The Baader Meinhof Complex

Der Baader Meinhof Komplex
Theatrical release poster
Directed by	Uli Edel
Produced by	Bernd Eichinger
Written by	Bernd Eichinger Uli Edel
Based on	Der Baader Meinhof Komplex by Stefan Aust
Starring	Moritz Bleibtreu Martina Gedeck Johanna Wokalek Nadja Uhl Simon Licht Alexandra Maria Lara Bruno Ganz
Distributed by	Constantin Film
Release date(s)	September 25, 2008 (2008-09-25)
Running time	150 minutes
Country	Germany
Language	German

The Baader Meinhof Complex (German: Der Baader Meinhof Komplex) is a 2008 German film by Uli Edel. Written and produced by Bernd Eichinger, it stars Moritz Bleibtreu, Martina Gedeck and Johanna Wokalek. The film is based on the 1985 German best selling non-fiction book of the same name by Stefan Aust. It retells the story of the early years of the West German far-left extremist group the Rote Armee Fraktion (Red Army Faction, or RAF). The film was nominated for Best Foreign Language Film for the 81st Academy Awards. It was also nominated for the Golden Globe in the Best Foreign Language Film category.

Plot summary

In 1967, the Shah of Iran, Mohammed Reza Pahlavi, visits West Berlin to attend a performance at the Deutsche Oper. Angered at the Shah's repressive policies in governing Iran, a number of young Germans show up to protest his appearance. The German police and the Shah's forces attack the German protesters and one of them, Benno Ohnesorg is shot and killed without provocation by Karl-Heinz Kurras.

The Ohnesorg murder outrages many Germans, including left wing journalist Ulrike Meinhof (Martina Gedeck) who had earlier written articles critical of the Shah. Inspired by Meinhof's outspoken criticism of the government, Gudrun Ensslin (Johanna Wokalek) leaves her common law husband and child. Together with her new lover, Andreas Baader (Moritz Bleibtreu), and two others she carries out a fire bombing of a department store in Frankfurt am Main. The group is caught and put on trial where they are represented by attorney Horst Mahler, who shares their political beliefs. Ulrike Meinhof covers the trial and is impressed by the group's dedication to revolutionary principles as well as the change which they have brought about within their own lives. Meinhof secures an interview with Ensslin in prison, where the two strike up a friendship.

Meinhof discovers her husband having an affair and leaves with her two children to live with her friend Peter Homann. Meanwhile, Ensslin and Baader have been released on parole and continue to live a bohemian lifestyle while attracting the loyalty of various young people including Astrid Proll, and Peter-Jurgen Boock. After spending some time abroad, Baader, Ensslin and Proll return to Germany at the urging of Horst Mahler. They begin to live with Ulrike Meinhof, who has also taken in a young runaway, Peggy Schoenau. Meinhof has become increasingly disillusioned by her inability to achieve change through her journalism and is looking to take more direct action. Her chance comes when Baader is arrested at a traffic stop. Using her journalism connections, Meinhof is able to arrange for Baader to be interviewed off prison grounds, where Ensslin and the others manage to rescue him. Wanted by the law, the group flees Germany.

After leaving Meinhof's children with sympathizers in Sicily, the group travels to Jordan where they are to receive training in a Fatah training camp, but the rebellious nature of the Germans soon annoys their Palestinian hosts. Peter Homann leaves the group after a falling out and learns that they intend to send Meinhof's children to a Palestinian camp from which they will never return. Instead he informs Meinhof's associate Stefan Aust who returns the children to their father.

Returning to Germany, the group, now styling itself the Red Army Faction, engages in a series of bank robberies and draws increasing attention from the police. One of their number, Petra Schelm runs a police roadblock and is killed in a shoot-out with the police. This action only angers the RAF and leads to a campaign of bomb attacks directed at German authorities as well as American military personnel based in West Germany. As their notoriety grows and police attention intensifies, more and more members of the group are captured. Baader and Holger Meins are captured after a shoot out with police. Ensslin becomes increasingly paranoid and is captured trying to change her clothes in a store after a clerk notices her gun. Meinhof is soon captured as well, meaning that virtually all of the "first generation" of RAF members are now in prison.

Initially put in solitary confinement in separate prisons, the RAF members engage in a hunger strike which ultimately results in Holger Meins' death. The RAF consider this to be murder since the prison authorities withheld medical treatment from the critically ill Meins. The authorities then move Baader, Ensslin, Meinhof, and Jan-Carl Raspe (Niels-Bruno Schmidt) to the same quarters in Stammheim Prison. There, they work on their case as their physical and mental state deteriorates.

In 1975, a group of "second generation" RAF members seizes control of the West German embassy in Sweden. The siege ends with a series of explosions, which kills several of the RAF members and injures the hostages. RAF member Siegfried Hausner survives the blast but is critically wounded. Against medical advice he is flown back to Germany to be treated in a prison hospital, where he dies. The imprisoned RAF members are appalled by the poor execution of the Sweden operation and this contributes to their internal dissension. In particular, Ulrike Meinhof has fallen out with the other members over both her increasing depression and over recriminations about the groups tactics, in particular the 1972 bombing of the Axel Springer AG publishing company which injured mostly workers and which Ensslin feels alienated them from common Germans. Eventually, her increasing depression leads Meinhof to commit suicide by hanging herself in her cell. The RAF disbelieve that this was actually a suicide and assert that it was an extrajudicial execution. After Meinhof's death, Baader, Ensslin and Raspe are able to get other members of their group transferred into their wing. Of particular concern to the authorities is Brigitte Mohnhaupt (Nadja Uhl) whose prison term will be ending shortly and who the authorities suspect will be used to carry orders to free RAF members.

Upon her release, Mohnhaupt hooks up with a group run by Peter-Jurgen Boock. Mohnhaupt informs Boock that the leadership has forbidden any more attacks on civilians and also enlists Boock's help to smuggle weapons into Stammheim, implying that the imprisoned members may choose to commit suicide, a fact that she wants kept hidden from the other RAF members. In retaliation for what they regard as the murders of Meins, Hausner, and Meinhof, they assassinate federal prosecutor Siegfried Buback. Mohnhaupt, along with Christian Klar and Susanne Albrecht also attempt to kidnap Jurgen Ponto, the president of Dresdner Bank and a family friend of Albrecht's, at his home, but when Ponto fights back he is shot and killed. Albrecht is horrified by the murder but is forced to sign a statement justifying Ponto's death. In response to the murders of Buback and Ponto, the authorities force the imprisoned RAF members back into solitary confinement.

The imprisoned members send a message to their free comrades that they fear they may be murdered by their jailers. Boock and Mohnhaupt's group then kidnaps industrialist Hanns-Martin Schleyer, killing four members of his security detail in the process. They demand the release of the imprisoned RAF members in exchange for Schleyer. When the German authorities are slow in meeting their demands they enlist the PLO to hijack Lufthansa Flight 181. The hijacking ends with the hostages rescued and the hijackers captured. Despairing of ever being released, Baader and Raspe shoot themselves with guns which had been smuggled into the prison, Ensslin hangs herself in her cell, and Irmgard Moller tries to take her own life by stabbing herself four times in the chest. Horrified by the suicides, the free RAF members execute Schleyer.

Production

The film began production in August 2007 with filming at several locations including Berlin, Munich, Stammheim Prison, Rome and Morocco. The film was subsidized by several film financing boards to the sum of EUR 6.5 million.

Cast

• Martina Gedeck as Ulrike Meinhof
• Moritz Bleibtreu as Andreas Baader
• Johanna Wokalek as Gudrun Ensslin
• Bruno Ganz as Horst Herold
• Stipe Erceg as Holger Meins
• Jan Josef Liefers as Peter Homann
• Alexandra Maria Lara as Petra Schelm
• Andreas Tobias as Manfred Grashof
• Nadja Uhl as Brigitte Mohnhaupt
• Simon Licht as Horst Mahler
• Hannah Herzsprung as Susanne Albrecht
• Vinzenz Kiefer as Peter-Jürgen Boock
• Daniel Lommatzsch as Christian Klar
• Niels-Bruno Schmidt as Jan-Carl Raspe
• Katharina Wackernagel as Astrid Proll
• Annika Kuhl as Irmgard Möller
• Sandra Borgmann as Ruth (Sieglinde Hofmann)
• Sebastian Blomberg as Rudi Dutschke

Distribution and reception

"When the film opened in Germany last year, some younger viewers came out of theaters crestfallen that the Red Army Faction members, still mythologized, were such dead-enders. Some who were older complained that the film had made the gang look too attractive. But they were dead-enders, and they were attractive. A film about them, or any other popular terrorist movement, has to account for both facts if it seeks to explain not just their crimes but also their existence."

— Fred Kaplan, The New York Times.^[1]

The film premiered on September 15, 2008, in Munich and was commercially released in Germany on September 25, 2008.^[2] The film was chosen as Germany's official submission to the 81st Academy Awards for Best Foreign Language Film.^[3]

Michael Buback, the son of former chief federal prosecutor Siegfried Buback who was assassinated by the RAF in 1977, expressed doubts concerning whether the film seriously attempts to present the historical truth, although he had not seen the movie when he expressed this concern.^[4] He subsequently amended this statement, but pointed out that the film concentrates almost exclusively on portraying the perpetrators which carries with it the danger for the viewer of too much identification with the protagonists.^[5]

Protesting against the historically "distorted" and "almost completely false" depiction of the RAF's assassination of leading German banker Jürgen Ponto, Ponto's widow and witness Ignes Ponto returned her Federal Cross of Merit, since she saw the German government, which co-produced the film through various film financing funds, as jointly responsible for the "public humiliations" suffered by her and her family. Representing the family, her daughter Corinna Ponto called the film's violation of their privacy "wrong" and "particularly perfidious".^[6]

^“Aust’s film has been criticized in Germany and Israel for making terrorist thuggery too glamorous. But in order to capture Baader-Meinhof accurately, the film needs to convey its appeal at the time. From mental patients to left-wing ideologues, from rebellious teens to sexually frustrated professionals, the gang’s members captivated many Germans with derring-do and self-conscious theatricality.^”[7]

— Fred Seigel
City Journal, September 18, 2009

Jörg Schleyer, the son of the assassinated manager and then president of the Confederation of German Employers' Associations, Hanns Martin Schleyer, states, however, that the movie was a great film which finally portrayed the RAF as what it actually was, "a merciless, ruthless gang of murderers". Commenting on the blatant depiction of violence he said, "Only a movie like this can show young people how brutal and bloodthirsty the RAF's actions were at that time."^[4]

The movie website Rotten Tomatoes reported that 87% of critics gave the film positive write-ups based upon a sample of 83 with an average score of 7.1/10.0.^[8]

Hollywood Reporter gave the film a favourable review,^[9] praising the acting and storytelling, but also noting a lack of character development in certain parts. A mixed review with similar criticism was published in Variety.^[10] Fionnuala Halligan of Screen International praised the film's excellent production values as well as the efficient and crisp translation of a fascinating topic to film, but felt that the plot flatlines emotionally and doesn't hold much dramatic suspense for younger and non-European audiences unfamiliar with the film's historical events.^[11]

Christopher Hitchens wrote a very favorable review for Vanity Fair. He appreciated the film's attempt to strike against conventional Hollywood stereotypes of revolutionaries by making the connection between urban warfare and criminality explicit. By slowly erasing the boundaries, the film revealed the "uneasy relationship between sexuality and cruelty, and between casual or cynical attitudes to both", as well as the tendency of the terrorists to offer their support and allegiance to only the most extreme factions of the revolutionary underground. Hitchens describes the RAF as "a form of psychosis" which swept through all of the post-Axis countries following the war, all of which Hitchens' claims had similar leftist terrorist groups. "The propaganda of the terrorists" [...] showed an almost neurotic need to “resist authority” in a way that their parents’ generation had so terribly failed to do." Finally, he praises the film's depiction of an escalating cycle of violence and paranoia in "which mania feeds upon itself and becomes hysterical."^[12]

The Filmbewertungsstelle Wiesbaden, Germany's national agency which evaluates movies on their artistic, documentary and historical significance, gave the movie the rating "especially valuable". In their explanatory statement the committee says: "the film tries to do justice to the terrorists as well as to the representatives of the German state by describing both sides with an equally objective distance." The committee asserts: "German history as a big movie production: impressive, authentic, political, tantalizing".

Extended version

The German TV channel ARD aired the movie split in two parts with new footage added to each part. This extended version was later released in Germany on DVD as well. The first part adds ten minutes and 41 seconds of new footage, the second part 3 minutes and 41 seconds.

References

1. ^ A Match That Burned the Germans by Fred Kaplan, The New York Times, August 12, 2009
2. ^ "Kino: Premiere für "Der Baader Meinhof Komplex"" (in German). Die Zeit. 2008-09-15. http://www.zeit.de/news/artikel/2008/09/15/2615136.xml. Retrieved 2008-09-15. 
3. ^ Kaufmann, Nicole (2008-09-16). "The Baader Meinhof Complex to represent Germany in the race for the Academy Award". German Films. http://www.german-films.de/app/news/news_view.php?pressrelease_id=714. Retrieved 2008-09-16. 
4. ^ ^{a b} "Schelte von Buback, Lob von Schleyer" (in German). Der Spiegel. 2008-09-17. http://www.spiegel.de/kultur/kino/0,1518,578833,00.html. Retrieved 2008-09-17. 
5. ^ "Buback-Sohn sieht im RAF-Drama einen Täter-Film" (in German). Die Welt. 2008-09-20. http://www.welt.de/kultur/article2469200/Buback-Sohn-sieht-im-RAF-Drama-einen-Taeter-Film.html. Retrieved 2008-09-30. 
6. ^ "In geschmacklosester Weise – Streit um "Baader-Meinhof-Komplex"". Sueddeutsche Zeitung Online. 2008-10-07. http://www.sueddeutsche.de/kultur/172/313080/text/. Retrieved 2008-10-07. 
7. ^ The Romance of Evil by Fred Seigel, City Journal, September 18, 2009
8. ^ The Baader-Meinhof Complex Rotten Tomatoes
9. ^ http://www.hollywoodreporter.com/hr/film/reviews/article_display.jsp?rid=11754, The Hollywood Reporter^{[dead link]}
10. ^ Boyd van Hoeij (2008-09-25). "New Int'l Release: "The Baader Meinhof Complex"". Variety (online). http://www.variety.com/review/VE1117938504.html?categoryid=31&cs=1. Retrieved 2008-10-10. 
11. ^ Fionnuala Halligan (2008-09-26). "The Baader Meinhof Complex (Das (sic) Baader Meinhof Complex (sic))". Screen International. http://www.screendaily.com/ScreenDailyArticle.aspx?intStoryID=41050. Retrieved 2008-10-10. 
12. ^ Christopher Hitchens on The Baader Meinhof Complex Vanity Fair, August 17, 2009

Bibliography

• Aust, Stefan (September 2008) (in German). Der Baader-Meinhof-Komplex. Hamburg: Hoffmann und Campe. ISBN 3455500295.  (English translation The Baader-Meinhof Complex published by The Bodley Head, ISBN 1847920454)
• Eichinger, Katja (September 2008) (in German). "Der Baader-Meinhof-Komplex" Das Buch zum Film. Hamburg: Hoffmann und Campe. ISBN 3455500967. 

External links

• Official US website
• Official UK website
• Baader Meinhof Komplex, Der at the Internet Movie Database
• The Baader-Meinhof Complex at Rotten Tomatoes
• Tragedy, Terrorism, and Glamor: A Review of The Baader Meinhof Complex