Claes Oldenburg

Claes Oldenburg
Claes Oldenburg
Birth name Claes Oldenburg
Born January 28, 1929 (1929-01-28) (age 82)
Stockholm, Sweden
Nationality Swedish-American
Field Sculpture, Public Art
Training Latin School of Chicago,
Art Institute of Chicago,
Yale University
Movement Pop Art

Claes Oldenburg (born January 28, 1929) is a Swedish sculptor, best known for his public art installations typically featuring very large replicas of everyday objects. Another theme in his work is soft sculpture versions of everyday objects.

The most memorable aspects of Oldenburg's works are perhaps, the colossal sculptures that he has made in partnership with his late wife, Coosje van Bruggen.

Contents

Biography

Lipstick (Ascending) on Caterpillar Tracks

Claes Oldenburg was born January 28th, 1929 in Stockholm, Sweden, he was the son of a Swedish diplomat stationed in New York. In 1936 his father was transferred to Chicago where Oldenburg grew up, attending the Latin School of Chicago. He studied at Yale University from 1946 to 1950, then returned to Chicago where he took classes at The School of the Art Institute of Chicago. While further developing his craft, he worked as a reporter at the City News Bureau of Chicago. He also opened his own studio and, in 1953, became a naturalized citizen of the United States. His first recorded sales of artworks were at the 57th Street Art Fair in Chicago, where he sold 5 items for a total price of $25.[1] He moved back to New York City in 1956. There he met a number of artists, including Jim Dine, Red Grooms, and Allan Kaprow, whose Happenings incorporated theatrical aspects and provided an alternative to the abstract expressionism that had come to dominate much of the art scene. During this time, artist Robert Beauchamp described Oldenburg as "brilliant," due to the reaction that the pop artist brought to a "dull" abstract expressionist period.[2]

Sculptures, though quite large, often have interactive capabilities. One such interactive early sculpture was a soft sculpture of a tube of lipstick which would deflate unless a participant re-pumped air into it. In 1974, this sculpture, Lipstick (Ascending) on Caterpillar Tracks, was redesigned in a sturdier aluminum form, the giant lipstick being placed vertically atop tank treads. Originally installed in Beinecke Plaza at Yale, it now resides in the Morse College courtyard.

Many of Oldenburg's large-scale sculptures of mundane objects elicited public ridicule before being embraced as whimsical, insightful, and fun additions to public outdoor art. In the 1960s he became associated with the Pop Art movement and created many so-called happenings, which were performance art related productions of that time. The name he gave to his own productions was "Ray Gun Theater".

Claes Oldenburg, Soft Bathtub (Model)—Ghost Version 1966, acrylic and pencil on foam-filled canvas with wood, cord, and plaster. Hirshhorn Museum, Washington, DC

His first wife (1960–1970) Pat Muschinski, who sewed many of his early soft sculptures, was a constant performer in his happenings. This brash, often humorous, approach to art was at great odds with the prevailing sensibility that, by its nature, art dealt with "profound" expressions or ideas. But Oldenburg's spirited art found first a niche then a great popularity that endures to this day.

Between 1969 and 1977, Oldenburg was in a relationship with the feminist artist and sculptor, Hannah Wilke, who died in 1993.[3] They shared several studios and traveled together, and Wilke often photographed him.

Claes Oldenburg and Coosje van Bruggen, Typewriter Eraser, Scale X, 1999, painted stainless steel and fiberglas, National Gallery of Art, Washington, DC.

Oldenburg's collaboration with Dutch/American writer and art historian Coosje van Bruggen dates from 1976. They were married in 1977.[4] In 1988, he and van Bruggen created the iconic Spoonbridge and Cherry sculpture for the Walker Art Center in Minneapolis, Minnesota that remains a staple of the Minneapolis Sculpture Garden as well as a classic image of the city. Typewriter Eraser, Scale X (1999) is in the National Gallery of Art Sculpture Garden.

In addition to freestanding projects, they occasionally contribute to architectural projects, most notably the former Chiat/Day advertising agency headquarters designed by Frank O. Gehry in the Venice district of Los Angeles, California—the main entrance is a pair of giant binoculars. The advertising agency DDB is the current tenant.

Another well known construction is the Free Stamp in downtown Cleveland, Ohio. This Free Stamp has an energetic cult following.

In 2000, he was awarded the National Medal of Arts.[5]

In 2001, Oldenburg and van Bruggen created 'Dropped Cone', a huge inverted ice cream cone, on top of a shopping center in Cologne, Germany.[6]

His wife died on January 10, 2009, from the effects of breast cancer.

Claes Oldenburg supposedly has a work of art on the moon in the Moon Museum.

Paint Torch is slated for installation in Philadelphia at the Pennsylvania Academy of the Fine Arts in the fall of 2011. Paint Torch is a towering 53-foot-high pop sculpture of a paintbrush, capped with bristles that will be illuminated at night. The sculpture will be installed at a daring 60-degree angle, as if in the act of painting.[7]

Claes Oldenburg is represented by The Pace Gallery in New York.

Gallery

Books

  • Busch, Julia M., A Decade of Sculpture: the New Media in the 1960s (The Art Alliance Press: Philadelphia; Associated University Presses: London, 1974) ISBN 0-87982-007-1
  • Axsom, Richard H., Printed Stuff: Prints, Poster, and Ephemera by Claes Oldenburg A Catalogue Raisonne 1958–1996 (Hudson Hills Press: 1997) ISBN 1-555951-23-6
  • Oldenburg, Claes Raw Notes: Documents and Scripts of the Performances: Stars, Moveyhouse, Massage, The Typewriter, with annotations by the author. (The Press of the Nova Scotia College of Art and Design: Halifax, 2005) ISBN 0-919616-43-7
  • Gianelli, Ida and Beccaria, Marcella (editors) Claes Oldenburg Coosje van Bruggen: Sculpture by the Way Fundació Joan Miró 2007
  • Haskell, Barbara. Claes Oldenburg. Pasadena, CA: Pasadena Art Museum, 1971.
  • Valentin, Eric, Claes Oldenburg, Coosje van Bruggen. Le grotesque contre le sacré, Paris, collection Art et artistes, Gallimard, 2009. ISBN 978-2-07-078627-5

References

  1. ^ David McCracken, "The Art Fair That's Been In the Picture the Longest", Chicago Tribune, June 5th, 1987, page 3
  2. ^ Paul Cummings (1975). "Oral history interview with Robert Beauchamp, 1975 Jan. 16". Oral history interview. Archives of American Art. http://www.aaa.si.edu/collections/interviews/oral-history-interview-robert-beauchamp-12997. Retrieved 30 Jun 2011. 
  3. ^ Nancy Princenthal, Hannah Wilke, Prestel Publishing, New York
  4. ^ "Claes Oldenburg & Coosje van Bruggen: Biographies". OldenburgVanBruggen.com. http://oldenburgvanbruggen.com/biography/bios-individual.htm. Retrieved 13 April 2011. 
  5. ^ Lifetime Honors – National Medal of Arts
  6. ^ http://www.oldenburgvanbruggen.com/largescaleprojects/droppedcone.htm Dropped Cone
  7. ^ http://www.pafa.org/About/Lenfest-Plaza/Oldenburg-s-Paint-Torch/843/

External links


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Игры ⚽ Поможем решить контрольную работу

Look at other dictionaries:

  • Claes Oldenburg — Giant Pool Balls , Münster, 1977 Nacimiento 28 de enero de 1929 (82 años) …   Wikipedia Español

  • Claes Oldenburg — (* 28. Januar 1929 in Stockholm als Claes Thure Oldenburg) gehört neben Andy Warhol und Roy Lichtenstein zu den bedeutendsten Vertretern der amerikanischen Pop Art. Besonders bekannt wurde er durch Skulpturen, die aus einfachen Werkstoffen… …   Deutsch Wikipedia

  • Claes Oldenburg — (nacido en 1929). Escultor estadounidense, pionero del Pop Art. Nació en Estocolmo, donde su padre estaba destinado como diplomático. Entre 1960 y 1965 Oldenburg llevó a cabo cierto número de happenings, entre los que destaca Autobodys (1964, Los …   Enciclopedia Universal

  • Claes Oldenburg — Pour les articles homonymes, voir Oldenburg. Claes Oldenburg: Giant Pool Balls (Münster, 1977) …   Wikipédia en Français

  • Claes Oldenburg — ➡ Oldenburg * * * …   Universalium

  • Claes Oldenburg — noun United States sculptor (born in Sweden); a leader of the pop art movement who was noted for giant sculptures of common objects (born in 1929) • Syn: ↑Oldenburg, ↑Claes Thure Oldenburg • Instance Hypernyms: ↑sculptor, ↑sculpturer, ↑carver,… …   Useful english dictionary

  • Claes Thure Oldenburg — Claes Oldenburg (* 28. Januar 1929 in Stockholm als Claes Thure Oldenburg) gehört neben Andy Warhol und Roy Lichtenstein zu den bedeutendsten Vertretern der amerikanischen Pop Art. Besonders bekannt wurde er durch Skulpturen, die aus „banalen“… …   Deutsch Wikipedia

  • Claes Thure Oldenburg — Claes Oldenburg Pour les articles homonymes, voir Oldenburg. Claes Oldenburg: Giant Pool Balls (Münster, 1977) …   Wikipédia en Français

  • OLDENBURG (C.) — OLDENBURG CLAES (1929 ) «Drôles, touchantes et absurdes», selon Margit Rowell dans le catalogue de l’exposition Qu’est ce que la sculpture moderne? , «les œuvres d’Oldenburg illustrent de façon éclatante la banalité, la vulgarité et l’inconstance …   Encyclopédie Universelle

  • Oldenburg (disambiguation) — Oldenburg may refer to: Oldenburg, city in the German state of Lower Saxony Oldenburg (Holstein), city in the German state Holstein (at the Baltic Sea) Oldenburg (Pomerania), part of Züssow in Ostvorpommern Oldenburg (district), a district in… …   Wikipedia

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