- Richard Rodgers
Infobox musical artist
Name = Richard Rodgers
Img_capt = Richard Rodgers (seated) with
Lorenz Hartin 1936.
Background = non_performing_personnel
Birth_name = Richard Charles Rodgers
June 28, 1902
New York City, New York
December 30, 1979(aged 77)
New York City, New York
composer, songwriter, playwright
Richard Charles Rodgers (
June 28, 1902, Arverne, Queens, New York City– December 30, 1979, New York City) was an American composer of the music for more than 900 songs and 40 Broadway musicals. He also composed music for films and television. He is best known for his songwriting partnerships with the lyricists Lorenz Hart and Oscar Hammerstein II. His compositions have had a significant impact on popular musicdown to the present day, and have an enduring broad appeal.
Life and career
Born into a prosperous Jewish family, Richard Rodgers was the son of Mamie Levy and of Dr. William Abrahams Rodgers, a prominent physician who had changed the family name from Abrahams. Richard began playing the piano at age six. He attended P.S. 10, Townsend Harris Hall and
DeWitt Clinton High School. Rodgers, Lorenz Hart, and Rodgers's later collaborator Oscar Hammerstein IIall attended Columbia University. During his time at Columbia he became a member of the Pi Lambda Phifraternity. In 1921, Rodgers shifted his studies to the Institute of Musical Art (now Juilliard). ["Musical Stages: An Autobiography" (2002 Reissue), Richard Rodgers, pp. 12,20-21,44, DaCapo Press, ISBN 0306811340 ] Rodgers was influenced by composers like Victor Herbertand Jerome Kern, as well as by the operettas his parents took him to see on Broadway when he was a child.
Work with Hart
In 1919, Richard met
Lorenz Hart, thanks to Phillip Leavitt, a friend of Richard's older brother. Rodgers and Hartstruggled for years in the field of musical comedy, writing a number of amateur shows. They made their professional debut with the song "Any Old Place With You", featured in the 1919 Broadway musical comedy "A Lonely Romeo". Their first professional production was the 1920 "Poor Little Ritz Girl". Their next professional show, "The Melody Man", did not premiere until 1924.
Rodgers was considering quitting show business altogether to sell children's underwear, when he and Hart finally broke through in 1925. They wrote the songs for a benefit show presented by the prestigious
Theatre Guild, called " The Garrick Gaieties", and the critics found the show fresh and delightful. Only meant to run one day, the Guild knew they had a success and allowed it to re-open later. The show's biggest hit — the song that Rodgers believed "made" Rodgers and Hart — was "Manhattan." The two were now a Broadway songwriting force.
Throughout the rest of the decade, the duo wrote several hit shows for both Broadway and London, including "
Dearest Enemy" (1925), " The Girl Friend" (1926), " Peggy-Ann" (1926), "A Connecticut Yankee" (1927), and "Present Arms" (1928). Their 1920s shows produced standards such as " Here In My Arms", " Mountain Greenery", "Blue Room", " My Heart Stood Still" and " You Took Advantage of Me."
With the Depression in full swing during the first half of the 1930s, the team sought greener pastures in Hollywood. The hardworking Rodgers later regretted these relatively fallow years, but he and Hart did write a number of classic songs and film scores while out west, including "
Love Me Tonight" (1932) (directed by Rouben Mamoulian, who would later direct Rodgers' " Oklahoma!" on Broadway), which introduced three standards: "Lover", "Mimi", and " Isn't It Romantic?." Rodgers also wrote a melody for which Hart wrote three consecutive lyrics that did not fly. The fourth lyric resulted in one of their most famous songs, "Blue Moon." Other film work includes the scores to "The Phantom President" (1932), starring George M. Cohan, "Hallelujah, I'm a Bum" (1933), starring Al Jolson, and, in a quick return after having left Hollywood, "Mississippi" (1935), starring Bing Crosbyand W.C. Fields.
In 1935, they returned to Broadway and began writing with a vengeance, resulting in an almost unbroken string of hit shows that ended only with Hart's death in 1943. Among the most notable are "Jumbo" (1935), "
On Your Toes" (1936, which included the ballet "Slaughter on Tenth Avenue", choreographed by George Balanchine), " Babes In Arms" (1937), " I Married an Angel" (1938), " The Boys From Syracuse" (1938), "Pal Joey" (1940), and their last original work, " By Jupiter" (1942). Rodgers also contributed to the book on several of these shows.
Many of the songs from these shows are still sung and remembered, including "
The Most Beautiful Girl in the World", " My Romance", "Little Girl Blue", " There's a Small Hotel", " Where or When", " My Funny Valentine", " The Lady Is a Tramp", " Falling in Love with Love", " Bewitched, Bothered and Bewildered", and " Wait Till You See Her."
In 1939 he wrote the ballet "Ghost Town" for the
Ballet Russe de Monte Carlo, with choreography by Marc Platoff[ [http://query.nytimes.com/gst/fullpage.html?res=9C03E1D9173CF930A15753C1A9649C8B63 DANCE REVIEW; Rodgers As Ideal Dance Partner ] ] .
Work with Hammerstein
His partnership with Hart coming to an end because of the latter's declining health, Rodgers began working with
Oscar Hammerstein II, with whom he had previously written a number of songs (before ever working with Lorenz Hart). Their first musical, the groundbreaking hit, "Oklahoma!" (1943), marked the beginning of the most successful partnership in musical theatre history. Their work revolutionized the form. What was once a collection of songs, dances and comic turns held together by a tenuous plot became an integrated work of art.
The team went on to create four more hits that are among the most popular of all musicals and were each made into successful films: "Carousel" (1945), "South Pacific" (1949, a Pulitzer Prize winner), "
The King and I" (1951), and " The Sound of Music" (1959). Other shows include the minor hit, " Flower Drum Song" (1958), as well as relative failures "Allegro" (1947), " Me and Juliet" (1953) and "Pipe Dream" (1955). They also wrote the score to the movie "State Fair" (1945), and a special TV production of "Cinderella" (1957).
Their collaboration produced many well-known songs, including "
Oh, What a Beautiful Mornin'", " People Will Say We're in Love", " If I Loved You", "You'll Never Walk Alone", " It Might as Well Be Spring", "Some Enchanted Evening", " Getting to Know You", " My Favorite Things", "The Sound of Music", " Sixteen Going on Seventeen", " Climb Ev'ry Mountain", " Do-Re-Mi", and "Edelweiss", Hammerstein's last song.
Much of Rodgers's work with both Hart and Hammerstein was orchestrated by
Robert Russell Bennett. Rodgers composed twelve themes, which Bennett scored for the 26-episode World War IItelevision documentary " Victory at Sea" (1952-53). This NBC production pioneered the "compilation documentary"--programming based on pre-existing footage--and was eventually broadcast in dozens of countries. Rodgers won an Emmyfor the theme music for the ABC documentary "Winston Churchill: The Valiant Years", scored by Eddie Sauter and Robert Emmett Dolan.
Rodgers and Hammersteinreceived The Hundred Year Association of New York's Gold Medal Award "in recognition of outstanding contributions to the City of New York."
In 1954, Rodgers conducted the
New York Philharmonic Orchestrain excerpts from "Victory at Sea", "Slaughter on Tenth Avenue" and the "Carousel Waltz" for a special LP released by Columbia Records. Rodgers and Hammersteinmusicals earned a total of 35 Tony Awards, 15 Academy Awards, two Pulitzer Prizes, two GrammyAwards, and two EmmyAwards.
After Hammerstein's death in 1960, Rodgers wrote both words and music for his first new Broadway project "
No Strings" (1962, which earned two Tony Awards). The show was a minor hit and featured perhaps his last great song, "The Sweetest Sounds." He went on to work with lyricists Stephen Sondheim(protege of Hammerstein), Sheldon Harnick, and Martin Charnin, with uneven results.
At its 1978 commencement ceremonies,
Barnard Collegeawarded Rodgers its highest honor, the Barnard Medal of Distinction.
Rodgers died in 1979 at age 77 after surviving cancer of the jaw, a heart attack, and a laryngectomy. He was cremated and his ashes were scattered at sea. In 1990, the 46th Street Theatre was renamed "The Richard Rodgers Theatre" in his memory. In 1999, Rodgers and Hart were each commemorated on United States postage stamps. 2002 was the centennial year of Rodgers's birth, celebrated worldwide with books, retrospectives, performances, new recordings of his music, and a Broadway revival of "Oklahoma!". The
BBC Promsthat year devoted an entire evening to Rodgers' music including a concert pertformance of "Oklahoma!"
Several American schools are named after Richard Rodgers.
Alec Wilderwrote the following about Rodgers:
In 1930, Rodgers married Dorothy Belle Feiner. Their daughter, Mary, is the composer of "
Once Upon a Mattress" and an author of children's books. The Rodgers later lost a daughter at birth, but another daughter, Linda, was born in the 1930s. Rodgers' grandson, Adam Guettel, also a musical theatre composer, won Tony Awards for Best Score and Best Orchestrations for " The Light in the Piazza" in 2005. Peter Melnick, another grandson, is the composer of "Adrift In Macao", which debuted at the Philadelphia Theatre Company in 2005 and was produced Off Broadwayin 2007.
hows with music by Rodgers
Hart as lyricist
*"One Minute Please"
Fly with Me" (1920)
*"Poor Little Ritz Girl" (1920)
*"The Melody Man" (1924)
The Garrick Gaieties" (1925–26)
Dearest Enemy" (1925)
The Girl Friend" (1926)
*"A Connecticut Yankee" (1927)
*"She's My Baby" (1928)
Present Arms" (1928)
*"Spring Is Here" (1929)
*"Heads Up!" (1929)
*"Ever Green" (1930)
*"Simple Simon" (1930)
*"America's Sweetheart" (1931)
Love Me Tonight" (1932)
On Your Toes" (1936)
Babes in Arms" (1937)
I'd Rather Be Right" (1937)
I Married an Angel" (1938)
The Boys from Syracuse" (1938)
Too Many Girls" (1939)
*"Higher and Higher" (1940)
*"Pal Joey" (1940–41)
By Jupiter" (1942)
*"Rodgers & Hart" (1975), Rodgers and Hart revue musical
Hammerstein as lyricist
*"State Fair" (1945) (film)
*"South Pacific" (1949)
The King and I" (1951)
Me and Juliet" (1953)
*"Pipe Dream" (1955)
Flower Drum Song" (1958)
The Sound of Music" (1959)
A Grand Night for Singing" (1993), Rodgers and Hammerstein revue musical
*"State Fair" (1996) (musical)
Other lyricists and solo works
No Strings" (1962) (lyrics by Rodgers)
Do I Hear a Waltz?" (1965) ( Stephen Sondheim)
*"Two by Two" (1970) (
*"Rex" (1976) (
*"I Remember Mama" (1979) (
Martin Charnin/Raymond Jessel)
*The Internet Movie Database lists 276 film and TV soundtracks using songs by Rodgers, as well as 46 films and TV events that credit him as the composer.
*In 1960, the
saxophonist John Coltranerecorded a jazz version of "My Favorite Things" from " The Sound of Music" whose rich modal improvisations proved seminal. The tune became a regular part of his repertoire.
*The entry "Blue Moon" discusses in detail the extraordinary origins, subsequent history, and enduring popularity of the song. It is the only hit song by Rodgers not taken from a show or movie. The 1961
doo-woparrangement by The Marcelsso incensed Rodgers that he wanted to litigate. Hammerstein talked him out of it, arguing that the recording would ultimately increase royalties, which turned out to be the case.
*The entry "You'll Never Walk Alone" (from "Carousel") discusses in detail the many cover versions of this song, and its extraordinary popularity with professional soccer teams and their fans.
Jerry Lewisends his Labor Daytelethon by singing "You'll Never Walk Alone."
Oh, What a Beautiful Mornin'" from " Oklahoma!" is sometimes mistaken for a traditional folk song.
Ländler" (Rodgers' s adaption of a traditional Austrian folk dance tune), and " Do-Re-Mi", all from " The Sound of Music", frequently go unrecognized as Rodgers tunes.
*"Happy Talk" is covered by Daniel Johnston and Jad Fair. Captain Sensible did a jaunty rendition in the 1980s, complete with burlesque organ. The British rapper
Dizzee Rascaluses the chorus of this song.
*Several professional awards in musical theater are named for Rodgers.
*cite book | author=Secrest, Meryle | title=Somewhere For Me | publisher = Alfred A. Knopf, a division of Random House, Inc. | year=2001| id = ISBN 1-55783-581-0
*cite web| url=http://www.pbs.org/wnet/americanmasters/database/rodgers_r.html | title=American Masters: Richard Rodgers Biography | publisher=PBS | accessdate=2007-03-28
* [http://www.rnh.com/concert_library/index.php?page=biographies&bio_id=82 Biography] from the R&H Concert Library.
* [http://www2.wwnorton.com/classical/composers/rodgers.htm Profile of Rodgers.]
* [http://www.maurice-abravanel.com/rogers_more.html Another biography.]
* [http://c250.columbia.edu/c250_celebrates/remarkable_columbians/rodgers_hammerstein.html A feature on Rodgers and Hammerstein.]
*ibdb name|id=8323|name=Richard Rodgers
*imdb name|0006256|name=Richard Rodgers
* [http://www.rnh.com The Rodgers and Hammerstein Organization]
* [http://www.city-journal.org/html/13_4_urbanities-richard_rodgers.html City Journal article on Rodgers]
* [http://www.npr.org/programs/specials/rr100/npraudio.html Centennial features on Rodgers]
* [http://hdl.loc.gov/loc.music/eadmus.mu002002.3 The Richard Rodgers Collection at the Library of Congress]
* [http://www.nypl.org/research/manuscripts/the/rodgers.xml Richard Rodgers Papers in the Billy Rose Division of The New York Public Library for the Performing Arts]
* [http://www.sbgmusic.com/html/teacher/reference/composers/rodg-hamm.html Musicals by Rodgers and Hammerstein]
* [http://www.pbs.org/weta/onstage/rodgers/about_timeline.html TimeLine of Rodgers' Life]
* [http://pluto.huji.ac.il/~msyfalk/RodgersLater.html Review and analysis of Rodgers' later plays]
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