Happening

A happening is a performance, event or situation meant to be considered as art. Happenings take place anywhere, are often multi-disciplinary, often lack a narrative and frequently seek to involve the audience in some way. Key elements of happenings are planned, but artists sometimes retain room for improvisation.

In the later sixties, perhaps due to the depiction in films of hippie culture, the term was used much less specifically to mean any gathering of interest, from a pool hall meetup or a jamming of a few young people to a beer blast or fancy formal party.

History

Origins

Allan Kaprow first coined the term happening in the Spring of 1957 at an art picnic at George Segal's farm to describe the art pieces that were going on. "Happening" first appeared in print in the Winter 1959 issue of the Rutgers University undergraduate literary magazine, "Anthologist". [Joan M. Marter and Simon Anderson, "Off Limits: Rutgers University and the Avant-Garde, 1957-1963", Rutgers University Press, 1999, p10. ISBN 0813526108] The form was imitated and the term was adopted by artists across the U.S., Germany, and Japan. Jack Kerouac referred to Kaprow as "the Happenings man," and an ad showing a woman floating in outer space declared, "I dreamt I was in a happening in my Maidenform brassiere."

Kaprow’s piece "18 Happenings in 6 Parts" (1959) is commonly cited as the first happening, although that distinction is sometimes given to a 1952 performance of "Theater Piece No. 1" at Black Mountain College by John Cage, one of Kaprow's teachers in the mid-1950s. Cage stood reading from a ladder, Charles Olson read from another ladder, Robert Rauschenberg showed some of his paintings and played scratched phonograph records, David Tudor performed on a prepared piano and Merce Cunningham danced. [Stuart Dale Hobbs, "The End of the American Avant Garde", NYU Press, 1997, p109. ISBN 0814735398] All these things took place at the same time, among the audience rather than on a stage. Happenings flourished in New York City in the late 1950s and early 1960s. Key contributors to the form included Carolee Schneemann, Red Grooms, Robert Whitman, Jim Dine, Claes Oldenburg and Robert Rauschenberg. Some of their work is documented in Michael Kirby's book "Happenings" (1966).

Around the world

Poet and painter Adrian Henri claimed to have organized the first happenings in England in Liverpool in 1962, [B. J. Moore-Gilbert, "Cultural Revolution?: The Challenge of the Arts in the 1960s", Routledge, 1992, p90. ISBN 0415078245] taking place during the Merseyside Arts Festival. [Günter Berghaus, "Happenings in Europe: Trends, Events and Leading Figures", in Mariellen R. Sandford, "Happenings and Other Acts", Routldge, 1995, p368. ISBN 0415099366] The most important event in London was the Albert Hall “International Poetry Incarnation” on June 11, 1965, where an audience of 7,000 people witnessed and participated in performances by some of the leading "avant-garde" young British and American poets of the day (see British Poetry Revival and Poetry of the United States). One of the participants, Jeff Nuttall, went on to organise a number of further happenings, often working with his friend Bob Cobbing, sound poet and performance poet.

In Belgium, the first happenings were organized around 1965–1968 in Antwerp, Brussels and Ostend by artists Hugo Heyrman and Panamarenko.

In the Netherlands, Provo organized happenings around the little statue "Het Lieverdje" on the Spui, a square in the centre of Amsterdam, from 1966 till 1968. Police often raided these events.

In Australia, the Yellow House Artist Collective in Sydney housed 24-hour happenings throughout the early 1970s.

Behind the Iron Curtain, in Poland, artist and theater director Tadeusz Kantor staged the first happenings starting in 1965. Also, in the second half of 1980s, a student-based happening movement Orange Alternative founded by Major Waldemar Fydrych became known for its much attended happenings (over 10 thousand participants at one time) aimed against the military regime led by General Jaruzelski and the fear blocking the Polish society ever since the Martial Law had been imposed in December 1981.

ee also

* Performance art
* Fluxus
* Situationism
* Flash mob
* Fluxus at Rutgers University
* Bread and Puppet Theater
* Gutai group

References

External links

* [http://www.doctorhugo.org/happenings.html Happenings in Belgium]
* [http://pomaranczowa-alternatywa.republika.pl Happenings by Orange Alternative in Poland]
* [http://www.ubu.com/historical/kaprow/index.html Allan Kaprow on Ubuweb]
* [http://www.mailartist.com/johnheldjr/InterviewWithAlanKaprow.html Interview with Kaprow]