List of twelve-tone pieces

List of twelve-tone pieces

*Josef Matthias Hauer
*:

*Second Viennese School
**Alban Berg
*: "Wozzeck"
*: Violin Concerto
*: "Lulu"
**Hanns Eisler
**Arnold Schoenberg
*:Waltz from 5 Klavierstücke, Op. 23
*:Serenade, Op. 24
*:Suite for Piano, Op. 25
*:Wind Quintet, Op. 26
*:Suite for piano, piccolo clarinet, clarinet, bass clarinet, violin, viola, and cello, Op. 29
*:String Quartet No. 3, Op. 30
*:Variations for Orchestra, Op. 31
*:"Von heute auf morgen", Op. 32
*:Klavierstück, Op. 33a
*:Klavierstück, Op. 33b
*:"Moses und Aron" (incomplete)
*:"Begleitungsmusik zu einer Lichtspielscene" (Drohende Gefahr, Angst, Katastrophe), Op. 34
*:Concerto for Violin and Orchestra, Op. 36
*:String Quartet No. 4, Op. 37
*:Concerto for Piano & Orchestra, Op. 42
*:String Trio, Op. 45
*:"A Survivor from Warsaw", Op. 46
*:Fantasy for Violin & Piano, Op. 47
*:"Sehr langsam" and "Rasch, aber leicht", from Op. 19
**Anton Webern
*:Three Lieder, for voice, E flat clarinet and guitar, opus 18 (1925)
*:Two Lieder, for mixed choir, celesta, guitar, violin, clarinet and bass clarinet, opus 19 (1926)
*:String Trio, opus 20 (1927)
*:Symphony, opus 21 (1928)
*:Quartet for violin, clarinet, tenor saxophone and piano, opus 22 (1930)
*:Three Songs on Hildegard Jone's "Viae inviae", for voice and piano, opus 23 (1934)
*:Concerto for flute, oboe, clarinet, horn, trumpet, violin, viola and piano, opus 24 (1934)
*:Three Lieder on texts by Hildegard Jone, for voice and piano, opus 25 (1934-35)
*:"Das Augenlicht", for mixed choir and orchestra, on a text by Hildegard Jone, opus 26 (1935)
*:Variations, for solo piano, opus 27 (1936)
*:String Quartet, opus 28 (1937-38) - the tone row of this piece is based around the BACH motif
*:Cantata No. 1, for soprano, mixed choir and orchestra, opus 29 (1938-39)
*:"Variations", for orchestra, opus 30 (1940)
*:Cantata No. 2, for soprano, bass, choir and orchestra, opus 31 (1941-43)
*Igor Stravinsky, works from 1952 forward: [Joseph N. Straus, "Stravinsky's Late Music", Cambridge Studies in Music Theory and Analysis (Cambridge: Cambridge University Press, 2001), 4. ISBN 0-521-80220-2 (cloth) ISBN 0-521-60288-2.]
*:"Cantata" (1952)
*:"Three Songs From Shakespeare" (1953)
*:"In Memoriam Dylan Thomas" (1954)
*:"Agon" (1957)
*:"Threni" (1958)
*:Movements for Piano and Orchestra (1958-59)
*:"A Sermon, A Narrative, and a Prayer" (1961)
*:"The Flood" (1962)
*:"The Dove Descending Breaks the Air" (1962)
*:Variations (Aldous Huxley in Memoriam) (1963/1964)
*:"Requiem Canticles" (1966)
*Milton Babbitt
*:Virtually all published works after 1947
*Luigi Dallapiccola
*:Virtually all published works after 1942
*Roger Sessions
*:Virtually all published works after 1953
*Benjamin Frankel
*:Film score for "The Prisoner" (1955, starring Alec Guinness) [Dimitri Kennaway, notes for recording, Naxos 8.557850, "his [Frankel's] first published experimentation with serial techniqueFact|date=April 2008 .]
*:Film score for "The Curse of the Werewolf" (1961) [Dimitri Kenneway, notes for recording, Naxos 8.557850, "credited with being the first British feature film score to employ the method [twelve-tone serialism] almost entirely."]
*Charles Wuorinen
*:Most mature works
*Sculptured
*:"Apollo Ends" (1999)
*David Shire
*:Film Score for "The Taking of Pelham One Two Three" 1974
*Greg Ginn
*:"The Process of Weeding Out"

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