- Topps sports card products
The Topps Company has created a number of different baseball card products during its existence. Topps has used a number of brand names and distribution methods to cater to various segments of the market.Topps brands
Factory sets
Topps remains the only baseball card company today to still offer factory sets of their base brand. Their first factory set was offered in 1974 exclusively in the
J.C. Penney catalog, but Topps would not begin releasing factory sets again until 1985. From 1986-1992, Topps factory sets came in two flavors. Retail factory sets were in very colorful boxes and were typically released near Christmas time (and for that reason are sometimes called Christmas sets). Hobby dealer sets were in much plainer boxes until 1993. Topps continues to this day to offer not only retail, hobby, and Christmas sets, but also team themed factory sets (starting in 2004) with bonus cards exclusive to each one.Tiffany sets
From 1984-1991, Topps released a limited edition version of both their regular and traded sets called "Tiffany" sets. These sets were released in hobby dealer exclusive factory set format only and are identical to the regular cards, but these were printed in Ireland with white cardboard (instead of the then-standard gray cardboard) with a glossy finish on the front. The color of the inner boxes the Tiffany sets came in as well as the estimated number of sets produced (according to the annual Beckett price guide) are:
*1984: Red (10,000)
*1985: Blue (5,000)
*1986: Maroon (5,000)
*1987: Violet (30,000)
*1988: Green (25,000)
*1989: Blue (15,000)
*1990: Red (15,000)
*1991: Navy (unknown, but believed to be the lowest print run of all, so <5,000)Bowman
Bowman was Topps' main competitor from 1951 until Topps bought out Bowman after the 1955 season. Almost 35 years later, in 1989, Topps resurrected the Bowman brand and created a new annual baseball card set which was unique in two ways. First, the 1989 Bowman cards were 2.5" x 3.75" instead of the standard 2.5" x 3.5" card size (they went back to standard size from 1990 onwards however) and second, its main focus was on upcoming minor league players who Topps believed had a good chance of making it to the majors someday, which continues to be the focus of the Bowman set today. Although the Bowman sets were not very popular in its first three years, that changed in 1992 when Bowman was upgraded to a premium quality set (with UV coating on both sides and a special subset with bronze foil borders), and very limited production. Since then, including today, Bowman (along with its spin-off Bowman's Best and Bowman Chrome sets) is among Topps' most popular products.
tadium Club
Topps released their first "premium" set in 1991 called Stadium Club. This was the very first major baseball card set to feature glossy UV coating on both sides of the card as well as gold foil stamping on the front and a borderless (or "full-bleed") Kodak photo on the front. The back of the card also featured an image of the player's first Topps card. This set was a major hit at that time with packs costing $5 or more. In 1992, Topps released three different series of Stadium Club cards. There was also a factory set from 1992 in which cards were packaged in a reproduction dome stadium, made of plastic, but this was not the same as the regular 1992 Stadium Club set.
Topps Finest
Topps released their first "super premium" set in 1993 called Topps Finest (or just Finest for short). These were issued in six card packs with 18 packs in a box and 12 boxes per case, and only 4,000 cases were produced. This set was also a major hit with packs costing around $25 at the time. Many hobbyists, however, frowned upon such an expensive set thinking that it was driving the hobby away from younger collectors. Topps also included a Finest All-Star jumbo card in each box (a 4" x 6" version of the All-Star subset) and randomly inserted (1 in 18 packs) a Refractor insert card which was exactly like the regular card but with a rainbow sheen on the front with some of them worth over $1000 at that time. Only 241 of each Refractor were produced and continue to this day to be highly sought after.
Topps/Bowman Heritage
In 2001, Topps (for its fiftieth anniversary) released the Heritage brand for its baseball, football and hockey brand. The novelty was that the brands had modern players with designs from past years. The baseball cards had the design from 1952 for its 2001 selection of Heritage baseball cards, 1953 design for 2002, 1954 design for 2003, and so on. Bowman Heritage was also started in 2001 and used the following throwback designs:
*2001: 1948 Bowman
*2002: 1954 Bowman
*2003: proposed 1956 Bowman design (original 1956 set was not issued due to Topps' buyout of Bowman after 1955)
*2004: 1955 Bowman
*2005: 1951 Bowman
*2006: 1949 BowmanTopps baseball cards outside the United States
A Canadian licensed version of the Topps set was produced by candy company
O-Pee-Chee were produced from 1965 until 1992. From 1970 onward, the cards were bilingual in order to comply with Canadian language laws. [http://www.iamdanaustin.com/opc/#history] There were also licensed version Topps sets issued inVenezuela from 1959 to 1977, with some changes and the addition of winter league players. [http://www.oldbaseball.com/more_checklists.html] In the late 1980s, Topps issued two sets for theUnited Kingdom market of American baseball players, complete with explanations of key baseball terms on the cards.2006 Topps Products
*2006 Series One
*2006 Topps Bazooka
*2006 Heritage
*2006 Opening Day
*2006 Triple Threads
*2006 Finest
*2006 Bowman
*2006 Co-Signers
*2006 Series Two
*2006 Chrome
*2006 Allen & Ginter
*2006 Bowman Chrome
*2006 Turkey Red
*2006 Sterling
*2006 Bowman Originals
*2006 Updates and HighlightsProducts by year
Each year, Topps faced the challenge of designing new cards to distinguish them from the year before. The 1953 - 56 sets are all quite similar, but in 1957, the design changed dramatically in that it was now a photograph of the player and not a painting. The 1957 set is one of the most sought after by hobbyists due to the photographic quality and simple card design. The 1957 set is almost borderless, and the player name, team name, and position are printed in small letters so the photograph of he player is the dominant feature. More colorful designs and larger borders resumed again until the highly popular 1961 set, which again has smaller borders and less obtrusive team names, player names, and positions.
Until 1964, the colors of the borders, print, letters, etc. was random. Starting with the '64 set, Topps began a trend where each team had their own color scheme. For example, every Dodger card in the 1964 set featured the team name "Dodgers" in red across the top of the card, with the player name and position written in a powder blue field along the bottom of the card. Topps generally had 10 different color scheme designs per year, one for each team in their respective league (National and American). Thus, one team in each league shared the same color scheme with one team in the other league.
Starting in 1966, Topps assigned a color scheme to each team that would repeat itself in the 1968 and 1969 sets. The schemes were as follows:
*Yellow printing on a red background: Dodgers & Yankees
*Yellow printing in a green background: Giants & Senators
*White printing on a violet background: Pirates & Red Sox
*White Printing on a blue background: Reds & Twins
*White printing on a lavender background: Braves & Angels
*Red printing on a gray background: Phillies & Indians
*Red printing on a yellow background: Cardinals & Tigers
*White printing on an orange background: Cubs & White Sox
*Black printing on a lime green background: Astros & Orioles
*Yellow printing on a purple background: Mets & AthleticsOther quirks and notes
The 1965 and 1966 sets included the teams' standing from the prior season on the front of the team cards. For example, the 1965 Yankees team card states "1st Place - American League" along the bottom due to the Yankees 1964 1st place finish. Likewise, the 1966 Dodgers team card states "1st Place - National League" for their 1965 1st place finish. One wonders if protests from fans of the Mets and Athletics led to the ending of this practice as they had the ignominy of having "10th Place" on their team cards for both years.
There were no Astros team cards made in the 1960s. So for the 1965 & 1966 sets mentioned above, there are no cards that indicate "Astros, 9th place - National League." In addition, in response to the name change from Colt .45s to Astros in 1965, some cards in that set refer to the team as "Colts" while later cards say "Houston." For some reason, the 1968 and 1969 sets use team names for all teams except the Astros; Topps used "Houston" instead.
Players generally gave multiple poses for Topps, and Topps chose which one to put on a card. Among these were head shots of the player with no cap, in case he was traded or the team moved. In 1966, the Braves moved from Milwaukee to Atlanta, so every card of a Braves player in the early series of cards is a head short with no cap, or the cap logo is obstructed or hidden in some way (profile or cap tilted up). Only in the later series are there cards with Braves players wearing the new cap with the letter "A". The same is true for the Angels, whose move from Los Angeles to Anaheim caused a change in their cap logo from and "LA" to a "CA" as they switched from being called the Los Angeles Angels to the California Angels. In later years, Topps developed an airbrush technique where the cap logo would be manually altered or blacked out. For example, the 1968 Athletics, after moving from Kansas City to Oakland, are pictured wearing blacked out caps with green bills.
The 1968 and 1969 cards are very similar, not only in their color scheme as mentioned above. The 1968 cards feature the player name along the bottom, and a circle in either the upper right or left corner with the team name and player position. The 1969 cards feature the team name along the bottom, and a circle in the upper right or left corner with the player name and position.
Topps generally put the biggest stars on card numbers ending in x00 or x50. For example in the 1966 set, Mickey Mantle is card #50 and Sandy Koufax in card #100. In 1965, Willie Mays is card #250. Other star players were put on card numbers ending in zero (10, 20, 140, 270 , etc.) and minor stars were put on cards ending in "5". Topps continues this numbering system (at least to a degree) today.
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