Origin of hangul

The Hunmin Jeong-eum Eonhae, a version of Sejong's proclamation of hangul with the explanatory Chinese characters glossed in hangul. Note that these glosses, but not the hangul text, use the null symbol ㅇ at the end of a syllable when there is no final consonant, a convention found only in this one document.

Hangul is the native script of Korea, created in the mid fifteenth century under King Sejong, as both a complement and an alternative to the logographic Sino-Korean hanja. Initially denounced by the educated class as eonmun (vernacular writing), it only became the primary Korean script following independence from Japan in the mid-20th century.^[1]

Hangul is a featural alphabet written in morpho-syllabic blocks, and was designed for both the Korean and Chinese languages, though the letters specific to Chinese are now obsolete. Each block consists of at least one consonant letter and one vowel letter. When promulgated, the blocks reflected the morphology of Korean, but for most of the fifteenth century they were organized into syllables. In the twentieth century the morpho-syllabic tradition was revived. The blocks were traditionally written in vertical columns from top to bottom, although they are now commonly written in horizontal rows from left to right as well. Spacing has been introduced to separate words in the Western fashion, and punctuation to indicate clauses and sentences, so that hangul now transcribes Korean at the levels of feature, segment, syllable, morpheme, word, clause, and sentence. However, the suprasegmental features of tone and vowel length, seen as single and double tick marks to the left of the syllabic blocks in the image at right, have been dropped. Six new letters, including two of Sejong's which had become obsolete, were introduced in North Korea in 1948 in order to make hangul a perfect morphophonological fit to the Korean language, but they were soon discarded.

While hangul contains a large component of iconic invention, it may also have a core that is historically related to the alphabets of Central Asia, and therefore cognate with the Latin alphabet, with the letters ㅂ b, ㄱ g, ㄷ d, and ㄹ l distantly related to Latin B, C, D, and L.

Historical record

King Sejong

Hangul was promulgated by the fourth king of the Joseon Dynasty, Sejong the Great. Sejong's scholarly institute, the Hall of Worthies, is often credited with the work, and at least one of its scholars was heavily involved in its creation, but it appears to have also been a personal project of Sejong.^{[citation needed]}

The project was completed in late 1443 or early 1444 and published in 1446 in a document titled Hunmin jeong-eum "The Proper Sounds for the Education of the People", after which the alphabet itself was named. Sejong explained that he created the new script because the existing idu system, based on Chinese characters, was not a good fit for the Korean language and were so difficult that only privileged male aristocrats (yangban) could afford the time and education to learn to read and write fluently. The vast majority of Koreans were left effectively illiterate. Hangul, on the other hand, was designed so that even a commoner with little education could learn to read and write: "A wise man can acquaint himself with them before the morning is over; a stupid man can learn them in the space of ten days."^[2]

Except for the obsolete palatal stops, all 36 initials in the Chinese inventory had hangul equivalents:

The 36 Chinese initials and their hangul transcriptions

		Clear	Aspirate	Muddy	Sonorant	Clear	Muddy
Labials	Bilabials	幫 *[p] ㅂ	滂 *[pʰ] ㅍ	並 *[b̥] ㅃ	明 *[m] ㅁ
	Labio-dentals	非 *[f] ㅸ	(敷 *[fʰ] ㆄ)[3]	(奉 *[v̥] ㅹ)[3]	微 *[w̃] ㅱ
Coronals	Alveolar stops	端 *[t] ㄷ	透 *[tʰ] ㅌ	定 *[d̥] ㄸ	泥 *[n] ㄴ
	Palatals[4]	知 *[tʲ] –	徹 *[tʲʰ] –	澄 *[d̥ʲ] –	娘 *[nʲ] –
Sibilants	Alveolar	精 *[ts] ㅈ (ᅎ)	清 *[tsʰ] ㅊ (ᅔ)	從 *[d̥z̥] ㅉ (ᅏ)		心 *[s] ㅅ (ᄼ)	邪 *[z̥] ㅆ (ᄽ)
	Palatal[4]/Retroflex	照 *[tɕ, tʂ] (ᅐ)	穿 *[tɕʰ, tʂʰ] (ᅕ)	牀 *[d̥ʑ̊, d̥ʐ̊] (ᅑ)		審 *[ɕ, ʂ] (ᄾ)	禪 *[ʑ̊, ʐ̊] (ᄿ)
Velars		見 *[k] ㄱ	谿 *[kʰ] ㅋ	羣 *[ɡ̊] ㄲ	疑 *[ŋ] ㆁ
Gutturals[5]		影 *[ʔ] ㆆ			喻 *(null) ㅇ	曉 *[x] ㅎ	匣 *[ɣ̊] ㆅ
"Semi-coronal"					來 *[l] ㄹ
"Semi-sibilant"					日 *[ȷ̃] ㅿ

During the second half of the fifteenth century, hangul was used primarily by women and the undereducated. It faced heavy opposition from Confucian scholars educated in Chinese, notably Choe Manri, who believed hanja to be the only legitimate writing system. Later kings too were hostile. King Yeonsangun forbade use of hangul in 1504, during a series of palace purges, after commoners made hangul posters mocking him, and King Jungjong abolished the Hangul Ministry in 1506.^{[citation needed]} The account of the design of hangul was lost, and hangul would not return to common use until the independence of Korea after World War II.

Consonant letters as outlines of speech organs

The Hunmin jeong-eum haerye. These pages explain the shapes of the basic hangul consonants. Note the purely geometric shapes, as yet unaffected by calligraphy.

Various fanciful speculations about the creation of hangul were put to rest by the discovery in 1940 of the 1446 Hunmin jeong-eum haerye "Explanation of the Hunmin Jeong-eum with Examples". This document explains the design of the consonant letters according to articulatory phonetics and the vowel letters according to Confucian principles such as the yin and yang of vowel harmony (see below).

Following the Indic tradition, hangul consonants are classified according to the speech organs involved in their production. However, hangul goes a step further, in that the shapes of the letters iconicly represent the speech organs, so that all consonants of the same articulation are based on the same shape. That is, hangul is a featural alphabet, the only one in the world that is in common use. For example, the shape of the velar consonant (牙音 "molar sound") ㄱ [k] is said to represent the back of the tongue bunched up to block the back of the mouth near the molars. Aspirate ㅋ [kʰ] is derived from this by the addition of a stroke which represents aspiration. Chinese voiced/"muddy" ㄲ [ɡ] is created by doubling ㄱ. (The doubled letters were only used for Chinese, as Korean had not yet developed its series of emphatic consonants. In the twentieth century they were revived for the Korean emphatics.)

The hangul consonant series and the iconicity of their shapes

Articulatory class	Non- stop	Plain stop	Aspirated stop	"Muddy" voice	Iconicity, according to the Hunmin jeong-eum haerye
牙音 "molar sounds"	(ㆁ)	ㄱ	ㅋ	ㄲ	舌根閉喉 outline of the root of tongue blocking the throat
舌音 "tongue sounds"	ㄴ	ㄷ	ㅌ	ㄸ	舌附上腭 outline of the tongue touching the hard palate
脣音 "lip sounds"	ㅁ	ㅂ	ㅍ	ㅃ	口形 outline of the mouth (lips) [6]
齒音 "incisor sounds"	ㅅ	ㅈ	ㅊ	ㅉ, ㅆ	齒形 outline of an incisor[7]
喉音 "throat sounds"	ㅇ	ㆆ	ㅎ	ᅇ, ㆅ	喉形 outline of the open throat
輕脣音 "light lip sounds"	ㅱ	ㅸ	ㆄ	ㅹ	(lip sounds plus circle)

Similarly, the coronal consonants (舌音 "tongue sounds") are said to show the (front of the) tongue bent up to touch the palate, the bilabial consonants (脣音 "lip sounds") represent the lips touching or parting, the sibilants (齒音 "incisor sounds") represent the teeth (in sibilants the airstream is directed against the teeth), and the guttural consonants (喉音 "throat sounds"), including the null initial used when a syllable begins with a vowel, represent an open mouth and throat. The labiodental consonants (輕脣音 "light lip sounds") are derived from the bilabial series. In all cases but the labials, the plain (清 "clear") stops have a vertical top stroke, the non-stops lack that stroke, and the aspirate stops have an additional stroke. There were a few additional irregular consonants, such as the coronal lateral/flap ㄹ [l~ɾ], which the Haerye only explains as an altered outline of the tongue, and the velar nasal ㆁ [ŋ]. The irregularity of the labials has no explanation in the Haerye, but may be a remnant of the graphic origin of the basic letter shapes in the imperial ’Phagspa alphabet of Yuan Dynasty China.

Ledyard's theory of consonant letters

(Top) ’Phagspa letters ꡂ [k], ꡊ [t], ꡎ [p], ꡛ [s], ꡙ [l], and their supposed hangul derivatives ㄱ [k], ㄷ [t], ㅂ [p], ㅈ [ts], ㄹ [l]. Note the lip on both ’Phagspa ꡊ [t] and hangul ㄷ [t].^[8] (Bottom) Derivation of ’Phagspa ꡯ w, ꡤ v, ꡰ f, used for Chinese, from variants of the letter ꡜ [h] (left) plus a subscript Mongol ꡧ [w],^[9] and analogous composition of hangul ㅱ w/m, ㅸ v, ㆄ f, also for Chinese, from variants of the basic letter [p] plus a circle.

Although the Hunmin jeong-eum haerye (hereafter Haerye) explains the design of the consonantal letters in terms of articulatory phonetics, it also states that Sejong adapted them from the enigmatic 古篆字 "Gǔ Seal Script". The identity of this script has long been puzzling. The primary meaning of the character 古 gǔ is "old", so 古篆字 gǔ zhuānzì has traditionally been interpreted as "Old Seal Script", frustrating philologists because hangul bears no functional similarity to Chinese 篆字 zhuānzì seal scripts. However, Gari Ledyard, Sejong Professor of Korean History Emeritus at Columbia University, notes that the character 古 gǔ also functions as a phonetic component of 蒙古 Měnggǔ "Mongol". Indeed, records from Sejong's day played with this ambiguity, joking that "no one is older (more 古 gǔ) than the 蒙古 Měng-gǔ". Ledyard deduces from palace records that 古篆字 gǔ zhuānzì was a veiled reference to the 蒙古篆字 měnggǔ zhuānzì "Mongol Seal Script", that is, a formal variant of the Mongol ’Phagspa alphabet of Yuan dynasty that had been modified to look like the Chinese seal script, and which had been an official script of the empire. There were ’Phagspa manuscripts in the Korean palace library from the Yuan Dynasty government, including some in the seal-script form, and several of Sejong's ministers knew the script well. If this was the case, Sejong's evasion on the Mongol connection can be understood in light of the political situation in the current ethnically Chinese Ming Dynasty. The topic of the recent Mongol domination of China, which had ended just 75 years earlier, was politically sensitive, and both the Chinese and Korean literati considered the Mongols to be barbarians with nothing to contribute to a civilized society.

Ledyard holds that five core consonant letters were adopted from ’Phagspa, ㄱ [k], ㄷ [t], ㅂ [p], ㅈ [ts], and ㄹ [l]. These were the consonants basic to Chinese phonology, rather than the graphically simplest letters (ㄱ [k], ㄴ [n], ㅁ [m], and ㅅ [s]) taken as the starting point by the Haerye. A sixth letter, the null initial ㅇ, was invented by Sejong. The rest of the consonants were created through featural derivation of these six, essentially as described in the Haerye.

Although several of the basic concepts of hangul were inherited from Indic phonology through the ’Phagspa script, such as the relationships among the homorganic consonants and, of course, the alphabetic principle itself, Chinese phonology also played a major role. Besides the grouping of letters into syllables, in functional imitation of Chinese characters, according to Ledyard it was Chinese phonology, not Indic, that determined which five consonants were basic, and were therefore to be retained from ’Phagspa. These included the plain plosive letters, ꡂ g for ㄱ [k], ꡊ d for ㄷ [t], and ꡎ b for ㅂ [p], which were basic to Chinese theory, but which represented voiced consonants in the Indic languages and were not basic in the Indic tradition.^[8] The other two letters were the plain sibilant ꡛ s for ㅈ [ts] (ㅈ was pronounced [ts] in the fifteenth century, as it still is in North Korea) and the liquid ꡙ l for ㄹ [l].^[10]

The five adopted letters were graphically simplified, retaining the outline of the ’Phagspa letters but with a reduced number of strokes that recalled the shapes of the speech organs involved, as explained in the Haerye.^[11] For example, the box inside ’Phagspa ꡂ g is not found in hangul ㄱ [k]; only the outer stroke remains. In addition to being iconic for the shape of the "root" of the tongue, this more easily allowed for consonant clusters and left room for an added stroke to derive the aspirated consonant ㅋ [kʰ]. But in contrast to the Haerye account, the non-plosives ˈ [ŋ], ㄴ [n], ㅁ [m], and ㅅ [s] were derived by removing the top stroke or strokes of the basic letters. (No letter was derived from ㄹ [l].) This clears up a few points that had been problematic in the Haerye. For example, while it is straightforward to derive ㅁ from ㅂ by removing the top of ㅂ in Ledyard's account, it is not clear how one would derive ㅂ by adding something to ㅁ, since ㅂ is not analogous to the other plosives: If ㅂ were derived as in the Haerye account, it would be expected to have a horizontal top stroke similar to those of ㄱ [k], ㄷ [t], and ㅈ [ts].

In order to maintain the Chinese convention of initial and rime, Sejong and his ministers needed a null symbol to refer to the lack of a consonant with an initial vowel. He chose the circle, ㅇ, with the subsequent derivation of the glottal stop ㆆ [ʔ], by adding a vertical top stroke by analogy with the other plosives, and the aspirate ㅎ [h], parallel the account in the Haerye. (Perhaps the reason he created a new letter rather than adopting one from Phagspa was that it was awkward to write these Chinese initials in Phagspa, where ㅇ and ㆆ were both written as digraphs beginning with y, ꡭꡝ and ꡗꡖ.) However, Ledyard's explanation of the letter ㆁ [ŋ] differs from the Haerye account; he sees it as a fusion of velar ㄱ and null ㅇ, reflecting its variable pronunciation. Hangul was designed not just to write Korean, but to accurately represent Chinese. Many Chinese words historically began with [ŋ], but by Sejong's day this had been lost in many regions of China, and was silent when these words were borrowed into Korean, so that [ŋ] only remained at the middle and end of Korean words. The expected shape of a velar nasal, the short vertical stroke (⃓) that would be left by removing the top stroke of ㄱ, had the additional problem that it would have looked almost identical to the vowel ㅣ [i]. Sejong's solution solved both problems: The vertical stroke left from ㄱ was added to the null symbol ㅇ to create ㆁ,^[12] iconically capturing both regional pronunciations as well as being easily legible. Eventually the graphic distinction between the two silent initials ㅇ and ㆁ was lost, as they never contrasted in Korean words.

Another letter composed of two elements to represent two regional pronunciations, now obsolete, was ㅱ, which transcribed the Chinese initial 微. This represented either m or w in various Chinese dialects, and was composed of ㅁ [m] plus ㅇ. In ’Phagspa, a loop under a letter, ꡧ, represented [w] after vowels, and Ledyard proposes this rather than the null symbol was the source of the loop at the bottom, so that the two components of ㅱ reflected its two pronunciations just as the two components of ㆁ did. The reason for suspecting that this derives from ’Phagspa ꡧ is that the entire labio-dental series of both ’Phagspa and hangul, used to transcribe the Chinese initials 微非敷 w, v, f, have such composite forms, though in the case of ’Phagspa these are all based on the letter ꡜ h (ꡤ etc.), while in hangul, which does not have an h among its basic consonants, they are based on the labial series ㅁ m, ㅂ b, ㅍ p.

An additional letter, ㅿ z, now obsolete, has no explanation in either Ledyard or the Haerye. It also had two pronunciations in Chinese, approximately [ʑ] and [ɲ].

As a final piece of evidence, Ledyard notes that, with two exceptions, hangul letters have the simple geometric shapes expected of invention: ㄱ [k] was the corner of a square, ㅁ [m] a full square, ㅅ [s] a chevron, ㅇ a circle. In the Hunmin Jeong-eum, before the influence of the writing brush made them asymmetrical, these were purely geometric. The exceptions were ㄷ [t] and ㅂ [p], which had more complex geometries and were two of the forms adopted from ’Phagspa. For example, ㄷ [t] wasn't a simple half square, but even in the Hunmin Jeong-eum had a lip protruding from the upper left corner, just as ’Phagspa ꡊ d did, and as Tibetan ད d did before that.^[13]

Cognates of core hangul letters

Hangul	’Phagspa	Tibetan	Phoenician	Greek	Latin
ㅂ	ꡎ	བ	Wikimedia Foundation. 2010. Игры ⚽ Поможем сделать НИР Dion Esajas SM Supercenter Pasig Look at other dictionaries: Hangul — For other uses, see Hangul (disambiguation). Hangul 한글 Type …   Wikipedia Hangul — Dieser Artikel oder Abschnitt ist nicht hinreichend mit Belegen (Literatur, Webseiten oder Einzelnachweisen) versehen. Die fraglichen Angaben werden daher möglicherweise demnächst gelöscht. Hilf Wikipedia, indem du die Angaben recherchierst und… …   Deutsch Wikipedia List of English words of Korean origin — Words of Korean origin have entered other languages, including English. Words that appear in at least some English dictionaries; Hangul: from 한글, the Korean alphabet; Taekwondo: from 태권도 (胎拳道), a globally popular sport and martial artWords that… …   Wikipedia 'Phags-pa script — Phags pa ꡖꡍꡂꡛ ꡌ Christian tombsto …   Wikipedia Gari Ledyard — Gari Keith Ledyard (b. 1932, Syracuse, New York) is Sejong Professor of Korean History Emeritus at Columbia University. He is best known for his work on the history of the hangul alphabet. BiographyLedyard was born while his family happened to be …   Wikipedia ’Phagspa script — Infobox Writing system name=’Phagspa type=Abugida time=1269 ndash;c. 1360 languages=Chinese Mongolian Sanskrit Tibetan Uyghur fam1=Egyptian hieroglyphs fam2=Proto Sinaitic fam3=Proto Canaanite alphabet fam4=Phoenician alphabet fam5=Aramaic… …   Wikipedia Juche — Tower of the Juche Idea in Pyongyang Juche or Chuch e (Korean pronunciation: [tɕutɕʰe]) is a Korean word meaning main body or mainstream . In the Democratic People s Republic of Korea (North Korea), Juche refers specifically to a …   Wikipedia Rime table — A rime table or rhyme table (zh cpw|c=韻圖/韵图|p= yùntú |w= yün t u ) is a syllable chart of the Chinese language, a significant advance on the fanqie analysis used in earlier rime dictionaries. As China s native phonological model, it tabulates the …   Wikipedia Hapkido — This article is about Martial art. For the film, see Hapkido (film). Hapkido Hapkido tournament in Korea …   Wikipedia Hanja — Infobox Korean name width=120px hangul=한자 hanja=漢字 rr=Hanja mr=HanchaInfobox Writing system name=Hanja type=Logographic languages=Korean time=from bronze age to 1945 fam1=Oracle Bone Script fam2=Seal Script fam3=Clerical Script fam4=Kaishu… …   Wikipedia 18+ © Academic, 2000-2024 Contact us: Technical Support, Advertising Dictionaries export, created on PHP, Joomla, Drupal, WordPress, MODx. Mark and share Search through all dictionaries Translate… Search Internet Share the article and excerpts Direct link … Do a right-click on the link above and select “Copy Link”