Music of Northeast China

Music of China
Timeline
General topics
Traditional Chinese instruments Musicology Chinese orchestra Chinese Musicians' Association
Genres
C-pop: (Cantopop, Mandopop) Rock Hip hop Opera
Specific forms
Taoist music Yayue
Media and performance
Music festivals	Midi Modern Music Festival
Music media	Radio stations China Record Corporation
National anthem	Historical anthems Patriotic / Revolutionary March of the Volunteers Three Principles of the People
Regional music
Anhui Fujian Gansu Guangdong Guangxi Guizhou Hainan Hebei Heilongjiang Henan Hong Kong Hunan Hubei Inner Mongolia Jiangsu Jiangxi Jilin Liaoning Macau Northeast Qinghai Shandong Shaanxi Shanxi Sichuan Taiwan (ROC) Tibet Xinjiang Yunnan Zhejiang

The music of Northeast China is influenced by the folk traditions of the Manchu and other ethnic groups in the region. There is a great variety of music in the region, with the most well-known throughout China possibly being the Youyouzha, a kind of lullaby that has spread throughout the country. Prominent performers from the Northeast include the mid-20th century film composer Lei Zhenbang and pop stars Xiao Ke and Na Ying.

Ethnic Manchu music is dominated by percussion instruments and is has largely been influenced by their native shamanism. Two forms of drum prevail, the wooden framed imcin, and the metal framed dangu which also has a handle attached to the ring. The dangu is the instrument most strongly identified with Manchu shamans.

The octagonal drum is an important and distinctive musical instrument, said to derive from one made from eight pieces of wood given by the eight tribes of the Manchu people, thus symbolizing the unity of these tribes. During the Qing Dynasty, the instrument spread to Beijing and Tianjin, and is still known there