Mark Sheinkman

Mark Sheinkman

Mark Sheinkman (born 1963) is an American contemporary artist. His primary media are oil painting, drawing and printmaking.

Sheinkman was born in New York City, where he currently lives and works. He received his Bachelor of Arts degree from Princeton University summa cum laude in 1985. His works are handled by Von Lintel Gallery, and Pace Prints.

Contents

Solo exhibitions

  • 2011: Von Lintel Gallery, New York
  • 2010: Steven Zevitas Gallery, Boston
  • 2010: Holly Johnson Gallery, Dallas
  • 2009: Museum Gegendstandsfreier Kunst, Otterndorf, Germany (catalog)
  • 2009: Von Lintel Gallery, New York
  • 2008: Grand Rapids Art Museum, Grand Rapids, Michigan
  • 2008: Fruehsorge Contemporary Drawings, Berlin
  • 2007: Von Lintel Gallery, New York (catalog)
  • 2007: Gallery Joe, Philadelphia
  • 2007: Von Lintel Gallery, New York
  • 2006: Von Lintel Gallery, New York
  • 2005: Kemper Museum of Contemporary Art, Kansas City, Missouri
  • 2005: Fruehsorge Galerie, Berlin
  • 2005: Gallery Sora, Naha, Japan
  • 2005: osp Gallery, Boston
  • 2004: Von Lintel Gallery, New York
  • 2003: Gallery Sora, Naha, Japan
  • 2002: Von Lintel Gallery, New York
  • 2001: Von Lintel & Nusser, New York
  • 2000: Lannan Foundation, Santa Fe, New Mexico
  • 1999: Galerie von Lintel & Nusser, Munich, Germany
  • 1998: Thomas Healy Gallery, New York
  • 1998: S65 Gallery, Aalst, Belgium
  • 1997: Galerie Thomas von Lintel Munich, Germany
  • 1997: Berggruen and Zevi, London
  • 1997: Studio Trisorio, Naples
  • 1997: Lawing Gallery, Houston
  • 1996: Morris-Healy Gallery, New York
  • 1995: Gina Fiore Salon, New York
  • 1993: Information Gallery, New York
  • 1989: Paula Allen Gallery, New York

Art in Public Collections

Selected Group Exhibitions

  • 2011: Mark Sheinkman and Dean Smith, Gallery Joe, Philadelphia
  • 2011: 100 Years/100 Works of Art, Grand Rapids Art Museum, Grand Rapids, Michigan (catalogue)
  • 2011: Drawn/Taped/Burned: Abstraction on Paper, Katonah Museum of Art, Katonah, New York
  • 2010: The Esprit of Gestures: Hans Hartung, Informel and Its Impact, Kupferstichkabinett Berlin (National Collection of Drawings and Prints), Berlin
  • 2009: New York/New Drawings, 1946–2007, Museo de Arte Contemporaneo Esteban Vicente, Segovia, Spain (catalogue)
  • 2008: Modern and Contemporary Art from the AMAM Collection, Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio
  • 2008: Drawings from the Permanent Collection, Figge Art Museum, Davenport, Iowa
  • 2007: Leaded: The Materiality and Metamorphosis of Graphite, University of Richmond Museum, Richmond, Virginia; Traveled to other museums including Palmer Museum of Art, The Pennsylvania State University, University Park, Pennsylvania (catalogue)
  • 2007: Monoprints, Pace Prints, New York
  • 2006: "Action Precision," Lennon Weinberg Gallery, New York
  • 2006: "On Line," University Art Gallery, Sonoma State University, Rohnert Park, California
  • 2005: "Patterns and Grids," Pace Prints, New York
  • 2004: "Moving Outlines," Contemporary Museum Baltimore, Baltimore, Maryland
  • 2003: "Recent Acquisitions: Works on Paper," Metropolitan Museum of Art, New York
  • 2002: "Zebedee Jones and Mark Sheinkman," Houldsworth, London
  • 2002:"Eye in the Sky: Visions of Contemporary Art from the Ackland Collection," Ackland Art Museum, Chapel Hill, North Carolina
  • 2000: "A Decade of Collecting: Recent Acquisitions of Prints and Drawings 1990-2000." Fogg Art Museum, Harvard University, Cambridge, Massachusetts
  • 2000: "Drawing is Another Kind of Language: Recent American Drawings from a New York Private Collection, Lyman Allyn Art Museum, New London, Connecticut, Mary and Leigh Block Museum of Art, Northwestern University, Evanston,Illinois, The Contemporary Art Museum, Honolulu, Hawaii
  • 1998: "Large-scale Drawings from the Collection of Wynn Kramarsky", Aldrich Contemporary Art Museum, Ridgefield, Connecticut
  • 1998: "Art on Paper", Weatherspoon Art Gallery, Greensboro, North Carolina
  • 1997: A Decade of Collecting: Recent Acquisitions of Prints and Drawings 1990-2000, Fogg Art Museum, Harvard University, Cambridge, Massachusetts
  • 1997:Drawing is Another Kind of Language: Recent American Drawings from a New York Private Collection, Arthur M. Sackler Museum, Harvard University, Cambridge, Massachusetts; Traveled to other museums (catalogue)

Articles about Mark Sheinkman

  • Newhall, Edith, “Infusing useful objects with unexpected identities,” Philadelphia Inquirer, April 17,2011
  • Park, Megan, “Mark Sheinkman and Dean Smith,” Philadelphia Weekly, March 17, 2011
  • "100 Years/100 Works of Art : Introduction to the Collection of the Grand Rapids Art Museum," exhibition catalog 2010
  • Schick, Dr. Ulrike, "When Drawing Becomes Painting While Representing the Ephemeral", Museum Gegendstandfreier Kunst catalog, 2009
  • Finch, Elizabeth, "New York/New Drawings, 1946 - 2007", Exhibition catalog, Museo d’arte contemporaneo Esteban Vicente, 2009
  • Lafont, Isabel, "Una privilegiada ventana con vistas a las vanguardias", El Pais, January 28, 2009
  • Bauer-Vonderwarft, Zacharias, "Bei Frühsorge: Mark Sheinkman hämmert im Hirn", Die Welt, January 24, 2009 [1]
  • Cash, Stephanie, "Mark Sheinkman at Von Lintel," Art in America, March 2008 [2]
  • Amy, Michael, "Mark Sheinkman: Drawing with Light," Exhibition catalog, 2007
  • Giovannini, Joseph, "Bold Gesture in New York," Architectural Digest, April, 2007
  • Newhall, Edith, "Extending Boundaries of Drawing: Mark Sheinkman and Annabel Daou exhibit at Gallery Joe," The Philadelphia Inquirer, January 12, 2007
  • Fallon, Roberta, "Editor's Pick: Mark Sheinkman Drawings, Annabel Daou Book of Hours", Philadelphia Weekly, January 17, 2007
  • Fox, Catherine, "Exquisite Abstraction show at White Space is Smart and Satisfying", The Atlanta Journal-Constitution, December 31, 2006
  • Keller, Maximilian, "Aus den Galerien- Galerie Fruehsorge, Mark Sheinkman", Die Welt, May 23, 2005
  • Kaufman, Gina, "On Your Mark, The Kemper gets physical", The Pitch, March 16, 2005
  • Thorson, Alice, "Sheinkman's abstracts embrace both logic and enigma", Kansas City Star, February 13, 2005
  • Williamson, Lisha, "Mark Sheinkman's Way", [3] University News, February 7, 2005
  • Edelman, Robert, "Mark Sheinkman: Between Gesture and Void", Kemper Museum Catalog, January, 2005
  • Haber, John, "Gallery-Going: Chelsea in Spring 2004"[4]
  • Miller, Andrew, "Line 'Em Up: Mark Sheinkman works to the point of abstraction", The Pitch, January 14, 2005
  • Sweet, Kimberly, "Black & White", Kansas City Star, January 12, 2005
  • Cullum, Jerry, "Intriguing interjections in a century-long dialogue", Atlanta Journal-Constitution, May 30, 2004
  • Renzi, Jen, "Blue Chip", Interior Design, August, 2003
  • Sherman, Mary, "Open Studio Press tries new 'Line' of work", Boston Herald, January 12, 2003
  • McQuaide, Cate, "Meticulous Meditations on the Abstract", Boston Globe, January 3, 2003
  • Johnson, Ken, "Art Guide, Zenroxy", New York Times, December 20, 2002
  • Gonzales, Manuel and Forde, J.A., "Unframed: Artists Respond to AIDS", 2002
  • Johnson, Ken, "Art Guide: Mark Sheinkman", New York Times, March 23, 2001
  • Sauerbier, S.D. "Zeichnen-Zeichen zeigen", minimal-concept Zeichenhafte Sprachen im Raum, 2001
  • Landi, Ann, "Drawing Is Another Kind of Language", ARTnews, December 1999
  • Sheets, Hillarie, "The Syntax of Drawing, From Old and New Alike", Newsday, October 1, 1999
  • Amy, Michael, "Mark Sheinkman at Thomas Healy", Art in America, December 1998
  • Turner, Grady T., "Up Now, Mark Sheinkman", ARTnews, April, 1998
  • "Goings On About Town", The New Yorker, April 20, 1998
  • Glueck, Grace, "Art Guide, Mark Sheinkman", New York Times, March 27, 1998
  • Nahas, Dominique, "Mark Sheinkman", Review, March 15, 1998, Volume 3, Number 12
  • Ebony, David, "Mark Sheinkman at Morris Healy", Artnet, March, 1998
  • Zimmer, William, "Matters of Scale, and of Nostalgia Too", New York Times, March 8, 1998
  • Glueck, Grace, "Large Scale Drawings from the Collection of Wynn Kramarsky", New York Times, April 24, 1998
  • Landi, Ann, "On the Edge, Mark Sheinkman, The Eraser", ARTnews, September 1997
  • Trione, Vincenzo, "Sheinkman, poetic obsession", Il Mattino, July 26, 1997
  • Landi, Ann, "Site Specifics", ARTnews, April 1997, p. 118
  • Athineos, Doris, "When Kramarsky Talks, Collectors Listen: What kind of Art Does the Man Who Sold the World's Most Expensive Painting Collect?" Forbes Magazine, November 18, 1997
  • Paparoni, Dimetrio, "Redefined Abstraction", Tema Celeste, Autumn 1997
  • Brennan, Michael, "Mark Sheinkman at Morris Healy," Artnet, Autumn 1996
  • Melrod, George, "Special Report: Contemporary Art - New York City", Art and Antiques, Summer 1996
  • Schmerler, Sarah, " Mark Sheinkman", Time Out New York, June 26, 1996
  • Shimony, Jonathan, "New York Art Scene II,"Art Vision, Winter 1995

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