- Malahari
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Carnatic Music Concepts Sruti • Swara • Raga • Tala • Melakarta • Asampurna Melakarta
Compositions Varnam • Kriti • Geetham • Swarajati • Ragam Thanam Pallavi • Thillana
Instruments melody: Vocals • Saraswati veena • Venu • Violin • Chitra veena • Nadaswaram • Mandolin
rhythm: Mridangam • Ghatam • Morsing • Kanjira • Thavil
drone: Tambura • Shruti box
Composers Malahari (Sanskrit: मलहरि, Tamil: மலஹரி) is a Carnatic raga. This raga is a janya of the 15th Melakarta raga Mayamalavagowla. This raga is known to be a morning raga which brings out a sense of calmness.[1] It is associated with the rainy season.[2]
In classical carnatic training, it is often used as a raaga for beginners using Geetham right after the swara-based exercises in Mayamalavagowla. Many of the Geethams in this raga have been composed by Muthuswami Dikshitar and Purandara Dasa.
Contents
Structure and Lakshana
This ragam is an asymmetric scale and is classified as an audava-shadava ragam (five notes in the ascending scale and six notes in the descending scale).[1][2]
The notes in this scale are 'shuddha rishabham, shuddha madhyamam, shuddha dhaivatam in arohana and additional antara gandharam in avarohanam. Since this scale does not have a nishadham, it can be derived from Gayakapriya (13th melakarta) or Vakulabharanam (14th) too, but has been traditionally associated with Mayamalavagowla (15th) as the parent.
Select compositions
Geetams
- Shri GanaNaatha in Rupakam, written by Purandara Dasa
- Padumanaabha paramapurusha in Triputa, written by Purandara Dasa
Kuntha Gowra Keaya nee ranu
Kritis
- Panchamatanga in Rupakam composed by Muthuswami Dikshitar
- Ananta Padmanaabam in Rupakam composed by Muthiah Bhagavatar
- Melukovayya in Adi composed by Shahji Maharaja
Related rāgams
This section covers the theoretical and scientific aspect of this rāgam.
Scale similarities
- Karnataka Shuddha Saveri is a rāgam which has a symmetrical scale matching the ascending scale of Malahari (gandharam is entirely omitted). Its ārohaṇa-avarohaṇa structure is S R1 M1 P D1 S : S D1 P M1 R1 S
References
- ^ a b Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras
- ^ a b Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
Melakarta Ragas Shuddha
Madhyama
RagasIndu chakraNetra chakraAgni chakra13. Gayakapriya · 14. Vakulabharanam · 15. Mayamalavagowla · 16. Chakravakam · 17. Suryakantam · 18. HatakambariVeda chakra19. Jhankaradhvani · 20. Natabhairavi · 21. Keeravani · 22. Kharaharapriya · 23. Gourimanohari · 24. VarunapriyaBana chakra25. Mararanjani · 26. Charukesi · 27. Sarasangi · 28. Harikambhoji · 29. Dheerasankarabharanam · 30. NaganandiniRitu chakra31. Yagapriya · 32. Ragavardhini · 33. Gangeyabhushani · 34. Vagadheeswari · 35. Shulini · 36. ChalanataPrati
Madhyama
RagasRishi chakraVasu chakra43. Gavambhodi · 44. Bhavapriya · 45. Shubhapantuvarali · 46. Shadvidamargini · 47. Suvarnangi · 48. DivyamaniBrahma chakra49. Dhavalambari · 50. Namanarayani · 51. Kamavardani · 52. Ramapriya · 53. Gamanashrama · 54. VishwambariDisi chakra55. Shamalangi · 56. Shanmukhapriya · 57. Simhendramadhyamam · 58. Hemavati · 59. Dharmavati · 60. NeetimatiRudra chakra61. Kantamani · 62. Rishabhapriya · 63. Latangi · 64. Vachaspati · 65. Mechakalyani · 66. ChitrambariAditya chakra67. Sucharitra · 68. Jyoti swarupini · 69. Dhatuvardani · 70. Nasikabhushani · 71. Kosalam · 72. RasikapriyaJanya Ragas A-D Abheri · Abhogi · Andolika · Amritavarshini · Anandabhairavi · Arabhi · Atana · Bhairavi · Bhupalam · Bilahari · Devagandhari · DhanyasiG-K M-N Madhuvanti · Madhyamavati · Malahari · Malayamarutam · Mohanakalyani · Mohanam · Nagasvaravali · NiroshtaR-S Ranjani · Revati · Sahana · Saramati · Saveri · Shivaranjani · Shuddha Saveri · Shree ranjani · SunadavinodiniU-V Udayaravichandrika (Shuddha Dhanyasi) · ValajiCategories:- Carnatic Ragas
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