- Pashto music
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Music of Pakistan 
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Related areas Pashto music is commonly found in Pakistan, Afghanistan and among the Pashtun diaspora around the world. It is mainly listened to in the Pashtun regions, which includes Khyber-Pakhtunkhwa, Federally Administered Tribal Areas, and Balochistan in Pakistan. The major centers of Pashto music are Peshawar, Karachi and Quetta.
Contents
Genres
Tappa
Tappa is the oldest and most popular genre of the Pashto poetry. The Tappa is a composition of two unequal meters, in which the first line is shorter than the succeeding one, yet it reflects all human feelings and aspirations elegantly. Be it laborers, peasants, or women all sentiments find expression in the Tappa. It is also common among the Pashtuns that a boy of school would sing it, the elders in their hujrahs, the women in their home and Godar alike. It is the only song sung in the time of grief and on the occasion of marriage. In music it is sung with the traditional Pashto musical instruments rubab and mangai. Tappa has up to 16 different models of harmony and is being sung with full orchestra. In hujrah it's sung with rubab and sitar.
Charbeta
Charbetta is another popular genre, which consists of an epic poem with special rhythms. There are four kinds of Charbetta's. Normally, it's a poem of four lines but might also have six or eight lines. All aspects of life are discussed in it. That includes the heroic deeds and heroism by legendary figures and sometime expresses the romantic feelings. The tempo is usually very fast and is sung by two or more singers as part of a chorus in which ones singer reads the first line while the others follow the remaining. The singing or recitation of a Charbetta is called Tang Takore. Traditionally Charbetta is started just after the finishing of a Tappa.
Neemakai
Neemakai has many different forms and normally women compose it. It is usually very short (1 to 3 lines). The first lines are repeated in the middle of the song and Tappa is usually added according to the subject and circumstances. Most of these songs in Pashtoon culture have been expressed in different areas about daily life and love.
Loba
The rubab is often used in Pashto music
Loba is very popular among the masses and are added within Tappas occasionally. This is a form of folk music in which a story is told. It requires 2 or more persons who reply to each other in a poetic form. The two sides are usually the lover and the beloved (the man and woman).
Shaan
Shaan is sung during happiness such as marriages and or the birth of a child, and are sung in private congregations and social gatherings.
Badala
Badala is a professional form of folk music and consists of an epic poem or a ballad. Instruments used include the rubab, Harmonium, Drums and Tabla. In Badala, tribal traditions are the main theme as well as heroism, tragedies and romance. Badala consists of variations, because each couplet is varied in rhythms from other. It is sung traditionally at night.
Rubayi
Rubayi is a Pashto form of a Ghazal. The Rubayis of Rehman Baba are popular among the masses and is sung before the starting of Badala. As with the Ghazals, the Rubayi have been heavily influenced by Arabic, Persian and Turkish poetry.
Composers and performers
Main article: List of Pashto language singers
- Obaidullah Jan Kandarai
- Sardar Ali Takkar
- Nashenas
- Gulzar Alam
- Farhad Darya
- Zeek Afridi
- Nazia Iqbal
- Naghma
- Rahim Shah
- Ahmad Wali
- Zeb and Haniya
- Zarsanga - The Queen of Pashto folk music
- Fay Khan
- Haroon Bacha
- Bakhtiar Khattak
Traditional Pashtun dance
- Attan
- Khattak Dance
- Zahir Mashohil
See also
References
External links
Categories:- Pakistani music
- Pakistani culture
- Pashtun culture
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