Clapton Crabb Rolfe

Clapton Crabb Rolfe
Clapton Crabb Rolfe
Born 1844 or 1845[1]
Died 18 December 1907
Wheatley, Oxfordshire[1]
Nationality British
Work
Buildings St. John the Evangelist parish church, Hailey, Oxfordshire
All Saints' parish church, Nuneham Courtenay, Oxfordshire
Projects King Edward VI Grammar School, Nuneaton

Clapton Crabb Rolfe was an English Gothic Revival architect whose practice was based in Oxford.

Contents

Family

C.C. Rolfe was the second of nine children. His father was Rev. George Crabb Rolfe (1811–93) who was perpetual curate of Hailey, Oxfordshire from 1838 until his death.[2] His mother Ellen was a sister of the architect William Wilkinson.[2] C.C. Rolfe's elder brother George Wilkinson Rolfe (1843–1912) followed their father into the clergy[2] and a younger brother William Andrew Rolfe (b. 1850) became an architect.[2] In 1873 C.C. Rolfe became married to Annie de Pré, who bore him one son, Benedict Hugh Rolfe (b. 1874).[2] B.H. Rolfe trained as an architect and assisted with some of his father's later works, but settled in London as a consulting engineer.[2] C.C. Rolfe died in 1907. Both he and Annie are buried in the parish churchyard of St. Mary's, Wheatley, Oxfordshire.[2]

Note: the Buildings of England series of architectural guides spells C.C. Rolfe's middle name "Crabbe" but other authorities use "Crabb",[1][2] and the latter spelling is used in this article. A memorial plaque in Hailey parish church to his father Rev. G.C. Rolfe also says "Crabb".

Career

St. John the Evangelist parish church, Hailey, Oxfordshire (built 1868-69)

Much of Rolfe's work was for parish churches and other institutions of the Church of England. His first major commission was to design a new parish church at Hailey for his father.[3] His design was in a freely reinterpreted French Gothic style,[3] and the Oxford Diocesan Architect G.E. Street condemned Rolfe's first draft as "needlessly eccentric".[3] Despite Street's objections Rolfe completed the church with some unusual details, including a strangely-shaped bell-turret.[4]

All Saints' parish church, Nuneham Courtenay, Oxfordshire (built 1872-74). The apsidal south transept is the organ chamber

Rolfe's work is notable for its quality and detail. In Rolfe's reconstruction of part of the nave of Nuneaton Abbey and his restoration of All Saints parish church, Thorpe Malsor, the craftsman Harry Hems (1842–1916) undertook the carving.[2] Hems was a craftsman who originated from Yorkshire[5] but from 1866 worked in Exeter.[6] He carved for Rolfe again on the restorations of St. Giles' parish church, Standlake in 1880–91, St. Martin's parish church, Chipping Ongar in 1884, and St. Michael's parish church, Inkpen in 1896–97, and also on Rolfe's new chapel for the Sisterhood of Saint Thomas, Oxford in 1888.[2]

C.C. Rolfe was made an Associate of the Royal Institute of British Architects in 1869.[1] In 1881 G.E. Street died and Rolfe was one of the applicants to succeed him as Oxford diocesan architect.[2] John Oldrid Scott was the successful applicant, but Rolfe was later appointed Oxford Diocesan Surveyor.[2]

Rolfe was a devout Anglo-Catholic who sought to translate his faith into his building work.[2] In 1871 he wrote in The Builder:

Those professional men nowadays who despise and ridicule that pure symbolic spirit which actuated our forefathers in their church-work, and probably substitute for it that £sd money-grubbing spirit of the age, are alike unfit and unworthy of being engaged on any modern church-work whatever.[7]

Rolfe wrote a number of publications on aspects of church architecture and furnishing, but has he got older the style and content of his writing became increasingly obscure.[2]

Works

Buildings

Written works

  • Chancels, Screens and Roods (pamphlet). Reading: 1877. [2]
  • The Ancient Use of Liturgical Colours. Oxford & London: Parker & Co. 1879. 
  • Ecclesiastical Dilapidations, a Handbook for the Clergy. London: Simpkin, Marshall. 1883. 
  • The Liturgical Use of Incense, an Eirenicon by C. C. R., with Preface by the Rt. Honourable Earl Nelson. London. 1900. [2]

References

  1. ^ a b c d Brodie, page 187
  2. ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac Saint, 1970
  3. ^ a b c Sherwood & Pevsner, 1974, page 628
  4. ^ Sherwood & Pevsner, 1974, page 629
  5. ^ Exeter Memories: Harry Hems – ecclesiastical sculptor and wood carver
  6. ^ The Harry Hems Centre: Building History
  7. ^ Rolfe, 1871
  8. ^ Sherwood & Pevsner, 1974, page 558
  9. ^ Sherwood & Pevsner, 1974, page 545
  10. ^ Sherwood & Pevsner, 1974, page 325
  11. ^ Tyack, 1998, page 237
  12. ^ North Oxford Victorian Suburb Conservation Area Draft Appraisal, page 20
  13. ^ Sherwood & Pevsner, 1974, page 423
  14. ^ Sherwood & Pevsner, 1974, page 726
  15. ^ Sherwood & Pevsner, 1974, page 770-71
  16. ^ Pevsner & Wedgwood, pages 365-366
  17. ^ Sherwood & Pevsner, 1974, page 777
  18. ^ Sherwood & Pevsner, 1974, page 755
  19. ^ a b Sherwood & Pevsner, 1974, page 329
  20. ^ Sherwood & Pevsner, 1974, page 335
  21. ^ Crossley & Currie, 1996, pages 166-170
  22. ^ Sherwood & Pevsner, 1974, page 331
  23. ^ Sherwood & Pevsner, 1974, page 568
  24. ^ Pevsner, 1966, pages 158-159

Sources


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