Washington, D.C. hardcore

"harDCore" redirects here. For the genre of hardcore punk in general, see Hardcore punk. For other uses, see Hardcore.

Washington, D.C. has had one of the first and most influential hardcore punk scenes in the United States since the early 1980s.

Among the earliest DC punk bands were the Bad Brains, Slickee Boys, Teen Idles, Minor Threat, S.O.A., Chalk Circle, Velvet Monkeys, Void, The Faith, DC Youth Brigade, Government Issue, Untouchables, Red C, Marginal Man, Scream, Black Market Baby and United Mutation, all of which formed in the late 1970s and early 1980s. In the mid-1980s during a time period quoted by some as "Revolution Summer," bands like Gray Matter, Embrace, Rites of Spring, Phlegm, Soulside, Three, Ignition and Rain emerged. Other important DC hardcore bands from this time period are Fire Party, Dag Nasty, Second Wind, and no-wave influenced bands like No Trend. Aside from Black Market Baby and the few suburban punk bands that followed, the majority of the DC hardcore bands were made up of middle/upper class private school educated children of diplomats and other members of the Washington establishment at the time. Many grew up in the Georgetown and NW areas of DC, where they developed a sense of social justice by witnessing its injustices first hand - they were rich kids living in a privileged world, a social elite. Prior to punk, many of these later scene stalwarts were enthusiastically dressed up participants (eye liner, long hair, fishnets, platforms - on the boys) at the midnight screenings of The Rocky Horror Picture Show at the cinema on M Street. Washington DC, at the dawn of punk, was a truly proletarian, little town, with loads of music loving individuals, hooked on WGTB, WHFS, the Atlantic, later the 9.30 club. Though the feeling and vitality of the early scene was based on the excitement of punk, the spectrum of music played in clubs and on radio featured Roxy Music, Bowie, Ultravox, Skids, Slits, much English stuff, and lots of new American bands such as Avant Gardener, Tina Peel, B52's, the Nuns, Germs, Trenchmouth, Cramps, Slickees, X, and of course, the garage and punk bands out of New York. With the support of brilliant, progressive radio DJ's such as Milo from WHFS, Xyra and Steve Lorber (who played Iggy and the Ramones on his Sunday evening shows in 1976) from WGTB, everyone was made welcome, and everyone came. Sadly the welcome rush that punk had on the DC area was tempered by its resulting, elitist offspring, hardcore, and had the effect of shutting people out, which was the antithesis of punk (unless you were judging by footwear and haircuts). More so, it had the effect of dampening an ardent scene of music makers and music lovers. Hardcore was successful in that its brilliantly fast and heavy sound brought many boys and girls to "alternative" music at that time. Sadly, the prevailing attitude of the bands and audiences was one of homophobia and nihilism as per and amongst women. Still, it beat Toto. Of course, it all went on, and the Atlantis became the 9.30...but, since Fugazi, there has not been one band out of the DC area that has had any impact nationally (not since the Cherry People, Link Wray, Nils Lofgren from the 60's, and perhaps Boys v Girls a few seasons ago).

Dischord Records, owned and run by Jeff Nelson, drummer for Minor Threat and Ian MacKaye, the frontman for Minor Threat, and later Embrace, Fugazi and the Evens put out records by many of these bands. Some other important record labels of the 1980s in D.C. include Fountain of Youth and DSI. Due to Dischord's popularity and influence, very few D.C. based bands who were not on Dischord have received much attention from outside of the DC Metro area.

Hardcore in D.C also has grown a large following in the late '80s and the '90s Swiz, Device, World's Collide, Fury, Battery, Ashes, Gauge, and Damnation A.D., with a majority of these bands releasing albums on Jade Tree Records, THD, Art Monk Construction, Lovvitt Records, and Sammich.

Today, the surrounding scene (pretty much including anything within the Capital Beltway is "D.C.") is still quite popular locally, having produced such past and present bands as Clutch, Striking Distance, Worn Thin, and more recent bands like Moment of Youth, Lion of Judah, The Alleged Bricks, Set To Explode, 86 Mentality, Time to Escape, Lotus Fucker, Coke Bust, Sick Fix, Troops of Tomorrow, Give, Darkest Hour, Seminal, Beasts of No Nation, Fairweather, Cloak/Dagger, Bus Fire, Majority Rule, Frodus, Domino Team, SEAS and Walk the Plank, The Black and Tans, among many others.

See also

• Music of Washington D.C.
• Go-go, another native music genre associated with Washington D.C.

External links

• Banned in DC

Bibliography

Andersen, Mark and Mark Jenkins (2003). Dance of Days: Two Decades of Punk in the Nation's Capital. Akashic Books. ISBN 1888451440
Blush, Steven (2001). American Hardcore: A Tribal History. Part Two. "DC: Flex Your Head". Feral House. ISBN 0922915717