- Ligne claire
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Ligne claire (French for "clear line") is a style of drawing pioneered by Hergé, the Belgian creator of The Adventures of Tintin. It uses clear strong lines of uniform importance. Artists working in it do not use hatching, while contrast is downplayed as well. Cast shadows are often illuminated while a uniformity of line is used throughout, paying equal attention to every element depicted. Additionally, the style often features strong colours and a combination of cartoonish characters against a realistic background. All these elements together can result in giving strips drawn this way a flat aspect. The name was coined by Joost Swarte in 1977.[1]
Contents
History
Origins: Hergé
Hergé started out drawing in a much looser, rougher style which was influenced partially by famous American comic strip artists of the late 1920s and 1930s.[citation needed] It was only after World War II that his drawing style evolved into ligne claire. For Hergé, it was not limited to the drawings but extended to the story: the plot must be straightforward.[citation needed]
The Brussels school
Much of the "Brussels school" started to use this style, notably Edgar P. Jacobs, Bob de Moor, Roger Leloup, and Jacques Martin, many of whom also worked for Tintin magazine.
The ligne claire style achieved its highest popularity in the 1950s, but its influence started to wane in the 1960s and was seen as old-fashioned by the new generation of comic book artists.
1970s and 1980s resurgence
In the late 1970s however it experienced a resurgence of interest, largely due to Dutch artists like Joost Swarte and Theo van den Boogaard, who had come up through the Dutch underground comics scene, as well as the French artist Jacques Tardi. Henk Kuijpers was also successful in his application of the style.
In the 1980s, Yves Chaland, Ted Benoît, Serge Clerc and Floc'h relaunched the Ligne claire style in France. This incarnation was a very stylistic and artistic variation, which the artists also utilized for illustrating posters and LP covers etc. Swarte dubbed this variant "atoomstijl" ("atomic style").[2][3]
Contemporary use
Contemporary use of the ligne claire is often ironic. For example, van den Boogaard used the simple, clear style to set up a conflict with the amorality of his characters, while Tardi used it in his Adèle Blanc-sec series to create a nostalgic atmosphere which is then ruthlessly undercut by the story. A recent serious clear line artist is the Dutchman Peter van Dongen, who created the Rampokan series about the Dutch colonisation of Indonesia.
Ligne claire is not confined to Franco-Belgian comics. British artists such as Martin Handford; Norwegian artists like Jason; American artists like Geof Darrow, Jason Lutes, and Jason Little; and Spanish artists such as Francesc Capdevila Gisbert ("Max") have also used it.
Notable ligne claire books/series
Hergé
- The Adventures of Tintin
- Jo, Zette and Jocko
- Quick and Flupke
Others
- The Adventures of Freddy Lombard — Yves Chaland
- Alix — Jacques Martin
- Barelli — Bob de Moor
- Berlin — Jason Lutes
- Bingo Bongo et son Combo Congolais — Ted Benoît
- Blake and Mortimer — Edgar P. Jacobs
- Franka — Henk Kuijpers
- Hector and Dexter (a.k.a. Coton et Piston and Katoen en Pinbal) — Joost Swarte
- Julian Opie's Portraits — Julian Opie
- Kurt Dunder — Frank Madsen
- Professor Palmboom — Dick Briel
- The Rainbow Orchid — Garen Ewing
- Shutterbug Follies — Jason Little
- Spike and Suzy (a.k.a. Bob and Bobette, Willy and Wanda, and Suske en Wiske) — Willy Vandersteen
- Tintin pastiches — Yves Rodier
- Where's Wally? — Martin Handford
- Yoko Tsuno — Roger Leloup
See also
- Franco-Belgian comics
- Marcinelle school – a contemporary, contrasting style
References
- ^ Pleban, Dafna. "Investigating the Clear Line Style," ComicFoundry (Nov. 7, 2006). Accessed Oct. 2, 2008.
- ^ In Search of the Atom Style Paul Gravett, 2009
- ^ Atoomstijl.nl
External links
- Klare lijn international — News on ligne claire comics (in French)
- Hergé & The Clear Line: Part 1
Ligne claire Comics Herge's The Adventures of Tintin, Jo, Zette and Jocko and Quick and Flupke, Bob de Moor's Barelli, Edgar P. Jacobs' Blake and Mortimer and Le Rayon U, Willy Vandersteen's
Spike and Suzy, Jacques Martin's The Adventures of Alix, Roger Leloup's Yoko Tsuno, Yves Chaland's The Adventures of Freddy Lombard, Henk Kuijpers' Franka, Dick Briel's Professor Palmboom, Garen Ewing's The Rainbow OrchidCategories:- Comics terminology
- Franco-Belgian comics
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