Durendal

Durendal
Alleged fragment of Durendal in Rocamadour

Durendal or Durandal (Most likely from French "durer", "to endure";Italian: Durlindana Spanish: Durandal or Durandarte) is the sword of Charlemagne's paladin Roland in the literary cycle known as the Matter of France.

The origin of the sword is unclear; the sword is given various provenances in the Matter of France. Several of the works of the Matter of France, however, agree that the sword was forged by Wayland the Smith, a mysterious blacksmith from Berkshire who is commonly cited as a maker of romantic weapons.[1] According to the Song of Roland, the sword is brought by an angel to Charlemagne, who gives it to Roland.[2] According to Ludovico Ariosto's Orlando Furioso it once belonged to Hector of Troy, and was given to Roland by Malagigi (Maugris). This is questionable, given that the swords of Hector's time were made of bronze, and would not have held up in battle against the iron or steel weaponry of Roland's time.

In The Song of Roland, the sword is said to contain within its golden hilt one tooth of Saint Peter, blood of Saint Basil, hair of Saint Denis, and a piece of the raiment of the Blessed Virgin Mary.[3] In the poem, Roland uses the sword to hold off an hundred-thousand-strong Muslim army long enough for Charlemagne's army to retreat into France.[4] Roland attempted to destroy the sword to prevent it from being captured by the attacking Saracens and created La Brèche de Roland in the Pyrenees in the process.[5] But Durendal proved indestructible, so he hid it beneath his body along with the oliphant, the horn used to alert Charlemagne.[6]

Local folklore claims Durendal still exists, preserved in Rocamadour, France, embedded in a cliff wall. In the twelfth century, the monks of Rocamadour claimed that Roland threw the sword rather than hide it beneath himself. The local tourist office calls the sword a replica of Durendal, however.[7]

Footnotes

  1. ^ Numismatic and Antiquarian Society of Philadelphia, p. 65
  2. ^ Brault, p. 443
  3. ^ Auty, p. 126
  4. ^ Caro, p. 106
  5. ^ Walsh, p. 264
  6. ^ Cox, p. 340
  7. ^ Caro, pp. 106–107

References

  • Auty, Robert (1980). Traditions of Heroic and Epic Poetry. London: Modern Humanities Research Association. ISBN 0900547723. 
  • Brault, Gerard J. (1996). The Song of Roland: An Analytical Introduction and Commentary. University Park: Pennsylvania State Univ. ISBN 0271024550. 
  • Caro, Ina (1996). The Road From The Past: Traveling Through History in France. San Diego: Harcourt Brace & Co.. ISBN 0156003635. 
  • Cox, George William (1871). Popular Romances of the Middle Ages. London: Longmans, Green, and co.. 
  • Numismatic and Antiquarian Society of Philadelphia (1902). Proceedings of the Numismatic and Antiquarian Society of Philadelphia. Philidelphia: Numismatic and Antiquarian Society of Philadelphia. 
  • Walsh, William Shepard (1914). Heroes and Heroines of Fiction. London: J. B. Lippincott co..