- Constance Collier
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Constance Collier
Collier photo taken by Carl Van Vechten, 1932Born Laura Constance Hardie
22 January 1878
Windsor, Berkshire, EnglandDied 25 April 1955 (aged 77)
New York City, New York
United StatesOccupation actress, screenwriter Years active 1894[1] - 1949 Spouse Julian L'Estrange (1905 or 1912-1918) (his death) Constance Collier (22 January 1878 – 25 April 1955) was an English film actress and acting coach.
Contents
Life and career
Born Laura Constance Hardie, in Windsor, Berkshire, Collier made her stage debut at the age of 3, when she played Fairy Peasblossom in A Midsummer's Night Dream. In 1893, at the age of 15, she joined the Gaiety Girls, the famous dance troupe based at the Gaiety Theatre in London. She was a very beautiful woman and soon became so tall that she towered over all the other dancers. In addition, she had an enormous personality and considerable determination. She naturally attracted considerable attention. On 27 December 1906, Beerbohm Tree's extravagant revival of Antony and Cleopatra opened at His Majesty's Theatre, with Tree as Mark Antony and Constance Collier as Cleopatra, a performance for which she received much critical praise.[2]
Famed for his realistic productions, Tree and his designer, Percy Macquoid, dressed Collier in a range of spectacular costumes. Later, Constance Collier commented: "There is only a mention in the play of Cleopatra appearing as the goddess Isis. Tree elaborated this into a great tableau... Cleopatra, robed in silver, crowned in silver, carrying a golden scepter and the symbol of the sacred golden calf in her hand, went in procession through the streets of Alexandria, the ragged, screaming populace acclaiming the Queen, half in hate, half in superstitious fear and joy as she made her sacrilegious ascent to her high throne in the market-place."[2]
Constance Collier was now established as a popular and distinguished actress. In January 1908, she starred with Beerbohm Tree at His Majesty's Theatre in J. Comyn's new play The Mystery of Edwin Drood, based on Charles Dickens's unfinished novel of the same name. Later that year, she made the first of several tours of the United States. During the second, made with Beerbohm Tree in 1916, she made four silent films, including an uncredited appearance in D. W. Griffith's Intolerance and as Lady Macbeth in Tree's first and disastrous film interpretation of Shakespeare's MacBeth.[2]
In 1905, Collier married Irish actor Julian Boyles (stage name Julian L'Estrange). They performed together for many years until his death in 1918 in New York from influenza. No children were born from the marriage.
In the early 1920s, she established a close friendship with Ivor Novello, who was then a young, handsome actor. His first play, The Rat, was written in collaboration with her in 1924. She also appeared in several plays with him, including the British version of the American success, The Firebrand by Edwin Justus Mayer.[2] Her writing career is notable for her collaboration with Deems Taylor on the libretto of the opera "Peter Ibbetson" which was premiered at the Metropolitan Opera in February 1931 and which received mixed reviews. In 1935, upon her arrival in Hollywood, Luise Rainer hired Collier to improve Rainer's theater acting and English, and to learn the basics of film acting.
In 1932 Collier starred as Carlotta Vance in the original production of George S. Kaufmann and Edna Ferber's classic comedy Dinner at Eight (play). The role was played in the 1933 film by Marie Dressler.
She appeared in the films Stage Door (1937), Mitchell Leisen's Kitty (1945, a comedic performance as Lady Susan, the drunken aunt of Ray Milland), Perils of Pauline with Betty Hutton, Alfred Hitchcock's Rope (1948), and Otto Preminger's Whirlpool (1949).[2]
During the making of the film version of Stage Door, she became great friends with Katharine Hepburn, a friendship that lasted the rest of Collier's life.
Constance Collier was presented with the American Shakespeare Festival Theatre Award for distinguished service in training and guiding actors in Shakespearean roles. Collier was a drama coach for many famous actors, including coaching Katharine Hepburn during Hepburn's world tour performing Shakespeare in the 50's. Upon Collier's death in 1955, Hepburn "inherited" Collier's secretary Phyllis Wilbourn, who remained with Hepburn as her secretary for 40 years. Collier has a star on the Hollywood Walk of Fame.
She died of natural causes in New York on April 25, 1955 at age of 77. She had no children.
Selected filmography
- The Tongues of Men (1916)
- The Code of Marcia Gray (1916)
- Macbeth (1916)
- Intolerance (1916) (*extra)
- The Impossible Woman (1919)
- Bleak House (1920)
- The Bohemian Girl (1922)
- Shadow of a Doubt (1935)
- Anna Karenina (1935)
- Stage Door (1937)
- Thunder in the City (1937)
- A Damsel in Distress (1937)
- Zaza (1939)
- Kitty (1945)
- The Perils of Pauline (1947)
- Rope (1948)
References
Met Opera archives with quotes from various music critics on the premier of Peter Ibettson
Further reading
- Harlequinade: The Story of My Life, John Lane The Bodley Head (1929)
External links
- Constance Collier at the Internet Movie Database
- Constance Collier at the Internet Broadway Database
- "Constance Collier". Find a Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=7254024. Retrieved August 28, 2010.
- Constance Collier photo gallery at NYP Library
- Constance Collier picture gallery as a young woman at National Portrait Gallery, England
- Julian L'Estrange husband of Constance Collier
- Constance Collier portrait gallery University of Washington Sayre Collection
Categories:- 1878 births
- 1955 deaths
- English stage actors
- American silent film actors
- English film actors
- English silent film actors
- Acting coaches
- English tax resisters
- American people of English descent
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