Do-Re-Mi

Do-Re-Mi
"Do-Re-Mi"
Song from The Sound of Music
Published 1959
Writer Oscar Hammerstein II
Composer Richard Rodgers

"Do-Re-Mi" is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. Within the story, it is used by Maria to teach the notes of the major musical scale to the Von Trapp children who learn to sing for the first time, even though their father has disallowed frivolity after their mother's death. The song is notable in that each syllable of the musical solfege system appears in its lyrics, sung on the pitch it names.

In the stage version, Maria sings this song in the living room of Captain von Trapp's house, shortly after she introduces herself to the children. However, when Ernest Lehman adapted the stage script into a screenplay for the 1965 film adaptation, he moved the song to later on in the story. In the film, Maria and the children sing this song over a montage as they wander and frolic over Salzburg.

The song soon became popular in its own right. It is often sung in day care centers. It is also often one of the first songs that children will learn to play on simple children's instruments that have only the eight notes of one octave of the major C to C scale. It was originally written in this key in the sheet music and is sung this way in the original stage version of The Sound of Music. However, in the film version it was transposed from C to B-flat.

Contents

Word meanings

(For the actual origins of the solfege, refer to Solfege.)

The lyrics teach the solfege syllables by linking them with British English (not North American)[citation needed] homophones (or near-homophones):

  • Do refers to Doe, defined as the female of a deer or related animal, "a deer, a female deer."
  • Re refers to Ray, defined as a thin line or narrow beam of light or other radiant energy, "a drop of golden sun."
  • Mi refers to Me, the objective pronoun referring to the speaker, "a name I call myself."
  • Fa refers to Far, defined as to or at the most distant or remote point, "a long long way to run".
  • So refers to Sew, to work with a needle and thread or with a sewing machine, "a needle pulling thread." ('So' is an often-used alternate for the actual corresponding syllable in the solfege system, Sol.)
  • La lacks a satisfactory homophone (see below), and the line needs to rhyme with 'Do', so it is simply "a note to follow so"
  • Ti refers to Tea, a popular hot beverage made by steeping tea leaves in boiling water, "a drink with jam and bread / That will bring us back to 'Do'."

As the song concludes, "Now you can sing these in any order and once you know the notes you can 'sing most any thing'".

Author Douglas Adams noted in his article "Unfinished Business of the Century" that, while each line of the lyric takes the name of a note from the sol-fa scale, and gives its meaning, "La, a note to follow So..." doesn't fit that pattern and should be considered a placeholder. Adams imagined, in key of humour, that Oscar Hammerstein just bunged in "A note to follow So" and thought he'd have another look at it later, but he couldn't come up with anything better.[1]

In popular culture

Alvin and the Chipmunks covered this song for their 1965 album The Chipmunks Sing with Children.

The song was referenced in Madonna's 1992 hit, "Deeper and Deeper" with the line "When you know the notes to sing, you can sing most anything."

The chorus of the song is also regularly sung by football fans of the Scotland national football team, otherwise known as the Tartan Army.[2]

See also

References

  1. ^ Unfinished Business of the Century - h2g2, Sep. 1999
  2. ^ http://www.youtube.com/watch?v=jF4qNmHup68

External links


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