- Wild China
Infobox nature documentary
bgcolour =
show_name = Wild China
caption = Series title card
picture_format =576i (SDTV ),1080i (HDTV )
audio_format = Stereo
runtime = 60 minutes
creator =BBC Natural History Unit , CCTV
developer =
producer = Phil Chapman, Gao Xiaoping
executive_producer = Brian Leith
presented =
narrated =Bernard Hill
music = Barnaby Taylor
country =United Kingdom
language = English
network =
first_run =BBC Two
first_aired =11 May
last_aired =15 June 2008
num_episodes = 6
website = http://www.bbc.co.uk/sn/tvradio/programmes/wildchina/
imdb_id = 0884762
tv_com_id ="Wild China" is a six-part
nature documentary series on thenatural history ofChina , co-produced by theBBC Natural History Unit andChina Central Television (CCTV) and filmed entirely in high-definition (HD). It was screened in the UK onBBC Two from11 May to5 June 2008. [cite web|url=http://naturewatchuk.blogspot.com/2008/04/wild-china-coming-soon.html|title=Wild China: Coming Soon|publisher=NatureWatch blog|accessdate=2008-04-19] . The English narration was provided byBernard Hill and the series produced by Phil Chapman for theBBC and Gao Xiaoping for CCTV. The Chinese version was broadcast under the title "Beautiful China".The musical score to accompany the series was composed by Barnaby Taylor and is performed by Cheng Yu and the UK Chinese Ensemble. [cite web|url=http://www.ukchinesemusic.com/Projects.html|title=Cheng Yu and the UK Chinese Ensemble|accessdate=2008-01-05]
The series is the culmination of the BBC Natural History Unit's "Continents" strand and was preceded by "
Wild Caribbean " in 2007.Production details
The
2008 Beijing Olympics gave the BBC Natural History Unit team the opportunity to make the first comprehensive series on China'snatural history . In the run up to the Games, the Chinese government was "understandably keen to promote itself as a country worth visiting" according to BBC producer Phil Chapman.cite web|url=http://www.cbc.ca/documentaries/natureofthings/2008/wildchina/interview.html |title=Interview with Series Producer Phil Chapman |publisher=CBC |accessdate=2008-06-23] Permission for "Wild China" was granted in 2005, with the BBC working alongside local partners CTV, aBeijing production company closely allied to state broadcaster CCTV. The series marks the first time that CCTV has collaborated with a foreign broadcaster. [cite news|url=http://www.bbc.co.uk/pressoffice/bbcworldwide/worldwidestories/pressreleases/2006/10_october/wild_china.shtml |title=BBC Worldwide unveils Wild China |date=2006-10-12 |publisher=BBC Press Office]With wildlife filmmaking in its infancy in China, and a perception in the
developed world of a country plagued by environmental problems, the producers hoped that the series would change attitudes in both the East and the West:Filming for the series took place over 16 months, and involved half a million miles of travel on 57 separate filming trips to some of China's most inaccessible and spectacular locations. The production team shot over 500 hours of HD footage in 26 of China's 30 provinces. [Citation |last=Stafford |first=Sophie |title=Editor's letter: China's wild treasures revealed |newspaper=
BBC Wildlife |volume=26 |issue=5 |date=May 2008]Despite being granted unprecedented access to many remote and protected areas, one of the main challenges faced by the filmmakers was finding wildlife. Although 15% of China's territory has some form of protection, this is not a guarantee of safety for wildlife, as reserves were often found to be under-equipped and under-staffed. In addition, they encountered a lack of local expertise and specialist knowledge, as few of China's
zoologist s werenaturalist s with an interest in observing wildlife. Producers even struggled to film the courting behaviour of one of the country's commonest creatures, the rice-paddy frog. Consequently, the team's attempts to find and film wildlife were not always successful.With the support of local party officials, the producers found it easier to contact and film local people. They were particularly keen to record examples of traditional lifestyles which incorporate the natural world to give the series a cultural context. The episodes were divided by region to present the distinct cultural as well as ecological differences.
Filming techniques
Over 80% of the series was based on traditional observational techniques in the wild. [cite web|url=http://www.bbc.co.uk/sn/tvradio/programmes/wildchina/techniques.shtml |title=Filming Wild China - Filming techniques |publisher=BBC Science & Nature website |accessdate=2008-06-23] These were conducted in some of China's most remote areas:
* Apart from a handful of biologists, the "Wild China" team were the first to set foot in
Tibet ’s remote Chang Tang reserve for almost 100 years. After a five-day drive fromLhasa , they were faced with the challenge of filming ruttingchiru in temperatures of -30°C at 5,000m above sea level. The sequence showing a duel between two rival males was successfully filmed after staking out the herds for seven days. [Citation |last=Chan |first=George |title=Episode 3: Tibet |newspaper=BBC Wildlife |volume=26 |issue=5 |date=May 2008]
* After two unsuccessful attempts to film wildgiant panda s in theQinling Mountains , the producers switched to a different part of the region, the little-visited Changqing Reserve. Here they were able to track and film the creatures in winter, and also film courtship and mating activity, the first time such a complete sequence has been shot in the wild. [Citation |last=Maxwell |first=Gavin |title=Episode 5: Land of the Panda |newspaper=BBC Wildlife |volume=26 |issue=5 |date=May 2008]
* Producer Kathryn Jeffs and cameraman Paul Stewart travelled to the remote Gaoligongshan mountains in westernYunnan and after a three-hour trek to a ridge overlooking the forest, managed to film a troop of bear macaques feeding on fruits in the canopy. A second sequence showingwhite-eared pheasant s at a rarely-seen lek was ruined when the birds were disturbed. [Citation |last=Jeffs |first=Kathryn |title=Episode 2: Shangri-La |newspaper=BBC Wildlife |volume=26 |issue=5 |date=May 2008]Certain sequences could only be filmed using special techniques: [cite web|url=http://www.bbc.co.uk/sn/tvradio/programmes/wildchina/techniques.shtml |title=Filming Wild China - Camera technology |publisher=BBC Science & Nature website |accessdate=2008-06-23]
*
High speed camera s were used to slow down the action 80 times to show a songbird evading the lunge of aPallas' pit viper on Shedao Island.
* Atime-lapse sequence of a remote Tibetan gorge was filmed using still images taken at intervals after the main filming camera broke down.
*Infrared lighting enabled the team to film Francois langurs and bamboo bats covertly.
* Thermal imaging cameras were used to show how the elephant yam uses convection heating at night to distribute its distinctive smell, which attracts pollinating beetles.In some circumstances behaviour was too difficult to obtain in the wild, and controlled conditions were required: [cite web|url=http://www.bbc.co.uk/sn/tvradio/programmes/wildchina/techniques.shtml |title=Filming Wild China - Underground and underwater |publisher=BBC Science & Nature website |accessdate=2008-06-23] [cite web|url=http://www.bbc.co.uk/sn/tvradio/programmes/wildchina/techniques.shtml |title=Filming Wild China - Studios and sets |publisher=BBC Science & Nature website |accessdate=2008-06-23]
*
Bamboo rat s andRoborovski hamster s were filmed in subterranean burrows with glass side panels in a studio set.
* The producers negotiated an agreement to takeChinese alligator eggs were from an incubator at theXuancheng breeding centre and place them in an artificial nest to film them hatching.
* The courtship display of Temminck's tragopans was filmed using a captive pair of birds habituated to the presence of humans. Hunting pressure has made the wild birds in Yunnan too wary to approach.
* The slowed-down images of jumping spiders onEverest could not be filmed in the wild due to the weight of the camera equipment, so a closely-related species was filmed in a studio set.Episodes
1. "Heart of the Dragon"
Broadcast
11 May 2008, the first programme in the series concentrates on South China, where the climate and terrain is ideal forrice cultivation. The terracedpaddy field s ofYuanyang County plunge 2000 metres down steep hillsides to the Red River valley, and are some of the oldest man-made structures in China. In a Miao household inGuizhou province, the arrival ofred-rumped swallow s signals the time for planting. Other creatures which benefit from the rice monoculture includelittle egret s andChinese pond heron s. Of the hundreds ofcave s beneath thelimestone hills of thekarst region, few have been explored. At Zhongdong, an entire community, including a school, lives in the shelter of a cave. Francois langurs, a rare primate, use their rock-climbing skills to enter caves at night for protection. Other cave dwellers includeswift s and Rickett’s mouse eared bats, filmed for the first time catching fish in the dark. Freshwater creatures are an important resource for the people of South China. The Li River cormorant fishermen now only practice their art for tourists, but atCaohai Lake ,dragonfly nymph s are a unique and valuable harvest. Some delicacies, such as freshwaterturtle s, are vanishingly rare.Chinese alligator s only survive inAnhui province thanks to dedicated conservation efforts. A troop of Huangshan macaques is shown retreating to the safety of the treetops when a venomousChinese moccasin is spotted. After the autumn rice harvest,migratory bird s includingtundra swan s andSiberian crane s gather atPoyang Lake . [cite episode | title = Heart of the Dragon| series = Wild China | credits = Produced and directed by Phil Chapman | network = BBC | station = BBC Two | airdate = 2008-05-11]2. "Shangri-La"
Broadcast
18 May 2008, this episode profiles the richbiodiversity of south-western Yunnan province. Forming the eastern boundary of theHimalaya , the Hengduan Mountains have buckled into a series of parallel ridges running north-south. TheNujiang River is one of a succession of deepgorge s that carve their way through the mountains. In summer,monsoon rainclouds from theIndian Ocean are funnelled up the valleys, creating a unique climate in which species from thetropics can flourish at a more northerlylatitude . Yunnan’s 18,000 plant species, of which 3,000 are found nowhere else, attracted Westernbotanist s and explorers such asJoseph Rock . In the snowbound forests surrounding the pilgrimage site of Kawakarpo (6740m), rare Yunnan snub-nosed monkeys are filmed feeding onlichen . In the Gaoligong Mountains, tropical and alpine plants grow side by side. Birdlife filmed here includessunbird s feeding onepiphytes and the courtship display of a Temminck's tragopan. The fruiting trees attract bear macaques and black giant squirrels, whilst China’s 250 remaining wildAsian elephant s forage below. ALesser Bamboo Bat colony is filmed at their roost inside a single stem; each bat is the size of a bumblebee. A giant elephant yam flower is pollinated bycarrion beetle s at night.Black crested gibbon s are filmed in the forests of Wuliangshan. The people of Yunnan include the Dai, Hani andJino tribes, each of whom regard the forests as sacred and harvest them sustainably, but modern times are bringing new threats such as rubber plantations and tourism. [cite episode | title = Shangri-La | series = Wild China | credits = Produced and directed by Kathryn Jeffs | network = BBC | station = BBC Two | airdate = 2008-05-18]3. "Tibet"
The
Tibetan Plateau is the subject of the third instalment, broadcast25 May 2008. It covers one quarter of China’s land area, but just 2.5 million people live there, the majorityTibetan Buddhist s. Their religion is mixes traditionalBuddhism with older shamanic beliefs, and its teachings have instilled a respectful attitude to wildlife. Rare species such asblack-necked crane s and Tibetan eared pheasants can benefit directly from co-existence with people.Meltwater s from Tibet’s 35,000glacier s form large freshwater lakes including Qinghai and Manasarovar. Nesting birds here includegreat crested grebe s andbar-headed geese . The plateau is a high altitude desert swept by freezing winds, but is also home to China’s biggest concentration of large animals.Argali sheep are shown descending hillsides to their winter grazing sites. In the Changtang, chiru are filmed congregating in the rutting season, and wild yaks are only found in the remotest areas. Predators include the elusivesnow leopard and theTibetan fox , filmed profiting from a bear’s attempts to huntpika . Life even clings on in the most extreme environments; the slopes of Everest are home to a species ofjumping spider , whilst the uniquehot spring snake survives at 4,500m by warming its body inthermal spring s. TheSaga Dawa festival takes place at sacredMount Kailash and draws pilgrims of many faiths. Tibet is a fragileecosystem ; its glaciers are melting, and this will have a profound effect on the future for billions of people who depend on waters flowing from the plateau. [cite episode | title = Tibet | series = Wild China | credits = Produced and directed by Gavin Maxwell | network = BBC | station = BBC Two | airdate = 2008-05-25]4. "Beyond the Great Wall"
Broadcast
1 June 2008, the fourth episode looks at the lands north of China’s Great Wall. Here,nomad ic tribes from a variety of ethnic groups still roam, but their traditional ways of life are changing as people move to modern cities. In ancientManchuria , the lastHezhe fisherman still cast their nets beneath the thick ice of the frozen Black Dragon River. The forests here supportwild boar , which forage for walnuts in winter, and the last remaining wildSiberian tiger s in China. Ewenkireindeer herders came fromSiberia hundreds of years ago: now, only 30 remain. Further west lie the rollingMongolian steppe grasslands, and at Bayan Bulak, the livestock of Mongolian horsemen share the pastures and wetlands with breedingdemoiselle crane s andwhooper swan s. Continuing westwards, the land becomes increasingly hot and dry, turning first to arid grasslands roamed by raregoitered gazelle s, and then to theTaklamakan Desert , the world’s largest shifting sand desert. Here stand ruined towns, a legacy of theSilk Road , and manyyardang s, sand-sculpted rock formations. Underground irrigation canals atTurfan oasis enable grapes to be cultivated, and red-tailed gerbils are quick to take advantage. Kazakh nomads spend the summer in theTian Shan before descending to theJunggar Basin , an arid land bordering theGobi Desert , to overwinter. Here their livestock shares the meagre pasture with the last wild horses on earth. A Kazahk demonstrates the 6000-year-old tradition of hunting with golden eagles. The closing scenes show theHarbin Ice Festival . [cite episode | title = Beyond the Great Wall | series = Wild China | credits = Produced and directed by George Chan | network = BBC | station = BBC Two | airdate = 2008-06-01]5. "Land of the Panda"
The fifth instalment, broadcast
8 June 2008, features central China, home to theHan Chinese . They are the largest ethnic group on Earth, and their language Mandarin the most widely spoken. The programme looks at how the relationship between people and wildlife has changed over time. Ancient Chinese beliefs placed great importance in the harmonious co-existence of man and nature. At the beginning of China’s period of rapid economic growth, this ideal was largely forgotten. A number of political references contrast the more enlightened environmental policies of the current government with those underChairman Mao , which led to widespread degradation. TheChinese alligator andcrested ibis are two species saved from extinction by direct intervention. Other animals have benefited from ancient spiritual beliefs and customs which live on, promoting respect and reverence for wildlife: the yellow weasels andMandarin duck s ofBeijing are two such creatures. However, wildlife is still threatened by illegalpoaching for food and traditional medicine. West of Beijing lie the fertile lands of theNorth China Plain and theLoess plateau , source of theYellow River . Increased demand for water has changed the river’s flow, and soil erosion causesdust storm s which reach the capital. Further west, the Qinling Mountains are a refuge for some of China’s rarest species including thetakin , golden snub-nosed monkey and giant panda. Giant panda courtship and mating is shown, filmed for the first time in the wild. In the colourful lakes ofJiuzhaigou , unique fish swim amongst forests preserved underwater. [cite episode | title = Land of the Panda | series = Wild China | credits = Produced and directed by Gavin Maxwell | network = BBC | station = BBC Two | airdate = 2008-06-08]6. "Tides of Change"
Broadcast
15 June 2008, the final programme features China’s 14,500km coastline, home to 700 million people. Despite decades of rapid urban development, it is still an important migration route for birds. Endangeredred-crowned crane s depart their northern breeding grounds to overwinter at Yanchengsaltmarsh , the largest coastalwetland in China. Shedao Island is an important stopover on the migration route, but the resident Shedao Island pitvipers, stranded by rising sea levels, lie in ambush in the branches. A snake strikes asongbird , and another is filmed swallowing akingfisher . All along the coast, traditional forms of cultivation allow wildlife and people to live side by side. Crops vary fromseaweed andcockle s in the north toprawn s further south, allowing birds such aswhooper swan s and black-faced spoonbills to prosper. Kejia tea-growers and Hui'an women harvestingoyster s are also shown. China’s rivers and seas are heavily polluted.Sewage andfertiliser washed into the Bohai Gulf causeplankton blooms, attractingjellyfish , which in China are a commercial catch. In theYangtze estuary , the migrations of creatures such asYangtze sturgeon andmitten crab s are being impeded by upstreamdam s. In the tropicalSouth China Sea , wherecoral reef s are under threat,whale shark s are rare visitors. Other rare creatures filmed includePere David's deer andChinese white dolphin s. OnHainan island, macaques are shown jumping into a hotel swimming pool, epitomising the uneasy coexistence of wildlife and people in China, and the challenge of continuing its traditional harmonious relationship with nature. [cite episode | title = Tides of Change | series = Wild China | credits = Produced and directed by Charlotte Scott | network = BBC | station = BBC Two | airdate = 2008-06-15]Merchandise
A DVD and book have been released to accompany the TV series:
* A Region 2, 2-disc DVD set (BBCDVD2146) featuring all six full-length episodes was released on
9 June 2008. [cite web|url=http://www.amazon.co.uk/Wild-China/dp/B0010SFSYE|title=Wild China DVD|publisher=Amazon.co.uk|accessdate=2008-06-13]* The accompanying paperback book, "Wild China: The Hidden Wonders of the World's Most Enigmatic Land" by series producer Phil Chapman, was published by
BBC Books on8 May 2008 (ISBN 1-846-07233-6). [cite web|url=http://www.amazon.co.uk/Wild-China-Hidden-Wonders-Enigmatic/dp/1846072336/ref=pd_sbs_d_h__img_1|title=Wild China book|publisher=Amazon.co.uk|accessdate=2008-06-13] TheBlu-ray Disc (BBCBD0025), released on5 August 2008, presents the series in full high-definition format. [cite web|url=http://www.amazon.co.uk/Wild-China-Blu-ray/dp/B001ARYYTU|title=Wild China Blu-ray|publisher=Amazon.co.uk|accessdate=2008-06-13]References
External links
*
*
Wikimedia Foundation. 2010.