La Roux (album)

La Roux (album)
La Roux
Studio album by La Roux
Released 25 June 2009 (2009-06-25)
Recorded 2008–09;
Elfin Studios
(Teddington, London, England)
RAK Studios, Westpoint Studios
(London, England)
Genre Electropop, synthpop
Length 44:31
Label Polydor
Producer Elly Jackson, Ben Langmaid, Ben Hirst
Singles from La Roux
  1. "Quicksand"
    Released: 26 December 2008 (2008-12-26)
  2. "In for the Kill"
    Released: 16 March 2009 (2009-03-16)
  3. "Bulletproof"
    Released: 22 June 2009 (2009-06-22)
  4. "I'm Not Your Toy"
    Released: 28 September 2009 (2009-09-28)

La Roux is the eponymous debut album by English electropop duo La Roux. Released in the United Kingdom on 29 June 2009 by Polydor Records,[1][2] the album includes the hit singles "In for the Kill" and "Bulletproof", which peaked at numbers two and one on the UK Singles Chart, respectively. The album debuted at number two on the UK Albums Chart on sales of 62,650 copies, becoming the highest first-week sales for a debut album in 2009 for the UK,[3] until Florence and the Machine released their debut album Lungs, which sold 63,020 copies.[4] It was certified platinum by the British Phonographic Industry on 12 February 2010,[5] having sold 350,000 copies in the UK so far.[6]

It was nominated for the 2009 Mercury Prize,[7] and won Best Electronic/Dance Album at the 53rd Grammy Awards on 13 February 2011.[8] A ten-track Gold Edition of the album was released digitally in the United States on 8 February 2011, including the Kanye West-featured version of "In for the Kill".[9][10]

Contents

Critical reception

Professional ratings
Aggregate scores
Source Rating
Metacritic (76/100)[11]
Review scores
Source Rating
Allmusic 4/5 stars[12]
BBC Music (positive)[13]
Clash (8/10)[14]
The Guardian 3/5 stars[15]
The Independent (mixed)[16]
NME (9/10)[17]
Pitchfork Media (7.0/10)[18]
Rolling Stone 4/5 stars[19]
Slant Magazine 3/5 stars[20]
The Times 3/5 stars[21]

La Roux received positive reviews from most music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album received an average score of 76, based on 16 reviews, which indicates "generally favorable reviews".[11] The Guardian's Alexis Petridis wrote that "[t]he sound is authentically tinny, bass being something that most synthpop pioneers seemed to think the gleaming 'Music Of The Future' could do without. The rhythms tend to a clipped, funkless boom-crash that listeners of a certain vintage may find difficult to hear without picturing a school disco dancefloor packed with fourth-formers trying to 'do' robotics."[15] Steve Harris of Clash referred to the album as "[t]he ultimate expression of '80s love" and stated that "apart from a couple of later tracks, the album is far from filler and still delivers blow after blow of superb songcraft."[14] Luke Turner of the NME raved that "with this astounding debut, an unassuming 21-year-old from SW2 has revitalised a forgotten form to make one of the finest forward-thinking British pop albums of recent memory."[17] Heather Phares wrote for Allmusic that "La Roux's dedication to their aesthetic makes this an album where the songs are variations on a theme, and on the rare occasion where the songwriting isn't razor-sharp, the style threatens to overtake the substance. However, that devotion also makes La Roux a standout, not just among the many other '80s revivalists, but the entire late-2000s pop landscape."[12]

Slant Magazine reviewer Paul Schrodt described La Roux's sound as "frosty, uniquely British, deliberately affected, and anything but casual", but added that "it's the band's attempts at vulnerability ('Cover My Eyes') that make for the most insipid listens."[20] Pitchfork Media's Joshua Love noted that "La Roux delivers icy but irresistible throwback pop that hearkens back explicitly to fellow femme-led Brits Yazoo and the Eurythmics."[18] Talia Kraines from BBC Music wrote, "That shrill vocal might mean the self titled debut album is not something you're likely to listen to all in one go in a high pressure situation, but it's one jam-packed with killer pop song after killer pop song."[13] Peter Paphides of The Times remarked that "[f]or the almost militant purity of its execution though, La Roux inspires a peculiar sort of awe. Exclusively using keyboards is one thing, but the Brixton-based duo have gone a step further, purging their sound of any keyboard noise that bears even a passing resemblance to what your Jeremy Clarkson sort of music fan would refer to as a 'real' instrument."[21] Rolling Stone's Rob Sheffield commented that "[a]long with co-writer and fellow synth dude Ben Langmaid, she's ruling U.K. radio with splashy dance hits about sex and betrayal", naming "Bulletproof" the album's "definitive gem".[19] Simon Price was critical of the album in his review for The Independent, stating that "[m]uch of the time, La Roux sound strangely distorted, like the backing music from an early 1990s Sega Mega Drive game turned up to 11."[16]

Singles

"Quicksand" was released as the album's lead single on 15 December 2008. The song charted on the UK Singles Chart at number 153 and was accompanied by a music video directed by Kinga Burza. It was re-released on 23 November 2009, re-entering the chart at number 129. "In for the Kill", released as the album's second single on 16 March 2009, peaked at number two on the UK Singles Chart for four weeks and its music video was directed by Kinga Burza. The single is so far the duo's biggest hit (although it peaked one place lower than follow-up "Bulletproof"). It became the UK's fifth biggest seller of 2009 and thirty-fifth biggest seller of the 2000s decade. This was despite the song debuting at number eleven, taking three weeks to reach the top ten and five weeks to reach its peak of number two. The song is also known by a dubstep remix from Skream, called Skream's Let's Get Ravey Mix. "Bulletproof" was released as the album's third single on 22 June 2009, becoming La Roux's first chart-topper on the UK Singles Chart, and was accompanied by a music video directed by The Holograms@UFO. "Bulletproof" sold 80,144 copies in its first week in the UK, although it failed to outsell "In for the Kill" overall. The single also charted at number five in Ireland, thus topping "In for the Kill" in both countries. It was featured as the Single of the Week on the US iTunes Store from 22–29 September 2009.

"I'm Not Your Toy" was released as the album's fourth single on 28 September 2009. Jackson explained to The Guardian on 22 July 2009 the reason why the song came out during the summer: "I think sunny weather drives you towards certain tempos and melodies that work well booming out of open windows." She added that the duo demanded that the single was released in summer "for that reason. It has a brightness that wouldn't work in winter."[22] It peaked at number twenty-seven on the UK Singles Chart. On 15 July 2010, Jackson uploaded a behind-the-scenes preview of the music video for "Tigerlily" on YouTube talking about its theme.[23] However, neither the single nor the video have surfaced as yet.

Track listing

All songs written and composed by Elly Jackson and Ben Langmaid, except where noted. 

No. Title Writer(s) Length
1. "In for the Kill"     4:08
2. "Tigerlily"   Jackson, Langmaid, Darren Berry 3:24
3. "Quicksand"     3:05
4. "Bulletproof"     3:25
5. "Colourless Colour"   Jackson, Ben Hirst 3:28
6. "I'm Not Your Toy"     3:18
7. "Cover My Eyes"     4:32
8. "As If by Magic"     3:51
9. "Fascination"     3:41
10. "Reflections Are Protection"     4:19
11. "Armour Love"   Jackson, Langmaid, Berry 3:53
12. "Growing Pains"   Jackson, Langmaid, Jeff Patterson 3:27

Personnel

  • Kit Jackson – spoken word (track 2)
  • London Community Gospel Choir – backing vocals (track 7)
  • Hannah Neaves – art direction, design
  • Tim Roberts – assistant mix engineer (tracks 1, 2, 4–12)
  • Ian Sherwin – engineer (tracks 2, 5, 7–12)
  • Traffic – art direction, design
  • Andy Whitton – photography

Charts

Weekly charts

Chart (2009/2010) Peak
position
Australian Albums Chart[29] 22
Austrian Albums Chart[30] 34
Belgian Albums Chart (Flanders)[31] 34
Belgian Albums Chart (Wallonia)[32] 95
Canadian Albums Chart 34
Croatian Albums Chart[33] 30
Dutch Albums Chart[34] 55
European Top 100 Albums[35] 13
French Albums Chart[36] 115
German Albums Chart[37] 54
Irish Albums Chart[38] 7
Italian Albums Chart[39] 95
New Zealand Albums Chart[40] 26
Norwegian Albums Chart[41] 36
Swiss Albums Chart[42] 54
UK Albums Chart[43] 2
US Billboard 200[44] 70
US Dance/Electronic Albums[45] 4
US Heatseekers Albums[46] 2

Certifications

Country Certification
Australia Gold[47]
Ireland Platinum[48]
United Kingdom Platinum[5]

Year-end charts

Chart (2009) Position
Australian Albums Chart[49] 67

Release history

Country Date Label
Netherlands[50] 25 June 2009 Universal Music
Belgium[51] 26 June 2009
Germany[52]
Poland[53]
Ireland[54] Polydor Records
United Kingdom[55] 29 June 2009
France[56] Universal Music
Scandinavia[57]
Australia[58] 3 July 2009
Canada[59] 28 July 2009
Japan[60] 5 August 2009
United States[61] 29 September 2009 Cherrytree Records, Interscope Records
Italy[62] 16 October 2009 Universal Music

References

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