one year later. The first spokesperson for the car was Miss America 1954, Evelyn Ay Sempier, and the car was prominently advertised in Women's Wear Daily.^[12] American Motors' marketing brochures described the new model as "America's entirely new kind of car" (1955), "Luxury in Miniature" (1959), and "crafted for personal transportation" (1960).^[13]

First reviews

Initial reviews of the Metropolitan were mixed. However, owners reported that the "Metropolitan is a good thing in a small package".^[14]

Automotive industry veteran and the largest publisher of automotive books at the time, Floyd Clymer, took several Metropolitans through his tests. He "abused" a 1954 Metropolitan convertible and "got the surprise of my life" with its "performance was far better than I expected", that he "felt very safe in the car", and that "it may well be that Nash has started a new trend in American motoring. Perhaps the public is now getting ready to accept a small car".^[15] Clymer also took a 1957 Metropolitan hardtop through a grueling 2,912 mi (4,686 km) road test that even took him 14,100 ft (4,300 m) up Pikes Peak. He summed up his experience that "I can not praise the Metropolitan too highly. It is a fascinating little car to drive, its performance is far better than one would expect, and the ride is likewise more than expected".^[16]

According to Collectible Auto magazine, the car was described in Car Life's review as "a big car in miniature" that was "fun to drive" and "ideal for a second car in the family,"^[17] while Motor Trend was not alone in regarding the rear "utility" seat as "a joke."^[18]

Motor Trend praised the car’s economy: their test Metropolitan returned:

39.4 mpg_-US (5.97 L/100 km; 47.3 mpg_-imp) at 45 mph (72 km/h),

27.4 mpg_-US (8.58 L/100 km; 32.9 mpg_-imp) at 60 mph (97 km/h), and

30.1 mpg_-US (7.81 L/100 km; 36.1 mpg_-imp) "in traffic."^[19]

Mechanix Illustrated editor Tom McCahill wrote: “It is not a sports car by the weirdest torturing of the imagination but it is a fleet, sporty little bucket which should prove just what the doctor ordered for a second car, to be used either for a trip to the movies or for a fast run to a penicillin festival.”^[20] He added that it was a “nice-handling car with plenty of control and amazing dig, considering it is powered by a small Austin A-40 engine” and that the finish was “very nice”, although having no trunk opening except by pulling down the back of the rear seat “poses a problem.”^[20] His test car accelerated from 0 to 60 mph in 19.3 seconds and could exceed 70 mph (110 km/h).

A Road & Track road test recorded acceleration from 0–60 mph in 22.4 seconds, "almost half of the VW’s 39.2." However the magazine noted that at 60 mph (97 km/h), a common American cruising speed at the time, the Metropolitan was revving at 4300 rpm, which shortened engine life, whereas the Volkswagen could travel at the same speed at only 3000 rpm.^[21] Road & Track’s testers also said that the car had “more than its share of roll and wallow on corners” and there was “little seat-of-the-pants security when the rear end takes its time getting back in line.”^[17]

Road Test magazine said in 1954 that "on roadability and responsive handling, the Met shines. It also offers easy maintenance and downright stinginess when it comes to gasoline consumption. Also, it's literally a brute for punishment. On several occasions I took familiar corners at speeds half again what I would dare to use in some cars of twice the weight – proof that proper weight distribution, low center of gravity and well engineered suspension have more to do with roadability than massiveness, weight and long wheelbases. Admittedly, the short wheelbased Met does pitch moderately on very rough roads, but the sensitivity and ease of steering make driving a pleasure."^[22]

Production for U.S.

Series I

Series I

Production	1953
Engine	1,200 cc I4

Production at Austin's Longbridge factory started in October 1953 (Commencing VIN E1001). Nicknamed the "baby Nash", the cars were tiny. They had an 85 in (2,159 mm) wheelbase, overall length of 149.5 in (3,797 mm) and a gross weight of only 1,785 lb (810 kg) for the Convertible and 1,825 lb (828 kg) for the Hardtop, thus making the Metropolitan smaller than the Volkswagen Beetle. The two models, a convertible and a hardtop, were powered by the OHV 1,200 cc (73 cu in) straight-4 Austin 'A40' series engine (as used in the Austin A40 Devon/Dorset) driving the rear wheels through a three-speed manual transmission. The initial order was for 10,000 units, with an option to increase the order if sales were sufficient.

Nash dealership with a Metropolitan visible, 1954.

The new model was initially to be called the "NKI Custom", but the name was changed to "Metropolitan" just two months before its public release. New chrome nameplates with the "Metropolitan" name were made to fit into the same holes as the "NKI Custom" script on the passenger side front fender. Nash dealers had to rebadge the early cars that came with the "NKI Custom" name, but some factory manuals had already been prepared and distributed to service departments with the NKI name.^[9] The first examples badged as Nash went on sale on March 19, 1954 in the U.S. and Canada. Autocar said that "at a production rate of less than 400 cars a week ... it was hardly going to be a runaway best seller."^[23]

In surveys, Americans had affirmed a desire for economy cars, but in practice they bought the Metropolitan in relatively small numbers. Although Nash merged with Hudson in 1954, and marketed the car as a Hudson Metropolitan in 1955, "demand never took off from the original level",^[23] primarily because the Metropolitan was slow by North American standards.^[23] In the first month of sales, 862 Metropolitans were sold in US & Canada, and in the first six months 7,042 were sold. A further order was placed with Austin.

Available exterior colors were P903 "Spruce Green", P904 "Canyon Red", P905 "Caribbean Blue", or P906 "Croton Green", with P907 "Mist Grey" as a contrast color for the hardtops. P906 "Croton Green" was dropped as a color option in April 1954. Cars incorporated the Nash logo on their grille badge, hubcaps, horn button, and spare wheel cover. The suggested retail price (MSRP) for Series I (also known as NK1) models was UD$1,445 (Hardtop) and $1,469 (Convertible). Adding a radio and a heater pushed the price above $1,500: at the time Volkswagen's Bug/Beetle was being offered at $1,425.^[1]

In May 1954, Nash-Kelvinator Corporation announced that it had merged with the Hudson Motor Company to form American Motors Corporation (AMC). Thus by August 1954, Metropolitans also became available from Hudson dealers. These Hudson Metropolitans carried a Hudson grille badge, hubcaps incorporating an "M" logo, a "bulls-eye" horn button design, and a plain spare wheel cover.

Series II

Series II

Production	1955

After the first 10,000 cars were built, the engine was changed to a B-Series, but still of 1,200 cc (73 cu in), (as used in the Austin A40 Cambridge). Other modifications that were incorporated at this time were a new gearbox, and hydraulic actuation for the clutch (Series I models used a mechanical clutch linkage). The change to a new engine and gearbox added 50 lb (23 kg) to the weight. This model is referred to as Series II or NK2 (Commencing with Vehicle identification number (VIN) E11001 on August 19, 1954).

Series III

Series III

Production	1955–1958

Series 3 1500 engine

November 1955 saw the start of Metropolitan Series III (NK3) production (Commencing with VIN E21008 on 28 November 1955). A redesign at this time saw the Metropolitan's B-Series engine increased in capacity to 1,489 cc (90.9 cu in) (as used in the Austin A50 Cambridge). Polished stainless steel sweep-spears on the body sides allowed a new two-tone finish to be incorporated, which had the cosmetic effect of lowering, slimming and lengthening the car. The new exterior colors were P905 "Caribbean Green", P910 "Sunburst Yellow", and P911 "Coral Red" with P909 "Snowberry White" as a contrast. The grille was also redesigned, and the hood had its non-functional hood scoop removed. American Motors changed the designation to "Metropolitan 1500" to differentiate it from the earlier 1,200 cc (73 cu in) models. The interior was also changed to incorporate a "Houndstooth" check material for the seats trimmed with white vinyl. The dashboard was also now painted black, rather than the body color as was the case for Series I and II Metropolitans.

The MSRP for Series III models was $1,527 (Hardtop) and $1,551 (Convertible). After VIN E35133 (16 April 1957) the exterior colors were changed to P910 "Sunburst Yellow", P912 "Berkshire Green", and P913 "Mardi-Gras Red" with P914 "Frost White" as contrast. After VIN E45912 (9 January 1958), the color P910 "Sunburst Yellow" was replaced by P915 "Autumn Yellow" and P908 "Classic Black" was added to the available exterior colors.

In September 1957, AMC announced that it was dropping the Nash and Hudson brand names. The Metropolitan was subsequently marketed under the "Metropolitan" name only, and sold through Rambler dealers. It is believed that the Nash and Hudson Grille medallions were discontinued around October 1956 (VIN E28326); they were replaced with the "M" style Grille medallion.

Series IV

Series IV

Production	1959–1961

January 1959 saw the start of Metropolitan Series IV (NK4) production (Commencing with VIN E59048 on 12 January 1959). This major re-design saw the addition of an external decklid (previous models only allowed access to the trunk through the rear seat back) and vent windows. By this time, the engine had been up-graded by increasing the compression ratio from 7.2:1 to 8.3:1 (Commenced VIN E43116 — October 15, 1957) giving an output of 55 bhp (41 kW) (as used in the Austin A55 Cambridge). The additional features added 15 lb (6.8 kg) to the weight. Exterior color options were the same as for Series III. The interior now used a "Diamond" patterned material for the seats, with white vinyl trim. The MSRP for Series IV models was $1,672.60 (Hardtop) and $1,696.80 (Convertible).

Sales rose to 22,209 units in 1959, the Metropolitan's best-selling year, promoting it to second place behind Volkswagen in sales of cars imported to the U.S. American Motors' advertising "made much" of this ranking, while it omitted the fact that the Volkswagen outsold the Metropolitan by 5½ to 1.^[24]

Production ceased in April 1961 (final VIN — E95981, built April 19, 1961). Sales of the existing inventory continued until March 1962.

A station wagon version was contemplated by AMC, and two prototypes were built, but the project was abandoned. One of the two prototypes has been restored and is on display at a Metropolitan restoration facility in North Hollywood, California.

Approximately 95,000 Metropolitans were sold in the United States and Canada, making it one of the top-selling cars to be imported into those countries at the time, and its sales in 1959 helped to spur the introduction of the Big Three's (General Motors, Ford, and Chrysler) new compact models.^{[citation needed]}

Yearly shipments

Metropolitan coupe

Year	US	Canada	Total
1953	571	172	743
1954	11,198	1,964	13,162
1955	3,849	2,247	6,096
1956	7,645	1,423	9,068
1957	13,425	1,892	15,317
1958	11,951	1,177	13,128
1959	20,435	1,774	22,209
1960	13,103	771	13,874
1961	853	116	969
1962	412	8	420
Totals	83,442	11,544	94,986

Production dates

To establish the production date for a Metropolitan (U.S. and Canadian models only), check the VIN or Serial number on a data plate affixed to the firewall. The number is prefixed by the letter "E". Check this number against the list below, to establish an approximate production date. NB. Since the cars took at least six weeks to be shipped from the Longbridge factory to the U.S. distribution network, the actual titled date will not be the same as the production date.

Starting VIN by Year and Month
Month	1953	1954	1955	1956	1957	1958	1959	1960	1961
Jan.	-	E1771	E14997	E21127	E30260	E45541	E58631	E80930	E94599
Feb.	-	E2797	E15628	E21606	E31481	E47003	E59384	E82828	E94852
Mar.	-	E3884	E16406	E22175	E32766	E48370	E60743	E84429	E95306
Apr.	-	E5060	E17312	E22826	E34157	E49418	E62310	E86458	E95870
May	-	E6264	E18095	E23557	E35760	E50057	E64459	E88307	-
June	-	E7678	E18972	E24435	E37654	E51255	E65904	E90274	-
July	-	E9096	E19502	E25368	E39060	E52201	E68322	E91579	-
Aug.	-	E10430	E19945	E26022	E40282	E53258	E70426	E92291	-
Sept	-	E11331	E20189	E26652	E40766	E54060	E72235	E92983	-
Oct.	E1001	E12426	E20474	E27526	E42139	E55306	E74795	E93571	-
Nov.	E1066	E13597	E20717	E28431	E43399	E56556	E76745	E93947	-
Dec.	E1271	E14259	E20940	E29463	E44464	E57685	E78833	E94354	-

Production for non-US markets

A right-hand drive convertible Austin Nash Metropolitan

In October 1956, Austin Motor Company obtained permission from American Motors to sell the Metropolitans in overseas countries where AMC did not have a presence. The early brochures for the Austin Metropolitans used a reversed photograph to show an apparently right hand drive (RHD) car parked in an English country town (Chipping Campden), because only left hand drive vehicles were available at the time the photos were taken.

From December 1956, production of Austin Metropolitans began, and from April 2, 1957, approximately 9,400 additional units were sold in overseas markets that included the United Kingdom. List prices for the UK Series III models were £713 17s 0d for the Hardtop and £725 2s 0d for the Convertible. An estimated 1,200 Metropolitans were sold there in four years,^[25] according to several published sources. However one British journalist has estimated the figure at around 5,000.^[24]

The car was temporarily withdrawn from sale in the UK from February 1959-August 1960, as most of the production was required for the U.S. and Canadian market.^{[citation needed]} When sales in the UK resumed they were of the RHD Series IV models, which sold through Austin dealers at listed prices of £707 6s 8d for the Hardtop and £732 2s 6d for the Convertible. Austin was dropped from the name, which now became simply "Metropolitan", and the cars carried no Austin badges although they had Austin Company chassis plates. Markedly American, the styling was considered outlandish compared with the more sober British-styled models in the British Motor Corporation lineup. Brian Sewell commented in 2007 that the car was "damned" in England "as a preposterous aberration incorporating the worst of everything American."^[26]

Only Series III and Series IV Metropolitans were produced for sale in the UK. Series III models carried the prefix HD6 (Convertible) or HE6 (Hardtop) whilst Series IV models carried the prefix A-HJ7 (Convertible) or A-HP7 (Hardtop). Some very early Series III models carried the prefix HNK3H or HNK3HL (L=Left-Hand Drive). The prefix is thought to indicate "Home Nash Kelvinator Series 3 H=1400-1999cc (Metropolitan=1500cc)".

In May 1960, Car Mart Ltd. (a large Austin dealership in London, UK) presented Princess Margaret with a specially prepared Metropolitan finished in black with gold trim^[25] and gold leather interior^[27] as a wedding present. It was stolen in London in February 1961.

As a result of low sales, production of the Austin Metropolitan ended in February 1961. An additional two "one-offs" were built in March and April, after serial Metropolitan production ended. The final car had a VIN of A-HP7 150301. Total Austin Metropolitan production has been estimated at between 9,384 and 9,391 cars.

Epilogue

Faced with increasing competition from AMC's own Rambler American models, as well as newly introduced compact cars from the Big Three, the Met lost market appeal. The last Metropolitan body was made by Fisher & Ludlow on the 10th April 1961. US-bound Metropolitan production ended in April 1961, as a result of its "marginal sales plus the fact that a four or five passenger Rambler American could be purchased for only about $100 more".^[25]

The Metropolitan "was a car that appealed to an eclectic mix of Americans" because it was "economical, yet a joy to drive", and it has been described as "pure automotive whimsy".^[12] It also "swam against nearly every current of American car design".^[28]

Police market

Scale model of 1956 police car

Right-hand drive models were marketed by AMC to U.S. police departments for use in parking enforcement and other urban duties.^[29] Comparing the car to police motorcycles, an AMC brochure advertised superior all-weather protection, cost-effectiveness and storage space, and also the safety of single-unit construction.

The Franklin Mint produced a die-cast toy model of a 1956 Metropolitan in a police car version. Among its features are a police hat and handcuffs on the passengers seat, as well as a fire extinguisher on the floor. Unlike the real Metropolitan police cars, however, the Franklin model (as seen here in the picture) is left-hand drive.

Astra-Gnome

Industrial designer Richard Arbib designed the Astra-Gnome “Time and Space Car”, a concept that was featured on the September 3, 1956 cover of Newsweek magazine and exhibited at the 1956 International Auto Show in New York. Arbib modified a 1955 Nash Metropolitan and it was his vision of what an automobile would look like in the year 2000.^[30] The car is restored and kept at a museum in California.^[31]

Metropolitan Club (AMC)

Almost from the beginning of sales of the Metropolitan, American Motors received many letters and photographs from Metropolitan owners with stories of their good experiences with their cars. Some of these comments were used in later brochures for the Metropolitan. In January 1957, James W. Watson (AMC's Sales Manager for the Metropolitan) decided to initiate a "Metropolitan Club" to channel this enthusiasm, and hopefully increase Metropolitan sales. He reasoned that personal recommendation was a powerful marketing tool.^[32]

All owners of Metropolitans could apply to join the Club, and members received a membership card, membership certificate, and a metal badge to attach to their vehicle. From May 1957, a magazine was circulated to members called "The Met Letter". In total, 16 magazines were produced from May 1957 (Volume 1, Number 1) to January 1962 (Volume 4, Number 3). The magazine consisted of articles and photographs submitted by members, as well as maintenance and editorial comment from American Motors. Members who recruited additional Metropolitan buyers were rewarded with a special gold anodized "Metropolitan Club" badge.^[33]

The Club was disbanded around May 1962, when supplies of Metropolitans was exhausted. Floyd Clymer, the motoring journalist and passionate supporter of the Metropolitan concept, attempted to keep the Metropolitan Club going for a short while after this time.

Collectibility

Metropolitan car club meeting

1957 Metropolitan converted into an amusement ladder fire truck

Met conversion pickup with trailer

The "Metropolitan's staying power and its never-ending cuteness" have earned it "a place among the Greatest Cars of All Time" in the opinion of automotive writer Jack Nerad, a former editor of Motor Trend magazine: "No, the Metropolitan didn't come from a top-of-the-line manufacturer. No, it doesn't have a proud racing history. And, no, it wasn't built in huge numbers. But [it] possesses an ageless, cuddly quality that has made it a perennial favorite of car lovers and car agnostics alike." Nerad added: "If you wanted to ... wring the Met through its paces, you would be rewarded with a 0–60 miles per hour acceleration time of nearly 30 seconds. The Met was reasonably light at approximately 1800 pounds, but that weight was squared off against 42 horsepower."^[34]

In the opinion of syndicated auto journalist and author Bill Vance, the 1,200 cc (73 cu in) Metropolitan "was quite a stylish little car" that was "ahead of its time" and performed well against its competition.^[21]

Brian Sewell cites the 1,500 cc (92 cu in) version as the one "now perversely recognized as a collector's car", and says that the Metropolitan is "worth a moment's consideration, for in the history of the post-war American car industry it was the only genuine attempt to provide the market there with a mass-produced small, cheap car that could hold its own in urban traffic and slot into parking spaces far too small for even the smallest Ford or Chevrolet ... [but] the steering, dreadfully hampered by the enclosure of the front wheels, is so insensitive, and the turning circle so wide, that parking is a wretched business, the slack response of the huge steering-wheel a feature common in lumbering US cars of the period."^[26]

By British standards it looked "awful", according to Autocar, but Nash were "very pleased with it".^[23]

In 1961, the British auto magazine The Autocar tested a 1959 model whose odometer showed 27,124 mi (43,652 km), and recorded a “reasonable” cruising speed of 60 mph, “fairly high” oil consumption of 125 miles per pint, “adequately good” roadholding, “pronounced understeer” in cornering, “good directional stability,” “decidedly vague steering,” a turning circle that was “stately for such a small car,” brakes that were “effective,” and remarked on the “unnecessarily high position of the steering-wheel,” which interfered with the driver’s view of the road. The test car accelerated from 0–60 mph in 22.4 seconds, and its time for the standing-start quarter-mile was 21.9 seconds.^[35]

Metropolitans have the very soft ride preferred by Americans at the time, instead of the firmer suspension preferred in Europe.^[36] One marque enthusiast says that Nash’s subcompact was "the Smart car of the '50s." Although his Metropolitan is unsuitable for long journeys owing to "a lot of wind noise and really poor suspension," it can cruise at 50 mph and has a top speed of 75 mph. Parts are "relatively easy" to obtain and the car is "easy to work on."^[36]

Ken Gross, a director of the Petersen Automotive Museum, noted that "the softly sprung Met wallows like most larger American cars of its day,"^[37] and he has warned against "rust, especially in the floor pan and lower fenders," and "electrical gremlins." British-made mechanical parts were available on the unspecified date of his article's publication, but he said that sheet-metal was "a challenge."^[37]

Sewell advises buying the open version in "as late a model as you can (it ceased production in 1961) – this has slightly more panache, and with the hood down it's much easier to load [at the supermarket]."^[26]

"While there are still good deals to be had on Metropolitans, their values have quietly but sharply escalated in the last five years while other 1960s American collector cars have leveled off or simply remained flat... Parts and support are not a problem with these cars; returning all the waves and smiles you'll get driving a Met can be tiring though."^[38]

Some owners modify their Metropolitans. More extreme modifications have included conversion into a pickup truck, station wagon and stretch limousine, installation of a V8 engine,^[39] and conversion into a "Metro-Sled" with a rear-mounted snowmobile engine driving twin tracks.^[40] Some cars that were originally hardtops have been converted to convertibles.

There are active clubs for Metropolitan owners and enthusiasts. New, used and reproduction examples of various parts and accessories are available.

The name was reserved as a House Name by BMC (later British Leyland) and re-emerged years later, in abbreviated form, on the Austin Mini-Metro. Amongst UK enthusiasts the original Metropolitan had, generally speaking, been unofficially dubbed the Austin Metro.

Notable owners

1958 Metropolitan owned by Jimmy Buffett

• Nancy Drew, Nancy Drew (2007 film)
• Jimmy Buffett ^[41]
• Bridget Fonda ^[28]
• Princess Margaret ^[42]
• Paul Newman ^[43]
• Elvis Presley ^[44]
• "Weird Al" Yankovic ^[45]
• Greg Gutfeld ^[46]
• Graham Stark^[47]
• Steve Jobs^[48]

References

Inline

1. ^ ^{a b} "Vor 20 Jahren: Erster US-Kleinwagen (a page of extracts from the same magazine's edition of exactly twenty years earlier)". Auto, Motor und Sport 9: 21. 27 April 1974. 
2. ^ Gross, Ken. "Modern Classic: Nash Metropolitan", automedia.com article quoting 1950-51 Nash questionnaire asking: "Does American want the economy car—". Retrieved on 2008-09-07.
3. ^ "the... president of Nash-Kelvinator Corporation decided to market what would ultimately be called a 'subcompact'..." "1954-1962 Metropolitan", by the Auto Editors of Consumer Guide, 2007-10-23. Retrieved on 2008-09-07.
4. ^ Kunz, Bruce (2008-04-07). "Creature comfort options were plentiful on 1955 Rambler line". St. Louis Post-Dispatch. Archived from the original on 2010-01-21. http://web.archive.org/web/20100121142409/http://www.stltoday.com/stltoday/autos/columnists.nsf/oldcarcolumn/story/2F0427C346D9BB9286257424004B9A89?OpenDocument. Retrieved 23 October 2011. "the Nash Metropolitan, a sub compact..." 
5. ^ “Nash introduced...the subcompact Metropolitan” Foster, Patrick R. “With malice toward none”, Forward magazine, Fall 2000, p. 39. Retrieved on 2008-09-07.
6. ^ Rooney, Robert K. (2008-01-11). "The original smart car". The Calgary Herald. http://www.driving.ca/news/story.html?id=c84af86d-377d-4e28-a192-e465fb81c1f2. Retrieved 23 October 2011. "Nash's venture into the sub-compact market" 
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8. ^ "... Mason began to explore the idea of developing a truly small car, the size of what today we'd call a subcompact." Foster, Pat: "Developing the Metropolitan", Hemmings Classic Car, 2005-10-01, retrieved on 2008-09-07.
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11. ^ ^{a b} Foster, Patrick R. (1998). The Nash Styling Sketchbook. Olde Milford Press. p. 2. ISBN 9780966201901. http://books.google.com/?id=BPqI4GNSPNQC&pg=PP7&dq=Women+and+the+%22Nash+Metropolitan%22&q=Women. Retrieved July 24, 2011. 
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15. ^ Clymer, Floyd (November 1954). "Clymer Road Tests the Metropolitan". Popular Mechanics 102 (5): 119–250. http://books.google.com/books?id=sdwDAAAAMBAJ&pg=PA118&dq=Clymer+Road+Tests+the+Metropolitan. Retrieved 2011-07-24. 
16. ^ Foster, Patrick R. (2002). The Metropolitan Story. Olde Milford Press. p. 100. ISBN 9780966201918. 
17. ^ ^{a b} "1954-62 Metropolitan: ‘Big Car in Miniature’", Collectible Auto, April 1990, p. 64, courtesy of the Metropolitan Library Web-Site. Retrieved on 2008-09-07.
18. ^ Collectible Auto, April 1990, p. 65, courtesy of the Metropolitan Library Web-Site. Retrieved on 2008-09-07.
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43. ^ Foster, Pat (1 April 2006). "Jay Leno, Paul Newman, and Me". Hemmings Classic Car Magazine. http://www.hemmings.com/hcc/stories/2006/04/01/hmn_feature6.html. Retrieved 26 March 2009. 
44. ^ Thomas Crosbie Media (25 October 2007). "Elvis song sheets and scripts lost in California fire". http://archives.tcm.ie/breakingnews/2007/10/25/story333679.asp. Retrieved 26 March 2009. 
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48. ^ Isaacson, Walter (October 2011). Steve Jobs. Simon & Schuster. ISBN 1-451-64853-7. http://books.google.com/books?id=I6R8MXStPXgC&pg=PT64&dq=%22Steve+Jobs%22+%22Nash+Metropolitan%22&hl=en&ei=Q7mlTvzIE6bXiALCyL1N&sa=X&oi=book_result&ct=result&resnum=1&ved=0CC0Q6AEwAA#v=onepage&q&f=false. 

General

• Foster, Patrick R. (2002). The Metropolitan Story. The Olde Milford Press. ISBN 9780966201918. 
• History of Metropolitans page, retrieved on 2008-05-17.

External links

• Austin Memories—History of Austin and Longbridge
• History and details of the Metropolitan
• Literature for the Metropolitan
• UK Metropolitan Club Website
• US Metropolitan Club Website
• Pacific Northwest Club Website