Navaneetam

Carnatic Music
Concepts
Sruti • Swara • Raga • Tala • Melakarta • Asampurna Melakarta
Compositions
Varnam • Kriti • Geetham • Swarajati • Ragam Thanam Pallavi • Thillana
Instruments
melody: Vocals • Saraswati veena • Venu • Violin • Chitra veena • Nadaswaram • Mandolin rhythm: Mridangam • Ghatam • Morsing • Kanjira • Thavil drone: Tambura • Shruti box
Composers
List of Carnatic composers

Navaneetam (Sanskrit: नवनीतम्, Telugu: నవనీతం, Tamil: நவநீதம், English: The eternal new one) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 40th Melakarta rāgam (parent scale) in the 72 melakarta rāgam system of Carnatic music. It is called Nabhōmaṇi in Muthuswami Dikshitar school of Carnatic music.^[1][2][3]

Structure and Lakshana

Navaneetam scale with shadjam at C

It is the 4th rāgam in the 7th chakra Rishi. The mnemonic name is Rishi-Bhu. The mnemonic phrase is sa ra ga mi pa dhi ni.^[2] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):

• ārohaṇa: S R1 G1 M2 P D2 N2 S
• avarohaṇa: S N2 D2 P M2 G1 R1 S

(this scale uses the notes shuddha rishabham, shuddha gandharam, prati madhyamam, chathusruthi dhaivatham, kaisiki nishadham)

As it is a melakarta rāgam, by definition it is a sampoorna rāgam (has all seven notes in ascending and descending scale). It is the prati madhyamam equivalent of Vanaspati, which is the 4th melakarta rāgam.

Janya rāgams

Navaneetam does not yet have a janya rāgam (derived scale) associated with it. See List of janya rāgams for full list of janya scales.

Compositions

A few compositions set to Navaneetam scale are:

• Umapathi pahi by Dr. M. Balamuralikrishna
• Lemidelpa peddala varu by Thyagaraja
• Sami ide nalla samayam by Koteeswara Iyer

Related rāgams

This section covers the theoretical and scientific aspect of this rāgam.

Navaneetam's notes when shifted using Graha bedham, yields no other melakarta rāgam, like all 6 rāgams in the Rishi chakra (Salagam, Jalarnavam, Jhalavarali, Pavani and Raghupriya being the other 5). Only these rāgams have a gap of 3 notes anywhere in their scale, between G1 to M2. Such a gap does not occur in any other melakarta by definition. Graha bedham is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam.

References

1. ^ Sri Muthuswami Dikshitar Keertanaigal by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai
2. ^ ^{a b} Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
3. ^ Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras