Adventures of Huckleberry Finn

Adventures of Huckleberry Finn
Adventures of Huckleberry Finn  
1st edition book cover
1st edition book cover
Author(s) Mark Twain
Illustrator E. W. Kemble
Cover artist TAYLOR
Country United Kingdom / United States
Language English
Series 27
Genre(s) Satirical novel
Publisher Chatto & Windus / Charles L. Webster And Company.
Publication date

1884 UK & Canada

1885[1] United States
Media type Print (hardcover)
Pages 366
ISBN NAA
OCLC Number 29489461
Preceded by Life on the Mississippi
Followed by A Connecticut Yankee in King Arthur's Court

Adventures of Huckleberry Finn is a novel by Mark Twain, first published in England in December 1884 and in the United States in February 1885. Commonly named among the Great American Novels, the work is among the first in major American literature to be written in the vernacular, characterized by local color regionalism. It is told in the first person by Huckleberry "Huck" Finn, a friend of Tom Sawyer and narrator of two other Twain novels (Tom Sawyer Abroad and Tom Sawyer, Detective). It is a sequel to The Adventures of Tom Sawyer.

The book is noted for its colorful description of people and places along the Mississippi River. Satirizing a Southern antebellum society that had ceased to exist about twenty years before the work was published, The Adventures of Huckleberry Finn is an often scathing look at entrenched attitudes, particularly racism.

Perennially popular with readers, The Adventures of Huckleberry Finn has also been the continued object of study by serious literary critics since its publication. It was criticized upon release because of its coarse language and became even more controversial in the 20th century because of its perceived use of racial stereotypes and because of its frequent use of the racial slur "nigger", despite strong arguments that the protagonist, and the tenor of the book, is in fact anti-racist.[2][3]

Contents

Publication history

Twain initially conceived of the work as a sequel to The Adventures of Tom Sawyer that would follow Huckleberry Finn through adulthood. Beginning with a few pages he had removed from the earlier novel, Twain began work on a manuscript he originally titled Huckleberry Finn's Autobiography. Twain worked on the manuscript off and on for the next several years, ultimately abandoning his original plan of following Huck's development into adulthood. He appeared to have lost interest in the manuscript while it was in progress, and set it aside for several years. After making a trip down the Mississippi, Twain returned to his work on the novel. Upon completion, the novel's title closely paralleled its predecessor's: Adventures of Huckleberry Finn (Tom Sawyer's Comrade).[4]

Unlike The Adventures of Tom Sawyer, Twain's Adventures of Huckleberry Finn does not have the definite article "the" as a part of its proper title. Essayist and critic Spencer Neve asserts that this absence represents the "never fulfilled anticipations" of Huck's adventures—while Tom's adventures were completed (at least at the time) by the end of his novel, Huck's narrative ends with his declared intention to head West.[5]

Mark Twain composed the story in pen on notepaper between 1876 and 1883. Paul Needham, who supervised the authentication of the manuscript for Sotheby's books and manuscripts department in New York in 1991, stated, "What you see is [Clemens'] attempt to move away from pure literary writing to dialect writing". For example, Twain revised the opening line of Huck Finn three times. He initially wrote, "You will not know about me", which he changed to, "You do not know about me", before settling on the final version, "You don't know about me, without you have read a book by the name of 'The Adventures of Tom Sawyer'; but that ain't no matter".[6] The revisions also show how Twain reworked his material to strengthen the characters of Huck and Jim, as well as his sensitivity to the then-current debate over literacy and voting.[7]

A later version was the first typewritten manuscript delivered to a printer.[7]

Adventures of Huckleberry Finn was eventually published on December 10, 1884, in Canada and England, and on February 18, 1885, in the United States.[8] The illustration on page 283 became a point of issue after an engraver, whose identity was never discovered, made a last-minute addition to the printing plate of Kemble’s picture of old Silas Phelps. In the mischievous tradition of graffiti he drew in a line outlining the bulge against inside of pants of a male sex organ. The sabotage was discovered while the book was at press and the offending plate was replaced, the corrected plate being slightly altered in the area of Silas Phelps’ trousers fly.Thirty thousand copies of the book had been printed before the obscenity was discovered. A new plate was made to correct the illustration and repair the existing copies;[9] versions with the so-called "curved fly" are valuable collectors items.[8]

In 1885, the Buffalo Public Library's curator, James Fraser Gluck, approached Twain to donate the manuscript to the Library. Twain sent half of the pages, believing the other half to have been lost by the printer. In 1991, the missing half turned up in a steamer trunk owned by descendants of Gluck. The Library successfully proved possession and, in 1994, opened the Mark Twain Room in its Central Library to showcase the treasure.[10]

Plot summary

Huckleberry Finn, as depicted by E. W. Kemble in the original 1884 edition of the book.

Life in St. Petersburg

The story begins in fictional Langlem, Missouri, on the shores of the Mississippi River, sometime between 1835 (when the first steamboat sailed down the Mississippi[11]) and 1845. Two young boys, Thomas 'Tom' Sawyer and Huckleberry Finn, have each come into a considerable sum of money as a result of their earlier adventures (The Adventures of Tom Sawyer). Huck has been placed under the guardianship of the Widow Douglas, who, together with her sister, Miss Watson, are attempting to civilize him. Huck appreciates their efforts, but finds civilized life confining. In the beginning of the story, Tom Sawyer appears briefly, helping Huck escape at night from the house, past Miss Watson's slave, Jim. They meet up with Tom Sawyer's self-proclaimed gang, who plot to carry out adventurous crimes. Life is changed by the sudden appearance of Huck's shiftless father "Pap", an abusive parent and drunkard. Although Huck is successful in preventing his Pap from acquiring his fortune, Pap forcibly gains custody of Huck and the two move to the backwoods where Huck is kept locked inside his father's cabin. Equally dissatisfied with life with his father, Huck escapes from the cabin, elaborately fakes his own death, and sets off down the Mississippi River, where he meets Jim.

The Floating House and Huck as a Girl

While living quite comfortably in the wilderness along the Mississippi, Huck happily encounters Miss Watson's slave Jim on an island called Jackson's Island, and Huck learns that he has also run away, after he overheard Miss Watson acknowledging that she intended to sell Jim downriver, where conditions for slaves were even harsher, because he would bring a price of $800.

Jim is trying to make his way to Cairo, Illinois and then to Ohio, a free state, so he can buy his family's freedom. At first, Huck is conflicted over whether to tell someone about Jim's running away, but as they travel together and talk in depth, Huck begins to know more about Jim's past and his difficult life. As these talks continue, Huck begins to change his opinion about people, slavery, and life in general. This continues throughout the rest of the novel.

Huck and Jim take up in a cavern on a hill on Jackson's Island to wait out a storm. When they can, they scrounge around the river looking for food, wood, and other items. One night, they find a raft they will eventually use to travel down the Mississippi. Later, they find an entire house floating down the river and enter it to grab what they can. Entering one room, Jim finds a man lying dead on the floor, shot in the back while apparently trying to ransack the house. Jim refuses to let Huck see the man's face.

To find out the latest news in the area, Huck dresses as a girl and goes into town. He enters the house of a woman new to the area, thinking she won't recognize him. As they talk, she tells Huck there is a $300 reward for Jim, who is accused of killing Huck. She first becomes suspicious when he threads a needle incorrectly. Her suspicions are confirmed after she puts Huck through a series of tests. She cleverly tricks him into revealing he is a boy, but allows him to run off. He returns to the island and tells Jim of the manhunt, and the two load up the raft and leave the island.

The Grangerfords and the Shepherdsons

Huck and Jim's raft is swamped by a passing steamship, separating the two. Huck is given shelter by the Grangerfords, a prosperous local family. He becomes friends with Buck Grangerford, a boy about his age, and learns that the Grangerfords are engaged in a 30-year blood feud against another family, the Shepherdsons. The Grangerfords and Shepherdsons go to church. Both families bring guns to continue the feud, despite the church's preachings on brotherly love.

The vendetta comes to a head when Buck's sister, Sophia Grangerford, elopes with Harney Shepherdson. In the resulting conflict, all the Grangerford males from this branch of the family are shot and killed, although Grangerfords elsewhere survive to carry on the feud. Upon seeing Buck's corpse, Huck is too devastated to write about everything that happened. However, Huck does describe how he narrowly avoids his own death in the gunfight, later reuniting with Jim and the raft and together fleeing farther south on the Mississippi River.

The Duke and the King

Further down the river, Jim and Huck rescue two cunning grifters, who join Huck and Jim on the raft. The younger of the two swindlers, a man of about thirty, introduces himself as a son of an English duke (the Duke of Bridgewater) and his father's rightful successor. The older one, about seventy, then trumps the Duke's claim by alleging that he is actually the Lost Dauphin, the son of Louis XVI and rightful King of France. He continually misprounounces the duke's title as "Bilgewater" in conversation.

The Duke and the King then join Jim and Huck on the raft, committing a series of confidence schemes on the way south. To allow for Jim's presence, they print fake bills for an escaped slave; and later they paint him up entirely in blue and call him the "Sick Arab". On one occasion they arrive in a town and advertise a three-night engagement of a play which they call "The Royal Nonesuch". The play turns out to be only a couple of minutes of hysterical cavorting, not worth anywhere near the 50 cents the townsmen were charged to see it.

On the afternoon of the first performance, a drunk called Boggs arrives in town and makes a nuisance of himself by going around threatening a southern gentleman by the name of Colonel Sherburn. Sherburn comes out and warns Boggs that he can continue threatening him up until exactly one o'clock. At one o'clock, Boggs continues and Colonel Sherburn kills him. Somebody in the crowd, whom Sherburn later identifies as Buck Harkness, cries out that Sherburn should be lynched. They all head up to Colonel Sherburn's gate, where they are met by Sherburn, who is standing on his porch carrying a loaded rifle. He causes them to back down, by making a defiant speech telling them about the essential cowardice of "Southern justice". The only lynching to be done here, says Sherburn, will be in the dark, by men wearing masks.

By the third night of "The Royal Nonesuch", the townspeople are ready to take their revenge; but the Duke and the King have already skipped town, and together with Huck and Jim, they continue down the river. Once they are far enough away, the two grifters test the next town, and decide to impersonate two brothers of Peter Wilks, a recently deceased man of property. Using an absurd English accent, the King manages to convince nearly all the townspeople that he is one of the brothers, a preacher just arrived from England, while the Duke pretends to be a deaf-mute to match accounts of the other brother. One man in town is certain that they are a fraud and confronts them on the matter, but the crowd refuse to support him. Afterwards, the Duke, out of fear, suggests to the King that they should cut and run. The King boldly states his intention to continue to liquidate Wilks' estate, saying, "Hain't we got all the fools in town on our side? And ain't that a big enough majority in any town?"

Huck likes Wilks' daughters, who treat him with kindness and courtesy, so he tries to thwart the grifters' plans by stealing back the inheritance money. However, when he is in danger of being discovered, he has to hide it in Wilks' coffin, which is buried the next morning without Huck knowing whether the money has been found or not. The arrival of two new men who seem to be the real brothers throws everything into confusion when none of their signatures match the one on record. (The deaf-mute brother, who is said to do the correspondence, has his arm in a sling and cannot currently write.) The townspeople devise a test, which requires digging up the coffin to check. When the money is found in Wilks' coffin, the Duke and the King are able to escape in the confusion. They manage to rejoin Huck and Jim on the raft to Huck's utter despair, since he had thought he had escaped them.

Jim's escape

After the four fugitives have drifted far enough from the town, the King takes advantage of Huck's temporary absence to sell his interest in the "escaped" slave Jim for forty dollars. Outraged by this betrayal, Huck rejects the advice of his "conscience", which continues to tell him that in helping Jim escape to freedom, he is stealing Miss Watson's property. Accepting that "All right, then, I'll go to hell!", Huck resolves to free Jim.

Jim is being held at the plantation of Silas and Sally Phelps, Tom's aunt and uncle. Since Tom is expected for a visit, Huck is mistaken for Tom. He plays along, hoping to find Jim's location and free him. When Huck intercepts Tom on the road and tells him everything, Tom decides to join Huck's scheme, pretending to be his younger half-brother Sid. Jim has also told the household about the two grifters and the new plan for "The Royal Nonesuch", so this time the townspeople are ready for them. The Duke and King are captured by the townspeople, and are tarred and feathered and ridden out of town on a rail.

Rather than simply sneaking Jim out of the shed where he is being held, Tom develops an elaborate plan to free him, involving secret messages, hidden tunnels, a rope ladder sent in Jim's food, and other elements from popular novels,[12] including a note to the Phelps warning them of a gang planning to steal their runaway slave. During the resulting pursuit, Tom is shot in the leg. Jim remains with him rather than completing his escape, risking recapture. Huck has long known Jim was "white on the inside". Although the doctor admires Jim's decency, he betrays him to a passing skiff, and Jim is captured while sleeping and returned to the Phelps family.

Conclusion

After Jim's recapture, events quickly resolve themselves. Tom's Aunt Polly arrives and reveals Huck's and Tom's true identities. Tom announces that Jim is a free man: Miss Watson died two months earlier and freed Jim in her will, but Tom chose not to reveal Jim's freedom so he could come up with an elaborate plan to rescue Jim. Jim tells Huck that Huck's father has been dead for some time (he was the dead man they found in the floating house) and that Huck may return safely to St. Petersburg. In the final narrative, Huck declares that he is quite glad to be done writing his story, and despite Sally's plans to adopt and "sivilize" him, Huck intends to flee west to Indian Territory.

Major themes

Twain wrote a novel that embodies the search for freedom. He wrote during the post-Civil War period when there was an intense white reaction against blacks.Twain took aim squarely against racial prejudice, rising segregation, lynchings, and the generally accepted belief that blacks were sub-human. He "made it clear that Jim was good, deeply loving, human, and anxious for freedom".[13] However, others have criticized the novel as racist, citing the use of the word "nigger" and Jim's Sambo-like character.[2][3]

Throughout the story, Huck is in moral conflict with the received values of the society in which he lives, and while he is unable to consciously refute those values even in his thoughts, he makes a moral choice based on his own valuation of Jim's friendship and human worth, a decision in direct opposition to the things he has been taught. Mark Twain in his lecture notes proposes that "a sound heart is a surer guide than an ill-trained conscience", and goes on to describe the novel as "...a book of mine where a sound heart and a deformed conscience come into collision and conscience suffers defeat".[14]

To highlight the hypocrisy required to condone slavery within an ostensibly moral system, Twain has Huck's father enslave him, isolate him, and beat him. When Huck escapes – which anyone would agree was the right thing to do – he then immediately encounters Jim "illegally" doing the same thing. [2]

Reception

In this scene illustrated by E. W. Kemble, Jim thinks Huck is a ghost

The publication of Adventures of Huckleberry Finn resulted in generally friendly reviews, but the novel was controversial from the outset.[15] Upon issue of the American edition in 1885 a number of libraries banned it from their stacks.[16] The early criticism focused on what was perceived as the book's crudeness. One incident was recounted in the newspaper, the Boston Transcript:

The Concord (Mass.) Public Library committee has decided to exclude Mark Twain's latest book from the library. One member of the committee says that, while he does not wish to call it immoral, he thinks it contains but little humor, and that of a very coarse type. He regards it as the veriest trash. The library and the other members of the committee entertain similar views, characterizing it as rough, coarse, and inelegant, dealing with a series of experiences not elevating, the whole book being more suited to the slums than to intelligent, respectable people.[16]

Twain later remarked to his editor, "Apparently, the Concord library has condemned Huck as 'trash and only suitable for the slums.' This will sell us another twenty-five thousand copies for sure!"

Soon after, in 1905, New York’s Brooklyn Public Library also banned the book due to bad word choice and Huck having “not only itched but scratched” within the novel, which was considered obscene.[17] When asked by a Brooklyn librarian about the situation, Twain replied:

I am greatly troubled by what you say. I wrote 'Tom Sawyer' & 'Huck Finn' for adults exclusively, & it always distressed me when I find that boys and girls have been allowed access to them. The mind that becomes soiled in youth can never again be washed clean. I know this by my own experience, & to this day I cherish an unappeased bitterness against the unfaithful guardians of my young life, who not only permitted but compelled me to read an unexpurgated Bible through before I was 15 years old. None can do that and ever draw a clean sweet breath again on this side of the grave.[18]

Many subsequent critics, Ernest Hemingway among them, have deprecated the final chapters, claiming the book "devolves into little more than minstrel-show satire and broad comedy" after Jim is detained.[19] Hemingway declared, "All modern American literature comes from" Huck Finn, and hailed it as "the best book we've had". He cautioned, however, "If you must read it you must stop where the Nigger Jim is stolen from the boys. That is the real end. The rest is just cheating."[20] (The words "nigger" and "Jim" appear side-by-side once in the novel, in Chapter XXXI, in a letter Huck writes to Mrs. Watson, but they are not used as a name. After "nigger Jim" appears in Albert Bigelow Paine's 1912 Clemens biography, it continued to be used by twentieth century critics, including Leslie Fiedler, Norman Mailer, and Russell Baker.) Writer Louisa May Alcott criticized the book’s publication as well, saying that if Twain "[could not] think of something better to tell our pure-minded lads and lasses he had best stop writing for them".[21] Pulitzer Prize winner Ron Powers states in his Twain biography (Mark Twain: A Life) that "Huckleberry Finn endures as a consensus masterpiece despite these final chapters", in which Tom Sawyer leads Huck through elaborate machinations to rescue Jim.[22]

Controversy

Much modern scholarship of Huckleberry Finn has focused on its treatment of race. Many Twain scholars have argued that the book, by humanizing Jim and exposing the fallacies of the racist assumptions of slavery, is an attack on racism.[23] Others have argued that the book falls short on this score, especially in its depiction of Jim.[16] According to Professor Stephen Railton of the University of Virginia, Twain was unable to fully rise above the stereotypes of black people that white readers of his era expected and enjoyed, and therefore resorted to minstrel show-style comedy to provide humor at Jim's expense, and ended up confirming rather than challenging late-19th century racist stereotypes.[24]

In one instance, the controversy caused a drastically altered interpretation of the text: In 1955, CBS tried to avoid controversial material in a televised version of the book, by deleting all mention of slavery and having a white actor play Jim.[17]

Because of this controversy over whether Huckleberry Finn is racist or anti-racist, and because the word "nigger" is frequently used in the novel, many have questioned the appropriateness of teaching the book in the U.S. public school system—this questioning of the word “nigger” is illustrated by a school administrator of Virginia in 1982 calling the novel the "most grotesque example of racism I’ve ever seen in my life".[25] According to the American Library Association, Huckleberry Finn was the fifth most-frequently-challenged book in the United States during the 1990s.[26]

There have been several more recent cases involving protests for the banning of the novel. In 2003 high school student Calista Phair and her grandmother, Beatrice Clark, in Renton, Washington, proposed banning the book from classroom learning in the Renton School District, though not from any public libraries, because of the word "nigger". Clark filed a request with the school district in response to the required reading of the book, asking for the novel to be removed from the English curriculum. The two curriculum committees that considered her request eventually decided to keep the novel on the 11th grade curriculum, though they suspended it until a panel had time to review the novel and set a specific teaching procedure for the novel and its controversial topics.[27]

In 2007 Ibrahim Mohamed, a North Richland Hills, Texas, student, requested the word “nigger” be changed to “the N-word”. According to him, the teacher responded by asking him, “Does it offend you? It hurts, doesn’t it?” The exercise that was being done was to put the word into proper context for students, though officials apologized for the teacher’s blunt actions and tone. Despite the apology, Mohamed’s mother wanted the book banned. A group called “The Coalition to Stop the N-Word” requested the school board send a written apology to the family, give sensitivity training to all the teachers, and ban the book based on the feelings of the Mohamed family. In response, the school board said it would try to find better ways in which to present the novel and its controversial content to students.[28]

In 2009 a Washington state high school teacher called for the removal of the novel from a school curriculum. The teacher, John Foley, called for replacing The Adventures of Huckleberry Finn with a more modern novel.[29] In an opinion column that Foley wrote in the Seattle Post Intelligencer, he states that all "novels that use the ‘N-word’ repeatedly need to go". He states that teaching the novel is not only unnecessary, but difficult due to the offensive language within the novel with many students becoming uncomfortable at "just hear[ing] the N-word". He views this change as “common sense”, with Obama’s election into office as a sign that Americans “are ready for a change”, and that by removing these books from the reading lists, they would be following this change.[30]

A 2011 edition of the book, published by NewSouth Books, replaced the word "nigger" with "slave" (although being incorrectly addressed to a freed man) and did not use the term "Injun". The initiative to update the book was led by Mark Twain scholar Alan Gribben, who said the change was made to better express Twain's ideas in the 21st century.[31] Gribben said he hoped the edition would be more friendly for use in classrooms, rather than have the work banned outright from classroom reading lists due to its language.[32]

According to publisher Suzanne La Rosa "At NewSouth, we saw the value in an edition that would help the works find new readers. If the publication sparks good debate about how language impacts learning or about the nature of censorship or the way in which racial slurs exercise their baneful influence, then our mission in publishing this new edition of Twain’s works will be more emphatically fulfilled."[33] Another scholar, Thomas Wortham, criticized the changes, saying the new edition "doesn't challenge children to ask, 'Why would a child like Huck use such reprehensible language?'".[34]

Responses to this include the publishing of The Hipster Huckleberry Finn which is an edition with the word "nigger" replaced with the word "hipster". The book's description includes this statement "Thanks to editor Richard Grayson, the adventures of Huckleberry Finn are now neither offensive nor uncool."[35]

Adaptations

Film

Stage

Literature

  • The Further Adventures of Huckleberry Finn (1983), a novel which continues Huck's adventures after he "lights out for the Territory" at the end of Twain's novel, by Greg Matthews.
  • Finn: A Novel (2007), a novel about Huck's father, Pap Finn, by Jon Clinch.
  • My Jim (2005), a novel narrated largely by Sadie, Jim's enslaved wife, by Nancy Rawles.
  • The Adventures of Huckleberry Finn (1973), a simplified version by Robert James Dixson.

Music

References

  1. ^ Facsimile of the 1st US edition.
  2. ^ a b Lester, Julius. Morality and The Adventures of Huckleberry Finn. 
  3. ^ a b Woodard, Fredrick and MacCann, Donnarae. Minstrel Shackles and Nineteenth Century "Liberality" in Huckleberry Finn. 
  4. ^ Twain, Mark (October 1, 2001). "Introduction". The Annotated Huckleberry Finn. introduction and annotations by Michael Patrick Hearn. W. W. Norton & Company. xiv–xvii, xxix. ISBN 0-393-02039-8. 
  5. ^ Young, Philip (December 1, 1966). Ernest Hemingway: A Reconsideration. Penn State Press. p. 212. ISBN 0-271-02092-X. 
  6. ^ Reif, Rita (February 14, 1991). "First Half of 'Huck Finn,' in Twain's Hand, Is Found". The New York Times. http://query.nytimes.com/gst/fullpage.html?res=9D0CE6D9103FF937A25751C0A967958260. Retrieved February 10, 2008. 
  7. ^ a b Baker, William (June 1, 1996). "Adventures of Huckleberry Finn (book reviews)". Antioch Review (Antioch University) 54 (3): 363–4. 
  8. ^ a b ""All Modern Literature Comes from One Book by Mark Twain": Rare First Edition, First Issue of Huckleberry Finn in Original Publisher's Full Sheep Binding, with All First-state Points, Including the Curved Fly, One of the First Copies to Be Printed". Bauman Rare Books. http://www.baumanrarebooks.com/rare-books/twain-mark/adventures-of-huckleberry-finn/63515.aspx. Retrieved January 24, 2011. 
  9. ^ Blair, Walter (1960). Mark Twain & Huck Finn. University of California Press. 
  10. ^ Reif, Rita. Antiques: How Huck Finn was rescued. New York Times, March 17, 1991 http://query.nytimes.com/gst/fullpage.html?res=9D0CE7D81E3DF934A25750C0A967958260
  11. ^ http://www.mvn.usace.army.mil/PAO/history/MISSRNAV/steamboat.asp
  12. ^ Victor A. Doyno (1991). Writing Huck Finn: Mark Twain's creative process. University of Pennsylvania Press. pp. 191. ISBN tk.  [1]
  13. ^ Leonard, James S.; Thomas A. Tenney and Thadious M. Davis (December 1992). Satire or Evasion?: Black Perspectives on Huckleberry Finn. Duke University Press. pp. 224. ISBN 978-0-8223-1174-4. http://books.google.com/?id=fdrBtpSSCisC&pg=RA1-PA116&lpg=RA1-PA116&dq=hemingway+%22huckleberry+finn%22+%22green+hills%22. 
  14. ^ Mark Twain: Critical Assessments, Stuart Hutchinson, Ed, Routledge 1993, p. 193
  15. ^ Mailer, Norman (December 9, 1984). "Huckleberry Finn, Alive at 100". The New York Times. http://www.nytimes.com/1984/12/09/books/mailer-huck.html. Retrieved February 10, 2008. 
  16. ^ a b c Leonard, James S.; Thomas A. Tenney and Thadious M. Davis (December 1992). Satire or Evasion?: Black Perspectives on Huckleberry Finn. Duke University Press. pp. 2. ISBN 978-0-8223-1174-4. http://books.google.com/?id=fdrBtpSSCisC&pg=RA1-PA116&lpg=RA1-PA116&dq=hemingway+%22huckleberry+finn%22+%22green+hills%22. 
  17. ^ a b "Banned Books". Time Magazine. Time Magazine. August 29, 2008. http://205.188.238.181/time/specials/packages/article/0,28804,1842832_1842838_1844945,00.html. Retrieved November 8, 2010. 
  18. ^ The 'n'-word gone from Huck Finn – what would Mark Twain say?
  19. ^ Nick, Gillespie (February 2006). "Mark Twain vs. Tom Sawyer: The bold deconstruction of a national icon". http://www.reason.com/news/show/36203.html. Retrieved February 7, 2008. 
  20. ^ Hemingway, Ernest (1935). Green Hills of Africa. New York: Scribners. pp. 22. 
  21. ^ Brown, Robert. "One Hundred Years of HUCK FINN". American Heritage Magazine. AmericanHeritage.com. http://www.americanheritage.com/articles/magazine/ah/1984/4/1984_4_81.shtml. Retrieved November 8, 2010. "If Mr. Clemens cannot think of something better to tell our pure-minded lads and lasses he had best stop writing for them." 
  22. ^ Powers, Ron (September 13, 2005). Mark Twain: A Life. Free Press. pp. 476–7. 
  23. ^ For example, Shelley Fisher Fishin, Lighting out for the Territory: Reflections on Mark Twain and American Culture (New York: Oxford University Press, 1997).
  24. ^ Stephen Railton, "Jim and Mark Twain: What Do Dey Stan' For?" Virginia Quarterly Review 63 (1987).
  25. ^ Brown, Robert. "One Hundred Years of HUCK FINN". American Heritage Magazine. AmericanHeritage.com. http://www.americanheritage.com/articles/magazine/ah/1984/4/1984_4_81.shtml. Retrieved November 8, 2010. "most grotesque example of racism I’ve ever seen in my life." 
  26. ^ ALA | 100 Most Frequently Challenged Books of 1990–1999
  27. ^ Roberts, Gregory (November 26, 2003). "'Huck Finn' a masterpiece – or an insult". Seattle PI. SeattlePI.com. http://www.seattlepi.com/local/149979_huck26.html. Retrieved November 8, 2010. 
  28. ^ Fox, Laurie (November 1, 2007). "Huckleberry Finn N-word lesson draws controversy". Seattle PI. SeattlePI.com. http://www.dallasnews.com/sharedcontent/dws/news/localnews/stories/110107dnmethuckfinn.1c65c58d9.html. Retrieved November 8, 2010. 
  29. ^ "Wash. teacher calls for 'Huck Finn' ban". United Press International. UPI.com. January 19, 2009. http://www.upi.com/Top_News/2009/01/19/Wash-teacher-calls-for-Huck-Finn-ban/UPI-39901232395760/. Retrieved November 8, 2010. 
  30. ^ Foley, John (January 5, 2009). "Guest Columnist: Time to update schools' reading lists". Seattle PI. SeattlePI.com. http://www.seattlepi.com/opinion/394832_nword06.html. Retrieved November 8, 2010. 
  31. ^ . http://edition.cnn.com/2011/SHOWBIZ/01/04/new.huck.finn.ew/. [dead link]
  32. ^ Memmot, Mark (January 4, 2011). "New Edition of 'Huckleberry Finn' Will Eliminate Offensive Words". NPR. NPR.org. http://www.npr.org/blogs/thetwo-way/2011/01/04/132652272/new-edition-of-huckleberry-finn-will-eliminate-offensive-words?ft=1&f=1001. Retrieved January 5, 2011. 
  33. ^ "A word about the NewSouth edition of Mark Twain’s Tom Sawyer and Huckleberry Finn". http://www.newsouthbooks.com/pages/2011/01/04/a-word-about-the-newsouth-edition-of-mark-twains-tom-sawyer-and-huckleberry-finn/. Retrieved January 8, 2011. 
  34. ^ "New editions of Mark Twain novels to remove racial slurs". http://www.heraldsun.com.au/entertainment/new-editions-of-mark-twain-novels-to-remove-racial-slurs/story-e6frf96f-1225981589323. Retrieved January 8, 2011. 
  35. ^ "Hipster Huckleberry Finn Solves Censorship Debate By Replacing "N-Word" With "H-Word"". http://blogs.villagevoice.com/runninscared/2011/01/hipster_huckleb.php. Retrieved February 10, 2011. 
  36. ^ IMDB, Huckleberry Finn (1920)
  37. ^ IMDB, Huckleberry Finn (1931)

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