Nagamandala

Nagamandala
Directed by	T.S. Nagabharana
Produced by	Srihari L. Khoday
Written by	Girish Karnad
Starring	Prakash Rai Vijayalakshmi(kannada) Mandya Ramesh B. Jayashri
Music by	C.Ashwath
Cinematography	G.S. Bhaskar
Release date(s)	1997
Country	India
Language	Kannada

Nagamandala (Kannada: ನಾಗಮಂಡಲ) is a Kannada language film directed by T.S. Nagabharana^[1] released in the year 1997 named after a ritual called Nagamandala.It stars Prakash Rai, Vijayalakshmi(kannada).

Introduction

Nagamandala is a critically acclaimed Kannada movie released in 1997. The story of the film was adapted from a play of the same name written by well-known writer Girish Karnad. The movie was directed by award winning director T.S. Nagabharana, who is deemed to be one of the ace directors in Kannada film industry. Music was scored by C. Aswath and Srihari L. Khoday produced the movie.

The film touches one of the most sensitive issues of marital life. In folk style and form, the film throws open a question as to who is the husband - the person who marries an innocent girl and indulges in self pleasures or the person who gives the real and complete experience of life.

The film stars Prakash Rai, Vijayalakshmi, Mandya Ramesh, and B. Jayashri in prominent roles. The film is centered on three people, Appanna (Prakash Rai), his wife Rani (Vijayalakshmi) and Naga, a King Cobra, who can assume the form of a human being (Prakash Rai).

The strong points of the movie remain the amazing acting by the leading cast and an authentic portrayal and command on story by the director. The director has made some change to the original play in the climax.

Plot Summary

Rani is a young bride who is neglected by her indifferent and unfaithful husband, Appanna. Appanna spends most of his time with his concubine and comes home only for lunch. Rani is one of those typical wives who want to win her husband’s affection at any cost. In an attempt to do so, she decides to drug her husband with a love root, which she mixes in the milk. That milk is spilled on the nearby anthill and Naga, the King Cobra drinks it.

Naga, who can take the form of a human being, is enchanted with her and begins to visit her every night in the form of her husband. This changes Rani’s life completely as she starts to experience the good things in life though she never knows that the person with her is not her husband but the Naga.

One of these days, she gets pregnant and breaks the news to Appanna. He immediately accuses her for adultery and says that he has not fathered the child. The issue is referred to the village Panchayat. She is then asked to prove her fidelity by putting her hand in the snake burrow and taking a vow that she has not committed adultery. It is a popular belief that if any person lies holding the snake in their hand, they will be instantly killed by the snake God.

She does place her hand in the snake burrow and vows that she has never touched any male other than her husband and the Naga in the burrow. She is declared chaste by the village Panchayat. However, her husband is not ready to accept that she is pregnant with his child and decides to find out the truth by spying on the house at night. Appanna is shocked to see the Naga visiting Rani in his form, spending time with her and then leaving the house.

Appanna gets furious with the Naga and indulges in a fight with him. Both of them fight vigorously. Eventually, the Naga dies in the fight. After this incident, Appanna realizes his mistake and he accepts Rani along with the child she is carrying.

Awards

Karnataka State Awards

Second Best Film State Award
Best Supporting Actor and Actress Awards
Best Art Direction Award
Best Photography Award

Udaya Cine Awards

Best Film Award
Best Direction Award (T.S. Nagabharana)
Best Supporting Actor and Actress Awards (Mandya Ramesh and B. Jayashri)
Best Female Singer Awards (Sangeetha Katti)

Other Awards & Recognitions

Selected for Indian Panorama in the International Film Festival 1997
Film Fare Best Direction Award
Cine Express Best Director Award
Film Fans Association award
Exhibited in nineteen important centers in USA

^[2]

Cultural Influence

Nagamandala is a movie based on folk tales spread in North Karnataka, India. The movie portrays lifestyle, food habits, and routine habits of medieval period in Karnataka. Snakes are considered sacred and are feared and worshipped. North Karnataka dialect is used for conversation. Supernatural elements play a central part in the film.

Human Complexities / Social Issues

The film uses a magical folktale to reveal the complexity of human life. In particular, the film focuses on the folktale in the Indian context to reveal the social and individual relations. Some of the most complex issues dealt in the movie reflect the social stigmas prevailing in the society of those times.

The intimate relationships between a man and a woman, an Indian woman's desperation to win the affections of her husband in spite of the husband’s open infidelity, the need to prove fidelity being imposed on married women while their husbands are not even questioned about the extramarital affairs, and the village judicial system.

Trivia

The Shah Rukh Khan-Rani Mukherjee starrer Paheli has striking resemblances to the screenplay of Nagamandala^[3]. Paheli’s director Amol Palekar was accused of plagiarizing the screenplay and storyline from Nagamandala. However, Amol Palekar dismissed the accusation saying that Paheli was adapted from a short story written by Vijayadan Detha.

Sources

http://www.iicdelhi.nic.in/iic2007/performance_nagamandala.html

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