Longcase clock

The article Grandfather clock redirects here. For other uses, see Grandfather clock (disambiguation)

A longcase clock with a pine case, c. 1790, by Thomas Ross of Hull. The two keyholes on either side of the dial show this to be an eight-day clock.

A longcase clock, also tall-case clock, floor clock, or grandfather clock, is a tall, freestanding, weight-driven pendulum clock with the pendulum held inside the tower, or waist of the case. Clocks of this style are commonly 1.8–2.4 metres (6–8 feet) tall. The case often features elaborately carved ornamentation on the hood, or bonnet, which surrounds and frames the dial, or clock face. The English clockmaker William Clement is credited with the development of this form in 1670. Most longcase clocks are striking clocks, which means they sound the time on each hour or fraction of an hour.^{[citation needed]}

The terms "grandfather", "grandmother", and "granddaughter" have all been applied to longcase clocks. Although there is no specifically defined difference among these terms, the general consensus seems to be that a clock smaller than 1.5 m (5 ft) is a granddaughter; over 1.5 m (5 ft) is a grandmother; and over 1.8 m (6 ft) is a grandfather.^{[citation needed]}

Origin

Lateral view of a longcase clock movement without striking mechanism, mid-1800s.

The advent of the longcase clock is due to the invention of the anchor escapement mechanism around 1670. Prior to that, pendulum clock movements used an older verge escapement mechanism, which required very wide pendulum swings of about 80-100°.^[1] Long pendulums with such wide swings could not be fitted within a case, so most freestanding clocks had short pendulums. The anchor mechanism reduced the pendulum's swing to around 4° to 6°,^[1] allowing clockmakers to use longer pendulums, which had slower "beats". These needed less power to keep going, caused less friction and wear in the movement, and were more accurate.^[1] Most longcase clocks use a seconds pendulum (also called a "Royal" pendulum^[2]) meaning that each swing takes one second. These are about a metre (39 inches) long (to the centre of the bob), requiring a long narrow case. The long narrow case actually predated the anchor clock by a few decades, appearing in clocks in 1660 to allow a long drop for the powering weights. However, once the seconds pendulum began to be used, this long weight case proved perfect to house it as well.^[3][4]

Modern longcase clocks use a more accurate variation of the anchor escapement called the deadbeat escapement.

Origin of the term "grandfather clock"

The Oxford English Dictionary states that the 1876 song, My Grandfather's Clock, is responsible for the common name "grandfather clock" being applied to the longcase clock.^[5] However, the term appears as early as 1817 in Ovid's Art of love, Remedy of love, Art of beauty, and Amours, by John Dryden Ovid.^[6]

The song went like this; "my grandfather's clock was too large for the shelf,/ so it stood 90 years on the floor;/ it was taller by half than the old man himself,/ though it weighed not a pennyweight more./ it was bought on the morn of the day he was born/ and was always his treasure and pride,/ but it stopped short-never to go again-/ when the old man died."/

Description

Most of a longcase clock's height is used to hold the long pendulum and weights. The two chains attached to the weights and the lack of winding holes in the dial show this to be a 30-hour clock.

Traditionally, longcase clocks were made with two types of movement: eight-day and one-day (30-hour) movements. A clock with an eight-day movement required winding only once a week, while generally less expensive 30-hour clocks had to be wound every day. Eight-day clocks are often driven by two weights – one driving the pendulum and the other the striking mechanism, which usually consisted of a bell or chimes. Such movements usually have two keyholes on either side of the dial to wind each one (as can be seen in the Thomas Ross clock above). By contrast, 30-hour clocks often had a single weight to drive both the timekeeping and striking mechanisms. Some 30-hour clocks were made with false keyholes, for customers who wished that guests to their home would think that the household was able to afford the more expensive eight-day clock. All modern striking longcase clocks have eight-day movements. Most longcase clocks are cable-driven, meaning that the weights are suspended by cables. If the cable was attached directly to the weight, the load would cause rotation and untwist the cable strands, so the cable wraps around a pulley mounted to the top of each weight. The mechanical advantage of this arrangement also doubles the running time allowed by a given weight drop.

Cable clocks are wound by inserting a special crank (called a "key") into holes in the clock's face and turning it. Others, however, are chain-driven, meaning that the weights are suspended by chains that wrap around gears in the clock's mechanism, with the other end of the chain hanging down next to the weight. To wind a chain-driven longcase clock, one pulls on the end of each chain, lifting the weights until the weights come up to just under the clock's face.

Elaborate striking sequences

In the early 20th century,quarter-hour chime sequences were added to longcase clocks. At the top of each hour, the full chime sequence sounds, immediately followed by the hour strike. At 15 minutes after each hour, 1/4 of the chime sequence plays, at the bottom of each hour, half of the chime sequence plays, and at 15 minutes before each hour, 3/4 of the chime sequence plays. The chime tune used in almost all longcase clocks is Westminster Quarters. Many also offer the option of Whittington chimes or St. Michael's chimes, selectable by a switch mounted on the right side of the dial, which also allows one to silence the chimes if desired. As a result of adding chime sequences, all modern mechanical longcase clocks have three weights instead of just two. The left weight provides power for the hour strike, the middle weight provides power for the clock's pendulum and general timekeeping functions, while the right weight provides power for the quarter-hour chime sequences.

Types of longcase clock

Comtoise clock

Bornholm clock made by Edvart Sonne, from Rønne, Bornholm in the late 1700s

Comtoise clocks

Comtoise clocks, also known as Morbier clocks or Morez clocks, are a style of longcase clock made in the French region Franche-Comté (whence their name). Production of these clocks began in 1680 and continued for a period of about 230 years. During the peak production years (1850–1890) over 60,000 clocks were made each year. Features distinguishing this style are a curving "potbellied" case and a greater use of curved lines. Often a heavy, elongated, highly ornamented pendulum bob extends up the case (see photo)

Many Comtoise clocks can be found in France but they are also frequently found in Spain, Germany, and other parts of Europe, less in the USA. These clocks were very popular across the generations; they kept the time on farms throughout France. Many Comtoise clocks were also exported to other countries in Europe and even further, to the Ottoman Empire and as far as Thailand. The metal mechanism was usually protected by a wooden sheath.

Bornholm clocks

Bornholm clocks are Danish longcase clocks in the form of a tall wooden box. They are driven by a pendulum and were made on Bornholm from 1745 to 1900.

Bornholm clock-making began in the 1740s when an English ship, which had longcase clocks in its hold, was stranded. They were sent for repair to a turner named Poul Ottesen Arboe in Rønne and as a result of his repair of them he learned enough about clocks to begin to make his own.

The demand for Bornholm clocks has been falling in recent years.

Historical manufacturers

Clockmakers in Britain

• John Alker or Alker of Wigan, Lancashire
• Allam & Clements
• John Clement & Son (Tring, Hertfordshire)
• William Barrow, London
• Thomas Birchall Nantwich, Cheshire
• Robert Bryson, Edinburgh
• Thomas Bullock, Bath
• Thomas Cartwright
• Richard Donisthorp (fl. 1797), of Loughborough
• Matthew & Thomas Dutton
• Peter Fearnley, Wigan
• John Fernhill, Wrexham
• Thomas Hackney, London, c. 1700–1750
• Edward Harrison, Warrington
• John Harrison, Wakefield/Barrow-in-Furness/London
• Nathaniel Hedge, Colchester
• Holmes
• James Howden, Edinburgh
• Thomas Johnson
• William Lassell (1758–1790), Toxteth Park, Liverpool
• Alexander Miller, Montrose
• Peddie Stirling, Scotland
• Daniel Quare
• Thomas Ross, Hull
• John Snelling, Alton
• Trubshaw
• Thomas Worswick, Lancaster
• Thomas Wright
• Henry Young, Swaffham
• John Wyld, Nottingham

Clockmakers in the Finland

• Masters of Könni Könnin mestarit (1757–1865), Ilmajoki, Family of Könni Wepsite, Seven hands clock mechanism.
• The Finnish Museum of Horology is master of Jaakko Könni manufactured table clocks and pocket watches
• Ilmajoki Museum is Masters of Könni manufactured horse vehicles, clocks, looms, locks, tools, machine of gear "keervärkki"

Clockmakers in the United States

• Luman Watson (1790–1834), Cincinnati
• Simon Willard (1753–1848), Roxbury, Massachusetts

Clock Case Manufacturer in Australia

• Harry Williams - Oxford Cabinet Company Pty Ltd (1946–1961), Granville,NSW,Australia

Current manufacturers

• Hermle Clocks
• Howard Miller Clock Company
• Seth Thomas Clock Company
• Ridgeway Clocks
• Bulova Watch Company

External links

References

1. ^ ^{a b c} Headrick, Michael (2002). "Origin and Evolution of the Anchor Clock Escapement". Control Systems magazine, (Inst. of Electrical and Electronic Engineers) 22 (2). Archived from the original on 2009-10-25. http://web.archive.org/web/20091025120920/http://geocities.com/mvhw/anchor.html. Retrieved 2007-06-06. 
2. ^ Nelthropp, H. Leonard (1873). A Treatise on Watch-Work, Past and Present. London: E.& F.N. Spon. p. 84. http://books.google.com/?id=7DcDAAAAQAAJ&pg=PA84. 
3. ^ Barnett, Jo Ellen (1999). Time's Pendulum: From Sundials to Atomic Clocks, the Fascinating History of Timekeeping and how Our Discoveries Changed the World. Houghton Mifflin Harcourt. pp. 91–92. ISBN 0-15-600649-9. http://www.google.com/books?id=2PCEPLT4aZgC&pg=PA91. 
4. ^ Chappell, Jessica (2000). "The Long Case Clock: The science and engineering that goes into a grandfather clock". Illumin (Viterbi School of Engineering, USC) 1 (0): p.4. http://illumin.usc.edu/article.php?articleID=64&page=4. Retrieved 2008-06-19. 
5. ^ "Oxford English Dictionary" (available online to subscribers, also in print). http://dictionary.oed.com/. Retrieved 2009-04-19. "Grandfather's clock [suggested by a song which was popular about 1880], a furniture-dealer's name for the kind of weight-and-pendulum eight-day clock in a tall case, formerly in common use; also grandfather clock (now the usual name): [1876 H. C. WORK Grandfather's Clock, My grandfather's clock was too large for the shelf, So it stood ninety years on the floor.]" 
6. ^ Ovid, John Dryden. Ovid's Art of love, Remedy of love, Art of beauty, and Amours, p.23. Knight & Smith Printers, 62 East Smithfield, 1817.