List of musical pieces which use extended techniques

List of musical pieces which use extended techniques

*Luciano Berio::"Sequenza"s I-XIV

*John Cage::prepared piano pieces (1938)::"One8" (1991), for curved bow

*Henry Cowell::"Tides of Manaunaun" (1915), large tone-clusters::"The Banshee", "Aeolian Harp", and "Sinister Resonance", played inside the piano

*George Crumb::"Black Angels", extended string techniques, including bowing with glass rods::"Makrokosmos" (1972), prepared and amplified piano::"Vox Balaenae" (1971), harmonic glissando (gull effect)

*Julio Estrada::"Miqi'nahual" (1993) from his modular composition "Doloritas" (1992), stringed instrument with two right hand bows

*Carlo Forlivesi::"Più Mesto" (2003), for 2-bow cello::"Rosenleben" (2006), for clarinet, cello and piano::"Lauda" (2007), cello concerto (for Anssi Karttunen)::"En la soledat i el silenci" (2008), for hyper-tempered koto and guitar
*Sofia Gubaidulina::String quartets

*Jonathan Harvey::"Imaginings" (1994), stringed instrument with two right hand bows

*Hans Werner Henze::"El Cimarrón", which requires the baritone soloist to laugh, whistle, shout, scream and use falsetto

*Charles Ives::"Concord Sonata", use of a 14 3/4 inch long piece of wood to create a cluster chord

*Panayiotis Kokoras::"Holophony", for amplified string quartet. Scream sounds, duck sounds, saw sounds, reversed attack, energy control, oscilations.::"Paranormal", for three amplified snaredrums. Wire brushes (Jazz rake, Dreadlock), metallic sweeping, granular sound, strumming, friction, slap.

*Nikita Koshkin::"Piece with Clocks", for prepared guitar using cork, matches and a foam mute::"The Prince's Toys - Suite for Guitar", cross string "snare" technique, string scraped with thumbnail, percussion (striking of the guitar), playing behind the nut or saddle

*György Ligeti::"Aventures"::"Nouvelles Aventures"

*Drake Mabry::"Five Preludes for piano" (1977) inside the piano techniques::"11.10.83 (Street Cries) for clarinet" (1983), quarter-tones and double stops::"12.5.83 (Solo for alto recorder)" (1983) extended techniques::"9.28.85 (Solo for trombone)" (1985) extended techniques including air sounds, multiphonics, and voice::"6.15.86 (Solo for Baroque oboe)" (1986) extended techniques including chords, microtones and timbral modifications. Perhaps the only work for Baroque oboe to include these extended techniques.::"5.4.88 (Solo for flute)" (1988) air sounds, tongue ram, pizzicato and whistle tones::"Three Nocturnes for small ensemble" (1995) extended techniques for all instruments::"Quatre Tanka for soprano and serpent" (1996) extended techniques for serpent Perhaps the only work with extended techniques for serpent.::"Silent Durations I through XXVII" (2003-2008) most of these works include extended techniques

*Krzysztof Penderecki::"Anaklasis" (1959), extended string techniques::"Polymorphia" (1961), extended string techniques::"Threnody for the Victims of Hiroshima" (1960), extended string techniques

*Christopher Rouse::"Ogoun Badagris" (1976), for 5 percussionists, innovative percussion techniques::"Ku-Ka-Ilimoku" (1978), for 4 percussionists, innovative percussion techniques::"Rotae Passionis" (1982), for small ensemble, woodwinds and piano double on percussion, extended percussion, flute and clarinet techniques::"Bonham" (1988), for 8 percussionists::Rouse makes constant use of extended techniques for percussion and other instruments

*Marc Sabat::"For Magister Zacharias", the mechanism of lifting the dampers without the hammers touching the keys is highly-amplified

*Arnold Schoenberg::"Gurrelieder" (1911), and::"Pierrot Lunaire" Op. 21 (1912) which make the use of sprechstimme

*Daniel Theaker::"Flute Concerto No.1, Op.17" for Flute and Orchestra (2004-2006), and::"Violin Concerto No.1, Op.17b" for Violin and Orchestra (2004-2006): both works make use of glissando in both the flute and violin as well as string harmonics

*Iannis Xenakis::"Nomos Alpha" (1966), for solo cello, uses harmonic glissando

*La Monte Young::"Chronos Kristalla" (1990), for string quartet using a special tuning and only natural harmonics

External links

* [http://www.panayiotiskokoras.com Panayiotis Kokoras' home page]


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