Cosmopolitan Productions

Cosmopolitan Productions, also often referred to as Cosmopolitan Pictures, was an American film company based in New York City from 1918 to 1923 and Hollywood until 1938.

History

Newspaper tycoon William Randolph Hearst formed Cosmopolitan in conjunction with Adolph Zukor of Paramount after his bid for entry into the motion picture business was rebuffed by United Artists.^[1] The advantage of Paramount having a production deal with Cosmopolitan was that they had the film rights to stories that had appeared in the wide variety of Hearst's magazines, including Cosmopolitan magazine that the company was named after as well as Harpers Bazaar and Good Housekeeping. Thus the stories arrived pre-sold to the public who were familiar with them through reading them in the magazines.^[2]Hearst's magazines would also advertise and promote the films.

For its studio complex, Hearst acquired Sulzer's Harlem River Park and Casino at 126th Street and Second Avenue ^[3] but a fire in February 1923 destroyed the complex.^[4]

Cosmopolitan was primarily formed to promote the career of Hearst's lover, the actress Marion Davies. She appeared in twenty-nine silent and seventeen talking films with the company.

Due to disagreements with Paramount in the distribution of the Cosmopolitan Pictures in block booking venues, Hearst left Paramount to have his films released by other studios. Starting in 1923, they were distributed or co-produced by MGM until 1934 when a disagreement with Louis Mayer over the film Marie Antoinette led Cosmopolitan to go to Warner Bros..^[5]

Legacy

Robert G. Vignola is a director strongly associated with Cosmopolitan Productions. He directed several films there, including 1922's extravagant When Knighthood Was in Flower, which at a cost of $1.8 million, was the most expensive picture ever made at the time. Director King Vidor made three comedies with Cosmopolitan: Show People (1928), The Patsy (1928) and Not So Dumb (1930), each starring Davies. One film without Davies was The Mask of Fu Manchu (1932, MGM), which carried the yellow peril theme associated with Hearst's tabloid journalism.

Other important directors worked briefly with Cosmopolitan, such as John Ford with Young Mr. Lincoln (released 1939) and Howard Hawks with Ceiling Zero (in 1936).

Notes

1. ^ pp. 279-280 Nasaw, David The Chief: The Life of William Randolph Hearst 2001 Houghton Mifflin Harcourt
2. ^ p.280 Ibid
3. ^ p.102 Koszarski, Richard An Evening's Entertainment: The Age of the Silent Feature Picture, 1915-1928 University of California Press
4. ^ p. 208 Pizzitola, Louis Hearst over Hollywood: Power, Passion, and Propaganda in the Movies Columbia University Press
5. ^ p.189 Procter, Ben H. William Randolph Hearst: Final Edition, 1911-1951 2007 Oxford University Press

External links

• Complete filmography IMDB