- The Persistence of Memory
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This article is about the painting by Salvador Dali. For the novel by Tony Eprile, see The Persistence of Memory (novel).
The Persistence of Memory 
Artist Salvador Dalí Year 1931 Type Oil on canvas Dimensions 24 cm × 33 cm (9.5 in × 13 in) Location Museum of Modern Art, New York City The Persistence of Memory (Spanish: La persistencia de la memoria; Catalan: La persistència de la memòria) is a 1931 painting by artist Salvador Dalí, and is one of his most recognizable works. The painting has been in the collection of the Museum of Modern Art (MoMA) in New York City since 1934. It is widely recognized and frequently referenced in popular culture.[1]
Contents
Description
The well-known surrealist piece introduced the image of the soft melting pocket watch.[2] It epitomizes Dalí's theory of "softness" and "hardness", which was central to his thinking at the time. As Dawn Ades wrote, "The soft watches are an unconscious symbol of the relativity of space and time, a Surrealist meditation on the collapse of our notions of a fixed cosmic order".[3] This interpretation suggests that Dalí was incorporating an understanding of the world introduced by Albert Einstein's Special Theory of Relativity. asked by Ilya Prigogine whether this was in fact the case, Dali replied that the soft watches were not inspired by the theory of relativity, but by the surrealist perception of a Camembert cheese melting in the sun.[4]
Although fundamentally part of Dalí's Freudian phase, the imagery precedes his transition to his scientific phase by fourteen years, which occurred after the Atomic bombings of Hiroshima and Nagasaki in 1945.
It is possible to recognize a human figure in the middle of the composition, in the strange "monster" that Dalí used in several period pieces to represent himself – the abstract form becoming something of a self portrait, reappearing frequently in his work. The orange clock at the bottom left of the painting is covered in ants. Dalí often used ants in his paintings as a symbol for death, as well as a symbol of female genitalia.
The figure in the middle of the picture is symbolized as a "fading" creature, as which, when one often dreams, he or she cannot pin-point the exact form and composition of a creature. One can also see that the creature has one closed eye with several eyelashes; this also suggests that the creature is in a dream state. The iconography of this famous painting is that of a dream that Dalí had experienced. The clocks symbolize the passing of time that one experiences in a dream state.
Persistence of Memory employs the "exactitude of realist painting techniques" [5] to depict imagery more likely to be found in dreams than in waking consciousness.
Versions
Dalí returned to the theme of this painting with the variation The Disintegration of the Persistence of Memory (1954), showing his earlier famous work systematically fragmenting into smaller component elements, and a series of rectangular blocks which reveal further imagery through the gaps between them, implying something beneath the surface of the original work; this work is now in the Dalí Museum in St. Petersburg, Florida, while the original Persistence of Memory remains at the Museum of Modern Art in New York City. Dalí also produced various lithographs and sculptures on the theme of soft watches late in his career. Some of these sculptures are the Persistence of Memory, the Nobility of Time, the Profile of Time and the Three Dancing Watches.[6]
See also
- Entropy (arrow of time)
- Apparatus and Hand
References
- Notes
- ^ Staff editor (28 January 1989). "Dali, The Flamboyant Surrealist". The Vindicator. http://news.google.com/newspapers?id=Z2lcAAAAIBAJ&sjid=tVYNAAAAIBAJ&dq=dal%C3%AD%20melting%20watch&pg=4025%2C4123936. Retrieved 20 June 2011. "The death of Salvador Dali evokes the image of his most famous painting, 'Persistence of Memory.'"
- ^ Bradbury, Kirsten (1999). Essential Dalí. Dempsey Parr. ISBN 9781840845099. "It includes the first appearance of what is perhaps his most enduring image: the 'soft watch'."
- ^ Ades, Dawn. Dalí. Thames and Hudson, 1982.
- ^ Salvador Dali (2008) (in English) (DVD). The Dali Dimension: Decoding the Mind of a Genius. Media 3.14-TVC-FGSD-IRL-AVRO. http://www.dalidimension.com/eng/index.html. "Surprisingly, Dalí said that his soft watches were not inspired by the theory of relativity, but by the surrealist perception of a camembert cheese melting in the sun. The painter insisted on this explanation in his reply letter to Prigogine, who took it as Dalí's reaction to Einstein's coldly mathematical theory."
- ^ "Dali's dream environments were represented through the exactitude of realist painting techniques, like those found in his Persistence of Memory (1931)." Surrealism and architecture, by Thomas Mical; Psychology Press, 2005
- ^ Dalis Sculpture Editions
External links
- The Persistence of Memory on Authentic Society
- The Persistence of Memory in the MoMA Online Collection
- "Keep your eyes wide shut" by Kelly Grovier in The Observer
- The mapping cylinder from the Fomenko et al. book
- Homotopic Topology
- Salvador Dali Museum, St. Petersburg FL USA
Salvador Dalí Selected
paintingsLandscape Near Figueras (1910) • Vilabertran (1913) • Fiesta in Figueres (1914–16) • Port of Cadaqués (Night) (1918–19) • The Artist's Father at Llane Beach (1920) • The Garden of Llaner (Cadaqués) (1920–21) • Cabaret Scene (1922) • Cubist Self-Portrait with "La Publicitat" (1923) • Self-portrait with L'Humanitie (1923) • Portrait of Luis Buñuel (1924) • Siphon and Small Bottle of Rum (1924) • The Basket of Bread (1926) • Honey Is Sweeter Than Blood (1927) • The Lugubrious Game (1929) • The First Days of Spring (1929) • The Great Masturbator (1929) • The Persistence of Memory (1931) • The Ghost of Vermeer of Delft Which Can Be Used As a Table (1934) • Morphological Echo (1934–36) • Archaeological Reminiscence of Millet's Angelus (1935) • Autumn Cannibalism (1936) • Soft Construction with Boiled Beans (Premonition of Civil War) (1936) • The Burning Giraffe (1937) • Metamorphosis of Narcissus (1937) • Swans Reflecting Elephants (1937) • Apparition of Face and Fruit Dish on a Beach (1938) • The Sublime Moment (1938) • Shirley Temple, The Youngest, Most Sacred Monster of the Cinema in Her Time (1939) • The Face of War (1940) • Slave Market with the Disappearing Bust of Voltaire (1940) • Honey is Sweeter than Blood (1941) • Geopoliticus Child Watching the Birth of the New Man (1943) • Dream Caused by the Flight of a Bee Around a Pomegranate a Second Before Awakening (1944) • Galarina (1944–45) • Basket of Bread (1945) • The Temptation of St. Anthony (1946) • The Elephants (1948) • Leda Atomica (1949) • The Madonna of Port Lligat (1949) • Christ of Saint John of the Cross (1951) • Galatea of the Spheres (1952) • The Disintegration of the Persistence of Memory (1952–54) • Crucifixion (Corpus Hypercubus) (1954) • Young Virgin Auto-Sodomized by the Horns of Her Own Chastity (1954) • The Sacrament of the Last Supper (1955) • Living Still Life (1956) • The Discovery of America by Christopher Columbus (1958–59) • The Ecumenical Council (1959–60) • Galacidalacidesoxyribonucleicacid (1963) • Tuna Fishing (1966–67) • The Hallucinogenic Toreador (1968–70) • La Toile Daligram (1972) • The Swallow's Tail (1983)Other works Writings: Un Chien Andalou (1929) • L'Age d'Or (1930) • Giraffes on Horseback Salad (1937) • Libretto for Bacchanale (1939) • The Secret Life of Salvador Dalí (1942, autobiography)
Films: Un Chien Andalou (1929) • L'Age d'Or (1930) • Spellbound (1945, dream sequence) • Impressions of Upper Mongolia (1975, narration)
Animated films: Destino (1946, completed 2003)
Logos: Chupa Chups
Opera: Être Dieu (1985)
Sculpture: Lobster Telephone (1936) • Mae West Lips Sofa (1937)
Costumes: costumes for García Lorca's play Mariana Pineda (1927)
Novels: Hidden Faces (1944)Related articles Categories:- Salvador Dalí paintings
- Surrealist paintings
- 1931 paintings
- Paintings of the Museum of Modern Art
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