- Indian Reservation (song)
"Indian Reservation (The Lament of the Cherokee Reservation Indian)" is a
song written byJohn D. Loudermilk . It was first recorded in 1959 by Marvin Rainwater and released as "The Pale Faced Indian". Rainwater's MGM release stayed unnoticed. The first hit version was a 1968 cover byDon Fardon , a former member ofThe Sorrows , that reached #20 on the U.S.Billboard Hot 100 chart [Whitburn, Joel, "Top Pop SIngles 1955-1996", Record Research Inc. 1997. ISBN 0-89820-122-5] and #3 on theUK Singles Chart [http://www.chartstats.com/songinfo.php?id=5480] .In 1971 the Raiders recorded the song. It was released on the
Columbia Records label and became #1 on the U.S. chart on July 24 [Bronson, Fred, "The Billboard Book of Number One Hits", Billboard Publications, Inc. 1985. ISBN 0-8230-7522-2] . The RIAA gold certification followed on30 June 1971 , for selling over a million copies.UK Punk Band 999 released a cover version of this 14 Nov 1981 on the Albion Ion label and reached 51 for 4 weeks in the UK charts.The song was later further covered by the
Orlando Riva Sound .A 1994 country song by
Tim McGraw , "Indian Outlaw ", opens with part of the main "Cherokee People" chorus from "Indian Reservation". The live version also uses the full chorus near the end of the song.Historical context
The song refers to the forcible removal and relocation of
Cherokee people from southeastern states of the United States to territories west of theMississippi River . This removal in the 1830s has been popularly referred to as the "Trail of Tears ." It followed theIndian Removal Act of 1830. This action was part of a larger United States policy ofIndian removal .Music and lyric form
The music is in a
minor key , with sustainedminor chord s ending each phrase in the primarymelody , while theelectronic organ holds the melody line through a slow musical turn (turning of related notes) which ends each phrase, and emphasizes the ominous minor chords. Underneath the slow, paced melody, is a rhythmic, low "drum beat" in double-time, constantly, relentlessly pushing to follow along, but the melody continues its slow, deliberate pace above the drum beat.Below are partial lyrics from the Raiders' version:
:: "They took the whole Cherokee nation," :: "Put us on this reservation":: . . .:: "Took away our native tongue,":: "And taught ... English to our young" :: . . .
:: [ CHORUS ] :: "Cherokee people! Cherokee tribe!" - [sung as shouting] :: "So proud to live, so proud to die"
:: . . .:: "Though I wear a shirt and tie,":: "I'm still part redman deep inside..."
The lyrics vary somewhat among the recorded versions. Rainwater's version omits the "Cherokee people!" chorus but includes instead a series of "Hiya hiya ho!" chants. Fardon's version is similar to the Raiders' through the first verse and chorus, but differs in the second verse, which includes the lines "Altho' they changed our ways of old/They'll never change our heart and soul", also found in Rainwater's version. Rainwater includes some of the elements found in the other versions in a different order, and his first verse has words not found in the others, such as "They put our papoose in a crib/and took the buck skin from our rib".
At the end, where the Raiders sing "...Cherokee nation will return", Fardon says "Cherokee Indian...", while Rainwater omits the line and ends with "beads...nowadays made in Japan."
Notes
External links
* [http://www.superseventies.com/1971_4singles.html SuperSeventies singles]
* [http://solosong.net/cherokee.html Solosong.net]
* [http://www.last.fm/music/Don+Fardon/_/Indian+Reservation FM music]
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