- Bomba
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This article is about the style of folk music. For other uses, see Bomba (disambiguation).
Bomba Stylistic origins Afro-Puerto Rican rhythms Cultural origins Puerto Rico Typical instruments Barriles de bomba: buleador and subidor, cua, maraca, vocals Mainstream popularity Puerto Rico, Puerto Rican Diaspora Other topics Music of Puerto Rico External audio You may listen to the "Bomba Puertorriqueña" as performed at the Nuyorican Cafe in Puerto Rico here Music of Puerto Rico General topics Related articles Genres National anthem La Borinqueña Regional music v · musical styles of Puerto Rico. it is a largely African-derived music. The rhythm and beat are played by a set of floor drums, cuá and a maraca. Dance is an integral part of the music: the dancers move their bodies to every beat of the drum, making bomba a very energetic and rich dance. Bomba is described to be a challenge/connection between the drummer and the dancer. The dancer produces a series of gestures to which the primo o subidor drummer provides a synchronized beat. Thus, it is the drummer who attempts to follow the dancer and not the other way around. The dancer must be in great physical shape and the challenge usually continues until either the dancer discontinues. The main instruments used in bomba style music are one or two lower pitch floor drums used to create a base rhythm called buleadores, and a higher pitch drum called primo or subidor which accentuates the beat with improvised patterns. Other instruments used are the palitos or cuá, which are sticks that are struck against any, usually wooden, surface. A single large maraca usually completes the sound of bomba, though a güiro has commonly been used in orchestral arrangements. Both of these last two instruments have origins in the Taino culture of the Caribbean Basin. Contents
History
The basic music style was brought to Puerto Rico during the colonial slave trade. It originates in Kongo, although the majority of slaves can be traced back to many different areas of West and Central Africa. The dance was mostly practiced at the northern, southern and western coasts of the island where the majority of Africa's descendants lived. It is said by most bomba practitioners around the island that the town of Mayagüez is considered the birth place of bomba in Puerto Rico. The men use a series of hip and hand movements. The women use similar movements, however the movements are often augmented by the use of their skirts. In bomba shows, the typical apparel worn by the dancers is what slaves may have used in social gatherings. Men wear a white outfit and Panama hat and women wear big plantation skirts and a head scarf or bundaloo.
Instruments
The traditional drums used in bomba are called barriles, since they have long been built from the wood of barrels. The high pitch drum is called "subidor" or "primo", and the low pitch drums are called "buleador" and "segundo".
Rhythmic Styles
There are several styles of bomba, and the popularity of these styles varies by region. The four most common rhythms are called "sica", "yuba", "cuembé", and "holandes", though there are more than 20.
duple metre
- bambulaé
- bele
- calindá
- cocobalé
- cuembe or güembe
- cunyá
- danuá or danué
- gracima
- holandé or holandés
- hoyoemula
- paulé
- seis corrido or seis corridor
- sicá
triple metre
- corve
- holandé seis por ocho
- leró
- mariandá
- rule
- yubá
Performers
So far, Rafael Cortijo has been one of the few successful artists in taking bomba to the mainstream with his Combo in the 1950s and 1960s. Puerto Rican composer Roberto Angleró wrote and sang "Si Dios fuera negro" ("If God Was Black"), a huge hit in Puerto Rico, Peru and Colombia during the early 1980s. Rubén Blades made a cover version of it once; the song was even translated to French and became a minor hit in Martinique.
Willie Colón adds occasional bomba breaks to his songs, most particularly in sections of his biggest solo hit, "El Gran Varón". Ricky Martin also mixes a bit of authentic bomba rhythm with other Latino influences in his aptly named song La Bomba.
Further reading
- Aparicio, Frances R., "Listening to salsa: gender, Latin popular music, and Puerto Rican cultures", Wesleyan University Press, 1998. ISBN 978-0-8195-6308-8. Cf. p. 12 and book index.
External links
- Welcome to Puerto Rico: Music - see Bomba y Plena
- http://www.youtube.com/watch?v=6QS-PXr-_5g
Categories:- Puerto Rican music
- Puerto Rican styles of music
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bomba — I {{/stl 13}}{{stl 8}}rz. ż Ia, CMc. bombabie {{/stl 8}}{{stl 20}} {{/stl 20}}{{stl 12}}1. {{/stl 12}}{{stl 7}} środek rażący, zawierający mechanizm zapłonowy i materiał wybuchowy o różnorakim działaniu, osłonięte zazwyczaj korpusem rozrywającym… … Langenscheidt Polski wyjaśnień
bomba — s. f. 1. Máquina para elevar água. 2. Tubo recurvo com que se trasfegam líquidos. 3. Instrumento com que se extrai o leite do peito da mulher. 4. Canudo móvel nos instrumentos de sopro. 5. Disco que, nos veículos do caminho de ferro, é destinado… … Dicionário da Língua Portuguesa
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bomba — f. instrum. Cualquier aparato o dispositivo que administre una cantidad de líquido a una velocidad determinada. Medical Dictionary. 2011. bomba … Diccionario médico
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Bomba
- Bomba
-
This article is about the style of folk music. For other uses, see Bomba (disambiguation).
Bomba Stylistic origins Afro-Puerto Rican rhythms Cultural origins Puerto Rico Typical instruments Barriles de bomba: buleador and subidor, cua, maraca, vocals Mainstream popularity Puerto Rico, Puerto Rican Diaspora Other topics Music of Puerto Rico External audio You may listen to the "Bomba Puertorriqueña" as performed at the Nuyorican Cafe in Puerto Rico here Music of Puerto Rico General topics Related articles Genres National anthem La Borinqueña Regional music