Marco Casagrande

Marco Casagrande
Marco Casagrande at SZHK Biennale 2009

Marco Casagrande, (born May 7, 1971), is a Finnish architect, environmental artist, architectural theorist, writer and professor of architecture. He graduated from Helsinki University of Technology department of architecture (2001).

Contents

Early life

Casagrande was born in Turku, Finland, to a well-off Finnish-Italian Catholic family.[1] He spent his childhood in Ylitornio in Finnish Lapland, but went to school in Karjaa, a southern Finland smalltown, before moving to Helsinki to study architecture.

Mercenary and writer

After his service in the Finnish Army, in 1993 Casagrande volunteered for the Bosnian Croat Defence Forces HVO. He wrote under name Luca Moconesi a controversial book Mostarin tien liftarit / Hitchhikers on the Road to Mostar (WSOY 1997)[2] about his experiences in the Bosnian Civil War. Based on descriptions of war crimes committed by the main character in the autobiographical book, he came under suspicion as a possible war criminal. As a defence, he later stated that the book was in fact a work of fiction.[3]

Personally Casagrande shows zero tolerance to any war crimes what so ever. "Those troops know that they are doing wrong. This is the very opposite of constructive collectivity and group spirit. Anybody can understand that it is by no measures militarily efficient to go kicking the doors of an old peoples home." Casagrande has been lecturing in the National Defence University of Finland since 2006 on courses of strategy and leadership.[4]

Architect and artist

After being a finalist in the UK journal Architectural Review's Emerging Architecture competition (1999)[5] Marco Casagrande and his then partner Sami Rintala were invited to the Venice Biennial 2000. The New York Times reporter chose their project "60 Minute Man" as his personal favorite in the Biennale.[6] In the project Casagrande & Rintala had planted on oak forest in an abandoned barge on top of 60 minutes worth of composted human waste produced by the city of Venice. Casagrande’s cross-over architectural work encompasses the realms of architecture, urban and environmental planning, environmental art, circuses and other artistic disciplines.[7]

In search for subconscious architecture, real reality and connection between the modern man and nature. He believes that one shall not be blindfolded by stress, the surroundings of economics, the online access to entertainment or information. What is real is valuable.[8]

Casagrande was nominated as the professor of ecological urban planning in the Taiwan based Tamkang University after the Treasure Hill project, in which Casagrande changed an illegal settlement of urban farmers into an experimental laboratory of environmental urbanism.[9] The overhaul had mixed reactions from the community.

His theory of the Third Generation City views the post industrial urban condition as a machine ruined by human nature and architects as design shamans merely interpreting what the bigger nature of the shared mind is transmitting.[10] The theory is developed in the independent multidisciplinary research centre Ruin Academy (2010-).[11]

Casagrande's works have been selected three times to the Venice Architecture Biennale; years 2000, 2004 and 2006.[12]

Collaboration with Rintala

Casagrande & Rintala - Marco Casagrande and Sami Rintala - is a Finnish architect and artist group producing architectonic installations 1998 - 2003 for international venues of contemporary architecture and art. Their works are moving in-between architecture and environmental art.[13]

For their landscape installation 1000 White Flags (summer 2002), for example, the artists speckled a downhill-skiing range in Koli Nature Park, Finland, with flags made of used sheets from mental hospitals. Casagrande & Rintala here drew attention to the madness of businessmen who cut down ancient forests.[14]

Casagrande & Rintala's work Land(e)scape was awarded in the Architectural Review's Emerging Architecture Award 1999 competition[15] and chosen to the Venice Biennale 2000. New York Times architecture critic Herbert Muschamp chose their project 60 Minute Man his personal favourite of the biennale.[16]

Casagrande & Rintala designed and built all their works by themselves. The design process continued during the construction work.
"The work itself usually changes its shape or obtains more layers during the construction process. We keep ourselves open to changes in the work. When it is finding its shape it usually starts to tell us more about itself."[17]

Important works

Land(e)scape

Land(e)scape on display
Red cartouche
Burning of Land(e)scape, 1999

Land(e)scape (1999), an architectural installation by Finnish architects Casagrande & Rintala, with Marco Casagrande and Sami Rintala, in a former field in Savonlinna. The work is commenting on the desertion process of the Finnish countryside.

Three of these abandoned barns ‘were driven,’ the architects explained, ‘to the point where they have had to break their primeval union with the soil. Desolate, they have risen on their shanks and are swaying towards the cities of the south.’[18]

The work was awarded in the Architectural Review's Emerging Architecture 1999 competition and selected to the Venice Biennale 2000. Land(e)scape launched the international career or Casagrande & Rintala[19]

The art work was set on fire by the authors in October 1999.[20]

Land(e)scape represented Finland in the New Trends or Architecture in Europe and Japan 2001 exhibitions.[21]

Redrum

Casagrande & Rintale: Redrum (2003)
Red cartouche
Redrum interior (2003)

Redrum (2003) is an architectonic installation in Anchorage Alaska by Finnish architects Casagrande & Rintala. The work is commissioned by Alaska Design Forum.[22]

3 Alaska Railroad oil tanks cut into total 12 pieces and turned into a temple structure opposite the Federal Building of Anchorage in the crossing of C-Street and 7th Avenue. The interior is painted bright red in contrast to the rusty and brutal exterior. The floor is made of 3500 kg of oyster shells, the origin of all Alaskan oil.[23]

"Redrum" is "murder" backwards. The designers intended to comment on the connection of oil, war and environment. Local media described the piece as "a slap in the face to Alaskans".[24]


Potemkin

Casagrande & Rintala: Potemkin (2003)
Potemkin interior

Potemkin is a steel made architectural park by Casagrande & Rintala for Kuramata village in Japan 2003. A steel made mix between a temple and machine.[25] The work consists indoor and outdoor spaces for post-industrial meditation.[26] Potemkin is commissioned by the Echigo-Tsumari Contemporary Art Triennial 2003.[27]

Potemkin stands as the Acropolis to be the post industrial temple to think of the connection between the modern man and nature. I see Potemkin as a cultivated junk yard situated between the ancient rice fields and the river with a straight axis to the Shinto temple.[28]

The site is a former illegal dumping ground turned into a riverside park.[29] The architecture of the park was drawn on site in 1:1 scale on snow by walking the lines with snow-shoes and then built up when the snow melted.[30]

The park is made out of one inch thick Kawasaki steel and recycled urban and industrial waste. It is 130 meters long and 15 meters wide with a series of outdoor and indoor spaces.[31]

Other works

Sixty Minute Man, 2000
Floating Sauna, 2002
Treasure Hill, 2003
Chen House, 2008
Bug Dome, 2009
  • 60 Minute Man, architectonic installation, Casagrande & Rintala, Venice Architecture Biennale 2000
    • 50 meters long abandoned barge into which is planted an oak garden on top of 60 minutes worth of human waste produced by the city of Venice.
  • Uunisaari Summer Theatre, temporary architecture, Casagrande & Rintala, Helsinki Finland 2000
    • A temporary round theatre building on Suomenlinna -island outside of Helsinki.[32]
  • 1000 White Flags, environmental art installation, Casagrande & Rintala, Koli Finland 2000
    • White flags out of used sheets from mental hospitals mounted on a downhill skiing range to cure the hill.[33]
  • Quetzalcoatlus, installation, Casagrande & Rintala, Havana Biennale 2000
    • A 300 kg iron bar stretched between two university building with 10 km of fishing line.[34]
  • Bird Hangar, architectonic installation, Casagrande & Rintala, Yokohama Triennial 2001
    • A re-bar and hemp rope silo releasing balsa birds attached to meteorological balloons carrying seeds of Japanese vegetables to the city.[35]
  • Installation 1:2001, public installation, Casagrande & Rintala, Firenze Biennale 2001
    • A round wall of 15.000 political, philosophical and religious books from around the wall title backs out, white paper in. The work was originally intended to be installed in Cuba, but Government resistance forced the project to Italy. [36]
  • Dallas-Kalevala, art journey, Casagrande & Rintala, Demeter Environmental Art, Hokkaido Japan 2002
    • A land journey from Finland to Japan with car collecting polaroid photos of grandmothers, old axes and local radio sound.[37]
  • Chain Reactor, architectonic installation, Casagrande & Rintala, Montreal Biennale 2002
    • A 6 x 6 x 6 meters cube of I-beams and recycled steel chain to frame a fire place.[38]
  • Anarchist Gardener, performance art and installations, Puerto Rico Biennial 2002
    • A parade of an invented God to stop highway traffic in order to construct a series of industrial Zen gardens.[39]
  • Floating Sauna, temporary architecture, Casagrande & Rintala, Rosendahl village Norway 2002
    • A floating transparent sauna in the end of a fjord as the public space of a fishing village. 6th Cycle of 20+10+X Architecture Awards winner.[40]
  • Treasure Hill, housing area restoration, Taipei Taiwan 2003
    • Ecological rehabilitation realization for an illegal housing area.
  • Post Industrial Fleet, naval architecture, CREW*31, Venice Architecture Biennale 2004
    • Architectonic recycling strategies for industrial ships out of duty.
  • Human Layer, urban acupuncture, Greetings from London[41]- Helsinki Festival - Taipei on the Move 2004
    • A series of urban acupuncture plans for the cities of London, Helsinki and Taipei.[42]
  • Chamber of the Post-Urbanist 104, life style installation, Taipei Museum of Contemporary Art 2005
    • Steel made furniture for post urban cave man style living.[43]
  • Future Pavilion, Taiwan Design Expo
    • Cross disciplinary art-architecture exhibition in a ruin of Wei Wu Military Camp, Kaoshioung 2005[44][45]
  • CityZenGarden, installation, together with 3RW Architects,[46] Venice Architecture Biennale 2006
    • Oriental stone garden out of recycled glass in the Venice prison. Video documentation of Taiwanese urban farmers.[47]
  • Chen House, Datun Mountains, Taiwan. World Architecture Award 2009.
    • Ruin is when man-made has become part of nature. With this house we were looking forward to design a ruin.[48]
  • Bug Dome, WEAK! for SZHK Biennale 2009.[49]
    • Unofficial social club for illegal workers; insect architecture.[50]
  • Ruin Academy, Urban Core area in Taipei, Taiwan 2010.
    • Independent cross-over architectural research centre 'set to re-think the industrial city and the man in the box'.[51]

References

  1. ^ Kohuttu palkkasoturi päätyi arkkitehdiksi - Turun Sanomat January 27, 2001 (Finnish)
  2. ^ The mind of a fanatic - Helsingin Sanomat, 18 September 2001
  3. ^ taiteen palkkasotureita - Voima 4/2002 (Finnish)
  4. ^ Anttalainen & Vasaramäki, Casagrande (KALPA, Maanpuolustuskorkeakoulu, 2011), 38-41.
  5. ^ [1] - Architectural Review 12/1999
  6. ^ [2] - Adam Mornament: When Attitude Becomes Form Contemporary -magazine 2003
  7. ^ [3] - Thurrock: A Visionary Brief in the Thames Gateway General Public Agengy 2004
  8. ^ [4] - Berkeley Prize Committee and Jury University of California, Berkeley 2007
  9. ^ [5] - Atelier 3: Treasure Hill 10/2003
  10. ^ [6] - Marco Casagrande: Cross-over Architecture and the Third Generation City Epifanio 9 2008
  11. ^ [7] - Ruin Academy Greek Architects 2011
  12. ^ [8] - World Architecture Community
  13. ^ [9] - World Architecture Community Contemporary -magazine 2003
  14. ^ [10] - Biennale de Montreal: Casagrande & Rintala (Finland) 2002
  15. ^ [11] - Architectural Review 12/1999
  16. ^ [12] - New York Times 2000
  17. ^ [13] - ARCH'IT: Casagrande & Rintala 2001
  18. ^ [14] - The Architectural Review: A dramatic architectural installation designed to draw attention to the plight of the Finnish countryside., 12/1999
  19. ^ [15] - Adam Mornament: When Attitude Becomes Form Contemporary -magazine 2003
  20. ^ [16] - The Architectural Review: Burning Passion., 12/1999
  21. ^ [17] - Catalog 1: Participating Architects (New Trends of Architecture in Europe and Japan 2001) , 2001
  22. ^ Alaska Design Forum
  23. ^ Camp for oppositional architecture 25.6.2004
  24. ^ Ditmars, Hadani (2003-06-21), Artfully pushing the boundaries in Anchorage, The Globe and Mail, http://www.theglobeandmail.com/servlet/story/LAC.20030621.ANCHORAGE/TPStory/specialTravel, retrieved 2007-12-14 
  25. ^ [18] - Tamkang University: 卡馬可 Marco Casagrande 2004
  26. ^ [19] - Camp for Oppositional Architecture 2004
  27. ^ [20] - Echigo Tsumari Art Triennial 2003
  28. ^ [21] - Archi-Europe: Potemkin
  29. ^ [22] - Japan-Guide: Echigo Tsumari Art Triennial Festival Highlights
  30. ^ [23] - Landezine: Potemkin - Post Industrial Meditation Park by Casagrande & Rintala
  31. ^ [24] - Architecture News Plus: Potemkin - Post Industrial Meditation Park
  32. ^ [25] - Architectural Review: Little Top
  33. ^ [26] - ARCH'IT: Casagrande & Rintala
  34. ^ [27] - Architizer: Quetzalcoatlus
  35. ^ [28] - Yokohama 2001: Artist Data Sheet
  36. ^ [29] - Firenze Biennale Press Release 2001
  37. ^ [30] - Demeter: Dallas-Kalevala (2002)
  38. ^ [31] - La Biennale De Montreal: Casagrande & Rintala 10/2003
  39. ^ [32] - Camp for Oppositional Architecture, 2004
  40. ^ [33] - 6th Cycle of 20+10+X Architecture Awards, 2010
  41. ^ [34] - Human: Greetings from London
  42. ^ [35] - Epifanio: Human Layer_Taipei, 2005
  43. ^ [36] - Taipei MOCA: Chamber of the Post-Urbanist 104, 2005
  44. ^ [37] - Taipei Times: Design Expo Attracts Curious, 2005
  45. ^ [38] - C-LAB: The Art of Taiwan in Psychosis, 2005
  46. ^ [39] - 3RW Architects: Urban Farmers, 2006
  47. ^ [40] - Taipei Representative Office: An Architect Takes Care of a Stone Garden in a City of Water, 2006
  48. ^ [41] - World Architecture: Winners / 4th Cycle, 2009
  49. ^ [42] - Dezeen: Bug Dome by WEAK!, 2009
  50. ^ [43] - Daily Tonic: Bug Dome at the 2009 Biennale of Urbanism/Architecture by the WEAK!, 2009
  51. ^ [44] - Designboom: c laboratory: ruin academy, 2010

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