- Vlada Divljan
Infobox musical artist
Name = Vlada Divljan
Alias =
Img_capt = Vlada Divljan & Old Stars Band
deletable image-caption
Img_size =
Landscape =
Background = solo_singer
Born = birth date|1958|5|10|mf=yBelgrade , FPR Yugoslavia
Origin =Belgrade ,Serbia
Genre = New WavePunk rock
Rock
Pop Rock
Art Rock
Electronic
Experimental
Occupation =Singer ,songwriter
Instrument = vocals
guitar piano
Years_active = 1968 – present
Label =Izgled Jugoton PGP RTB Zabava miliona
B92 Records
Favi
Automatik
Associated_acts =Idoli Apartchiks
Die TonzentraleVladimir "Vlada" Divljan (
Serbian Cyrillic : Владимир Дивљан), is aSerbia nsinger andsongwriter . He is known as the frontman for the Serbian and former Yugoslavrock band Idoli , as well as for his solo works.First bands, Zvuk Ulice
Divljan got interested in music in 1968, after a Drago Diklić concert in
Tučepi , a seaside resort where he went on a holiday with his family. After coming back toBelgrade he asked Zdenko Kolar and Boža Jovanović, two of his friends and neighbors, to form a band. The first instrument Divljan played was a small mandolin, due to the fact that he was a fan of Dubrovački Trubaduri. Later he got a guitar, Kolar bought a bass and Boža Jovanović used a tin barrel as a drum with metal sticks made by Kolar's father. The band was called Faraoni (Pharaohs) since Divljan had a necklace fromEgypt , given by his grandmother, with aTutankhamun medallion. Since there was a popular band fromKopar named Faraoni, the band was renamed to Holipe. Both Divljan and Kolar attended guitar course at the RU "Braća Stamenković" held by professor Branko Perišić who later appeared in the "Sve laži sveta" video.In order to have rehearsals the three would skip school. The rehearsals were held at the boiler-room in their building. The three had rehearsals there for about ten years. They held a free gig at the Dadov's upper floor.
The first serious band Divljan formed after graduation, in 1976 called Merlin soon renamed to Zvuk Ulice (Sound Of The Street). The band featured Divljan (guitar, vocals), Zdenko Kolar (bass), Dragan Mitrić (keyboards), Kokan Popović (drums) and Bora Atić (saxophone). The band was a combination of melodic rock, hard rock and jazz rock. The band performed cover versions of
The Beatles ,Rolling Stones ,Jimi Hendrix songs and their own songs. The band performed atZaječar Guitar festival andNovi Sad BOOM festival. They also had some sessions at Radio Belgrade but due to Kokan Popović's departure to serve the army, the band ceased to exist.Dečaci and Idoli
In late 1979 Divljan, a college student, met his close high school friend Srđan Šaper at a party. Šaper, a student at
University of Belgrade 's Faculty of Medicine and his friendNebojša Krstić decided to form a band and Divljan jokingly offered to be the band's drummer. He took Šaper andNebojša Krstić to his building's basement where he had rehearsals and where Kolar's and his equipment was placed. Having realized that the two could not play bass and guitar as they planned, Divljan invited his old fiends Kolar on bass and Jovanović on drums, so the band had a musician an non-musician factions. The band was called Dečaci (The Boys). At the same time Dečaci met Dragan Papić, photographer and journalist, who became the band's creative mentor, who published Dečaci photos in a well known youth magazine "Vidici". The photos had subtitles featuring gay-themed comments. It was a conceptual band without recordings.While the public got interested in the band through photos and graffiti which could be seen on
Belgrade 's walls, the band had to show some proof of existence. Dečaci were renamed toIdoli (The Idols) onMarch 1, 1980 at the first rehearsal on which Divljan wrote the first song "Retko te viđam sa devojkama " ("I Rarely See You With Girls"), one of the first gay-themed songs ever written inYugoslavia . In a month's period "Retko te viđam sa devojkama " and "Pomoć, pomoć " were recorded and released as a present with theApril release of "Vidici" magazine. The positive critics opened many doors toIdoli including an opportunity to sign a contract withJugoton a majorYugoslav record label.By the timeMaljčiki single came outIdoli were already working on the "Paket aranžman " (Package Deal), a various artists compilation which proved to be one of the most influentialYugoslav rock releases. The next release was the VIS Idoli EP featuring six new songs. Divljan appeared as writer and lead vocalist for most of the tracks. TheEP was sold in about 200.000 copies.For the recording of the first album Kokan Popović, Zvuk Ulice drummer, became the new
Idoli drummer. "Odbrana i poslednji dani" was released in early 1982. The album represents a conceptual effort dealing with an anthropological approach towards orthodoxy. Divljan beside guitar played piano and provided lead vocals for most of the tracks. Odbrana tour proved to be a success unlike the album which was sold in 50.000 copies which. The record company considered a failure even though it was pronounced the best album and best album design of 1982. Foreign magazines also released positive critics and in 1985 "Džuboks" pronounced "Odbrana i poslednji dani" the bestYugoslav rock record of the 20th century.The next release was recorded in
London with producer Bob Painter. Zdenko Kolar went to the army and was replaced by Branko Isaković. The sound was strictly commercial and proved to be the band's greatest success. For "Čokolada" Divljan did not put a lot of effort as he was preparing a university degree at the time. He wrote Radostan dan", "Vetar i zastave" and "Ja sam tu" (for which Divljan added a verse from Mišo Kovač track "Plakat će zora" written by Drago Britvić).After the
Ljubljana show, on "Čokolada" tour, the band members had a quarrel which resulted the break up ofIdoli . The lastIdoli release was a soundtrack album for Šest dana juna movie for whichJugoton insisted to be released as anIdoli album. The entire soundtrack was written by Divljan (he considers this album his first solo release), while the rest of the band plus some guests recorded their parts.Solo career
Yugoslav years
When
Idoli disbanded, Divljan had an idea of forming a band Hondidni Sinovi (Honda's Sons) featuring Branko Isaković on bass, Ivan Stančić Piko on drumms and Dragomir Mihajlović Gagi on guitar, but decided to pursue a solo career.The album "Tajni život A. P. Šandorova" was recorded with Aleksandar Šandorov who used to work only on classical music. Keyboard player Đorđe Petrović also appeard on the album. The album brought a variety of musical styles, instrumentals "1986" and "1987", minimalistic swing "Neću ništa da znam" ("I Don't Want To Know Anything"), ballad "Više nisam tu" ("I Am Not Here Anymore") and sampled hit "Patuljci" ("
Gnome s"). For the first time Divljan used sampled music, including sound recordings ofZastava 750 engine, glass breaking, cricket and anvil percussion sounds. The tour for "Tajni život A. P. Šandorova" featured Zdenko Kolar on bass, Aleksandar Šandorov on keyboards and Marko Milivojević on drums. He also appeared live with the Film faction Le Cinema and the song "Maršal" ("Poslednji dani" with the missing verse) appeared on Le Cinema's live album "Rocking At The Party Live!" released by Suzy Records in 1989.For the soundtrack of "Čovek u beloj jakni" ("Man In A White Jacket") TV series, Divljan recorded cover version of
The Beatles songs mainly from their self title record also known as theWhite Album . He recorded songs for the TV show "Podijum" ("The Stage"), for the "Kako je propao rokenrol" ("The Fall Of Rock 'n' Roll") omnibus movie, Divljan recorded soundtrack for the "Do izvora dva putića" ("Two Paths To The Spring") section directed by Zoran Pez. With Srđan Gojković Gile ofElektricni Orgazam he participated the theater piece "Rokenrol za decu" ("Rock 'n' Roll For Children") and the music from the piece was released on a record and featured cover versions of popular children songs. "Rokenrol bukvar" (Rock 'n' Roll Alphabet) was another children's music project this time a soundtrack of the famous Ljubivoje Ršumović children TV show "Fazoni i fore".During 1990 Divljan, Piko Stančić, Gile and Zoran Radomirović Švaba released the "Lutka koja kaže ne" album faturing lyrics by Divljan and Gile and a cover version of Đorđre Marijanović's song "Lutka koja že ne". The track "Vi ž'tem mon amur", dedicated to
Serge Gainsbourg and his hit "Je t'aime... moi non plus ", featured samples of the recordings byBlack Sabbath , Time, intro by Žika Jelić,Yu grupa bassist, for "Kosovski božuri" recorded live at BOOM pop festival and the voice ofMilena Dravić taken from heraerobics tape. A cover version of the song "Srećan ti rođendan" ("Happy Birthday"), which Divljan wrote for Slađana Milošvić, also appeared on the album. In the Summer of 1991 Divljan helped Srđan Gojković Gile on his second solo project which is actually the "Crni bombarder" ("Black Bomber") soundtrack album.Australian years
On
August , 1991 Divljan moved toAustralia . He started playing rock standards with local bands, collaborated with singerMax Sharam and worked in a local Serbian radio station. Having started working on TV and movie soundtracks he was included into the Movie Composer's Society and in 1996 started studying at theUniversity of Sydney , section Sound studies of the Movie Academy. He got the "Audio Excellence" award byAmpex Corporation for the short movie "Flying Over Mother" for which he did sound design and music. He was also awarded by theCBS for the short soundless movie "Drip".During a short period spent in
FR Yugoslavia in the late 1995/ early 1996, he formed the Old Stars band consisting of Aleksandar Šandorov (keyboards), Zdenko Kolar (bass), Srđan Gojković Gile (guitar, vocals), Marko Milivojević (drums) and Boris Bunjac (percussion). The band had two concerts atNovi Sad sad Studio "M", an NS Plus Unplugged and a regular show with electric equipment onJanuary 18 and 23, 1996. The material recorded from the shows was released on a live album entitled "Odbrana i zaštita" released through B92 Records records.In
January , 1997 back inAustralia Divljan worked on a project withLeb i Sol keyboard playerKiril Džajkovski entitled Apartchiks. The firstCD entitled "Dekada" (Decade), released by Avant Garde Records, featured four tracks with sampled speeches by former Yugoslav presidentSlobodan Milošević . The next release, "Recorded Suplement", featured nine tracks dealing with Divljan's and Džajkovski's exploration of the modern music.Back in Yugoslavia
On his second return to
Yugoslavia Divljan recorded the soundtrack album for the movie "Tri palme za dve bitange i ribicu" ("Three Palms Trees For Two Punks And A Chick"). With new techno oriented themes, the obscureIdoli track "Pomoć, pomoć " appeared in a new version recorded by Divljan and Ghuru Ghagi from the band URGH!. Ghagi with Šaban Bajramović also appeared on the cover version of "Tri palme na otoku sreće" ("Three Palms Trees On The Isle Of Happiness) sang by Divljan andBilja Krstić . The soundtrack also featured "Dekada" ("Decade") by Apartchiks, "Mačo" ("Macho") by Pressing and "Duboko disanje" ("Deep Breaths") by URGH!. Beside the Old Stars Band, the recording sessions featured guitarist Dušan Bezuha Duda (Banana, Zona B).In
July 1998 the Old Stars Band had a successful tour ofSlovenia and Divljan appeared as guest onBuldozer concerts. During the same year Divljan with his companions entered the studio inNovi Sad to record his comeback album "Sve laži sveta", the album was released in 2000. The album featured slower songs, a cover version ofBuldožer 's hit "Novo vreme" ("New Age"). The closing track "Rodina" was sang in Russian and used in anAustralian documentary about a Russian astronaut. Guest appearances featuredKiril Džajkovski (synthesizer), Mladen Đorđević (trumpet), Laslo Dieneš (trumpet) and Andrej Maglovski (accordion). TheCD also included a multimedia biographies of musicians, recordings of live performances and sections from the documentaries for which Divljan wrote the soundtrack.Vienna years
In the meantime Divljan met his Dina who is now his wife and got married. In
January , 1999 he got a son Stevan. He was only two months old when theNATO bombing campaign in Yugoslavia started. Since both Divljan and his wife did not want to bring up a child in war conditions, they decided to move toVienna . The original idea was to stay for a short period of time, but eventually it turned out to be their residence to this day.Shotly after moving to
Vienna , Divljan started working on different sound design projects. He also released an instrumental album "Vlada Divljan presents Die Tonzentrale" released in 2003 by B92 Records Records. The style of the album was a combination of jazz, blues, pop, rock and electronic music. He also participated theMilan Mladenović tribute album "Kao da je bilo nekad" with the cover of "Radostan dan" ("Joyful Day"). He composed music for the theater piece "Paviljoni" ("Pavilions") by Zijah Sokolović. He appeared as guest onKiril Džajkovski 's soundtrack for "Balcancan" (released in 2005 by Lithium Records) on the track "Baba zumbula" which became a hit in theRepublic of Macedonia . Divljan and Bunjac recorded a soundtrack for "Sedam i po" ("Seven And A Half") directed by Miroslav Momčilović.In 2006 Divljan formed a new backing band called Nevladina Organizacija and did several live shows. He also started working on his new album with the work title "Esperanto" in the "Digimedia" studio in
Belgrade . The album would feature songs in Serbian, German andEsperanto . In an [http://www.popboks.com/vest.php?ID=8184 interview] he also stated that there are plans of making a web site about the album featuring the album itself, out-takes, instrumental tracks etc.In 2008 he recorded the soundtrack for the film "Na lepom plavom Dunavu" ("On The Beautiful Blue Danube"), "Kosovski dnevnik" by Željko Mirković and is currently working on the Miroslav Momčilović movie "Zovi me, ja sigurno neću biti tu" (Call me, I surely will not be there).
Discography
With Idoli
Singles
* "
Pomoć, pomoć " / "Retko te viđam sa devojkama " (Izgled 1980) - single given as a present with the "Vidici" magazine
* "Maljčiki " / "Retko te viđam sa devojkama " (Jugoton 1981)
* "Bambina" / "Stranac u noći " (Jugoton , 1983)
* "Ona to zna " / "Ljubavi " (Jugoton , 1985) - single given as a present with the "Džuboks" magazineEPs
* "VIS Idoli" (
Jugoton , 1981)Albums
* "
Odbrana i poslednji dani " (Jugoton , 1982)
* "Čokolada " (Jugoton , 1983)Soundtracks
* "Šest dana juna" (
Jugoton , 1985)Box Sets
* "Paket Aranžman" (Croatia Records, 2007) - 3 CDs Box Set
* "VIS Idoli" (Croatia Records, 2007) - 4 CDs Box SetVarious Artists Compilations
* "
Paket aranžman " (Jugoton , 1980)
* "Svi marš na ples! " (Jugoton , 1981)
* "Vrući dani i vrele noći " (Jugoton , 1982)
* "Novi val osamdesetih " (City Records , 2005)
* "Pop - Vol. 1 " (PGP RTS , 2005)
* "Retromanija osamdesetih " (City Records , 2006)Solo works
Studio albums
* "Tajni život A. P. Šandorova" (
PGP-RTB , 1988)
* "Sve laži sveta" (Automatik, 2000) - as Vlada Divljan Old Stars Band
* "Vlada Divljan presents Die Tonzentrale" (B92 Records, 2003) - as Die TonzentraleLive albums
* "Odbrana i zaštita" (B92 Records 1996) - as Vlada Divljan Old Stars Band
Collaborations
Studio albums
* "Rokenrol za decu" (
PGP RTB , 1989) - with Srđan Gojković Gile
* "Rokenrol bukvar" (PGP-RTB , 1990) - with Srđan Gojković Gile
* "Lutka koja kaže ne" (PGP-RTB 1991) - with Srđan Gojković Gile, Ivan Stančić Piko and Zoran Radomirović Švaba
* "Recorded Supplement" (Avan Garde Records, 1997) - withKiril Džajkovski (as Aparatchiks)EPs
* "Decade" (Avant Garde Records, 1997) - with
Kiril Džajkovski (as Aparatchiks)Guest appearances
Studio albums
* "Tko mari za čari" (
Jugoton , 1987) - guitar on the track "Ne dozvoli" byCacadou Look
* "Zaljubiška" (PGP RTB , 1991) - writer of the track "Srećna Nova Godina" by Lepa Brena & Slatki Greh
* "Crni bombarder" (ZAM, 1992) - guitar and backing vocals on Srđan Gojković Gile soundtrack album
* "Pirat" (Round Records, 1999) - guitar onZona B album
* "First & Last" (Automatik Records, 2000) - vocals on Eva Braun version of "Hajde sanjaj me, sanjaj"
* "Harmonajzer" (PGP RTS , 2002) - guitar on the track "Zato stojim sam" byElektrični Orgazam
* "Balcancan" (Lithium Records, 2005) - vocals onKiril Džajkovski 's soundtrack album on the track "Baba zumbula"
* "Autobus Calypso" (Aquarius Records, 2007) - vocals onCubismo version of "Devojko mala" entitled "Nina Bonita"Live albums
* "Rocking At The Party Live!" (Suzy Records, 1989) - Guest on the Le Cinema live album on the track "Maršal"
* "Koncert" (Nika, 2005) - Guest on Vlada kreslin's live album on tracks "Malena" and "Dok dobuje kiša"Various artists compilations
* "Pop-Rok (Beogradsko Proleće '81)" (
PGP RTB , 1981) - as writer of Slađana Milošević & Ljudi track "Srećan Ti Rođendan"Soundtracks
* "Kako je propao rokenrol" (Taped Pictures, 1989) - with Srđan Gojković Gile and Dušan Kojić Koja
* "Tri palme za dve bitange i ribicu" (Favi, 1998)Various Artists projects
* "Malcziki (Single)" - lead vocals on tribute version of "Malcziki" (yugo-wersja)
* "Yugoton " (BMG , 2001) - did backing vocals on tribute versions ofIdoli songs
* "Kao da je bilo nekad...(posvećeno Milanu Mladenoviću)" (Circle Records, 2002) - appears onMilan Mladenović tribute album with the song "Radostan dan"References
* EX YU ROCK enciklopedija 1960-2006, Janjatović Petar; ISBN 978-86-905317-1-4
* [http://vladadivljan.yurope.com Official web page]
* [http://forum.krstarica.com/archive/index.php/t-2272.html Vlada Divljan interview (Serbian source)]
* [http://www.nacional.hr/articles/view/37080/5/ Vlada Divljan interview (Croatian source)]
* [http://www.discogs.com/artist/Vlada+Divljan?anv=Vladimir+Divljan Vlada Divljan at Discogs]
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