Visit of King George IV to Scotland

The 1822 visit of King George IV to Scotland was the first visit of a reigning monarch to Scotland since 1650. Government ministers had pressed the King to bring forward a proposed visit to Scotland, to divert him from diplomatic intrigue at the Congress of Verona.

The visit increased his popularity in Scotland, turning his subjects away from the rebellious radicalism of the time. However, it was Sir Walter Scott's organisation of the visit, with the inclusion of plaided pageantry, that was to have a lasting influence, by elevating the tartan kilt to become part of Scotland's national identity.

Background

After a decade of ruling as Prince Regent, George IV acceded to the throne and his coronation on 19 July 1821, was celebrated by splendid traditional pageantry, much of it invented for the occasion. He was obese and was widely unpopular, with many offended by his treatment of his wife. He had also been struggling to manipulate the government, which was seen as a corrupt oligarchy by Radicals whose increasing unrest following the revolutions which shook America and France culminated in the "Radical War" of 1820 in Scotland and terrified the gentry. He was invited to attend a Congress in Verona, but government ministers wanting to keep Parliamentary control of foreign affairs pressed him to bring forward a proposed visit to Scotland which it was hoped would calm unrest. Suffering from painful illness and pushed by opposing factions of diplomats and ministers, the King remained indecisive, but preparations went ahead in the hope of his agreement.

Walter Scott was author of the novel "Waverley" which popularised a romantic image of the Scottish Highlands. In 1815 this led to his being invited to dine with George, who was then the Prince Regent. By 1822 Scott had become a baronet, and was well acquainted with both Highland and Lowland nobility.

Kilts and tartans were used for army uniforms but were no longer ordinary Highland wear, having been proscribed in the wake of the Jacobite Risings by the Dress Act. The "small" kilt as worn today was a relatively recent innovation in the Highlands, having been introduced around the 1720s and later adopted as dress uniform by the army, but the romance of the "ancient" belted plaid still appealed to those wanting to preserve the Highland identity. Soon after the Act's repeal in 1782, Highland aristocrats set up Highland Societies in Edinburgh and other centres including London and Aberdeen, landowners' clubs with aims including "Improvements" (which others would call the Highland clearances) and promoting "the general use of the ancient Highland dress" by obliging members to wear this when attending meetings. Numerous less exclusive associations including the "Celtic Society of Edinburgh", of which Scott was enthusiastic chairman, had membership including many lowlanders as well as chieftains of impeccable Highland ancestry, and also promoted Highland culture with all attending meetings and dances wearing "the garb of old Gaul".

Preparations

When his advice was sought, Sir Walter Scott seized the opportunity to invent a splendid pageant wherein ancient Scotland would be reborn, and the king parodied in cartoons as a fat debaucher would be seen as "a portly handsome man looking and moving every inch a King". George would be presented as a new Jacobite king, with the logic that he was by bloodline as much a Stuart as Bonnie Prince Charlie had been, and would win the affections of the Scots away from radical reform. A small committee was set up, with Scott's principal assistant being his friend Major General David Stewart of Garth who had made himself the undisputed authority on Highlanders with his "Sketches".

George had been persuaded by Scott that he was not only a Stuart prince, but also a Jacobite Highlander, and could rightly and properly swathe himself in "the garb of old Gaul [sic] ", so in July 1822 the King placed his order with George Hunter & Co., outfitters of Tokenhouse Yard, London and Princes Street, Edinburgh, for £1,354 18s worth of highland outfit in bright red Royal Tartan, later known as Royal Stuart, complete with gold chains and assorted weaponry including dirk, sword and pistols.

Scott brought the Highland societies and the Clan chieftains into arranging for a plaided pageantry. Garth now drilled the younger members of the "Celtic Society" into four companies as honour guards. Their mix of lowlanders and highlanders had already offended Alasdair Ranaldson MacDonell of Glengarry, who was quick to demand that his "Society of True Highlanders" be given precedence, but his attempts to take over were generally disregarded. Some chieftains took the event as a chance to show impressive forces and thus disprove allegations about the Highland clearances, but the decimation of their tenantry rather undermined this. James Loch acting for the Countess of Sutherland solved the problem of finding kilts by borrowing army uniforms for the Sutherland Highlanders.

For the management of all events, Scott took the advice of his friend the young actor-manager William Henry Murray whose talents at theatrical scenery and costume were put to good use in creating the settings and the "revived ancient dresses" for the pageants he arranged. Holyrood palace had to be readied for state occasions, but was not in fit condition as a royal residence and arrangements were made for the king to stay at Dalkeith House, 7 miles (11 km) from Edinburgh.

There was widespread concern about procedure and etiquette, not least amongst the touchy Highland chiefs (notably Glengarry), which Scott met by producing a shilling booklet "HINTS addressed to the INHABITANTS OF EDINBURGH AND OTHERS in prospect of HIS MAJESTY'S VISIT by an old citizen" which gave an outline of planned events with detailed advice on behaviour and clothing. All gentlemen of the city were expected to attend public appearances in a uniform blue coat, white waistcoat and white or nankeen (yellowish) cotton trousers, and a low-crowned dark hat decorated with a cockade in the form a white St. Andrew's saltire on a blue background. Similarly detailed guidance was given for those fortunate enough to attend functions or levees, with gentlemen to wear a full dress suit, as well as a description of the dress of the Highland chiefs and their "tail" of followers who were expected to "add greatly to the variety, gracefulness and appropriate splendour of the scene".

The exception was the "Grand Ball" held by the peers of Scotland to entertain the king: Scott's "Hints" called this a "Highland Ball", reminded readers that the king had ordered a kilt and set the condition that, unless in uniform, "no Gentleman is to be allowed to appear in any thing but the ancient Highland costume". At this, lowland gentlemen suddenly embarked on a desperate search for Highland ancestry (however remote) and a suitable tartan kilt from the Edinburgh tailors, who responded inventively. This can be seen as the pivotal event when what had been thought of as the primitive dress of mountain thieves became the national dress of the whole of Scotland.

The catering contract was won by Ebenezer Scroggie, who would become the posthumous inspiration for Charles Dickens' character Ebenezer Scrooge in "A Christmas Carol" [ [http://news.scotsman.com/scotland.cfm?id=1462612004 "When A Christmas Carol , one of Dickens’ finest works, was published in 1843, it featured Ebenezer Scrooge, a "mean man" erroneously based on Ebenezer Scroggie." "He won the catering contract for the visit of George IV to Edinburgh in 1822... "] , "The Scotsman", 24 December 2004] .

The visit

The first of Scott's pageants took place on the King's birthday, on Monday 12 August 1822. In procession the Midlothian Yeomanry and companies of Highlanders escorted coaches carrying the Regalia of Scotland and dignitaries from the Castle to Holyrood Palace. The procession assembled on The Mound before going up to the Castle, and within minutes of setting off was halted by the arrival on horseback of a flamboyantly dressed Glengarry who announced that it was his rightful place to ride at the head of the procession. After a pause, a Captain Ewan MacDougall persuaded the hot-tempered Glengarry to go away. Watched by packed crowds, the procession formally received the regalia then returned down to The Mound and went down it to Princes Street and on by Calton Hill to Holyroodhouse.

The King's ship the "Royal George" arrived in the Firth of Forth about noon on Wednesday 14 August, but his landing was postponed due to torrential rain. On Thursday 15 August, the King in naval uniform arrived in sunshine at the quayside of The Shore, Leith and stepped ashore onto a red carpet strewn with flowers to greet the waiting crowds. After fifteen minutes of the ritual salutations traditional in a royal entry he got in his carriage. A quiet pause was rudely interrupted by Glengarry on horseback galloping up beside the King, sweeping off his bonnet and loudly announcing "Your Majesty is welcome to Scotland!". The King, in good humour, bowed graciously at this unplanned intrusion as his carriage moved off. A procession including lowland regiments and Highland clan regiments with pipe bands escorted the King's open carriage the 3 miles (5 km) up to Edinburgh past cheering Scots crowding every possible viewpoint eager to show a welcome to their monarch. At a theatrical "medieval" gateway the King was presented with the keys to the city and "the hearts and persons" of its people.

Much of the pageantry for the visit would be medieval rather than Highland, but the exotic outfits of the "gathering of the Gael" were to attract most attention. The next day was one that the King spent away from the public at Dalkeith. Edinburgh was full of visitors for the occasion, and that evening they walked round enjoying "illuminations" with illustrated tributes hung on public buildings, businesses and houses, "Everywhere crowded to excess, but in civility and quiet", before being escorted to their rest around midnight by bands of boys carrying flaming torches to light their way.

On Saturday afternoon, 17 August, the King attended a short Levee at Holyrood Palace, where the great and good queued to be greeted by George in his Highland outfit complete with pink pantaloons to conceal his bloated legs, described as "buff coloured trowsers like "flesh" to "imitate" his "Royal knees". When someone complained that the kilt had been too short for modesty, Lady Hamilton-Dalrymple wittily responded "Since he is to be among us for so short a time, the more we see of him the better."

The King would not be seen again by the public until Monday afternoon when a medium-sized crowd caught a brief glimpse of him as he went in to Holyroodhouse to hear long repetitive addresses from the Church of Scotland, the Scottish Episcopal Church, universities, burghs, counties and "the Highland Society", and give his short formal responses.

The "King's Drawing Room" on Tuesday 20 August was attended by 457 ladies, and custom required that he kiss each one on the cheek. This brief occasion took him away from Dalkeith House for two hours, and the presentation of the ladies lasted from 2.15 to 3.30. In the rush some ladies received no "buss" on the cheek, or in their nervousness scarcely felt the kiss at all. All were dressed in rich gowns with sweeping trains, and most had coloured ostrich plumes above their elaborately curled hair. The King was courteous and smiling, and paid particular attention to "the lady on whose account so many Highlanders went down to Elgin two years ago" when election passions led to her and her sisters being besieged by a "democratic mob" of townsfolk until a rescue party of her clansmen was "summoned by the fiery cross" and released them without coming to blows. The story had amused the king, and he remarked "Truly she is an object fit to raise the chivalry of a clan", echoing Scott's romanticism. He spent the next day at Dalkeith, and that evening Scott dined with him.

Heavy rain returned on Thursday 22 August as a "Grand Procession" went from Holyrood to Edinburgh Castle. The procession and the King's closed carriage went up a Royal Mile flanked by colourful bunting and densely packed cheering crowds obscured by their umbrellas. At the castle, the king climbed out onto the battlements of the Half-moon battery to wave his cocked hat to continuing "huzzas" from the crowd for fifteen minutes, reportedly saying "Good God! What a fine sight. I had no conception there was such a fine scene in the world; and to find it in my own dominions; and the people are as beautiful and as extraordinary as the scene." and "Rain? I feel no rain. Never mind, I must cheer the people." He had not been used to this kind of reception.

On Friday, 23 August, a review of 3,000 volunteer cavalrymen was held on Portobello sands. The king was also to honour the Clans including a contingent from the Celtic Society of Edinburgh. Though disappointingly his review ended before reaching them, the Highlanders took part in the "Grand March Past" then were cheered by the crowds as they marched back to Edinburgh. That evening, George appeared at the Peers' "Grand Ball" wearing a field marshal's uniform as earlier in the day rather than the anticipated kilt, and sat to enjoy watching the Scottish country dancing and the splendour of the belted plaids worn by the men. He left before midnight, but the Ball continued with increasing spirit until past one in the morning. The Assembly Rooms had been theatrically transformed by William Henry Murray, and the occasion was hailed as a triumph for him.

Saturday morning was marked by a small ceremony and procession including a Clan MacGregor Regalia Guard, as the Honours of Scotland were returned from Holyroodhouse up the Royal Mile to the Castle. That evening the King attended a tumultuous civic banquet in the great Hall of Parliament House which Murray had splendidly decorated.

Next day the King went in state to the Presbyterian Church of Scotland Sunday service at St Giles Cathedral. On the Monday he made a private visit to the Holyrood Palace apartments of his ancestor Mary, Queen of Scots, then in the evening attended the "Caledonian Hunt Ball" in a Guards uniform. Again many of the dancers were kilted, and the King was excited by the reels and strathspeys. Once more his wish was met, that while he was in Scotland all music would be "purely national and characteristic". On the Tuesday, 27 August, George made his last and least formal public appearance, showing his evident pleasure at a theatre performance of Scott's "Rob Roy" adapted and produced by William Henry Murray.

George's visit closed on Thursday 29 August with a brief visit to Hopetoun House 12 miles (19 km) west of Edinburgh. Elaborate arrangements had been made and crowds waited for him in the rain. He then joined his ship at nearby South Queensferry and departed.

Outcome

While the King's one kilted appearance was to be ruthlessly caricatured creating a memorable image of "our fat friend" being hoisted onto a horse, the effect of the event wryly described as "one and twenty daft days" was an increase in goodwill and a new-found Scottish national identity uniting Highlander and Lowlander in sharing the iconic symbolism of kilts and tartans. The pride of the Clan chieftains in their heritage was reinvigorated, but there was no check in the progress of the Highland Clearances.

External links

* [http://www.scottishtartans.org/kilt.html Early History of the Kilt]
* [http://www.tartan.tv/Web/Site/NewSite/Directory/ArtsandCrafts/True-history-of-tartan.asp Tartan TV true history of tartan]
* [http://www.edinphoto.org.uk/0_a/0_around_edinburgh_-_firth_of_forth_-_royal_george_buttersworth.htm The Royal George in the Firth of Forth at Leith - Royal Visit to Edinurgh of either King George IV in 1822 or Queen Victoria in 1842.]

References

*cite book |author=Prebble, John |title=The King's Jaunt: George IV in Scotland, August 1822 'One and Twenty Daft Days' |publisher=Birlinn Publishers |location= |year= |pages= |isbn=1-84158-068-6 |oclc= |doi=