Haridasa

The Haridasa (Kannada: ) devotional movement is considered as one of the turning points in the cultural history of India. Over a span of nearly six centuries, several saints and mystics helped shape the culture, philosophy and art of South India and Karnataka in particular by exerting considerable spiritual influence over the masses and kingdoms that ruled South India.Sharma (1961), p514]

This movement was ushered in by the "Haridasas" ( _kn. ಹರಿದಾಸರು, literally meaning 'servants of Lord Hari') and took shape in the 13th century - 14th century CE, period, prior to and during the early rule of the Vijayanagara empire. The main objective of this movement was to propagate the Dvaita philosophy of Madhvacharya ("Madhva Siddhanta") to the masses through a literary medium known as "Dasa Sahitya" (literature of the servants of the Lord).

Prominent Hindu philosophers, poets and scholars like Sripadaraya, Vyasathirtha, Vadirajatirtha, Purandara Dasa and Kanaka Dasa played an important role during this time.Kamath (2001), p155] Though the movement found its roots in the Kannada country and later spread to other parts of South India, it was a net result of earlier devotional movements like the Veerashaiva movement (of Vachana literature in Kannada) of northern Karnataka led by Basavanna in the 12th century and the Alvar saints of Tamil Nadu during the 10th century.Krishna Rao M.V. Dr. in cite web|title=Haridasa Movement-Part1|url=http://www.ourkarnataka.com/states/history/historyofkarnataka37.htm|author=Arthikaje|publisher=outKarnataka.com|work=History of Karnataka|accessdate=2007-06-02] Later, Vallabhacharya in Gujarat and Guru Chaitanya were influenced by the teachings of Madhvacharya. Their devotees started the worldwide ISKCON movement.Kamath (2001), p156]

The Haridasas were saints, some of who were wandering bards, and considered themselves as slaves of the supreme Lord - Hari. While the movement was mainly heralded by the Brahmins, it was a devotional one whose ideals and thoughts pervaded and received noteworthy contributions from all sections of society.According to some accounts, Kanakadasa came from a family of hunters ("beda") and from other accounts, from a family of Shepherds ("kuruba") (Sastri 1955, p365)] The Haridasa movement can be considered as a part of a larger "Bhakti" movement whose devotional inspiration to the masses lasted over a millennium making significant contribution to Kannada devotional literature.Sastri (1955), p381]

Origin

The origin of the Haridasa movement is not clearly known, with some legends indicating that there were holy men and kings who espoused this form of devotion as early as the 9th century. However it is well known that the great Vaishnava religious devotionalism called "Dasa Kuta" found its organizational base and started to produce large congregation of devotees in the Karnataka region, largely due to the Vedanta propounded in the 13th century by Madhvacharya of Udupi (1238 - 1317 CE).cite web|title=History of Haridasas|url=http://www.dvaita.org/haridasa/overview/hist.html|author=Madhusudana Rao CR|publisher=Dvaita Home Page|work=|accessdate=2007-05-30]

The Haridasas' who propagated the philosophy ("Vedanta") of Madhvacharya belonged to two groups; the "Dasakuta", who conveyed the philosophy of Madhvacharya in simple and lucid Kannada to the masses and the "Vyasakuta", who were required to be proficient in the Vedas, Upanishads and other "Darshanas"Clarifyme|date=April 2008.cite web|title=The Haridasa Movement|url=http://www.ourkarnataka.com/states/history/historyofkarnataka37.htm|author=Arthikaje|publisher=ourKarnataka.com|work=History of Karnataka|accessdate=2007-05-31] During this period, this movement became a strong spiritual force which helped a resurgence of a strong Hindu sentiment in Southern India, when Northern India was already under Muslim rule. The Haridasas' found state patronage in the Vijayanagara Empire which ruled over entire Southern India at its peak.Kamath (2001), p178] Vyasatirtha was intimately associated with the empire and was considered the family deity ("Kuladevata") by King Krishnadevaraya.cite web|last=Pujar|first=Narahari S.|coauthors=Shrisha Rao and H.P. Raghunandan|title=Sri Vyasa Tirtha|url=http://www.dvaita.org/scholars/vyasaraja/|publisher=Dvaita Home Page|work=|accessdate=2006-12-31] Krishnadevaraya was highly devoted to Vyasatirtha (Kamath 2001), p178)] Vyasatirtha was highly honoured by King Krishnadevaraya (Nilakanta Sastri 1955, p324)]

Haridasas' belonged to the Vaishnava school of Hinduism and worshipped Vitthala, a manifestation of Vishnu and all forms of Krishna.cite web|title=Dasa Sahitya or Slave Literature|url=http://www.kamat.com/kalranga/kar/literature/dasa.htm|author=Kamat, Jyotsna|publisher=Kamat's Potpourri|work=History of Kannada literature|accessdate=2007-05-31] The Vittalanatha temple at Pandharapura on the bank of the river Bhima in present day Maharashtra, the Vittala Swami temples at Hampi in Karnataka and the Srinivasa temple on Tirumala hills in Andhra Pradesh are considered the holiest of places in the Haridasa context.

Preachers

The Haridasas' generally hailed from places in present day Karnataka, but there were some exceptions like Jayatirtha who came from Mangalvedhe near Pandharapura in modern Maharashtracite web|title=Sri Jaya Tirtha|url=http://www.dvaita.org/scholars/jayatirtha/|author=Pujar, Rao and Budihal|work=Online Webpage of Haridasa (dvaita.org)|accessdate=2007-05-31] and Sri Naraharitirtha (a disciple of Madhvacharya) who was a native of either Andhra Pradesh or Orissa.cite web|title=Sri Narahari Tirtha|url=http://www.dvaita.org/haridasa/yathi/narahari.html|author=Mahushudhana Rao C R|work=Online Webpage of Haridasa (dvaita.org)|accessdate=2007-05-31] Naraharitirtha (1281), a minister in the court of Kalinga was inducted into the Madhvacharya order. He composed many early devotional hymns in praise of Vishnu in Kannada language, some of which are available today.Sastri (1955), p364] While the Srikurmam inscription indicates that Naraharitirtha may have been the originator of this devotional movement, the songs of the Haridasas' give credit to Sripadaraya as the real founder of the movement in the 15th century.

Famous haridasas from the Madhvacharya order during the Vijayanagar empire period were:
* Madhavatirtha
* Akshobhyatirtha
* Vijayindratirtha
* Raghottamatirtha
* Naraharitirtha
* Jayatirtha
* Sripadaraya (1404 - 1502 CE.)
* Vyasatirtha (1447 - 1539 CE.)
* Purandara Dasa (1480 - 1564 CE.)
* Kanaka Dasa (1508 - 1606 CE.) (non-brahmin saint)
* Vadirajatirtha (1480 - 1600 CE.) (lived for 120 years).

Growth and Patronage

Sripadaraya, Vyasatirtha and Vadirajatirtha are called "three great saints" ("yathi trayaru") in Haridasa movement where as the epithet "great trinity of Vaishnava composers" from Karnataka goes to Sripadaraya, Purandaradasa and Kanakadasa, though it is difficult to separate literature, music, devotion from their composite writings.cite web|title=Dasa Sahitya or Slave Literature|url=http://www.kamat.com/kalranga/kar/literature/dasa.htm|author=Kamat, Jyotsna Dr.|publisher=Kamat's Potpourri|work=History of Kannada Literature|accessdate=2007-06-02] The center of their activity in the 15th century and 16th century was Hampi, the sacred centre of Vijayanagara, the regal capital of Vijayanagara empire.

The Haridasa movement gained further impetus in the 17th century and 18th century in and around Raichur District and some of the great saints from this era were Guru Raghavendra, Vijaya Dasa, Gopala Dasa, Jagannatha Dasa, Prasanna Venkata Dasa, Pranesha Dasa, Venugopala Dasa, Mahipathi Dasa, Mohana Dasa, Helevanakatte Giriamma and Harapanhalli Bhimavva.cite web|title=The Haridasa Movement|url=http://www.ourkarnataka.com/states/history/historyofkarnataka38.htm|author=Arthikaje|publisher=ourKarnataka.com|work=History of Karnataka|accessdate=2007-05-31] cite web|title=History of the Haridasas|url=http://www.dvaita.org/haridasa/overview/hist.html|author=Rao, Madhusudana C.R.|publisher=www.dvaita.org|work=|accessdate=2007-06-02]

The history of the Haridasa movement from the 13th century to the present day is the history of spreading "Hari bhakti" (devotion to "Hari"-God) to the common man and in that purpose has contributed immensely to Kannada literature and to the development of Kannada language. Both the Haridasa and Veerashaiva movements pervade the length and breadth of Karnataka and exert ennobling influences upon the neighboring provinces of Andhra Pradesh, Tamil Nadu and Maharashtra.

Contribution to Kannada Literature

Haridasa movement has made a significant contribution towards Kannada literature by spawning a whole corpus of devotional literature in the form of verses, hymns and musical compositions, rendering the spread of the Dvaita philosophy ("Vedanta") postulated by Madhvacharya.Their poems were in "ragale" metre (Sastri 1955, p365)] The literature that originated from this devotional movement is called "Dasa Sahitya" (or "dasara padagalu" - literature of the "dasas"). These various compositions are generally called as "Devaranamas" (literally meaning "names of the Lord") and are sung in the praise of the Lord Hari. All these compositions have the concept of "Hari Bhakti" (devotion to God) at their core and they usually revolve around references to Hindu mythology and the Dvaita philosophy. Some Haridasas like Purandara Dasa and Kanaka Dasa also composed several "Devaranamas" using the day-to-day happenings, morals and virtues as the central theme.Kamath (2001), p155] These compositions were in the Kannada language since the main objective of this movement was to take the devotional philosophy to the common man.Sharma (1961), p515] In doing so, the common people were also educated in the importance of consciousness ("jnana"), devotion ("bhakti"), ethics and Hindu religion. Their hymns ("padas") set to various musical tones ("ragas") aroused the frevor among the masses. As advocates of religious reform, the Haridasas' propounded the virtues of detachment ("vairagya"). Similes and metaphors were used to great effect in achieving this and they are found in abundance in songs and hymns.Sharma (1961), p515] In addition to devotional songs, Kanaka Dasa authored five literary classical writings in the kavya style.cite web|title=Kanakadasa - Poet among Saints |url=http://www.kamat.com/indica/faiths/bhakti/kanakadasa.htm|author=Kamat, Jytosna Dr.|work=Kamats Potpourri-Path of devotion|accessdate=2007-06-02] Jagannathadasa, Vijaya Dasa and Gopaladasa etc., are more well known among a galaxy of composers who made rich contributions to Kannada literature.cite web|title=Haridasa Lineage|url=http://www.dvaita.org/haridasa/general/das_map.html|author=Madhusudana Rao CR|publisher=Dvaita Home Page (www.dviata.org)|work=|accessdate=2007-06-01] cite web|title=Yathidasa Lineage|url=http://www.dvaita.org/haridasa/general/yathi_map.html|author=Madhusudana Rao CR|publisher=Dvaita Home Page (www.dviata.org)|work=|accessdate=2007-06-01]

The compositions can be broadly classified under one of the following three types::* Kavya or poetic compositions:* Tatva or philosophic compositions:* General compositions.

"nom-de-plume" ("Ankita Nama")

Each "Haridasa" had a unique "ankita nama" with which they 'signed' all their compositions. The nom-de-plumes of some of the most well known Haridasas is listed below:cite web|title=Ankitha|url=http://www.dvaita.org/haridasa/overview/ankit.html|author=Mahushudhana Rao C R|work=Online Webpage of Haridasa (dvaita.org)|accessdate=2007-05-31] :* Naraharitirtha: "Narahari Raghupathi":* Sripadaraya: "Ranga Vitthala":* Vyasatirtha: "Sri Krishna":* Vadirajatirtha: "Hayavadana":* Raghavendra: "Dheera Venu Gopala":* Purandara Dasa: "Purandara Vittala":* Kanaka Dasa: "Adi Keshava":* Vijaya Dasa (1682-1755): "Vijaya Vittala":* Gopaladasa (1722-1762): "Gopala Vittala":* Helevanakatte Giriyamma (18th century): "Helevanakatte Ranga":* Jagannathadasa (1727 to 1809): "Jagannatha Vittala":* Mahipathidasa (1611-1681): "Mahipathi":* Prasanna Venkatadasa (1680 to 1752): "Prasanna Venkata":* Venugopaladasa (18th century): "Venugopala Vittala":* Mohanadasa (18th century): "Mohana Vittala"

Contribution to Carnatic music

The Haridasa movement developed the Carnatic music tradition as a distinct art form from the Hindustani style thereby heralding a renaissance in the world of Indian classical music. Purandara Dasa, one of the foremost of Haridasas' is known as the "Father of carnatic music" ("Karnataka Sangeeta Pitamaha") for his invaluable contributions to this art form.Owing to his contributions to carnatic music, Purandaradasa is known as "Karnataka Sangita Pitamaha" cite web|title=Purandara Dasa|url=http://www.kamat.com/indica/faiths/bhakti/purandara.htm|author=Dr. Jytosna Kamat|publisher=Kamats Potpourri|work=|accessdate=2006-12-31] cite web|title=Sri Purandara Dasaru|url=http://www.dvaita.org/haridasa/dasas/purandara/purandara.html|author=Madhusudana Rao CR|publisher=Dvaita Home Page|work=|accessdate=2006-12-31] cite web|title=History of Music|url=http://carnatica.net/origin.htm|author=S. Sowmya, K. N. Shashikiran|publisher=Srishti's Carnatica Private Limited|work=|accessdate=2006-12-31] He was a prolific composer, historians propose the number of his compositions were as many as 75,000 - 475,000 songs in Kannada language, though only few hundreds are available today.cite web|title=Sri Purandara Dasaru|url=http://www.dvaita.org/haridasa/dasas/purandara/p_dasa1.html|author=Madhusudana Rao CR|publisher=Dvaita Home Page (www.dviata.org)|work=|accessdate=2006-12-31] He composed several "Keertane" which later served as the foundation for the Kriti form, elaborated and perfected by the Trinity of Carnatic music. He codified and consolidated the teaching of Carnatic music by evolving several steps like "sarali", "jantai", "thattu varisai", "alankara" and "geetham" and laid down a framework for imparting formal training in this art form.Iyer (2006), p93] The structure and lessons he formulated four centuries ago remain the foundation for all students of carnatic music. Apart from Purandara Dasa, several later Haridasas' composed songs adhering to the same musical and philosophical traditions. Their compositions usually fell in one of the following categories: "Padagalu" (or "Devaranama"- devotional hymns), "Kriti", "Ugabhoga", "Suladi", "Vruttanama", "Dandaka", "Tripadi" (three line poetry), "Pattadi", "Sangathya" Sangatya composition is meant to be sung to the accompaniment of a musical instrument (Sastri 1955, p359)] and "Ragale" (lyrical verses in blank verse). These forms of composition are still prevalent in South India and especially in Karnataka.

Though these compositions usually adhere to the carnatic style of music, some of these compositions have also been sung in the Hindustani style by musicians such as Bhimsen Joshi and Gangubai Hangal.

ee also

Dvaita
Vijayanagara empire
Carnatic music

External links

* [http://www.dasasahitya.org A collection of more than 20,000 compositions of 151 "Haridasas"]
* [http://www.geocities.com/haridasaru Brief life sketches and English translations of many prominent "Haridasas"]

Notes

References

*cite book |last= Sharma|first= B.N.K|title= History of Dvaita school of Vedanta and its Literature |origyear=1961|year=1981,2000|publisher= Motilal Banarasidass|location= Bombay|isbn= 81-208-1575-0
*cite book |last= Nilakanta Sastri|first= K.A.|title= A history of South India from prehistoric times to the fall of Vijayanagar|origyear=1955|year=2002|publisher= Indian Branch, Oxford University Press|location= New Delhi|isbn= 0-19-560686-8
*cite book |last= Kamath|first= Suryanath U.|title= A concise history of Karnataka : from pre-historic times to the present|origyear=1980|year= 2001|publisher= Jupiter books|location= Bangalore|oclc= 7796041|id= LCCN|809|0|5179
*cite book |last= Iyer|first= Panchapakesa A.S.|title= Karnataka Sangeeta Sastra|origyear=2006|year=2006|publisher= Zion Printers|location= Chennai|isbn=
*cite web|author=Arthikaje|title=The Haridasa Movement - Part 1|url=http://www.ourkarnataka.com/states/history/historyofkarnataka37.htm |publisher=OurKarnataka.Com|work=History of karnataka|accessdate=2006-12-31
*cite web|author=Arthikaje|title=The Haridasa Movement - Part 2|url=http://www.ourkarnataka.com/states/history/historyofkarnataka38.htm
publisher=OurKarnataka.Com|work=History of karnataka|accessdate=2006-12-31
*cite web|author=Rao, Madhusudana C.R.|title=History of Haridasas|url=http://www.dvaita.org/haridasa|publisher=[e-mail]|work=Haridasas of Karnataka|accessdate=2007-05-30