Dilwale Dulhania Le Jayenge

Dilwale Dulhania Le Jayenge
Dilwale Dulhania Le Jayenge

DVD cover of Dilwale Dulhania Le Jayenge
Directed by Aditya Chopra
Produced by Yash Chopra
Written by Aditya Chopra
Javed Siddiqui
Starring Shahrukh Khan
Kajol
Amrish Puri
Farida Jalal
Anupam Kher
Music by Jatin-Lalit
Cinematography Manmohan Singh
Editing by Keshav Naidu
Distributed by Yash Raj Films
Release date(s) October 20, 1995 (1995-10-20)
Running time 189 minutes
Country India
Language Hindi
Budget INR4 crore (US$811,200)[1]
Box office INR123 crore (US$24.94 million)[2]

Dilwale Dulhania Le Jayenge (Hindi: दिलवाले दुल्हनिया ले जाएँगे; English: The Big Hearted Will Take the Bride), also known as DDLJ,[3] is a Hindi language film released on 20 October 1995. A romantic comedy, the film marked the directorial debut of Aditya Chopra, and stars Shahrukh Khan and Kajol. The film tells the story of a young couple who fall in love on a European vacation, and how the boy tries to win over the girl's parents so that she can marry him instead of the boy that her father wants for her.

Earning over INR 106 crore (Rs 1.06 billion) in India and INR 15 crore overseas, the film became the biggest Bollywood hit of the year, as well as one of the biggest Bollywood hits ever.[4] It was declared an All Time Blockbuster, and remains the longest-running film in the history of Indian cinema. As of 2011, it was still playing at the Maratha Mandir theatre in Mumbai.

Dilwale Dulhania Le Jayenge was included in the Cinema India showcase, "The Changing Face of Indian Cinema", which toured the United States in July and August of 2004. Indiatimes Movies ranks the movie amongst the 25 Must See Bollywood Films. It was one of the two Hindi films in the 1001 Movies You Must See Before You Die list (the other being Mother India). It was also placed twelfth on the British Film Institute's list of top Indian films of all time.

Contents

Plot

Raj Malhotra and Simran Singh (Shahrukh Khan and Kajol respectively) are young first generation British Indians brought up and living in London. Raj is the only child of wealthy widower Dharamvir Malhotra (Anupam Kher), who spoils his son excessively. Raj is a free-wheeling party boy, who is the first student at his tertiary institution to fail. Simran is the elder daughter of petrol station/convenience store owner Chaudhry Baldev Singh (Amrish Puri), a very socially conservative Punjabi Indian man whose only dream is to one day go back to his native Punjab. One day Raj tricks Baldev into selling him some beer after closing time by feigning an urgent need for headache medicine, making him very angry. Baldev angrily denounces Raj as a disgrace to Indians. Baldev is proud that he has managed to raise his daughters in a traditional way. Simran constantly dreams of her Prince Charming, a stranger who comes into her life and sweeps her off her feet, and writes about him in her diary. Her mother "Lajo" (Farida Jalal) tells her not to get her hopes up.

One day a letter comes from Ajit (Satish Shah), Baldev's best friend in India, saying that his son, Kuljeet (Parmeet Sethi), and Baldev's daughter, Simran, should marry each other, in accordance with a promise the two fathers had made to each other when their children were infants. Simran agrees to marry him out of respect for her father, but before the wedding, she begs her father to allow her to go on a trip to Europe with her female friends; her last chance to see the world before her marriage to a complete stranger and relocation to India. Even though he is very strict, Baldev relents and permits her to go, on the condition that she promises never to betray his trust. He allows Simran to go as she has always respected and obeyed him.

During the trip, Simran meets Raj, who is on the same Eurorail package tour with some of his friends. After some initial misadventures, mainly due to disrespectful and raucous behaviour on the part of Raj, he falls in love with Simran. Only after sometime at their moment of parting at the railway station in London does Simran realize that she too has fallen in love with Raj.

Simran goes home and tells her mother that she loves someone and cannot go through with her wedding to Kuljeet. Baldev overhears their conversation, and is furious that Simran broke her promise that she would never betray his trust. He is adamant that she marries Kuljeet as planned, and that her heartbreak is of her own doing, and they will leave for India as soon as possible.

Even though Simran does not want to marry Kuljeet, her family returns to Punjab. As it turns out, Kuljeet is an arrogant alpha male who takes pride in being a hunter and boasts to his macho friends that he will engage in marital infidelity. Lajo tries to spare her daughter's feelings, but cannot stand up to her domineering husband. Both Simran and her sister Chutki are completely unimpressed with Kuljeet and his brash friends.

Raj, however, does not give up. He follows Simran to Punjab at the urging of his bold father, meets her privately, and assures her that he will save her from the arranged marriage, and marry her with the consent of her father. Raj befriends Kuljeet and pretends to be a friend of the family. He helps with the wedding preparations and soon gains everyone's friendship. At the same time, Kuljeet's sister, Preeti (Mandira Bedi), falls in love with Raj, and things become complicated when Raj's father suddenly appears in India.

During this time, Simran pulls several stunts; she bandages her hand claiming that it has been cut to avoid wearing the engagement ring, and then pretends to faint towards the end of a religious fast so that she does not have to accept the fast-breaking food from Kuljeet. Simran's mom, Lajo catches Simran and Raj feeding each other and realizes that Raj is the boy that Simran met on her trip. She calls them both and gives all her jewelry and belongings and tells Raj to run away with Simran because no one will understand their love. Raj tells Lajo that everything will be fine and that he will only take Simran if her dad Baldev says so.

However, everything comes crashing down when Baldev sees a photograph of Raj and Simran together when they were on their trip across Europe. He exposes Raj's true identity in front of everybody, slaps him, and angrily tells him to leave, as Simran will marry Kuljeet regardless of what anybody thinks. As Raj leaves and is sitting at the railway station, Kuljeet and his friends follow him and nearly beat him senseless with sticks for his deception. When they also attack his father, Raj flies into a rage and single-handedly beats Kuljeet and his friends. Baldev and Ajit arrive, stop Raj, and tell him and his father to go on their way. Raj and his father board a train out of the village. However, as the train begins to pull out of the station, all the females in the family arrive. Simran tries to follow, and is stopped by Baldev. She begs him to let her go, and he eventually comes to his senses and realizes that no one will ever love his daughter as much as Raj does. He tells Simran to join Raj on the train, and she enthusiastically does so.

Cast

Production

Development

Successful filmmaker Yash Chopra decided to launch his son Aditya, who had been working with him in assistant director and producer roles, as a director with Dilwale Dulhaniya Le Jayenge. He had faith in Aditya and gave him the complete freedom to make his film the way he wanted. He gave guidance, but did not interfere. Aditya kept the faith his father had in him and made a film according to his own tastes and sensibilities.[5]

Dilwale Dulhaniya Le Jayenge, along with films such as Kal Ho Na Ho, Salaam Namaste and Kabhi Khushi Kabhi Gham, has been produced with the large and rich South Asian diaspora in the West as its target. Making a film for the diaspora market is seen as a surer moneymaking bet than for the desi market.[6] Director Aditya Chopra originally wanted to cast Tom Cruise for the role of Raj, as he wanted it to be an Indo-American affair. He was later dissuaded by his father, producer Yash Chopra, who didn't want to make it with a foreign star.[7] Instead they went with the theme of non-resident Indians (NRIs), and the film became the first Hindi film blockbuster to feature NRIs.[8] Aditya Chopra then asked Shahrukh Khan to play the lead in the film. Khan was not really interested because of the romantic nature of the film. Chopra eventually convinced him to do it, and Khan has since then expressed his gratitude to Chopra for making him a star.[9]

Filming of the European trip scenes was done mainly in Switzerland, including Saanen for the train station and bridge scenes,[10][11] Montbovon for the churches, and Gstaad for a song.[12] There were also numerous scenes shot in England, and India. Saroj Khan was the choreographer, but after several disputes with Chopra, she was replaced by Farah Khan near the end of the shoot. Farah choreographed "Ruk Ja O Dil Deewane". Manish Malhotra was in charge of costume design, with help from Karan Johar. Sharmishta Roy was the art director.[13]

After filming was complete, Chopra decided to make a Hollywood-style documentary of the film making process, which had never been done before in India. Karan Johar and Chopra's brother Uday were put in change. On 18 October, The Making of DDLJ was aired on Doordarshan, the national channel.[13] This created much excitement for the film, which debuted two days later.

Themes

Films like this that are designed to appeal to the diaspora have stories involving foreign locations, but not just for item numbers. The characters are themselves diaspora, and tend to be able to move around with ease between India and the West.[6] This film puts forward the usual conservative agenda of family, courtship and marriage, but it proposes that Indian family values are portable assets that can be upheld regardless of country of residence.[14] In fact, Raj (who was brought up in London) is the "good guy" of the story, whereas Kuljeet (raised in India) is seen as the "bad guy". This is a reversal of sorts from typical Indian films, which usually portray Indians as being morally better than Westerners.[15]

The story also aims to capture the struggle between traditional family values and the newer value of individualism.[16] Though Raj an Simran want to be together, regardless of her father's plans for her, Raj tries to win over the father rather than simply elope with her.

Reception and legacy

Dilwale Dulhania Le Jayenge opened to full houses and rave reviews all over the world.[17] Earning over INR 106 crore (Rs 1.06 billion) in India and INR 15 crore overseas, the film became the biggest Bollywood hit of the year,[2][18] as well as one of the biggest Bollywood hits of all time.[19] Adjusted for inflation, Dilwale Dulhania Le Jayenge is believed to be among the top five highest grossing Hindi films of all time. Its adjusted gross is approximately INR 293 crore.[20]

In 2001, the film overtook Sholay as the longest-running film in Indian cinema.[21] In February 2009, the film set a record by completing 700 weeks of continuous play in a Mumbai theatre.[22] On 20 October 2009 the movie completed 15 years of non-stop running.[23] As of 2011, it is still playing at the Maratha Mandir theatre in Mumbai.[24] Producer Yash Chopra decided to organise a celebration in February 2011, when the film completed 800 weeks of running, and Manoj Desai, owner of the theatre has no plans to discontinue the screening of the film.[17] There are often people in the audience that have seen the film 50 times or more, but still clap, cheer, and sing along with the songs.[9] In early 2011, a theatre strike threatened the films uninterrupted showing streak. Producer Yash Chopra contacted theatre owners to try and ensure that the film would continue. He wants the film to go for at least 1000 weeks.[25]

Tom Vick reviewed the film for Allmovie and said, "An immensely likeable movie, Dilwale Dulhania Le Jayenge performs the rarely achieved feat of stretching a predictable plot over three hours and making every minute enjoyable."[26] When DDLJ toured the United States in 2004 as part of the Cinema India showcase, "The Changing Face of Indian Cinema",[27] Charles Taylor reviewed the film for Salon.com, saying "It's a flawed, contradictory movie -- aggressive and tender, stiff and graceful, clichéd and fresh, sophisticated and naive, traditional and modern. It's also, I think, a classic."[28]

Anupama Chopra included the film in her list of "The 20 Best Hindi Films Ever Made", writing, "Perhaps the innocence of Raj and Simran’s romance in which they can spend the night together without sex because Raj, the bratish NRI understands the importance of an Indian woman’s honor. Perhaps it’s the way in which the film artfully reaffirms the patriarchal status quo and works for all constituencies – the NRI and the local viewer. Or perhaps it’s the magic of Shah Rukh Khan and Kajol who created a template for modern love, which was hip and cool but resolutely Indian."[29] She also calls the film a milestone that shaped Hindi cinema through the 1990s.[9]

Dilwale Dulhania Le Jayenge was ranked amongst Indiatimes Movies list of the 25 Must See Bollywood Films.[30] It was one of the two Hindi films in the 1001 Movies You Must See Before You Die list (the other being Mother India).[31] It was also placed twelfth on the British Film Institute's list of top Indian films of all time.[32]

In 2010, Yash Raj Films signed an agreement with Indian and Swiss tour companies to provide what is called "YRF Enchanted Journey" that will allow people visiting Switzerland to view sites and filming locations from famous Yash Raj films including DDLJ.[33][34]

Awards

Filmfare Awards

Dilwale Dulhania Le Jayenge is tied for second place for the most number of Filmfare awards going to a single film with 10. It was also only the second film to win the four major awards (Best Movie, Best Director, Best Actor and Best Actress), after Guide in 1966.

National Film Awards

Star Screen Awards

Soundtrack

Dilwale Dulhania Le Jayenge
Soundtrack album by Jatin Lalit
Released
25 July 1995
Genre Hindi Film Soundtrack
Label
Producer Jatin Lalit
Professional ratings
Review scores
Source Rating
Allmusic 4/5 stars [35]

The soundtrack features 7 songs composed by Jatin Lalit, with lyrics by Anand Bakshi and voice rendered by Lata Mangeshkar, Asha Bhosle, Kumar Sanu, Abhijeet, and Udit Narayan. Anand Bakshi won his third Filmfare Best Lyricist award after 14 years. Bhasker Gupta wrote for All Music that the soundtrack was the best of Jatin Lalit's career, and calls it the beginning of the fifth wave in Indian cinema soundtracks.[36]

The soundtrack was listed by Planet Bollywood as number 6 on their list of 100 Greatest Bollywood Soundtracks,[37] and was judged the top Hindi soundtrack of all time by on-line voters on the BBC Asian Network.[38]

Track # Song Singer(s) Duration
1 "Ghar Aaja Pardesi" Manpreet Kaur, Pamela Chopra 7:29
2 "Mere Khwabon Main" Lata Mangeshkar 4:17
3 "Ruk Ja O Dil Deewane" Udit Narayan 5:14
4 "Zara Sa Jhoom Loon Main" Asha Bhosle, Abhijeet Bhattacharya 5:51
5 "Ho Gaya Hai Tujhko" Lata Mangeshkar, Udit Narayan 5:49
6 "Mehndi Laga Ke Rakhna" Lata Mangeshkar, Udit Narayan 4:50
7 "Tujhe Dekha To" Lata Mangeshkar, Kumar Sanu 5:02

References

  1. ^ "Dilwale Dulhaniya Le Jayenge". ibosnetwork.com. http://ibosnetwork.com/asp/filmbodetails.asp?id=Dilwale+Dulhaniya+Le+Jayenge. Retrieved 25 December 2010. 
  2. ^ a b "Top Lifetime Grossers Worldwide". Boxofficeindia.com. http://www.boxofficeindia.com/showProd.php?itemCat=312&catName=TGlmZXRpbWU=. Retrieved 25 December 2010. 
  3. ^ "Film titles: the long and the short of it". The Times of India. 29 July 1999. http://www.cscsarchive.org:8081/MediaArchive/art.nsf/(docid)/94BCDA4F95ECAD0165256940004C8A70. Retrieved 16 March 2011. 
  4. ^ Encyclopaedia Britannica (India) Pvt. Ltd; Gulzar; Govind Nihalani; Saibal Chatterjee (2003). Encyclopaedia of Hindi cinema. Popular Prakashan. p. 153. ISBN 978-81-7991-066-5. http://books.google.com/books?id=8y8vN9A14nkC. Retrieved 24 October 2011. 
  5. ^ "Not even Aditya Chopra can". Bollywood Hungama. 3 May 2007. http://www.bollywoodhungama.com/features/2007/05/03/2603/index.html. Retrieved 4 May 2011. 
  6. ^ a b "Bollywood needs to change its act". Chennai, India: The Hindu. 25 November 2007. http://www.hindu.com/mag/2007/11/25/stories/2007112550030100.htm. Retrieved 6 April 2011. 
  7. ^ "Cruise was the first choice for DDLJ!". Times of India. 7 January 2011. http://articles.timesofindia.indiatimes.com/2011-01-07/did-you-know-/28357481_1_tom-cruise-ddlj-yash-chopra. Retrieved 6 April 2011. 
  8. ^ "The Swiss honour Yash Chopra, woo Bollywood". Chennai, India: The Hindu. 13 October 2006. http://hindu.com/thehindu/fr/2006/10/13/stories/2006101302560900.htm. Retrieved 6 April 2011. 
  9. ^ a b c "'Shah Rukh did not want to do DDLJ'". Rediff.com. http://www.rediff.com/movies/2003/oct/08anu.htm. Retrieved 2011-11-11. 
  10. ^ "> Asian Movies > Bollywood in der Schweiz". molodezhnaja.ch. http://www.molodezhnaja.ch/india-ch.htm. Retrieved 2011-11-11. 
  11. ^ "Movie Location > Saanen Bridge | Movies and Locations | Filmapia | Reel Sites. Real Sights". Filmapia. 2011-08-08. http://www.filmapia.com/published/places/saanen-bridge. Retrieved 2011-11-11. 
  12. ^ Gupta, Sandeep. "Bollywood Movie Destinations in Switzerland | Easy Destination Blog". Easydestination.net. http://www.easydestination.net/blog/?itemid=1950. Retrieved 2011-11-11. 
  13. ^ a b Anupama Chopra (2002). Dilwale dulhania le jayenge. Macmillan. p. 46-48. ISBN 978-0-85170-957-4. http://books.google.com/books?id=PcyxbEnzPEAC&pg=PA50. Retrieved 11 November 2011. 
  14. ^ Contributions to Indian sociology. Mouton. 1998. p. 305. http://books.google.com/books?id=-51IAAAAYAAJ. Retrieved 6 April 2011. 
  15. ^ Tejaswini Ganti (2004). Bollywood: a guidebook to popular Hindi cinema. Psychology Press. p. 42. ISBN 9780415288545. http://books.google.com/books?id=GTEa93azj9EC. Retrieved 26 April 2011. 
  16. ^ Jyotika Virdi (2003). The cinematic imagiNation: Indian popular films as social history. Rutgers University Press. p. 208. ISBN 978-0-8135-3191-5. http://books.google.com/books?id=u8PKObcYMDIC&pg=PA208. Retrieved 24 October 2011. 
  17. ^ a b "DDLJ to complete 800 weeks of romance". fenilandbollywood.com. 5 August 2010. http://fenilandbollywood.com/2010/08/05/ddlj-to-complete-800-weeks-of-romance/. Retrieved 5 March 2011. 
  18. ^ "Box Office 1995". BoxOfficeIndia.Com. http://www.boxofficeindia.com/showProd.php?itemCat=201&catName=MTk5NQ==. Retrieved 21 April 2008. 
  19. ^ "All Time Earners Inflation Adjusted (Figures in Ind Rs)". BoxOfficeIndia.com. http://www.boxofficeindia.com/cpages.php?pageName=all_time_earners. Retrieved 21 April 2008. 
  20. ^ "Top Lifetime Inflation Adjusted Grossers Worldwide". BoxOffice India. http://boxofficeindia.com/showProd.php?itemCat=313&catName=TGlmZXRpbWUgQWRqdXN0ZWQ=. Retrieved 5 March 2011. 
  21. ^ Emory Elliott; Jasmine Payne; Patricia Ploesch (27 November 2007). Global migration, social change, and cultural transformation. Macmillan. p. 54. ISBN 9780230600546. http://books.google.com/books?id=rvPP_xmUwyUC&pg=PA37. Retrieved 3 March 2011. 
  22. ^ "DDLJ sets record, completes 700 weeks in Mumbai theatre". Hindustan Times. 13 March 2009. http://www.hindustantimes.com/DDLJ-sets-record-completes-700-weeks-in-Mumbai-theatre/H1-Article1-388992.aspx. Retrieved 15 March 2009. 
  23. ^ "DDLJ turns 15 at Maratha Mandir today". The Times Of India. 20 October 2009. http://timesofindia.indiatimes.com/city/mumbai/DDLJ-turns-15-at-Maratha-Mandir-today/articleshow/5140042.cms. Retrieved 23 November 2009. 
  24. ^ "Weird News: Records are meant to be broken". rediff.com. 26 October 2010. http://news.rediff.com/slide-show/2010/oct/26/slide-show-1-weird-news-records-are-meant-to-be-broken.htm. Retrieved 22 November 2010. 
  25. ^ "Raj, Simran's love uninterrupted". Times of India. 26 March 2010. http://articles.timesofindia.indiatimes.com/2011-03-26/news-interviews/29191729_1_ddlj-cinemax-screening. Retrieved 11 November 2011. 
  26. ^ "Dilwale Dulhania Le Jayenge:Critics' Reviews". movies.msn.com. http://movies.msn.com/movies/movie-critic-reviews/dilwale-dulhania-le-jayenge/. Retrieved 24 October 2011. 
  27. ^ "Cinema India! - The Changing Face Of Indian Cinema". theross.org. http://www.theross.org/ext20.php. Retrieved 5 March 2011. 
  28. ^ "Dilwale Dulhania Le Jayenge". Salon.com. 17 June 2004. http://www.salon.com/entertainment/movies/review/2004/06/17/ddlj. Retrieved 14 March 2011. 
  29. ^ Chopra, Anupama. "Top 20 Movie Reviews". NDTV. http://www.anupamachopra.com/20reviews.php. Retrieved 2011-09-23. 
  30. ^ Kanwar, Rachna (3 October 2005). "25 Must See Bollywood Movies". The Times Of India. Archived from the original on 8 February 2008. http://web.archive.org/web/20080209035002/http://movies.indiatimes.com/Special_Features/25_Must_See_Bollywood_Movies/articleshow/msid-1250837,curpg-4.cms. Retrieved 21 April 2008. 
  31. ^ "1001 Series". http://www.1001beforeyoudie.com/. Retrieved 22 November 2010. 
  32. ^ "Top 10 Indian Films". British Film Institute. 2002. http://www.bfi.org.uk/features/imagineasia/guide/poll/india. Retrieved 15 March 2011. 
  33. ^ "A Beloved Bollywood Extra Draws Indians". New York Times. 2010-07-10. http://www.nytimes.com/2010/07/12/world/europe/12swiss.html. Retrieved 2011-11-11. 
  34. ^ "Yash Raj Films News". Yash Raj Films. 2010-01-12. http://www.yashrajfilms.com/News/NewsDetails.aspx?newsid=d02598d7-8a71-4d3f-ad08-7f56828a9e0d. Retrieved 2011-11-11. 
  35. ^ Gupta, Bhasker. Dilwale Dulhania Le Jayenge at Allmusic. Retrieved 2011-06-27.
  36. ^ "Dilwale Dulhania le Jayenge [Saregama"]. All Music. http://allmusic.com/album/dilwale-dulhania-le-jayenge-saregama-r1023627/review. Retrieved 14 March 2011. 
  37. ^ "100 Greatest Bollywood Soundtracks Ever - Part 4". Planet Bollywood. http://www.planetbollywood.com/displayArticle.php?id=s022608074151. Retrieved 7 March 2011. 
  38. ^ "Asian Network - Top 40 Soundtracks of All Time". BBC. http://www.bbc.co.uk/asiannetwork/features/top40_soundtracks_10_01.shtml. Retrieved 2011-06-09. 

Further reading

  • Chopra, A (2002), Dilwale Dulhania Le Jayenge ("The Brave-Hearted Will Take the Bride"), British Film Institute, London, ISBN 0851709575 
  • Chopra, A (2004), Dilwale Dulhania Le Jayenge: The Making of a Blockbuster, Harper Collins Publishers, New Delhi, ISBN 8172235526 

External links

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v · d · eYash Raj Films
About
Head Office  (1970) • Yash Raj Films International • Yash Raj Films USA • Y-Films
Yash Chopra
Daag: A Poem of Love  (1973) • Kabhi Kabhie  (1976) • Kaala Patthar  (1979) • Silsila  (1981) • Mashaal  (1984) • Faasle  (1985) • Vijay  (1988) • Chandni  (1989) • Lamhe  (1991) • Parampara  (1992) • Darr  (1993) • Dil To Pagal Hai  (1997) • Veer-Zaara (2004) 
Aditya Chopra
Dilwale Dulhania Le Jayenge  (1995) • Mohabbatein  (2000) • Rab Ne Bana Di Jodi  (2008) 
Kunal Kohli
Mujhse Dosti Karoge!  (2002) • Hum Tum  (2004) • Fanaa  (2006) • Thoda Pyaar Thoda Magic  (2008) 
Shaad Ali
Saathiya  (2002) • Bunty Aur Babli  (2005) • Jhoom Barabar Jhoom  (2007) 
Siddharth Anand
Salaam Namaste  (2005) • Ta Ra Rum Pum  (2007) • Bachna Ae Haseeno  (2008) 
Sanjay Gadhvi
Mere Yaar Ki Shaadi Hai  (2002) • Dhoom  (2004) • Dhoom 2  (2006) 
Shimit Amin
Chak De! India  (2007) • Rocket Singh: Salesman of the Year  (2009) 
Jugal Hansraj
Roadside Romeo  (2008) • Pyaar Impossible! (2010) 
Kabir Khan
Kabul Express  (2006) • New York  (2009) • Ek Tha Tiger  (2012) 
Pradeep Sarkar
Laaga Chunari Mein Daag  (2007) • Lafangey Parindey (2010) 
Other
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