Lucille Bogan

Infobox musical artist | Background = solo_singer
Name = Lucille Bogan
Birth name = Lucille Anderson


Img_capt = Lucille Bogan
Born = birth date|1897|4|1|mf=y
Amory, Mississippi, U.S.
Died = death date and age|1948|8|10|1897|4|1
Los Angeles, California, U.S.
Genre = Delta blues, country blues
Years_active = 1923–1935
URL =
Notable_instruments =

Lucille Bogan (April 1 1897 - August 10 1948 [http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:3ifixq95ldje~T1 All Music Guide biography] ] ) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson. Bogan sang straight-talking blues about drinking ("Sloppy Drunk Blues"), prostitution ("Tricks Ain't Walking No More"), gambling, lesbianism and other facets of what her generation called 'the life'.cite book
first= Tony
last= Russell
year= 1997
title= The Blues: From Robert Johnson to Robert Cray
edition=
publisher= Carlton Books Limited
location= Dubai
pages= p. 94
id= ISBN 1-85868-255-X] The jazz critic and sexologist Ernest Borneman grouped her with Ma Rainey and Bessie Smith in the "the big three of the blues".

Life

She was born Lucille Anderson in Amory, Mississippi in 1897, and raised in Birmingham, Alabama. In 1916 she married Nazareth Lee Bogan, a railwayman, and gave birth to a son.

She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens. Later that year she recorded "Pawn Shop Blues" in Atlanta, Georgia, which was the first time a black blues singer had been recorded outside New York or Chicago.Nigel Williamson, "The Rough Guide to The Blues", 2007, ISBN 1-84353-519-X] In 1927 she began recording for Paramount Records in Chicago, where she waxed her first big success, "Sweet Petunia", which was later covered by Blind Blake. She also recorded for Brunswick Records, backed by Tampa Red and Cow Cow Davenport.

By 1930 her recordings had begun to concentrate on drinking and sex, with songs such as "Sloppy Drunk Blues" - covered by Leroy Carr and others - and "Tricks Ain't Walkin' No More" - later recorded by Memphis Minnie. She also recorded the original version of "Black Angel Blues", which (as "Sweet Little Angel") was covered by B. B. King, Robert Nighthawk, Pinetop Perkins, and many others. Trained in the rowdier juke joints of the 1920s, many of Bogan's songs, most of which she wrote herself, have thinly-veiled humorous sexual references. The theme of prostitution, in particular, features prominently in several of her recordings. Her outspoken lyrics dealt with sexuality in a manner that manages to raise eyebrows.

Around 1932 she returned to Birmingham, and, apparently to conceal her identity, began recording as Bessie Jackson for the Banner (ARC) record label. She was usually accompanied on piano by Walter Roland, with whom she recorded over 100 songs between 1933 and 1935, including some of her biggest commercial successes including "Seaboard Blues", "Troubled Mind" and "Superstitious Blues".

Her other songs included "Stew Meat Blues", "Coffee Grindin' Blues", "My Georgia Grind", "Honeycomb Man", "Mr. Screw Worm In Trouble" and "Bo Hog Blues". Her final recordings with Roland and Josh White included two takes of "Shave 'Em Dry", recorded in New York on Tuesday March 5 1935. The unexpurgated alternate take is notorious for its explicit sexual references, a unique record of the lyrics sung in after-hours adult clubs.Nigel Williamson, "The Rough Guide to The Blues", 2007, ISBN 1-84353-519-X]

Another of her songs, "B.D. Woman's Blues", takes the position of a bull dyke ('B.D.'), with the line "Comin' a time, B.D. women, they ain't gonna need no men". The music and melody of the traditional women's blues song, "I Know You Rider", are similar to Bogan's "B.D. Woman Blues," although the lyrics are completely different.

She appears not to have recorded after 1935, and spent some time managing her son's jazz group, Bogan's Birmingham Busters, [ [http://www.alamhof.org/boganl.htm Alabama Music Hall of Fame biography] ] before moving to Los Angeles, California shortly before her death from coronary sclerosis in 1948.

Her final composition was "Gonna Leave Town," which turned out to be quite a prophetic title. By the time Smokey Hogg cut the tune in 1949, Jackson really had left town, having died the previous year.

She is interred at the Lincoln Memorial Park, Compton, Los Angeles County, California. [* [http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=7636926 Lucille Bogan at Find a Grave] ]

Legacy

*Sharon Jones had a small part in the 2007 film "The Great Debaters", starring Denzel Washington and Forest Whitaker, as a juke joint singer named "Lila". Her performance of Lucille Bogan's "That's What My Baby Likes" is featured in the film.
*The Wildparty Sheiks included a bonus track, accessible only by computer, on their eponymous album recorded in 2002, which was a cover version of the explicit version of "Shave 'Em Dry" as originally written and recorded by Bogan in 1935.
*Also the Asylum Street Spankers covered the explicit version of "Shave 'Em Dry" on their album "Nasty Novelties" (1997)
*"", a four CD box set released on Columbia Records in 1992, included Bogan's (as Bessie Jackson) "Skin Game Blues" (2:57), recorded on 8 March 1935 in New York.

ee also

*List of blues musicians
*List of Classic female blues singers
*List of Dirty blues musicians
*List of Country blues musicians
*Classic female blues

References

External links

* [http://www.deltahaze.com/30/lb.html Lucille Bogan Biography]
* [http://www.redhotjazz.com/bogan.html Lucille Bogan Music Catalog]
* [http://www.deltahaze.com/30/Bogan_lyrics.html Lyrics to many Bogan songs]