Christian Friedrich Hebbel

Christian Friedrich Hebbel
Born	March 18, 1813 Wesselburen, Ditmarschen, Holstein
Died	December 13, 1863 Vienna, Austrian Empire
Occupation	poet and dramatist
Nationality	Germany
Notable work(s)	Judith; Maria Magdalene; Herodes and Mariamne; Agnès Bernauer; Gyges and His Ring
Notable award(s)	Schiller Prize

Christian Friedrich Hebbel (March 18, 1813 – December 13, 1863), was a German poet and dramatist.

Biography

Hebbel was born at Wesselburen in Ditmarschen, Holstein, the son of a bricklayer. He was educated at the Gelehrtenschule des Johanneums. Despite his humble origins, he showed a talent for poetry, resulting in the publication, in the Hamburg Modezeitung, of verses which he had sent to Amalie Schoppe (1791–1858), a popular journalist and author of nursery tales. Through her patronage, he was able to go to the University of Hamburg.

A year later he went to Heidelberg to study law, but gave it up and went on to the University of Munich, where he devoted himself to philosophy, history and literature. In 1839 Hebbel left Munich and walked all the way back to Hamburg, where he resumed his friendship with Elise Lensing, whose self-sacrificing assistance had helped him over the darkest days in Munich. In the same year he wrote his first tragedy, Judith (1840, published 1841), which in the following year was performed in Hamburg and Berlin and made his name known throughout Germany.

In 1840 he wrote the tragedy Genoveva, and the following year finished a comedy, Der Diamant, which he had begun at Munich. In 1842 he visited Copenhagen, where he obtained from King Christian VIII a small travelling studentship, which enabled him to spend some time in Paris and two years (1844–1846) in Italy. In Paris he wrote his fine "tragedy of common life," Maria Magdalena (1844). On his return from Italy Hebbel met at Vienna two Polish noblemen, the brothers Zerboni di Sposetti, who in their enthusiasm for his genius urged him to remain, and supplied him with the means to mingle in the best intellectual society of the Austrian capital.

Hebbel's old precarious existence now became a horror to him, and he made a deliberate breach with it by marrying (in 1846) the beautiful and wealthy actress Christine Enghaus, giving up Elise Lensing (who remained faithful to him until her death), on the grounds that "a man's first duty is to the most powerful force within him, that which alone can give him happiness and be of service to the world": in his case the poetical faculty, which would have perished "in the miserable struggle for existence". This "deadly sin," which, "if peace of conscience be the test of action," was, he considered, the best act of his life, established his fortunes. Elise, however, still provided useful inspiration for his art. As late as 1851, shortly after her death, he wrote the little epic Mutter und Kind, intended to show that the relation of parent and child is the essential factor which makes the quality of happiness among all classes and under all conditions equal.

Long before this Hebbel had become famous, German sovereigns bestowed decorations upon him; in foreign capitals he was feted as the greatest of living German dramatists. From the grand-duke of Saxe-Weimar he received a flattering invitation to take up his residence at Weimar, where several of his plays were first performed. He remained, however, at Vienna until his death.

Works

Die Nibelungen cover

Besides the works already mentioned, Hebbel's principal tragedies are:

• Herodes and Mariamne (1850)
• Julia (1851)
• Michel Angelo (1851)
• Agnès Bernauer (1855)
• Gyges and His Ring (1856)
• the magnificently conceived trilogy Die Nibelungen (1862), his last work (consisting of a prologue, Der gehörnte Siegfried, and the tragedies, Siegfrieds Tod and Kriemhilds Rache), which won for the author the Schiller prize.

Of his comedies Der Diamant (1847), Der Rubin (1850) and the tragi-comedy Ein Trauerspiel in Sizilien (1845), are the more important, but they are heavy and hardly rise above mediocrity. All his dramatic productions, however, exhibit skill in characterization, great glow of passion, and a true feeling for dramatic situation; but their poetic effect is frequently marred by extravagances which border on the grotesque, and by the introduction of incidents the unpleasant character of which is not sufficiently relieved. In many of his lyric poems, and especially in Mutter und Kind, published in 1859, Hebbel showed that his poetic gifts were not restricted to the drama.

His collected works were first published by E. Kuh in 12 volumes at Hamburg, 1866-1868.

Music

Some of Hebbel's works were set to music, such as his poem Requiem by Peter Cornelius and in Max Reger's Hebbel Requiem. Robert Schumann's opera Genoveva is based on a play of Hebbel. Emil von Reznicek composed in 1922 an opera Holofernes after Hebbel's Judith und Holofernes.

External links

• Works by Christian Friedrich Hebbel at Project Gutenberg
• The Complete Poems of Friedrich Hebbel (in German)

Films

• 1975 Glutmensch (A man aglow), 90 min.; Writer and Director: Jonatan Briel; SFB and “Literarisches Berliner Kolloquium” – Production

Plot: Werner Brunn plays Friedrich Hebbel, who is confined to his sickbed on his 50th birthday, and recalls his youth in his feverish dreams.

References

•  This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press. 

Persondata
Name	Hebbel, Christian Friedrich
Alternative names	Hebbel, Friedrich
Short description	German poet and dramatist
Date of birth	March 18, 1813
Place of birth	Wesselburen in Ditmarschen, Holstein
Date of death	December 13, 1863
Place of death