- Dennis Báthory-Kitsz
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Dennis Báthory-Kitsz (born March 14, 1949, Plainfield, New Jersey) (pseudonyms: Dennis Bathory, Dennis Kitsz, Dennis J. Kitsz, Dennis Bathory Kitsz, Kalvos Gesamte, Grey Shadé, D.B. Cowell, Brady Kynans, Kalvos Zondrios, Báthory Dénes, Orra Maussade, Don Johnson, Kerry Merritt, Calvin Dion, Enimtu Bemanyna) is a Hungarian-American author and composer.[1][2] [3][4][5][6][7][8][9][10]
Contents
Life and works
He has composed more than 700 works, including sound sculpture, solo and chamber music for the instruments of classical music, electronic music, stage shows, orchestral pieces, dance music, opera, interactive multimedia, sound installations, and performance art events. He has also designed and built new musical instruments.[11][12] He has advocated what he calls contemporary "nonpop" music,[13] and the performance of contemporary classical music (new music) in preference to the music of composers of past eras. He offers his compositions to be downloaded and played for free, but does not release them into the public domain and takes royalties for public performance as usual. His organ work Yer Attention, Please has been performed by Kevin Bowyer.[14]
Dennis Báthory-Kitsz is known for co-founding and co-hosting Kalvos & Damian New Music Bazaar [15][16] with the composer David Gunn.[17] Dennis Báthory-Kitsz also founded and organized the Ought-One festival.[18][19]
Aside from music, he was an author during the first generation of personal computers (1979-85),[20][21] and interviewed Bill Gates.[22] He was involved in the post-Fluxus art movement (1973-78), and is director of Vermont's Alliance of Independent Country Stores (2001-present).[23] He lives in Northfield, Vermont.
He is also, by his own admission, a descendant or relative of the Hungarian medieval ruler Elizabeth Bathory, interested in clearing her name. For this purpose he appeared on a documentary about her on British Television.
Compositions
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This list is incomplete; you can help by expanding it.
- Fanfare:Heat, for orchestra (premiered by the Vermont Youth Orchestra)
- Diamonds, a spatial work for 32 instrumentalists or 32-channel electronic sound
- Cold Stones, 14 intimate songs for voice and chamber orchestra
- Erzsébet, chamber opera on the story of Elizabeth Bathory in 3 acts, and film score; libretto by Andrei Codrescu
- Krikisque (2004), for electronic playback [24]
- Warbler Garden (2003), for electronic playback [25]
- Bales, Barrels, & Cones: Antebellum/Antibellum (2002), for drumkit and playback
- Tïrkíinistrá: 25 Landscape Preludes (2002)
- VoxN (2002), for chamber ensemble and reader
- Mirrored Birds (2001), a flute concerto
- Fuliginous Quadrant (2001), for chamber ensemble
- The Key of Locust (2001), for chamber trio
- HighBirds (Prime) (2001), for two electric guitars and playback
- RatGeyser (2000), for MalletKat and playback
- Mountain Dawn Fanfare (2000), for orchestra
- Quince & Fog Falls (2000), for chamber ensemble
- The Sub-Aether Bande (2000), for flute and percussion
- Sourian Slide (1999), for string orchestra
- LowBirds (1999), for small ensemble
- Zonule Glaes II (1999), electroacoustic work with string quartet
- Into the Morning Rain (1998), for small ensemble
- Detritus of Mating (1997), electroacoustic work
- zéyu, quânh & sweeh (1996), for playback
- exirxion (1996), for tape
- xirx (1996), a performance work for electronic tape, ice and aromas
- Hoots & Honks (1996), for string quartet
- Hang Time (1995), for timpani and orchestra
- Hypertunes, Baby (1994), for voice and tape
- Build, Make, Do (1994), for small ensemble
- Unisons (1994), for six performers
- 8 Pooners (1993), a performance work for solo clarinettist
- Llama Butter (1993), for tuba and tape
- Emerald Canticles, Below (1993), for small ensemble
- Binky Plays Marbles (1992), for double bass and viola
- The Pretty Songs (1991), for saxophone and voice
- Softening Cries (1991), for orchestra
- A Time Machine (1990), for voice, small ensemble, dance and computers
- Traveler's Rest and Wolf (1991), sound environments
- The Lily and the Thorn (1990), for orchestra
- Yçuré (1990), for two chamber orchestras
- Four Sharks (1989), for nine performers
- Northern Lights ...seeking Sasquatch (1989), for orchestra
- Csárdás (1989), for piano
- Pianaroll (1989), for piano and electronic tape
- Variations on Amanda (1989), for three strings and harpsichord
- Winter, Three Songs on the Nature of Armageddon (1987), for mezzo-soprano and orchestra
- Rough Edges (1987), for piano
- Beepers (1986), a high-tech cabaret
- In Bocca al Lupo (1986), environmental sound design
- Mantra Canon (1986), for large ensemble
- Echo, A Performance Ritual in Four Parts (1985)
- Ash Wednesday (1983), for small ensemble
- Rando's Poetic License (1978), for electronics, microcomputer, voices, instruments
- Mass (1978), for small ensemble
- Plasm over ocean (1977), a chamber opera for small ensemble
- Stoneworld/Grey (1977), a multimedia dance work
- Somnambula (1975), for recorder and electronic sound
- Triple Quartet (1975), for string ensemble
Discography
- 60x60 (2004-2005) Vox Novus VN-001
- 60x60 (2003) Capstone Records CPS-8744
Articles & reviews
- Ought One Have Attended? By David Cleary New Music Connoisseur
- We Will, We Will Nonpop You by Kyle Gann, Village Voice, September 11, 2001
- Retuning the Dial: Rethinking the Relationship between Radio and New American Music NewMusicBox Published: May 1, 2000
- Sound Bytes of Truth by Kyle Gann, Village Voice July 6, 1999
- Ought-One Festival Reviewed by Jennifer Hymer, Computer Music Journal </ref>
References
- ^ village voice > music > Consumer Guide by Kyle Gann
- ^ village voice > music > New music online by Kyle Gann
- ^ Steppin' Out
- ^ VCME Repertoire
- ^ Frog Peak Artist:Dennis Bathory-Kitsz
- ^ Noah Creshevsky 60th Birthday Concert
- ^ NewMusicBox
- ^ AiA review
- ^ Christian Science Monitor Blog | In Focus Archive September, 2004
- ^ esculpiendo milagros
- ^ experimental musical instruments review page 4
- ^ Dennis Báthory-Kitsz: My Original Instruments
- ^ http://www.villagevoice.com/music/0137,gann,28027,22.html We Will, We Will Nonpop You We Will, We Will Nonpop You by Kyle Gann, Village Voice, September 11th, 2001
- ^ Glasgow Pipeworks, Programmes
- ^ http://www.villagevoice.com/music/9927,gann,6861,22.html Sound Bytes of Truth by Kyle Gann, Village Voice July 6th, 1999
- ^ http://www.kalvos.org/faq.html FAQ's at Kalvos & Damian New Music Bazaar
- ^ http://www.newmusicbox.org/article.nmbx?id=713 Retuning the Dial: Rethinking the Relationship between Radio and New American Music] NewMusicBox Published: May 1, 2000
- ^ http://www.newmusicon.org/v9n4/v94ought1.htm Ought One Have Attended?, By David Cleary, New Music Connoisseur
- ^ http://204.151.38.11/cmj/reviews/26-1/hymer-ought.html Ought-One Festival Reviewed by Jennifer Hymer, Computer Music Journal
- ^ Amazon.com list of his books
- ^ RFID Update Contributors
- ^ Slashdot | B. Gates Rants About Software Copyrights - in 1980
- ^ Vermont's Country Stores Organize to Face Threats, New York Times
- ^ http://cdbaby.com/cd/60x60 60x60 (2004-2005) Vox Novus VN-001
- ^ 60x60 (2003) Capstone Records CPS-8744
External links
- http://maltedmedia.com/people/bathory/ - personal website
- Full list of compositions
- Résumé
Categories:- 1949 births
- Living people
- American composers
- American people of Hungarian descent
- Hungarian composers
- 20th-century classical composers
- 21st-century classical composers
- American electronic musicians
- American musical instrument makers
- People from Washington County, Vermont
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