- Manny Albam
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Manny Albam (June 24, 1922 in Samana, Dominican Republic – October 2, 2001 in Croton-on-Hudson, New York, USA) was a jazz baritone saxophone player who eventually put the instrument down in favour of a long and respected career as an arranger, writer, and teacher.
Contents
Biography
The son of Lithuanian immigrants, who was born in the Dominican Republic when his mother went into labour en route the United States, Albam grew up in New York City.[1] He became interested in jazz on hearing Bix Beiderbecke and at sixteen dropped out of school to play for Dixieland trumpeter-leader Muggsy Spanier, but it was his membership in a group led by Georgie Auld that turned Albam's career around.
The Auld group included saxophonist Budd Johnson, then a primary arranger for the group, and Johnson mentored Albam as an arranger. By 1950, Albam had put down his baritone sax and began to concentrate strictly on arranging, writing, and leading. Within a few years, he became known for a bebop-oriented style that emphasised taut and witty writing with a flair for distinctive shadings. (Flute-led reed sections became something of an Albam trademark.)
He became known for his work for forward-looking bandleaders Charlie Barnet and Charlie Spivak, before moving forward to collaborate with jazzmen as varied as Count Basie, Stan Getz, Bob Brookmeyer (who frequently appeared on Albam's own albums as a leader), Coleman Hawkins (particularly the tenor saxophone pioneer's late-life but spry recording of "I Love Paris"), Dizzy Gillespie, Freddie Hubbard, Hank Jones, Mel Lewis, Art Farmer, Urbie Green, and Milt Hinton, among others, on their recordings and on his own recordings as a leader for several labels.
Albam also found an entree into the classical music world when he arranged Leonard Bernstein's score for West Side Story in 1957---Bernstein was said to have been so impressed that he invited Albam to write for the New York Philharmonic itself, an invitation, according to allmusic.com, that led Albam to study classical music for a time and, in due course, write such works as Concerto for Trombone and Strings.
By 1964, Albam became musical director for the Solid State Records (jazz label); his jazz suite The Soul of the City was released on that label two years later. Following that, Albam turned increasingly to teaching, a pursuit he continued until his death of cancer in 2001.[2]
He also did the score for a few films and television programs; a song of his was included in Waking the Dead.[3]
Among the Albam recordings that remain available for listeners today are The Blues is Everybody's Business, The Drum Suite, The Jazz Workshop, Jazz New York, and Something New, Something Blue.
With the encouragement of close friend Rayburn Wright, Albam started teaching summer workshops at the Eastman School of Music in Rochester, New York in 1964. He later joined the faculties of Glassboro State College in New Jersey and the Manhattan School of Music in New York. In 1988, he was helped establish the BMI Jazz Composer's Workshop to foster young composers and arrangers, he eventually took over as director from Bob Brookmeyer. He has as long list of former students throughout the music industry and in higher education.
Discography
- 1951 : Stan Kenton: Innovations in Modern Music (Captiol)
- 1955 : Jazz Workshop (Victor) with Nick Travis, Joe Newman, Thad Jones, Urbie Green, Bob Brookmeyer, Hal McKusick, Al Cohn, Sol Schlinger, Milt Hinton
- 1956 : The Drum Suite (RCA Victor)
- 1957 : The Jazz Greats of Our Time, Vol. 1 (MCA)
- 1957 : Jazz Heritage : Jazz Greats of Our Time, Vol. 2 (Coral)
- 1957 : The Blues is Everybody's Business (Coral) with Bernie Glow, Phil Woods, Gene Quill, Eddie Costa, Nat Pierce, Billy Bauer
- 1957 : West Side Story (Coral)
- 1958 : Ellington (Coral)
- 1958 : Down Beat Jazz Concert (Fresh Sound Records)
- 1958 : Jazz New York (Dot) with Donald Byrd, Frank Rehak, Jerome Richardson, Bill Evans, Dick Katz, Addison Farmer, Osie Johnson, Ed Shaughnessy
- 1958 : Steve Allen's songs (Dot)
- 1959 : Something New, Something Blue (Columbia)
- 1959 : Drum Feast (United Artists)
- 1961 : Manny Albam and his Orchestra (RCA)
- 1961 : I Had the Craziest Dream (RCA)
- 1962 : Jazz Goes to the Movies (Impulse! Records)
- 1962 : Cabin in the Sky with Curtis Fuller (Impulse! Records)
- 1962 : RECADO BOSSA NOVA (SOUNDHILLS)
- 1964 : After the Lights Go Down Low and Much More!!! with Freda Payne (Impulse! Records)
- 1966 : Brass on Fire (Solid State)
- 1966 : The Soul of the City (Solid State)
- 1967 : Sketches From the Book Of Life (Solid State)
- 1974 : The Roar Of '74 (RCA)
- 1981 : Dakota Staton/Manny Albam Big Band (EUROPA JAZZ)
- 1985 : Bud Shank Plays, The Royal Philharmonic Orchestra (Mole Jazz)
- 1993 : American Jazz Philharmonic (GRP Records)
- 1997 : Hank Jones And The Meridian String Quartet (Delta)
- 1997 : Celebrating Sinatra (Blue Note Records)
- 1999 : If You Could See Us Now (Koch Jazz)
- 2001 : The Volcanic plus Latin Fire (Fresh Sound Records)
- 2004 : Jazz Greats of Our Time: Manny Albam's Complete Recordings (Lonehill Jazz Spain)
- 2008 : Al Cohn and His Charlie's Tavern Ensemble (Fresh Sounds Spain)
References
External links
Categories: Dominican Republic music arrangers | Jazz baritone saxophonists | 1922 births | 2002 deaths | Impulse! Records artists | Columbia Records artists | RCA Records artists
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