- Diminished octave
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diminished octave Inverse augmented unison Name Other names - Abbreviation d8[1] Size Semitones 11 Interval class 1 Just interval 48:25 Cents Equal temperament 1100 24 equal temperament 1100 Just intonation 1129 In classical music from Western culture, a diminished octave ( Play (help·info)) is an interval produced by narrowing a perfect octave by a chromatic semitone.[1] As such, the two notes are denoted by the same letter but have different accidentals. For instance, the interval from C4 to C5 is a perfect octave, twelve semitones wide, and both the intervals from C4♯ to C5, and from C4 to C5♭ are diminished octaves, spanning eleven semitones. Being diminished, it is considered a dissonant interval.[2]
The diminished octave is enharmonically equivalent to the major seventh.
Sources
- ^ a b Benward & Saker (2003). Music: In Theory and Practice, Vol. I, p.54. ISBN 978-0-07-294262-0. Specific example of an d8 not given but general example of perfect intervals described.
- ^ Benward & Saker (2003), p.92.
Intervals (list) Numbers in brackets are the number of semitones in the interval.
Fractional semitones are approximate.Twelve-semitone
(Western)PerfectMajorMinorAugmentedDiminishedCompoundOther systems SupermajorNeutralSubminor7-limitchromatic semitone (⅔) · diatonic semitone (1⅙) · whole tone (2⅓) · subminor third (2⅔) · supermajor third (4⅓) · harmonic (subminor) seventh (9⅔)Other intervals GroupsPythagorean comma · Pythagorean apotome · Pythagorean limma · Diesis · Septimal diesis · Septimal comma · Syntonic comma · Schisma · Diaschisma · Major limma · Ragisma · Breedsma · Kleisma · Septimal kleisma · Septimal semicomma · Orwell comma · Semicomma · Septimal sixth-tone · Septimal quarter tone · Septimal third-tone
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