- Life in Cold Blood
Infobox nature documentary
bgcolour =
show_name = Life in Cold Blood
caption = "Life in Cold Blood" DVD cover
picture_format =16:9
audio_format = Stereo
runtime = 50 minutes
creator =
developer =
producer = Miles BartonHilary JeffkinsJames BrickellAdam White
executive_producer = Sara Ford
presented =David Attenborough
narrated =
music = David Poore
Ben Salisbury
country =United Kingdom
language = English
network =
first_run =BBC One
first_aired =4 February
last_aired =3 March 2008
num_episodes = 5
website = http://www.bbc.co.uk/sn/tvradio/programmes/lifeincoldblood/
imdb_id =
tv_com_id ="Life in Cold Blood" is a
BBC nature documentary series written and presented byDavid Attenborough , first transmitted in the UK from4 February 2008 onBBC One . [ [http://www.radiotimes.com/ListingsServlet?event=10&channelId=92&programmeId=73105751&jspLocation=/jsp/prog_details_fullpage.jsp RadioTimes.com: "Life in Cold Blood"] ]A study of the evolution and habits of
amphibian s andreptile s, it is the sixth and last of Attenborough's specialised surveys following his major trilogy that began with "Life on Earth".The series comprises five 50-minute programmes, each one followed by "Under the Skin", a 10-minute section that features Attenborough interviewing the scientists whose work has led to the sequences included in the main programme. It also examines the challenges faced by the crew and reveals some of the techniques used to film the series. [http://www.bbc.co.uk/pressoffice/pressreleases/stories/2008/01_january/08/cold.shtml BBC Press Office: "Life in Cold Blood"] ]
The series is a co-production between the
BBC andAnimal Planet . The executive producer is Sara Ford and the series producer is Miles Barton. The "Under the Skin" segments were produced by James Brickell in collaboration with theOpen University . The score for the main films was composed by David Poore and Ben Salisbury, whilst the music for "Under the Skin" was written and performed by Tony Briscoe.Within David Attenborough's 'Life' series, it is preceded by "
Life in the Undergrowth " (2005).Background
Filming began in the early part of
2006 and, as with Attenborough's previous series, the production team travelled the world to photograph the required sequences. In May 2006, Attenborough celebrated his 80th birthday in theGalápagos Islands while filminggiant tortoise s, one of which, calledLonesome George , is thought to be the same age. [ [http://www.bbc.co.uk/nature/programmes/who/david_attenborough.shtml BBC David Attenborough biography] ]Several innovative techniques were used to capture footage. Thermal imaging cameras were used to demonstrate the creatures' variable body temperatures, probe cameras allowed access to underground habitats and even a matchbox-sized one was attached to the shell of a
tortoise . [http://www.bbc.co.uk/sn/tvradio/programmes/lifeincoldblood/techniques.shtml BBC Science and Nature: "Life in Cold Blood" filming techniques] ]Expert scientists helped the producers to film animal behaviour that is rarely seen. The team 'staked out' radiotagged timber rattlesnakes in order to witness one of them despatching its prey. However, for Attenborough's close encounter with a spitting
cobra , a captive snake that was used to being handled was placed in a natural setting and the presenter wore a face visor. Other examples of 'pets' being used were for sequences depicting the lassoing tongue of achameleon (which had to be filmed at ultra-high speed) and the digestive system of a python (which was enhanced bycomputer-generated imagery )."Life in Cold Blood" is Attenborough's last major series and also represents the final study in his 'Life' series, which comprises 79 programmes. In a 2008 interview, he stated:
The evolutionary history is finished. The endeavour is complete. If you'd asked me 20 years ago whether we'd be attempting such a mammoth task, I'd have said 'Don't be ridiculous'. These programmes tell a particular story and I'm sure others will come along and tell it much better than I did, but I do hope that if people watch it in 50 years' time, it will still have something to say about the world we live in. ["Radio Times" 26 Jan–1 Feb 2008: "The Last Word", interview with Jeremy Paxman]
However, although Attenborough is 81 years old, he is developing further projects with the BBC Natural History Unit that he is expected to narrate rather than present. [ [http://www.guardian.co.uk/media/2007/sep/21/bbc.television1 Guardian: David Attenborough returns for two BBC natural history series] ]
Attenborough confirmed on the penultimate edition of "Parkinson", broadcast on
16 December 2007, that he did not intend to retire completely and would still make occasional single documentaries, rather than any more series.Episodes
1. "The Cold Blooded Truth"
Broadcast
4 February 2008, the first episode discusses the keys to success of reptiles and amphibians, looking atthermoregulation , parental care and the time-scales on which reptiles operate. Attenborough begins in theGalápagos Islands , using thermal imaging to demonstrate howmarine iguanas warm their bodies by basking in the sun before feeding. Meanwhile, thelizard inhabitants of aMinorca n island have a relationship with its indigenous dead horse arum plants. Attenborough visitsDassen Island to witness one of the world's greatest concentrations oftortoise s — around 5,000 of them. Few reptiles are active at night, butcrocodiles can rely on water that retains much of its daytime temperature. Conversely, amphibians' moist skin would be damaged by the sun and so most are nocturnal. An exception is the waxy monkey leaf frog, which can deal with sunlight by covering its body in a wax secretion. A puff adder illustrates the relative inactivity of reptiles compared tomammal s: one large meal can last up to a year. When it hatches at the onset of winter, the young painted turtle stays underground, near frozen until the spring when it can emerge. Attenborough wonders if thedinosaur s' immense size allowed them to maintain warm blood. The largest living reptile is theleatherback turtle and indeed is able to do so because of insulating body fat. "Under the Skin" looks at the hunt for the pygmy leaf chameleon, filmed inMadagascar . [cite episode | title = The Cold Blooded Truth| series = Life in Cold Blood | credits = Writer David Attenborough, Director Scott Alexander, Producer Miles Barton | network = BBC | station = BBC One | airdate = 2008-02-04]2. "Land Invaders"
Broadcast
11 February 2008, the second programme explores the world ofamphibian s, of which there are some 6,000 known species. Attenborough visitsAustralia to illustrate how they became the first back-boned creatures to colonise land: thelungfish , which is capable of breathing air, and whose ancestors became the first amphibians. The largest of them is theJapanese giant salamander and two are shown wrestling for territory. InNorth America , the marbled salamander spends most of its life on land, yet is still able to retain the necessary moisture in its skin through the damp leaf litter. A femalecaecilian is filmed with her young, whose rapid growth is discovered to be the result of eating their mother's skin — re-grown for them every three days. The most successful amphibians arefrogs andtoads . Their calls are most active during the breeding season: females are impressed by both volume and frequency. However, gestures are sometimes needed and the poisonousPanamanian golden frog uses a conspicuous form of 'semaphore '. Most other frogs rely oncamouflage and the South American red-eyed tree frog is an example. An African bullfrog is shown defending its exposed tadpoles by digging a canal for them. Meanwhile, the male marsupial frog keeps its young moist by carrying them in its skin pouches. "Under the Skin" examines the filming of the last population of Panamanian golden frogs, which is threatened by a fungal disease. [cite episode | title = Land Invaders| series = Life in Cold Blood | credits = Writer David Attenborough, Director Scott Alexander, Producer Hilary Jeffkins | network = BBC | station = BBC One | airdate = 2008-02-11]3. "Dragons of the Dry"
Broadcast
18 February 2008, the third instalment takes a look at the immense diversity, social skills and displays of thelizard s. While they are highly adept at camouflage, occasionally there is a need to break cover in order to ward off rivals. Attenborough holds up a mirror to an anole and causes it to extend its colourful throat flap as a warning sign. Madagascar is host to over 60 species ofchameleon but one of the largest, Meller's chameleon, is native toMalawi and two rival males are shown jousting. A female South African dwarf chameleon demonstrates its ability to change colour when communicating to a potential mate, and the chameleon's muscular tongue is depicted lassoing its prey. In southern Australia, Attenborough uses a baited fishing rod to attract the attention of a rare pygmy bluetongueskink , thought to have been extinct for over thirty years until it was rediscovered in 1992. Shinglebacks are among the most devoted lizards and breeding pairs can reunite each year for up to two decades. Alongside South Africa'sOrange River , large groups of flat lizards feed on the swarms of black flies, but the males also use the occasion to indulge in social squabbling. The Mexican beaded lizard is one of the few with a poisonous bite, but males do not employ it when wrestling each other. Finally, Attenborough comes face to face with aperentie , Australia's largestmonitor lizard . "Under the Skin" focuses on filming in Australia. [cite episode | title = Dragons of the Dry| series = Life in Cold Blood | credits = Writer David Attenborough, Director Scott Alexander, Producer Miles Barton | network = BBC | station = BBC One | airdate = 2008-02-18]4. "Sophisticated Serpents"
Broadcast
25 February 2008, the fourth episode focuses on the most modern reptiles, thesnake s, exploring how they have managed to become successful despite their elongated body shape. Attenborough explains how they evolved from underground burrowers to surface hunters, losing their limbs in the process. With the aid of infrared cameras, a timber rattlesnake is shown lying in wait for a mouse and sensing its repeated path before despatching and eating it. A snake's constantly flickering tongue is used to gather and evaluate the molecules of its surroundings, and Attenborough visitsCarnac Island to witness a population of blindtiger snake s, which feed on the chicks of nestinggull s. He also confronts a Mozambique spitting cobra, which quickly spraysvenom over the presenter's protective face visor. The similarities in colouration between the harmlesskingsnake and potentially lethalcoral snake are highlighted. An example of a snake that can tackle unusual prey is theQueen snake , which almost exclusively hunts newly-moultedcrayfish . A pair of rival male King cobras are seen battling and infantcobra s are shown hatching: their venom is immediately as fatal as that of their parents. InArgentina , ayellow anaconda evades nearby caimans to give birth to live young. Finally a turtle-headedsea snake feeds not on fish, but on their eggs laid on acoral reef . "Under the Skin" discusses the filming of timber rattlesnakes during inclement weather. [cite episode | title = Sophisticated Serpents| series = Life in Cold Blood | credits = Writer David Attenborough, Director Scott Alexander, Producer James Brickell | network = BBC | station = BBC One | airdate = 2008-02-25]5. "Armoured Giants"
Broadcast
3 March 2008, the final programme covers the most ancient of the reptiles: thecrocodile s andturtle s. In theGalápagos Islands , among thegiant tortoise s, Attenborough explains how the creatures came to develop their shells as a defence against predators. This is demonstrated by the eastern box turtle, whose shell includes a hinged 'drawbridge'. The aquatic pig-nosed turtle is unusual in that its eggs need to be submerged before hatching, whereas those of other species would drown; Attenborough illustrates this by dropping an egg into a jar of water: it immediately hatches. In the open ocean, malesea turtle s attempt to separate a rival from its mate by attacking and overwhelming the pair, stopping them from taking in air. In northern Australia, Attenborough observes a large gathering of crocodiles at a flooded coastal road: they time their arrival to ambush migrating mullet. The complex communication and body language of the American alligator is investigated and in Argentina, the calls of young caimans help their mother locate and lead them to a nursery pool. The mother's maternal instinct extends to releasing unhatched babies by gently crushing their eggs in its jaws. InVenezuela , a female spectacled caiman in charge of an entire crèche leads the infants from a drying river bed on a trek to permanent water. "Under the Skin" explores filming on the Galápagos Islands and Attenborough's meeting withLonesome George . [cite episode | title = Armoured Giants | series = Life in Cold Blood | credits = Writer David Attenborough, Director Scott Alexander, Producer Adam White | network = BBC | station = BBC One | airdate = 2008-03-03]DVD and book
A 2-disc DVD set of the series (BBCDVD2553) was released on
25 February 2008 . [ [http://www.bbcshop.com/invt/bbcdvd2553 BBC Shop: "Life in Cold Blood" DVD] ] The accompanying 288-page book, "Life in Cold Blood" by David Attenborough (ISBN 0-563-53922-4), was published byBBC Books on7 December 2007, in advance of the television series. [ [http://www.bbcshop.com/invt/9780563539223 BBC Shop: "Life in Cold Blood" book] ] The Region 1 DVD was released on5 August 2008 (S.R.P. $34.98) through Warner Home Video.External links
* [http://www.youtube.com/watch?v=s_14vJrRUuc BBC on YouTube: David Attenborough face to face with a spitting cobra]
* [http://www.imdb.com/title/tt1181716/ "Life in Cold Blood" onInternet Movie Database ]References
Citations
Other sources
* [http://www.nybooks.com/articles/article-preview?article_id=21315 Queens of the Web]
Tim Flannery review from "The New York Review of Books "
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