- Richard Blackmore
Sir Richard Blackmore, (
22 January 1654 –9 October 1729 ), Englishpoet andphysician , is remembered primarily as the object ofsatire and as an example of a dull poet. He was, however, a respected physician and religious writer.[
Samuel Johnson 's "Lives of the English Poets."]He was born at Corsham, in
Wiltshire , the son of a wealthyattorney . He was educated atWestminster School very briefly, and he enteredSt Edmund Hall, Oxford in 1669. He received hisBachelor of Arts in 1674 and his MA in 1676. He was a tutor at the college for a time, but in 1682 he received his inheritance from his father. He used the money to travel. He went toFrance ,Geneva , and various places inItaly . He stayed for a while inPadua and graduated inmedicine at Padua. Blackmore returned to England viaGermany andHolland , and then he set up as a physician. In 1685 he married Mary Adams, whose family connections aiding him in winning a place in theRoyal College of Physicians in 1687. He had trouble with the College, being censured for taking leave without permission, and he strongly opposed the project for setting up a freedispensary for the poor in London. This opposition would be satirized by Sir William Garth's "The Dispensary" in 1699.Blackmore the epic poet
Blackmore had a passion for writing epics. "Prince Arthur, an Heroick Poem in X Books" appeared in 1695. He supported the
Glorious Revolution , and "Prince Arthur" was a celebration of William III. The poem was based on the form ofVirgil 's "The Aeneid " and the subject matter ofGeoffrey of Monmouth 's "Historia Regum Britanniae ". It told of the CelticKing Arthur opposing the invading Saxons and takingLondon , which was a transparent encoding of William III opposing the "Saxon" James II and taking London.John Dennis derided the poem as being "servile" in its treatment of Geoffrey of Monmouth and having an inconsequential and fearful hero. Nevertheless, it went through three editions and William made Blackmore physician-in-ordinary (a position he would hold with Queen Anne as well), gave him a gold medal, and knighted him in 1697. William also assigned Blackmore the task of writing the official treatment of the plot of Sir George Barclay, who sought to kill William (not appearing until 1723, as "A true and impartial history of the conspiracy against the person and government of King William III, of glorious memory, in the year 1695"). In 1697, Blackmore followed that with "King Arthur: an Heroic Poem in Twelve Books". Like its predecessor, it was a treatment of current events in ancient garb, but, this time, the public and court were less interested and the matter less interesting. Additionally, Blackmore tookJohn Milton as his model, rather than Virgil, and he admitted in his preface that his previous book had been too adherent to theClassical unities .Having used his epics to fight political battles, albeit safe ones at first, Blackmore was opposed by wits of the other camp, especially as time went on. William Garth attacked Blackmore's stance on the dispensary, only to be answered by Blackmore with "A Satyr against Wit" (1700). Tom Brown led a consortium of wits in "Commendatory Verses, on the Author of the Two Arthurs, and a Satyr against Wit" (1700). Blackmore had not only been explicitly partisan in his epics, but he had announced that epic was necessary to counter the degeneracy of poetry written by wits. Having answered Garth in 1700, he did not answer Brown. However,
John Dryden accused Blackmore of plagiarizing the idea of an epic on Arthur from him and called him a "Pedant, Canting Preacher, and a Quack" whose poetry had the rhythm of wagon wheels because Blackmore wrote inhackney cab s on his way between patients (prologue to "The Pilgrim" (1700)).In 1705, with Anne on the throne and William dead, Blackmore wrote another epic, "Eliza: an Epic Poem in Ten Books", on the plot by Rodrigo Lopez, the Portuguese physician, against Queen Elizabeth. Once more, the "epic" was current events, as it meant to denounce
John Radcliffe , a Jacobite physician who was out of favor with Anne. Anne did not appear to take sufficient notice of the epic, butSarah Churchill did. Two occasional pieces followed: "An advice to the poets: a poem occasioned by the wonderful success of her majesty's arms, under the conduct of the duke of Marlborough in Flanders" (1706) and "Instructions to Vander Beck" (1709). These courted favor with the Duke of Marlborough with some success.In 1711, Blackmore produced "The Nature of Man," a physiological/theological poem on climate and character (with the English climate being the best). This was a tune up for "Creation: A Philosophical Poem" in 1712, which was praised by John Dennis,
Joseph Addison , and, later,Samuel Johnson , for its Miltonic tone. It ran to 16 editions, and of all his epics it was best received. Its design was to refute theatheism of Vanini, Hobbes and (supposedly) Spinoza, and to unfold the intellectual philosophy of Locke. Johnson thought that it would be the sole memory of Blackmore, and Dennis said that it was the English "De Rerum Natura," but with infinitely better reasoning.Blackmore ceased writing epics for a time after "Creation." In 1722 he continued his religious themes with "Redemption," an epic on the divinity of
Jesus Christ designed to oppose and confute the Arians (as he called the Unitarians). The next year, he released another long epic, "Alfred". The poem was ostensibly about KingAlfred the Great , but like his earlier Arthurian epics, this one was political. It was dedicated to Prince Frederick, the eldest son of King George I, but the poem vanished without causing any comment from court or town.While others approached the epic as a celebration of national origins (Dryden, for example) or sought in it the most lofty subject matter possible (as
Edmund Spenser and John Milton had done), Blackmore argued that the form of the epic would "reform" poetry, that it would cease the cavils of wits and the sexuality ofrake s. Further, while proclaiming his intention of reforming poetry itself, he used his epics quite often to achieve political, and personal, goals.Non-epic writing
Blackmore was a religious author when he was not a political author. In 1713 he and his friend John Hughes began a periodical modelled on "
The Spectator " entitled "The Lay Monk." It only ran from13 November 1713 to15 February 1714 and appeared once every three weeks during that period. All the same, Blackmore had its issues collected and published as "The Lay Monastery" in the year the journal foundered.In 1716, he became censor as well as a director of the College of Physicians, but the Hanoverians were not as taken with Blackmore as William or Anne had been. In that year, he had two volumes of "Essays upon Several Subjects" published, with an attack on
Alexander Pope in the second volume. In 1718, he again went to press with "A Collection of Poems on Various Subjects," which collected shorter poems that had already been published.Blackmore was very concerned with
Protestantism . He joined theSociety for the Propagation of the Gospel in America in 1704. He wrote "Just Prejudices against the Arian Hypothesis," putatively againstDeism and Unitarianism in 1721 and then, to help matters, wrote "Modern Arians Unmasked" in the same year. He also produced "A New Version of the Psalms of David" in 1721 and tried to get theChurch of England to accept them as canonical translations. The next year, he resigned his governing position in the College of Physicians, and he also continued his campaign against supposed Arians with "Redemption." In 1724, the Society for the Propagation of the Gospel was set to publish Blackmore's Psalms as official for America, but theBishop of London ,Edmund Gibson (a conservative, but a Whig), opposed the project and kept it from coming to fruition.Finally, Blackmore attempted to answer Deism again with "Natural Theology, or, Moral Duties Consider'd apart from Positive" in 1728. In 1731, his last work, "The Accomplished Preacher," was published posthumously.
As a physician
Blackmore has come down, largely through the verse of Alexander Pope, as one avatar of
Dulness , but, as a physician, he was quite forward thinking. He agreed with SirThomas Sydenham that observation and the physician's experience should take precedence over any Aristotelian ideals or hypothetical laws. He rejectedGalen 'shumour theory as well. He wrote on plague in 1720,smallpox in 1722, consumption in 1727.He died in Boxted,
Essex and was buried in his local parish church, where a monument was constructed.As a dunce
Blackmore's fame today rests with his enemies. Garth's "The Dispensary" made him out to be a greedy fool with delusions, but Pope's criticisms would be the most lasting, and Pope hits Blackmore over and over again on his stupidity and delusions of grandeur. The
Scriblerus Club (Pope,John Gay ,John Arbuthnot , Robert Harley, Henry St. John,Jonathan Swift , andThomas Parnell ) attacked Blackmore in 1717's "Three Hours after Marriage." Pope further picked out Blackmore's foolish lines in "Peri Bathos" (1727) and gives a devastating characterization of "Neverending Blackmore" in "The Dunciad " (1728), where Blackmore's poetry is so awful that it can even put lawyers to sleep. These attacks were on top of Tom Brown's previous attacks, as well as Dryden's.Blackmore's poetry is leaden. However, his special marks as a "dunce" come from his willingness to use poetry, and particularly the epic, for contemporary political purposes. The self-interest involved in "King Arthur" was apparent to contemporaries, and the desperation of "Alfred" was similarly offensive to other poets. However, Blackmore used his poetry to satirize and destroy persons of the other political factions, and that made him (except for when his subject matter was religion) fair game for a counter-attack that he could not survive.
References
*Matthew, H.C.G. and Brian Harrison, eds. "The Oxford Dictionary of National Biography." vol. 6, 1-3. London: Oxford UP, 2004.
*1911External links
*gutenberg author|id=Richard_Blackmore|name=Richard Blackmore
* [http://www.globusz.com/ebooks/Poets/00000017.htm Sir Richard Blackmore] from "Lives of the Poets" bySamuel Johnson
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