Engraving of the Gnadenaltar in the Vierzehnheiligen Basilica, Bad Staffelstein, Bavaria. This altar has a baldachin.

A baldachin, or baldaquin (from Italian: baldacchino), is a canopy of state over an altar or throne. It had its beginnings as a cloth canopy,[1] but in other cases it is a sturdy, permanent architectural feature, particularly over high altars in cathedrals, where such a structure is more correctly called a ciborium when it is sufficiently architectural in form. A cloth of honour is a simpler cloth hanging vertically behind the throne, which may be combined with a canopy.

"Baldachin" was originally a luxurious type of cloth from Bagdad, from which name the word is derived, in English as "baudekin" and other spellings. Matthew Paris records that Henry III of England wore a robe "de preciosissimo baldekino" at a ceremony at Westminster Abbey in 1247.[2] The word for the cloth became the word for the ceremonial canopies made from the cloth.

In the Middle Ages, a hieratic canopy of state or cloth of state was hung over the seat of a personage of sufficient standing, as a symbol of authority. The seat under such a canopy of state would normally be raised on a dais. Emperors and kings, reigning dukes and bishops were accorded this honour. In a 15th-century manuscript illumination the sovereign Grand Master of the Knights Hospitaller in Rhodes sits in state to receive a presentation copy of the author's book. His seat is raised on a carpet-covered dais and backed with a richly embroidered dosser (French, "dos"). Under his feet is a cushion, such as protected the feet of the King of France when he presided at a lit de justice. The King of France was also covered by a mobile canopy during his Coronation, held up on poles by several Peers of France.

Margaret Beaufort, mother of Henry VII was a personage of such importance that in her portrait by an anonymous artist, c. 1500 she prays under a canopy of estate; one can see the dosser against the gilded leather wall-covering and the tester above her head (the Tudor rose at its center) supported on cords from the ceiling. The coats-of-arms woven into the tapestry are of England (parted as usual with France) and the portcullis badge of the Beauforts.

In the summer of 1520, a meeting was staged between Francis I of France and Henry VIII of England, where the ostentatious display of wealth and power earned the meeting-place the name of The Field of Cloth of Gold. The canopy of estate may still be seen in some formal throne rooms.


State bed

The state bed, intended for receiving important visitors and producing heirs before a select public, but not intended for sleeping in,[3] evolved during the second half of the seventeenth century, developing the medieval tradition of receiving visitors in the bedroom, which had become the last and most private room of the standard suite of rooms in a Baroque apartment. Louis XIV developed the rituals of receptions in his state bedchamber, the petit levée to which only a handful of his court élite might expect to be invited. The other monarchs of Europe soon imitated his practice; even his staunchest enemy, William III of England had his "grooms of the bedchamber", a signal honour.

The state bed, a lit à la Duchesse—its canopy supported without visible posts— was delivered for the use of Queen Marie Leszczinska at Versailles, as the centrepiece of a new decor realized for the Queen in 1730–35.[4] Its tester is quickly recognizable as a baldachin, serving its time-honoured function; the bedding might easily be replaced by a gilded throne. The queens of France spent a great deal of time in their chambre, where they received the ladies of the court at the morning levée and granted private audiences. By the time Marie Antoinette escaped the mob from this bedroom, such state beds, with the elaborate etiquette they embodied, were already falling out of use. A state bed with a domed tester designed in 1775-76 by Robert Adam for Lady Child at Osterley Park[5] and another domed state bed, delivered by Thomas Chippendale for Sir Edwin Lascelles at Harewood House, Yorkshire in 1773[6] are two of the last English state beds intended for a main floor State Bedroom in a non-royal residence.

St. Peter's Basilica

Pope Urban VIII commissioned Gian Lorenzo Bernini to design and construct a structure that would be placed over the tomb of St. Peter during the building of the new St. Peter's Basilica (located in Rome). The canopy imitated cloth in bronze, as did many subsequent imitations.

Bernini's design for the Baldachin incorporated giant solomonic columns inspired by columns that ringed the altar of the Old St. Peter's. These columns were originally donated by Constantine, and a false tradition asserts they are the columns from the Temple of Jerusalem. The lowest parts of the four columns of Bernini's Baldachin have a helical groove, and the middle and upper sections of the columns are covered in olive and bay branches, which are populated with a myriad of bees and small putti. Pope Urban VIII's family coat of arms, those of the Barberini family, with their signature bees, are at the base of every column.

All of these combine to create a feeling of upward movement.

Processional canopy

A baldachin may also be used in formal processions, including Royal entries, coronation or funeral processions, to signify the elite status of the individual it covers. The origins of such an emblematic use in Europe lay in the courts of the Neo-Assyrian state, adopted in Athens perhaps as early as the late seventh century, but relegated to the use of women by the late fifth century (compare parasol).[7]

Such canopies might be made of anything from muslin to heavy brocade, or even constructed of less flexible materials, and are supported by poles, whether affixed to a carriage, or carried by people walking on each side. An Egyptian Pharaoh, for example, was escorted both in life and in death by such a canopy of estate.

Surname Baldacchino

The surname Baldacchino comes from the artisans who used to make the Baldachin. The surname is found mainly in the islands of Malta and Siciliy (particularly in Agrigento and Naro).


See also

External links


  1. ^ Baldac is a medieval Latin form for Baghdad, whence fine silks reached Europe.
  2. ^ Richard Ettinghausen et al., The Art and Architecture of Islam: 650-1250, 1987, Yale University Press (Yale/Penguin History of Art)
  3. ^ Peter K. Thornton, Authentic Decor: the Domestic Interior 1620-1920, (London, 1985) and Seventeenth-Century Interior Decoration in England, France and Holland, (New Haven & London, 1981).
  4. ^ The hangings were rewoven for Marie Antoinette. The present hangings, made at Lyon by the same firm that delivered the originals, replicate the hangings as they were in 1787.
  5. ^ Of this grandiose bed Horace Walpole asked in a private letter "what would Vitruvius think of a dome decorated by a milliner?"
  6. ^ Annabel Westman and Aasha Tyrrell, "The Restoration of the Harewood State Bed" (on-line)
  7. ^ M. C. Miller, "The Parasol: An Oriental Status-Symbol in Late Archaic and Classical Athens
    1. " The Journal of Hellenic Studies, 112 (1992:91-105).

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  • baldachin — BALDACHÍN, baldachine, s.n. 1. Acoperământ decorativ, împodobit cu perdele, aşezat deasupra unui tron, a unui pat, a unui amvon, a unui catafalc etc.; p.ext. lucrare de arhitectură care imită acest acoperământ decorativ. 2. Acoperământ de pânză… …   Dicționar Român

  • Baldachin — Bal da*chin, n. [LL. baldachinus, baldechinus, a canopy of rich silk carried over the host; fr. Bagdad, It. Baldacco, a city in Turkish Asia from whence these rich silks came: cf. It. baldacchino. Cf. {Baudekin}.] 1. A rich brocade; baudekin.… …   The Collaborative International Dictionary of English

  • Baldachin — Sm prunkvolle Überdachung per. Wortschatz fach. (14. Jh.) Entlehnung. Zunächst im 14. Jh. als mhd. baldekīn entlehnt aus it. baldacchino, einer Ableitung von it. Baldacco, der italienischen Form des Namens der Stadt Bagdad (arab. baġdādi aus… …   Etymologisches Wörterbuch der deutschen sprache

  • Baldachin — Baldachin: Die Bezeichnung für »prunkvolle Überdachung aus Stoff, Thron , Traghimmel« wurde Anfang des 17. Jh.s aus gleichbed. it. baldacchino entlehnt. Das it. Wort gehört zu Baldacco, einer älteren Form des it. Namens für Bagdad, das früher… …   Das Herkunftswörterbuch

  • Baldăchin — (von Baldach, der mittelalterlichen Form für Bagdad, wo die kostbaren Teppiche gemacht wurden, die ebenfalls Baldache hießen), 1) eine aus kostbarem Stoff bestehende, von Säulen getragene, auch an der Wand befestigte, zeltartige, verzierte Decke… …   Pierer's Universal-Lexikon

  • Baldăchin — (franz. Baldaquin, ital. Baldacchino), eine verzierte, von Säulen getragene oder auch an der Wand befestigte Decke über einem Thron, einem Bett, einer Kanzel etc., auch ein auf vier Stangen getragener viereckiger Schirm von Seide, Brokat oder… …   Meyers Großes Konversations-Lexikon

  • Baldachin — Baldachin, ursprünglich ein Prachthimmel für einen Altar, Thron, Bischofsstuhl, eine Kanzel, der aus einem kostbaren Stoff aus Baldak (Bagdad) gefertigt wurde (daher der Name). Später wurden auch feste Altarüberbauten, im gotischen Stile die… …   Lexikon der gesamten Technik

  • Baldachin — Baldăchin (eigentlich ein in Baldach, d.i. Bagdad gefertigter Goldbrokat), eine aus kostbaren Stoffen bestehende zelt oder schirmartige Decke über einem Thron [Abb. 154], Ruhebett, Altar u. dgl.; auf Stangen als »Traghimmel« bei Prozessionen… …   Kleines Konversations-Lexikon

  • Baldachin — Baldachin, Traghimmel, Thronhimmel …   Damen Conversations Lexikon

  • Baldachin — Baldachin, Thronhimmel, ursprünglich in den Kirchen über dem Altare, über den Thronsitzen der Bischöfe und Fürsten angebracht; so heißt auch der tragbare Thronhimmel über dem Sanctissimum bei feierlichen Prozessionen …   Herders Conversations-Lexikon

  • baldachin — BALDACHIN. s. m. On prononce Baldaquin. Dais qu on porte sur le saint Sacrement, ou sur la teste du Pape dans les processions …   Dictionnaire de l'Académie française

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